Music in Me - A Piano Method for Young Christian Students. By Carol Tornquist. Sacred Folio. Softcover. 32 pages. Published by Word Music.

By David Carr Glover. For Piano. Piano - Glover Christian Library. David Carr Glover Piano Library. Sacred. Level: Early Intermediate. Book. 24 pages. Published by Alfred Publishing.

(Music in Me - A Piano Method for Young Christian Students). Sacred Folio. Softcover. 48 pages. Word Music #080689418389. Published by Word Music

Music in Me - Theory and Technique Level 4. (Music in Me - A Piano Method for Young Christian Students). Sacred Folio. Softcover. 48 pages. Word Music #080689412387. Published by Word Music

Violin Duet and Piano with optional Viola and Cello - Grade 2.5

SKU: AP.36-52711464

Composed by Catherine McMichael. Duet or Duo; Performance Music Ensemble; Violin Duet. Ludwig Masters. Sacred. Score. Latham Music Enterprises #36-52711464. Published by Latham Music Enterprises (AP.36-52711464).

UPC: 679360786093. English.

Lyrically beautiful settings of these historically rich tunes, most with an open modal sound. Violin 1 is at the intermediate level, Violin 2 is slightly more advanced, and the piano part is moderately difficult. What Wondrous Love, My Shepherd Will Supply My Need, Rock of Ages, Holy Manna, Come Ye Sinners, Christian's Farewell and Bozrah. Piano part is optional.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Theory & Technique Level 3. Sacred Folio. Size 9x12 inches. 40 pages. Published by Word Music.

Theory & Technique Level 1. Sacred Folio. Size 9x12 inches. 32 pages. Published by Word Music.

Creativity Level 2. Sacred Folio. Size 9x12 inches. 32 pages. Published by Word Music.

Theory & Technique Level 2. Sacred Folio. Size 9x12 inches. 32 pages. Published by Word Music.

3-5 octave handbells - Grade 3

SKU: BP.HB6

Composed by Douglas E. Wagner. Arranged by Douglas E. Wagner. Handbell choir music. Sacred. Handbell part. Beckenhorst Press #HB6. Published by Beckenhorst Press (BP.HB6).

Arranged for 3-5 octave handbell choir. Level 3. Tune from Jeremiah Ingall's Christian Harmony (1805).

(Music in Me - A Piano Method for Young Christian Students). Sacred Folio. Softcover. 48 pages. Word Music #080689417382. Published by Word Music

Lesson (Reading Music) Level 1. Sacred Folio. Size 9x12 inches. 32 pages. Published by Word Music.

Hymns & Holidays, Level 3. Sacred Folio. Size 9x12 inches. 32 pages. Published by Word Music.

Composed by Mark Clark. Arranged by Brad Nix. Christian. Octavo. Celebrating Grace #622021306. Published by Celebrating Grace

SATB choir

SKU: BP.1249

Composed by John Carter. Arranged by John Carter. Sacred octavos. Sacred. Octavo. Beckenhorst Press #1249. Published by Beckenhorst Press (BP.1249).

From Ingall's Christian Harmony plubished in 1805 comes the basis for this John Carter SATB hymn. The text speaks of adoration for the Divine and the music is conceived in a way that makes it singable for any level of four-part ensembles. Suitable for general use.

Composed by Part Second Wyeth's Repository of Sacred Music, Becki Slagle Mayo, and Lynn Shaw Bailey. Arranged by Becki Slagle Mayo and Lynn Shaw Bailey. Christian. Octavo. Celebrating Grace #622021304. Published by Celebrating Grace

Creativity Level 3. Sacred Folio. Size 9x12 inches. 40 pages. Published by Word Music.

SSA choir, keyboard (organ or piano) - Late Intermediate to Advanced

SKU: MN.50-9916

Composed by Jeremiah Ingalls and Marie Stultz. Arranged by Jeremiah Ingalls. Innocent Sounds Series. 21st Century. Octavo. MorningStar Music Publishers #50-9916. Published by MorningStar Music Publishers (MN.50-9916).

UPC: 688670599163.

Setti ng of early American text and tune from The Christian Harmony, 1805. Accompaniment and part-writing are indicative of Ingalls' rustic harmonies and musical style.

