Original, acoustic jazz melodies for the jazz fan and anyone whowants to develop his or her musicality. With written-out solos andchords, improvisation is encouraged. In addition to playing alongwith the CD, you can also play the pieces as duets with twoprofessional musicians from the Chris Vadala Quintet. Listen, playand improvise with inspiring jazz music! / Saxophone Alto / 56 pages / niveau : Moyen / Partition + Cd

The Novello Book Of Hymns is a collection of 50 favourite hymns, inspiringly and engagingly written for SATB Choirs. Edited by David Hill, all the arrangements in this book are designed to be singable by congregations without music, and can be used in any church or school service.As well as providing uplifting versions of hymns, these arrangements also work well as easy anthems, enabling church and school choirs to learn an often striking and dramatic piece of music quickly and easily.The hymns have been arranged by a range of well-loved composers including Richard Lloyd, John Bertalot, David Hill, Stephen Jackson, Philip Moore, Christopher Robinson and many others.Editor of the collection David Hill is a Choral Advisor to Novello. He is Chief Conductor of the BBC Singers, Musical Director of the Bach Choir, Chief Conductor of the Southern Sinfonia, Associate Guest Conductor of the Bournemouth Symphony Orchestra, Music Director of Leeds Philharmonic Society, and Professor of Choral Conducting at Yale University. / Choeur Mixte (SATB)

30 powerful worship songs from today's top artists are featured in this songbook matching the latest CD release in the popular WOW series featuring songs from today's top Christian hit radio artists. Songs include: 10,000 Reasons (Bless the Lord) (Matt Redman) · Christ Is Risen (Tenth Avenue North) · Glorious Day (Living He Loved Me) (Casting Crowns) · Holy Spirit (Francesca Battistelli) · Love Came Down (Kari Jobe) · Our God (Chris Tomlin) · Redeemed (Big Daddy Weave) · The Stand (Hillsong Young and Free) · White Flag (Building 429) · Your Great Name (Natalie Grant) · and many more. / Piano/Vocal/Guitare (PVG)

from the Northeast of Ireland. This unique collection celebrates the contemporary fiddle music of northeast Ireland, much of it for the first time in print. Not surprisingly, given its location and long history of traditional music, the fiddle music of this region shares some characteristics with Scottish music, yet it has its own distinct style. For those who are not familiar with this ruggedly attractive part of Ireland, this book will introduce you to some of its music and musicians. The tunes presented here, collected by County Antrim fiddler, Rowan Leslie, have all been written relatively recently by local musicians. Each tune is offered in two versions-one with the barebones melody and suggested accompaniment chords, and a second with ornamentation, articulation and bowing details. All tune types from northeast Ireland are represented, including jigs and reels, polkas and hornpipes, marches, barn dances and waltzes, plus set dances and slow airs. Moreover, the biographical sketches and backstories provided for each composer and tune demonstrate how the land itself, along with personal experiences and relationships, influence the fiddle music of northeast Ireland. / Niveau : Facile / Musique traditionnelle anglaise, irlandaise, écoss / Date parution : 2020-04-11/ Recueil / Fiddle

Cantata for string orchestra and chorus. Triptych represents the concatenation and re-orchestration of two extant works. Movement I was commissioned with funds from The RVW Trust for the inaugural concert of the Choir of London conducted by Jeremy Summerly in Christ Church, Spitalfields on 18th December, 2004 - the work, premièred as Threnody, was subsequently toured by the Choir to Jerusalem and the West Bank from 19th-26th December, 2004. Movements II and III, commissioned by Portsmouth Grammar School with financial support from the PRS Foundation, were premièred as And There Was a Great Calm in a contiguous version for lower strings and upper voices by the Portsmouth Grammar School Chamber Choir and the London Mozart Players in a concert at Portsmouth Anglican Cathedral on 13th November, 2005 conducted by Nicolae Moldoveanu. The title of this latter section is taken from Thomas Hardy's poem of the same name, written at the signing of the Armistice on 11th November, 1918 - a couplet from which is set, in a moment of tranquillity, in the final movement. Relatively new to living in New York, I am much more aware of the independent, vibrant cultural plurality that exists today - it's probably the single most dazzling facet of the City and is largely responsible for the infamous 'edginess' that pervades daily life there. With this in mind, I set to work on Threnody (movement I here) in 2004 - I wanted to write something that was relevant to the Israeli/Palestinian issue without losing that City 'edge'. The texts, in English, are excerpted from a variety of sources: William Penn, William Blake, the Psalms of David and Muhammad Rajab Al-Bayoumi, an Egyptian poet of the early twentieth-century. Fast and rhythmically influenced by the music of North Africa in its syncopations, this movement was the first composition that evolved entirely from my New York perspective. From the moment that the commission for And There Was a Great Calm (movements II and amp - III here) was offered, I knew the piece I was about to embark upon would end up being linked with Threnody in some way. I realized that what I had been aiming for in Threnody served as a template for this new piece, originally composed for a Remembrance Sunday concert. Musical works connected with commemoration or memorials are often suitably pensive and slow - I wanted to start with that concept, but to bring in some of the relentless urban rhythms that had been such a large influence on my life in the preceding two years. The result is that that the second movement is quiet and gentle (a moment of recollection), while the final movement is much faster and vibrant, returning to a more openly elated rendering of the start of Triptych (the texts here dealing with transmigration and the future). and nbsp - I gratefully acknowledge the assistance of Bruce Ruben and Judith Clurman, as well as that of my parents, with the collation of the texts. Tarik O'Regan New York, February 2006 / Soprano, SATB Et Orchestre De Cordes

