- Record Label: Sony
- Catalog#: 88697 720092
- Country Of Release: NLD
- Year Of Release: 2010
- Notes: 25 Original Albums In Noble Box

Himmelfahrtsoratorium. Par BACH JOHANN SEBASTIAN. Besides the Weihnachtsoratorium BVW 248, Bach composed an additional work for the feast days of the church year 1734/35: The Himmelfahrtsoratorium BWV 11 [Ascension Oratorio]. Although in its dimensions and character the oratorio is akin to his cantatas, it occupies a special position as a result of the epic text on which it is based; the text includes a biblical story. In particular, the festive atmosphere and instrumentation of the opening and closing choruses mirror the triumphant joy of Christ’s ascension. This is a new edition in the Stuttgart Bach Editions series, edited by Ulrich Leisinger./ Répertoire / Solistes SATB, Choeur SATB, 3 Trompettes, 2 Flûtes

Version Hellmann/Glöckner. Par BACH JOHANN SEBASTIAN. This is a revised edition of Diethard Hellmann’s reconstruction of the St. Mark Passion of 1723 based on parodies. It contains a new foreword by Andreas Glöckner which deals with the present state of research on the Passion. The edition now includes all 16 chorales which have been handed down and which appear in facsimile in this edition. This new edition serves the needs of practical performance as well as the interest in the history of the Passion as it has been handed down to the present day. / Oratorio / Répertoire / Solistes SAT, Choeur SATB, 2 Flûtes Traversières,

Par POTT. Verses from Psalms XCVIII, XCVI for Satb / Satb chorus a cappella./ Répertoire / SATB

Organ Accompaniments. Par RUTTER JOHN. This companion volume provides organists with new, dedicated three-stave accompaniments to twenty-four of the twenty-eight choruses in the main Sacred Choruses volume. In every case, these organ transcriptions, made by John Rutter, are based directly on the original orchestral versions and willfacilitate church performances without orchestra. / Musique religieuse / Répertoire / Orgue

Ergänzt Von Robert D. Levin. Par MOZART WOLFGANG AMADEUS. The Requiem is known to the general public in the version undertaken immediately after Mozart's death by his pupil Franz Yaver Süßmayr. The attacks against Süßmayr's completion began in 1825, when the so-called 'Requiem Controversy' erupted. Over the last decade a number of musicians have attempted to cleanse the Requiem of the deficiencies introduced by Süßmayr. The completion published here takes into account the tendencies of the newer versions (such as revised instrumentation, or recomposition of some parts). At this the character, texture, voice leading, continuity and structure of Mozart's music was observed. / Musique religieuse / Répertoire / Solistes SATB, Choeur SATB, 2 Cors de Basset, 2 Ba

Warm, joyful, and inviting . . . this new anthem offers your choir a creative means to proclaim the Christmas message with energy and celebration. After the statement of the main theme and chorus, 'Go Tell It on the Mountain' is creatively woven with original theme, adding an extra moment of unbridled joy. / Choeur Mixte (SATB)

Plus de 150 grands thèmes classiques, tous présentés dans le format ' busker ', en haut de gamme arrangements avec cordes symboles. Comprend Largo de Handel, Clair De La Lune de Debussy, Air de Bach sur une chaîne g et Elgar faste et circonstance mars. / Chant Et Guitare / 128 pages / Partition

Oratorio for Solo Tenor, Solo Violin, SATB, Children's Choir and Orchestra of Strings, Harp and Perc. Par ROTH ALEC. Alec Roth’s The Traveller is an oratorio for solo tenor, solo violin, SATB choir, children’s choir and an orchestra of strings, harp and percussion. In addition to writing six new poems for the piece, Vikram Seth has made English translations of twenty Indian texts from a rich variety of traditions and languages, including Sanskrit, Pali, Hindi, Urdu, Bengali, and Tamil. Taking as its theme the Ages of Man, the work is divided into six main sections: Unborn – Child – Youth – Adult – Old – Dead, followed by a short epilogue. In this universal tale of Man’s journey through life, the role of The Traveller is taken by the solo violin, The Companions by the Choir and The Poet by the tenor soloist. The Traveller was commissioned jointly by the Salisbury, Chelsea and Lichfield Festivals with funds provided by the Arts Council of England and the PRS Foundation. It was first performed by Mark Padmore (tenor), Philippe Honoré (violin) and the Britten Sinfonia, conducted by the composer, with the Salisbury Festival Chorus and Salisbury Area Young Musicians Junior Choir, at Salisbury Cathedral on 31 May 2008. This edition (EP73536a) is the vocal score. The full score (EP73536) is available to purchase and the orchestral materials are available for hire. / Date parution : 2022-07-23/ Répertoire / Ténor Solo, Violon Solo, SATB, Chœur d'Enfants et

Felix Mendelssohn can claim the credit of having ushered in the Bach-Renaissance with his arrangement and performance of the 'St Matthew Passion?. It was revived for the first time in the Berlin Singakademie on 11 March 1829, one hundred years after its premiere in Leipzig's Thomaskirche. A second arrangement was performed in Leipzig in 1841.Originally only available on hire as part of the edition published by Bärenreiter in 2009, this vocal score is now available on sale. It enables both the Berlin and the later Leipzig versions to be performed.A concordance provides information on the respective sequence of movements and their relation to the Bach Works Catalogue (BWV) and the 'New Bach Edition?.- Both Mendelssohn versions available in one edition- Easy-to-play idiomatic piano reduction / Piano

Par SCHUBERT FRANZ. Franz Schubert’s popular German Mass of 1827 follows in the footsteps of Michael Haydn’s work Deutsches Hochamt by turning to a German translation of the Ordinary mass. Its homophonic texture and largely syllabic setting of the words make it more accessible to lay choruses than Schubert’s masses in Latin, an advantage reinforced by its diatonic melodic writing and constantly slow tempos. The present edition reproduces the Urtext from the New Schubert Edition and presents the definitive second version for chorus and wind instruments. Since the piano reduction basically follows the choral lines and Schubert’s original organ part, however, the Mass can also be performedwith organ accompaniment. - Urtext from the New Schubert Edition - Standard work in the church music repertoire - Can be accompanied by organ or wind instruments - No vocal soloists necessary/ Répertoire / Chant

The composer says: Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee's (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: 'In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.' Over the last couple of years I moved back to Jelly Roll Morton's city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman's reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means 'conversation with the gods' in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao's (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950's following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo's ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece's characteristics and title for this piece: Mambo for MO. As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles' Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don't Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach's Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya! Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare's Twelfth Night, and played incidental music for their production of Bertold Brecht's The Good Woman of Sichuan. He has performed Carulli's Guitar Concerto in A, Leonard Bernstein's West Side Story and Marvin Hamlish's A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony's co-production of George Gershwin's Opera Porgy and Bess.