Par SARASATE PABLO DE. Célèbre pour son jeu fougueux, énergique et passionné, espagnol violoniste Pablo de Sarasate (1844-1908) était également connue pour la douceur et la pureté de son timbre et sa technique impeccable. Ses oeuvres sont plongés dans les traditions colorées de son pays natal, en s'appuyant sur des airs espagnols et des danses pour afficher la profondeur et la richesse des fonctionnalités du violon. Cette édition pratique et de performance avec un séparé, violon amovible contient trois des meilleurs morceaux et les plus difficiles du compositeur pour violon et piano: Zigeunerweisen (Airs gitans)- Carmen Fantasy, op. 25, sur la base de l'opéra de Georges Bizet, et l'introduction exaltante et Tarantella. Reproduit à partir des éditions faisant autorité, ces travaux sont essentiels au répertoire de tous les violonistes graves. / Niveau : Avancé / Répertoire / Violon et Piano

by Hubay and Sarasate for Violin and Piano. Par SARASATE PABLO DE / HUBAY JENO. Georges Bizet\'s opera Carmen had its first performance in Paris in 1875. In the audience was the 17-year-old Hungarian violin virtuoso and budding composer Jenö Hubay. After the performance Hubay started writing his Carmen Fantasy from memory. The following season for his debut recital in Paris, he included his newly created composition. It is a lyrical work of great beauty and brilliance. Hubay combined his career of a concertizing virtuoso, composer and violin pedagogue. At the Royal Conservatory in Brussels he became the successor of Vieuxtemps and Wieniawski. Later, Franz Liszt invited Hubay to lead the violin department in the newly created Budapest Music Academy. He created the world-renowned Hungarian school of violin playing. His student, Franz von Vecsey, recorded theCarmen Fantasy in 1904 at age 11! His other students included Joseph Szigeti, Zoltán Szekely, Sándor Végh, Endre Gertler, György Garay and many more. Hubay was a very active composer, creating over 120 works including operas, ballets, concertos, songs and instrumental compositions. Pablo de Sarasate wrote his Carmen Fantasy in 1882. It is a composition of drama and passion, written with his unparalleled brilliance for violin writing. This work has remained in the standard repertory, on programs of virtuoso soloists, as well as a required work for major competitions. / Date parution : 2021-12-09/ Recueil / Violon et Piano

Partitions pour piano, voix, guitare (tablatures et grilles d'accords) de cette jeune chanteuse très talentueuse, Carmen Maria Vega, et de son album `Ma Menteuse`. Pour ceux qui ne connaissent pas encore? www.myspace.com/carmenmariavega / Variétés Françaises / Partition / Cartonné / Plat de carton /

Classical Guitar Arrangements from Bizet's Opera Carmen. One might think that it would be impossible to arrange the music of Georges Bizet?s opera, Carmen, for solo classic guitar, but Néstor Ausqui has done it! While the guitar is an intimate and sweet-sounding instrument, it does not have a broad dynamic range; yet, as Dionisio Aguado proclaimed in his Nuevo Método para Guitarra of 1843, the classic guitar?s expansive palette of tone color gives it the ability to emulate ?a miniature orchestra?. These characteristics make the guitar the ideal instrument to reflect both the character and sensuality of the dances that occur throughout Bizet?s Carmen?Aragonaise, Habanera, Seguidillas, and Danse Bohéme?as well as Carmen?s sober ?Chant de la Mort?. Recommended for the advanced guitarist, Carmen Suite is written in standard notation with extensive digitation and occasional drop-D tuning. In Néstor Ausqui?s Carmen Suite, ??the guitar both sings like a human voice and accompanies itself, giving the work an irrefutable guitar identity. The characteristic feeling manifested in Spanish dance is now expressed through the guitar with a full and defined instrumental singularity.? ? Guillermo Rene? Alvarez Musicologist, Professor at the Instituto Superior de Mu?sica, Universidad Nacional del Litoral-Argentina