Par RAE JAMES. This work was written for and dedicated to the clarinettist Mark Walton OAM by way of a thank you for all his fine recordings and performances of my music. It was premiered in London by Mark and his accompanist David Miller OAM, on June 29th 2014 in the Princess Alexandra Hall at Royal Over-Seas League, Mayfair in a concert entitled ‘Clarinet Hidden Treasures from England’ which was organised to launch Mark’s CD of the same name. The two-disc album, as its title suggests, contains works for clarinet and piano in a variety of styles by English composers including Mike Cornick, Jonathan FeBland, Paul Harris, Paul Harvey, Joseph Horovitz, Gordon Jacob, Christopher Norton and Sid Phillips. This sheet music album includes two pieces: Cloudy Bay is in the north east of New Zealand’s South Island, brought to world fame by the fine Sauvignon Blanc wine sharing the same name. This movement is very dreamy and reflective in nature and was inspired by Mark’s exquisite, silky sound. Beatin’ about the Bush! is a celebration of Mark’s highly successful pioneering outreach programme of workshops bringing music to young musicians in the Outback of Australia and beyond. This is a lively movement in 3/8 time designed to display both performers’ dexterity, humour and musicianship./ Répertoire / Clarinette et Piano

Through the centuries, the Christmas season has inspired composers, poets, lyricists and hymn writers to apply their craft in devotion to this event.This book presents 100 arrangements of favorite Christmas carols and advent hymns for violin solo with guitar accompaniment. Suggested chordal accompaniment is included for each solo so that any chordal instrument can accompany the violin. The author has also indicated whether the guitarist should use fingerstyle or strum accompaniment. The music in this book spans centuries and represents a wonderful assortment of solos which may be used as preludes or offertories throughout the various seasons in the church year. / Niveau : Intermédiaire / Musique religieuse / Date parution : 2018-05-04/ Recueil / Violon et Guitare

for Trumpet and Guitar. Par BAY WILLIAM. Through the centuries, the Christmas season has inspired composers, poets, lyricists and hymn writers to apply their craft in devotion to this event.This book presents 100 arrangements of favorite Christmas carols and advent hymns for violin solo with guitar accompaniment. Suggested chordal accompaniment is included for each solo so that any chordal instrument can accompany the violin. The author has also indicated whether the guitarist should use fingerstyle or strum accompaniment. The music in this book spans centuries and represents a wonderful assortment of solos which may be used as preludes or offertories throughout the various seasons in the church year. / Niveau : Intermédiaire / Musique religieuse / Recueil / Trompette et Guitare

This incredible saxophone book contains 60 pieces for saxophone, from well-known film themes, classical pieces, jazz and blues standards, to showtunes and popular hits. All of the pieces have been specially arranged for beginner to intermediate Alto Saxophone / Saxophone

Maintenant vous pouvez jouer tous vos chansons préférées dans les années 90 avec ce Big Songbook de corde de guitare ! À l'intérieur, il y a 80 roches et pop classiques tout arrangés pour cordes de guitare avec les paroles complètes. Comprend les plus grands succès de Madonna, Prince, prenez ce, Westlife, The Cranberries, The Beautiful South, Robbie Williams, Suede et beaucoup d'autres. / Guitare / 192 pages / Partition