Charles Wesley wrote this joyful hymn. Its theme of the rulership of God was meant to uplift his congregation from the persecution and hardship of their lives. It is loosely based on Paul's letter to the Philippians.

The lyrics of Charles Wesley are found in almost every denominational hymnal. This anthem is scored for mixed voices with either organ or piano. Methodists might use the piece on heritage Sunday but the work would also make a fine mother's day (festival of the Christian home) anthem or for peace and justice Sunday. The lovely lyrical lines and close connection to the text are hallmarks of Dan Forrest's musical expression.

The wonderful thing about Depth of Mercy are the sentiments the music yields. The open harmonies and the mournful cello establish an attentive emotion that is profound and grateful. The Charles Wesley text sounds contemporary in this Lenten setting. Excellent for the Lenten season and communion services.

We have come to trust that Mark Sheppard's musical settings will always be dynamic and engaging. Charles Wesley's text Jesus lover of my soul... still speaks to us today.

Majestic setting of Charles Wesley's text accompanied by organ and brass includes a verse for the congregation to join in.

Three jazz hymns. These jazz arrangements of well-known hymns were written for Andrew Earis and choirs of St Martin-in-the-Fields, London for various services and BBC broadcasts from that church. The setting of Come down, O Love divine supplies some new harmonic moves to Vaughan Williams? lovely tune Down Ampney, gradually adding vocal harmony through the verses, with a short descant section in the final verse. The compound-time arrangement of God is Love, which can also be sung to the supplied words of Charles Wesley?s hymn Love Divine, again adds more of Todd?s iconic jazz harmonies and textures in the vocal parts with each successive verse. The setting of Let all mortal flesh keep silence is structured to gradually build layers over the moody piano chords and the pedal harmony. At the end the music builds to a large climax for ?Lord most high?. The hymns can be performed using the supplied piano part or using the chord symbols above. Double bass may also be used in addition to piano, again following the supplied chord symbols, and parts for optional jazz ensemble are available. Performers of these hymns should feel free to include the congregation or audience in imaginative ways.

Paperback-This is an exciting and accessible anthem based on the popular hymn and set in the rhythmic metre of 7/8. The text written by Charles Wesley is suitable for services throughout the church's year.

Southern Harmony 1835-Scored for mixed voices keyboard and optional handbells Don McCullough sets this Charles Wesley text to the hymn tune Restoration use this work during Advent.

Tom Fettke's setting of this gentle worship song is worshipful and awe-inspiring. Incorporating the classic Charles Wesley And Can It Be? is an inspired choice enhancing the mood of the piece. Truly creative truly honest musical worship.

Charles Wesley's familiar and timeless text is found in this inspired new setting from Susan Naylor Callaway. The beautiful brief a cappella section moves quickly to a satisfying and broad final verse. Perfect for any time duringLent or Easter this is a simple and tender offering of sacrifice.

Par CLIFF RICHARD. Howard Goodall's setting of Love Divine for accompanied SSAA choir uses a well-loved text by Charles Wesley./ Recueil / Piano, Chant et Guitare

From the best-selling cantata Testament of Praise this anthem of thanksgiving is a beautiful reminder for us to have a grateful heart. This lesser-known Charles Wesley text was originally a table blessing and his gentlepoetic imagery combined with flowing melodic music help create a choral prayer of exquisite beauty. This selection is perfect for following the pastoral prayer on Thanksgiving or anytime.

Charles Wesley's text which is set to a sturdy early American hymn tune by James Lucas depicts the hope to enter into the heavenly home when life is ended. The steadfast and optimistic message of this splendid arrangement makes the work appropriate for both church and concert settings. Orchestral material is available on hire.

This baptismal anthem based on a text by Charles Wesley is written for two-part voices also effective for Communion