| Vamoosh Christmas Violin 2 Violons (duo) [Partition] Vamoosh Music
Vamoosh Christmas for young Violinists. 12 well known Christmas items arranged f...(+)
Vamoosh Christmas for young Violinists. 12 well known Christmas items arranged for Violin duo with optional accompanying backing-track or piano. Books are compatible with Vamoosh Christmas for Viola, Cello, Double Bass, Flute and Recorder so you can join friends for a Christmas feast of music making. Backing-tracks are available on many online platforms such as Spotify, iTunes, GooglePlay and YouTube. Search for Vamoosh Christmas Backing-tracks./ Recueil / 2 Violons
9.80 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Vamoosh Christmas Cello 2 Violoncelles (duo) [Partition] Vamoosh Music
Vamoosh Christmas for young Cellists. 12 well known Christmas items arranged for...(+)
Vamoosh Christmas for young Cellists. 12 well known Christmas items arranged for Cello duo with optional accompanying backing-track or piano. Books are compatible with Vamoosh Christmas for Violin, Viola, Double Bass, Flute and Recorder so you can join friends for a Christmas feast of music making. / Recueil / 2 Violoncelles
9.80 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Telemann G.ph. - Sonata
A Minor - Flb Alto,
Violon Et Bc Flûte à bec, Violon,
Basse continue Schott
A minor - treble recorder, violin and basso continuo (piano, harpsichord.); cell...(+)
A minor - treble recorder, violin and basso continuo (piano, harpsichord.); cello (viola da gamba) ad lib. editor: Friedrich, Wilhelm
18.50 EUR - vendu par Woodbrass Délais: Sur commande | |
| 12 Sonatas Op. 1 Vol.3 Flûte à bec Alto, Basse
continue [Conducteur et Parties séparées] Peters
for Recorder (Violin) and Fig. Bass Cello ad lib. Nos.7-9 / Violon Et Piano
33.60 EUR - vendu par LMI-partitions Délais: En Stock | |
| 12 Sonatas Op. 1 Vol.2 Flûte à bec Alto, Basse
continue [Conducteur et Parties séparées] Peters
for Recorder (Violin) and Fig. Bass Cello ad lib. Nos.4-6 / Violon Et Piano
26.70 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Bosun's Cheer -
Period Instrument Version VCE/VLN/VLC/DB::Voice, Violin, Cello,
Double Bass [Partition] Chester
Finnish composer Kaija Saariaho 's Bosun's Cheer , composed in 2014. Included he...(+)
Finnish composer Kaija Saariaho 's Bosun's Cheer , composed in 2014. Included here are the score and parts for the Period Instrument Version , arranged for a speaker, Violin, Cello and Double Bass. Born in Helsinki and having studied composition there and in Freiburg and Paris, Kaija Saariaho and nbsp - has achieved a great level of critical and audience acclaim now mid-career. Her previous work was notable for including electronics alongside more traditional instruments before going on to compose much larger works, including the epic opera 'L'Amour de Loin' in 2000, a recording of which won the 2011 Grammy award for best opera recording. and nbsp - This piece, Bosun's Cheer, is an exhilarating work, including some inventive instrumental techniques as well as a hauntingly poetic voice.The version for modern instruments can be found and nbsp - here . / Voix, Violon, Violoncelle Et Contrebasse
53.00 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Violin Recital Album,
Vol.2 Violon et Piano - Facile Barenreiter
These two collections (BA 9668, BA 9669) give young students and teachers a rich...(+)
These two collections (BA 9668, BA 9669) give young students and teachers a rich selection of recital pieces, either to complement the Sassmannshaus 'Early Start on the Violin? method or to play independently from it. As all the pieces are written entirely in first position, they can be used after just a few months of lessons.The piano part may be played by the teacher or an advanced student. As an alternative, the accompaniment can be played by a second violin.All the pieces are available in exemplary recordings on YouTube.From the contents of Volumes 1 and 2:Nursery rhymes, folksongs but also less well-known gems, as well as original pieces by the editors, all precisely tailored to meet the needs of young students.- New recital pieces for the tried and trusted Sassmannshaus violin method- All pieces written in first position- With a second violin part for duet performance- Available in freely accessible recordings on YouTubeKurt Sassmannshaus, the editor of a great many string editions in the Bärenreiter catalogue, continues the tradition founded by his father Egon Sassmannshaus in the 'Early Start? string methods. He developed these two new editions together with his wife Melissa Lusk and his son Christoph Sassmannshaus.Similar editions are in preparation for the cello. / Violon