Composed by Cindy Berry. Christian. Octavo. Celebrating Grace #622011302. Published by Celebrating Grace

Composed by Dale Peterson. Christian. Octavo. Celebrating Grace #622031307. Published by Celebrating Grace

Composed by Clayton White. Augsburg Choral Library. Christian, Sacred, Spiritual. Octavo. Augsburg Fortress #9781506479927. Published by Augsburg Fortress

Composed by Ruth Elaine Schram. Christian. Octavo. Celebrating Grace #622011301. Published by Celebrating Grace

For voice (unison or harmonized) and piano. Format: piano/vocal songbook. With vocal parts, piano accompaniment, introductory text and song text. Christmas and holiday. 112 pages. 6x9 inches. Published by G Schirmer, Inc.

Composed by Ruth Elaine Schram. Christian. Octavo. Celebrating Grace #622022306. Published by Celebrating Grace

Soprano and Symphonic Winds. Composed by Michael Daugherty (1954-). Michael Daugherty Music. Contemporary. Softcover. 100 pages. Published by Hal Leonard

Cl. pft. - Intermediate-Advanced

SKU: FT.FM618

Composed by Richard Lambert. A set of pieces for clarinet and piano. Score and part. Forton Music #FM618. Published by Forton Music (FT.FM618).

ISBN 9790570485178.

Abig ail's Jig, op. 10 no. 2a, This lively piece for clarinet and piano was composed in 1980 to celebrate the birth of Abby, the composer's daughter. The piece attempts to capture the atmosphere of an Irish jig as played by a piper, with a harmonically straightforward piano part, which uses a mixture of 'vamping' and melodic imitation of the flute part. The introduction is intended to be humorous and rather musically misleading, openly parodying the 'cowboy' music of Aaron Copland. Modal harmony helps to create the mood of pseudo-folk music. Cantilena, Op. 11b, Cantilena tries to capture a popular flavour, borrowing freely from pop and jazz styles: primary and secondary chords are used in arpeggiated piano figures, as mainstream ballads might do; pedal notes are a feature, especially on the tonic note; and a 'bluesy' style emerges in the third main theme. A pseudo-rock style is twice used in the climax section, which acts as a song-like chorus. Cantilena is in the key of D major overall, but even the introduction uses 'wrong note' harmony (notably flattened sevenths) to produce ambiguous tonality. The piece demonstrates a range of tone colour for the clarinet across a wide melodic range. Five Short Pieces, Op. 9a, This set of movements for clarinet and piano was originally arranged in 1985, and revised in 2008. The five pieces are elaborate transcriptions of To One, five songs to poems by Christina Rees, which convey the countless moods associated with a relationship.

Cl. Bsn. pft. - Intermediate-Advanced

SKU: FT.FM621

Composed by Richard Lambert. A set of pieces for clarinet, bassoon and piano. Score and parts. Forton Music #FM621. Published by Forton Music (FT.FM621).

ISBN 9790570485208.

Abig ail's Jig, op. 10 no. 2a, This lively piece for clarinet, bassoon and piano was composed in 1980 to celebrate the birth of Abby, the composer's daughter. The piece attempts to capture the atmosphere of an Irish jig as played by a piper, with a harmonically straightforward piano part, which uses a mixture of 'vamping' and melodic imitation of the flute part. The introduction is intended to be humorous and rather musically misleading, openly parodying the 'cowboy' music of Aaron Copland. Modal harmony helps to create the mood of pseudo-folk music. Cantilena, Op. 11b, Cantilena tries to capture a popular flavour, borrowing freely from pop and jazz styles: primary and secondary chords are used in arpeggiated piano figures, as mainstream ballads might do; pedal notes are a feature, especially on the tonic note; and a 'bluesy' style emerges in the third main theme. A pseudo-rock style is twice used in the climax section, which acts as a song-like chorus. Cantilena is in the key of D major overall, but even the introduction uses 'wrong note' harmony (notably flattened sevenths) to produce ambiguous tonality. Five Short Pieces, Op. 9a, This set of movements for clarinet, bassoon and piano was originally arranged in 1985, and revised in 2008. The five pieces are elaborate transcriptions of To One, five songs to poems by Christina Rees, which convey the countless moods associated with a relationship.