Composer arranger and Pianist Bizet might have become the most renowned opera composer in France had he not died aged 36 just one month after the premiere of Carmen. He was admitted to the Paris Conservatoire in 1848 and excelled under the tutelage of Zimmerman Halévy and Gounod as well as winning major prizes including the Prix de Rome in 1857. After travels in Italy he settled back in Paris and while struggling to secure commissions for his operas worked as a rehearsal pianist and an arranger of works for piano. His first staged work Les pêcheurs de perles was premiered at the Théâtre Lyrique in 1863 and met with a hostile press but itimpressed Berlioz and the director of the theatre Léon Carvalho would become a firm supporter. More successful were La jolie fille de Perth (1866) his suite from the incidental music to L’Arlésienne (1872) and his Jeux d’enfants for piano duet. In Carmen the scandalous story and Bizet’s depiction of the tragic heroine both outraged and intrigued and the opera ran for 47 performances in its first year and soon spread internationally. The music was a fulfilment of his genius for characterisation that had been seen in glimpses in his earliest works and the abundance of memorable tunes and fine orchestration continues to inspire generations of singers and musicians. Based upon the 1875 published version of the opera—with revisions and restorations by Jean-Claude Hartemann and further editorial overview by David Lloyd-Jones— the edition includes both the original spoken text as well as recitatives by Ernest Guiraud and the following sections: •Scène et pantomime N° 2 (Attention! Chut! Taisons-nous!) •Original Mélodrame after Marche et Choeur des gamins N° 3 (Il y a une jolie fille) •Original version of Carmen’s entrance aria N° 5 (L’Amour est enfant de Bohême) •Original version of N° 6 Scène (Carmen! sur tes pas nous nous pressons tous!) •Chanson et mélodrame N° 9 (Tra la la la … Ce ne sont pas des chansons que je te demande) •Original version of N° 17 Duo

Par SARASATE PABLO DE. George Bernard Shaw once remarked that although there are many composers of music for the Violin, there are only a few composers of Violin music. But where Pablo de Sarasate (1844-1908) is concerned, Shaw declared that the Spanish musician's talents as both a performer and composer 'left criticism gasping miles behind him. ' Famous for his fiery, forceful, and passionate playing, Sarasate was equally renowned for the sweetness and purity of his tone and his impeccable technique. As a composer steeped in the colorful music of his native land, he was well known for his many Violin works inspired by Spanish airs and dances, written to display the instrument'scapabilitie. Carmen Fantasy, Op. 25, is Sarasate 's much-loved Violin fantasy based on Bizet's Carmen. It includes excerpts of different movements from the Carmen suite, including the familiar Habanera and opening movement. Sarasate 's popular arrangement and variations on the opera's themes are staples of the Violin repertoire. This full-score version stands as the most affordable available, and it offers both performers and listeners extra insights into a celebrated work. Reprint of an early authoritative edition./ Répertoire / Orchestre

Carmen is the famous opera by Georges Bizet acclaimed for its incredible songs and accurate depiction of emotion. This is the sheet music for the seventh suite Chanson Du Toréador arranged for Piano and Voice. The opera is based on the novel by Prosper Mérimée with lyrics by Henri Meilhac and Ludovic Halévy. The performance is in the 'opéra comique' genre meaning musical numbers are interrupted by dialogue allowing the opera to bridge the gap between comic musicality and serious realism. Sadly Georges Bizet passed away before he was able to experience Carmen's worldwide popularity.With this Carmen sheet music you can play and perform the Chanson Du Toréador a brilliant song on its own or as part of the entire opera.

Pablo De Sarasate's Carmen Fantasy or Fantaisie de Concert is a Violin fantasy based on themes from Georges Bizet's opera Carmen. This is arranged for Violin with Piano Accompaniment. The piece is one of Sarasate's best-loved works and contains an adaptation of the Aragonaise Habanera an interlude Seguidilla and the Gypsy Dance. Considered to be one of the most technically difficult and challenging works for Violin this sheet music will be an invaluable aid to learning each and every brilliant note.

Here are the Vocal selections from the popular musical Carmen Jones which is based on the famous opera Carmen by Georges Bizet. This fabulous collection comprises seven songs which include: Beat Out Dat Rhythm On A Drum Dat's Love and Stan' Up An' Fight'.

EZ Play Today 195: Opera Favoris propose 30 sélections de chefs-d'oeuvre de l'opéra, arrangé spécialement pour l'orgue, piano et clavier électronique. Ecrit en grand format note EZ Play Today 195: Opera favoris comprend des pièces de La Bohème, La Traviata, Carmen, La Flûte enchantée et beaucoup plus. Doté d'un système de numéro d'enregistrement innovant, les musiciens sont en mesure de faire correspondre les numéros d'enregistrement sur ??les chansons des catégories numérotés correspondant, leur permettant de sélectionner et d'activer les sons appropriés sur leur instrument. / Piano

Symposion 2001 (Studien Zu F.Schmidt Xiv) -Ottner Carmen (Herausgeberin - Sous La Direction De). Par OTTNER CARMEN. 306 Seiten, brosch./ Accessoire / Théâtre Musical