26.40 EUR - vendu par LMI-partitions Délais: En Stock | |
| Violin Recital Album,
Vol.1 Violon et Piano - Facile Barenreiter
These two collections (BA 9668, BA 9669) give young students and teachers a rich...(+)
These two collections (BA 9668, BA 9669) give young students and teachers a rich selection of recital pieces, either to complement the Sassmannshaus 'Early Start on the Violin? method or to play independently from it. As all the pieces are written entirely in first position, they can be used after just a few months of lessons.The piano part may be played by the teacher or an advanced student. As an alternative, the accompaniment can be played by a second violin.All the pieces are available in exemplary recordings on YouTube.From the contents of Volumes 1 and 2:Nursery rhymes, folksongs but also less well-known gems, as well as original pieces by the editors, all precisely tailored to meet the needs of young students.- New recital pieces for the tried and trusted Sassmannshaus violin method- All pieces written in first position- With a second violin part for duet performance- Available in freely accessible recordings on YouTubeKurt Sassmannshaus, the editor of a great many string editions in the Bärenreiter catalogue, continues the tradition founded by his father Egon Sassmannshaus in the 'Early Start? string methods. He developed these two new editions together with his wife Melissa Lusk and his son Christoph Sassmannshaus.Similar editions are in preparation for the cello. / Violon Et Piano
22.70 EUR - vendu par LMI-partitions Délais: En Stock | |
| Concerto for Cello and
Orchestra
(Concertstück) Violoncelle, Piano [Partition] Peters
Original Version - Edition for Cello and Piano. Par SCHUMANN ROBERT. Schumann’...(+)
Original Version - Edition for Cello and Piano. Par SCHUMANN ROBERT. Schumann’s Cello Concerto Rediscovered
In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann’s original version of his Cello Concerto in A minor Op. 129 – a piece he actually called a ‘Concertstück’ – removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer’s manuscript held in the Biblioteka Jagiellonska in Kraków. This Full Score matches the separately available edition for Cello and Piano (EP 73488). Matching orchestral material is also available from the publisher.
Only modern Urtext edition based on Schumann’s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Cello and piano edition available separately from Edition Peters: orchestral parts available for rental Recording of the Concertstück featuring Josephine Knight available from Dutton
Robert Schumann’s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann’s original conception of the work – not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann’s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists.
Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiellonska in Kraków, to reveal Schumann’s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann’s original conception of the work as a Concertstück and restores Schumann’s musical text, free of posthumous interventions.
‘My ultimate wish,’ says the editor, ‘is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character – one that is lighter and happier, even “cheerful”, as Schumann himself described the work.'/ Répertoire / Violoncelle et Piano
23.20 EUR - vendu par LMI-partitions Délais: En Stock | |
| Concerto for Cello and
Orchestra
(Concertstück) Violoncelle, Orchestre [Partition] Peters
Original Version. Par SCHUMANN ROBERT. Schumann’s Cello Concerto Rediscovered
...(+)
Original Version. Par SCHUMANN ROBERT. Schumann’s Cello Concerto Rediscovered
In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann’s original version of his Cello Concerto in A minor Op. 129 – a piece he actually called a ‘Concertstück’ – removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer’s manuscript held in the Biblioteka Jagiellonska in Kraków. This Full Score matches the separately available edition for Cello and Piano (EP 73488). Matching orchestral material is also available from the publisher.
Only modern Urtext edition based on Schumann’s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Cello and piano edition available separately from Edition Peters: orchestral parts available for rental Recording of the Concertstück featuring Josephine Knight available from Dutton
Robert Schumann’s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann’s original conception of the work – not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann’s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists.
Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiellonska in Kraków, to reveal Schumann’s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann’s original conception of the work as a Concertstück and restores Schumann’s musical text, free of posthumous interventions.
‘My ultimate wish,’ says the editor, ‘is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character – one that is lighter and happier, even “cheerful”, as Schumann himself described the work.'/ Répertoire / Violoncelle et Orchestre
68.50 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| String Tunes Violin
Applebaum Cd (APPLEBAUM
SAMUEL) Violon [Partition + CD] Alfred Publishing
Arrangeur: Samuel Applebaum. Par APPLEBAUM SAMUEL. String Tunes was compiled fro...(+)
Arrangeur: Samuel Applebaum. Par APPLEBAUM SAMUEL. String Tunes was compiled from melodies Samuel Applebaum used to teach his string students. Michael Katz has produced the accompaniment CD (in traditional, jazz and rock styles) to motivate students to practice and perform for friends and family. The melodies are arranged in progressive order from the first three notes students learn to hte end of level one in most method books. These well-known (and some not-as-well-known) melodies may be played as a solo or in unison with other string instruments (violin, viola, cello, bass). If you have a balance control on your compact disc player, you may eliminate the recorded melody by turning the balance all the wayto the right. The number of the melody in the book is the same as the CD track number. Each recorded accompaniment has a count off to get you started. When you perform, announce the name of the song of your audience. / Rép Classique / Recueil / Violon
16.90 EUR - vendu par LMI-partitions Délais: En Stock | |
| A Little Night Music Piano Quintette: piano, violon, alto,
violoncelle, contre basse - Facile Schott
Petite musique de nuit de Mozart est une des pièces plus populaires dans la lit...(+)
Petite musique de nuit de Mozart est une des pièces plus populaires dans la littérature de l'orchestre classique. Le répertoire de concert classique contient une foule de travaux, y compris de nombreuses autres pièces merveilleuses. Beaucoup de joueurs de piano ont envie de jouer ces oeuvres au piano et à mieux les connaître. L'anthologie présente contient 60 chefs-d'oeuvre bien connues de la musique classique dans les arrangements pour piano qui sont faciles à jouer, tout en demeurant comme proche de l'original que possible. Toujours apprécié par le public, ces ' record favoris ' rendent chefs-d'oeuvre classique accessible aux joueurs de piano. C'est un ' treasure trove ' pour les leçons de musique et passe-temps jouer. / Piano
26.70 EUR - vendu par LMI-partitions Délais: En Stock | |
| Handel George Frideric -
Four Sonatas Op. 1 -
Treble Recorder And
Basso Continuo ; Cello
Ad Lib. Schott
COMPLETE IN THE SAME BOOK INSTRUMENTATION : TREBLE RECORDER (FLUTE, VIOLIN, OBO...(+)
COMPLETE IN THE SAME BOOK INSTRUMENTATION : TREBLE RECORDER (FLUTE, VIOLIN, OBOE) AND BASSO CONTINUO (PIANO) CELLO (VIOLA DA GAMBA) AD LIB. DATE DE PARUTION : 14/01/1986 NOMBRE DE PAGES : 56 COLLECTION : ORIGINAL MUSIC FOR RECORDER FORMAT : NEW EDITION PORTRAIT
19.60 EUR - vendu par Woodbrass Délais: Sur commande | |
| Vamoosh Christmas
Recorder 2 Flûtes A Becs [Partition] Vamoosh Music
Vamoosh Christmas for young Recorder players. 12 well known Christmas items arra...(+)
Vamoosh Christmas for young Recorder players. 12 well known Christmas items arranged for Recorder duo with optional accompanying backing-track or piano. Books are compatible with Vamoosh Christmas for Flute, Violin, Viola, Cello and Double Bass so you can join friends for a Christmas feast of music making. Backing-tracks are available on many online platforms such as Spotify, iTunes, GooglePlay and YouTube. Search for Vamoosh Christmas Backing-tracks./ Recueil / 2 Flûtes A Becs
9.80 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| What A Wonderful World
(ARMSTRONG LOUIS) Instrumentation Flexible [Partition] Faber Music Limited
Par ARMSTRONG LOUIS. If you can play just a few notes on the Recorder, then you'...(+)
Par ARMSTRONG LOUIS. If you can play just a few notes on the Recorder, then you're ready for this book. Here is a great selection of 12 pieces, perfect for your very first solos, all of them with simple, but attractive piano accompaniments. The pieces are arranged progressively, so you can hear the step-by-step improvement in your playing as well as simply enjoying the music. Includes pieces set for the ABRSM Descant Recorder examinations grade 1 and 2. / Répertoire d'Examen / Recueil / Ensemble Variable
28.50 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Team Strings (DUCKETT
BULL / GOODBORN) Violoncelle [Partition + CD] - Facile Faber Music Limited
Par DUCKETT BULL / GOODBORN. For everyone who wants to play strings. Team String...(+)
Par DUCKETT BULL / GOODBORN. For everyone who wants to play strings. Team Strings is ideal for individual, mixed instrument groups or class tuition. Allows violin and viola, or cello and bass to be taught in the same lesson - integrates with Team Brass, Team Woodwind, Team Recorder and Team Percussion to provide mixed instrumental ensembles - contains carefully graded music in a wide variety of styles, from Baroque and Classical to Folk, Film and Jazz - develops instrument-related aural skills, improvisation and composition - offers helpful notes for the teacher, together with piano accompaniments, ensemble scores and parts for wind, brass and percussion. Includes a 2-Octave Scale in the key of C Major. This edition includes a CD of over 75 digital backing tracks of all the melodies, excerpts and pieces for individual and group use. / Niveau : Facile / Recueil / Violoncelle
16.30 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Vamoosh Christmas Flute Flûte traversière [Partition] Vamoosh Music
Vamoosh Christmas for young Flute players. 12 well known Christmas items arrange...(+)
Vamoosh Christmas for young Flute players. 12 well known Christmas items arranged for Flute duo with optional accompanying backing-track or piano. Books are compatible with Vamoosh Christmas for Recorder, Violin, Viola, Cello and Double Bass so you can join friends for a Christmas feast of music making. Backing-tracks are available on many online platforms such as Spotify, iTunes, GooglePlay and YouTube. Search for Vamoosh Christmas Backing-tracks./ Recueil / 2 Flûtes Traversières
9.80 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Piano quartet (1925-26,
rev. 1935) (LEIVISKA
HELVI) Piano Quatuor: piano, violon, alto,
violoncelle Fennica Gehrman
Par LEIVISKA HELVI. Finnish composer Helvi Leiviskä (1902-1982) created a broad...(+)
Par LEIVISKA HELVI. Finnish composer Helvi Leiviskä (1902-1982) created a broad-based output of orchestral works, solo songs and chamber music. Her style could be described as moderate modernism, deriving influences from multiple sources such as late Romanticism, Symbolism, Expressionism, Existentialism and Neo-Classicism. Leiviskä's output is characterised by philosophical and religious themes, images of nature and narrative structures. Many of her works focus on human existential angst and spiritual searching and growth. Helvi Leiviskä originally completed her Piano Quartet in A major op. 1 in 1926 but revised it a decade later, in 1935. Written for the traditional piano quartet lineup (violin, viola, cello and piano), the work is in three movements and has a duration of about 25 minutes. It features religious and ecstatic imagery such as may be found in French, German or Russian neo-Romantic styles. Leiviskä's Piano Quartet is considered one of the cornerstones of her chamber music output. Its early version was premiered in two parts at student recitals of the Helsinki Music Institute (the 1st movement in 1925 and the 2nd and 3rd movements in 1926). The revised version was performed in full by Timo Mikkilä (piano), Sulo Aro (violin), Ilmo Ranta (viola) and Pentti Rautawaara (cello) on Finnish radio in 1939. The work was also on the programme of Leiviskä's second composition concert in 1945, being performed on that occasion by Jussi Jalas (piano), Erik Cronvall (violin), Erik Karma (viola) and Yrjö Selin (cello). Two commercial recordings have been released (Finlandia Classics 2012 and Telos Music 2016). It is published for the first time 2022 with an extensive foreword by Susanna Välimäki. The product includes the full score (piano part) and a set of string parts. Duration: c. 25'. Have a look inside by clicking 'sample'. / Date parution : 2022-05-31/ Répertoire / Quatuor avec Piano
64.00 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| VIVALDI A. - CONCERTO A
MINOR RV 108/PV 77 Flûte à Bec Schott
Instrumentation : treble recorder (flute, oboe), 2 violins and basso continuo; c...(+)
Instrumentation : treble recorder (flute, oboe), 2 violins and basso continuo; cello (viola da gamba) ad lib. Version : score and parts Date de parution : 15/04/1979 Nombre de pages : 31 Collection : Antiqua Format : New Edition portrait / Partitions classique / Bois / Flûte à bec / SCHOTT
24.30 EUR - vendu par Woodbrass Délais: Sur commande | |
| String Quartet No. 4
(LERDAHL FRED) Quatuor à cordes: 2 violons,
alto, violoncelle [Conducteur et Parties séparées] Schott
Chaconne. Par LERDAHL FRED. Chaconne (2016), for string quartet, was commissione...(+)
Chaconne. Par LERDAHL FRED. Chaconne (2016), for string quartet, was commissioned by the Daedalus Quartet to celebrate its 15th anniversary. The commission was supported by New Music USA, made possible by annual program support and/or endowment gifts from Pennsylvania Council on the Arts, Helen F. Whitaker Fund, and Aaron Copland Fund for Music.
My music has a substantial history with Daedalus. I composed the Third String Quartet (2008) for them, and subsequently they performed my three string quartets on several occasions and recorded them brilliantly on Bridge Records (Bridge 9352: Music of Fred Lerdahl, vol. 3). Chaconne is in one movement lasting 19 minutes. It is effectively my fourth string quartet. Quartets 1-3 form a unified cycle lasting 70 minutes. When I finished the cycle, I thought I would never write again for the medium; yet I could not resist the opportunity of working again with Daedalus. The issue was how to compose another string quartet unrelated to the earlier cycle. The solution came from my solo cello piece There and Back Again (2010), which was based on a four-bar variation pattern from a 17th-century chaconne. Unlike the asymmetrical phrases and expanding variations of much of my music, the chaconne form requires symmetrical phrases and strictly periodic variations. I wished to work again with these symmetries but on a larger scale. Chaconne also differs in character and expression from the three-quartet cycle. The cycle is inward and intense, a kind of psychological excavation. Chaconne is, for the most part, transparent and playful. Many of its textures emerge from little canons, not completely unlike the rounds that children sing. Any composer who writes in chaconne form (one thinks above all of the last movement of Bach’s D minor violin partita and the finale of Brahms’s Fourth Symphony) is confronted with the challenge of how to create a larger form out of a constantly repeating pattern.
My Chaconne grows from paired antecedent-consequent phrases, each variation lasting eight bars. The 50 variations group into three large rotations, forming three arcs of tension and relaxation, with subtle parallel connections across the rotations. Notwithstanding my attraction to chaconne form, I purposefully disguised its symmetries and periodicities in order to build an overall dramatic shape. Fred Lerdahl/ Répertoire / Quatuor à Cordes
182.80 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
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