Edition : Paris, l'Auteur, 1787L'effectif de l'orchestre est modeste : cordes, 2 hautbois, 2 cors. Les parties des solistes peuvent être tenues par les chefs de pupitre de l'orchestre. La seconde symphonie concertante ajoute aux 2 violons solos, soit un alto solo, soit un cor solo. Pour cette édition, suivie d'un concert à l'Abbaye aux Dames, une mise en partition a été réalisée et jointe à ce fac-similé.Présentation par les étudiants de la formation supérieure aux métiers de l'orchestre des musiques classiques et romantiques - Abbaye aux Dames - Saintes : Biographie de Bertheaume, les symphonies de Bertheaume au Concert Spirituel, éléments d'interprétationParties séparées : violino primo principale, violino secondo principale, alto viola principale, corno principale, violino primo, violino secondo, alto, basso, - oboè primo, oboè secondo, corno primo, corno secondo / Instrument(s) Et Orchestre, (2 Violons Et Orchestre, 2 Violons, Alto Et Orchestre, 2 Violons, Cor Et Orchestre) / 141 pages / niveau : 1 / Fac-Similés - Format: 24 X 33

Edition : Paris, l'Auteur, Boivin, Leclerc, Roussel, 1737.Présentation de Jean Saint-Arroman : La terminologie des concertos de Leclair. Edition originale en parties séparées : Violino di concertino - Violino primo - Violino secondo - Alto viola - Violoncello e organo.En deux volumes, les douze très célèbres concertos opus VII et Opus X de J.M. Leclair, pour violon et orchestre à cordes. Le troisième concerto de l'opus VII peut se jouer à la flûte ou au hautbois. Les deux préfaces divisent les éléments d'interprétation (terminologie, agrémentation, effectif). / Instrument(s) Et Orchestre A Cordes, (Violon Et Orchestre A Cordes, Flûte Et Orchestre A Cordes, Hautbois Et Orchestre A Cordes) / 124 pages / niveau : 1 / Fac-Similés - Format: 24 X 33

Par HOFFMEISTER FRANZ ANTON. Une musique enchanteresse nous a donné une sérénade Hoffmeister avec le Nocturne en fa majeur, dans lequel les faucons flûte, en particulier dans l'Adagio, une musique de danse en plein essor. Articulatoire et affiné rythmique./ Répertoire / Flûte Traversière, 2 Cors, Violon, Alto et Violonc

Ed. Critica A Cura Di Matteo Giuggioli. Par RICCI FRANCESCO PASQUALE. Francesco Pasquale Ricci straddled two worlds: Italy, his homeland, where he received his education and where he had his first professional experiences, and Europe, which would be the stage of his bold artistic affirmation and the consolidation of a vast and complex network of personal relationships. Ricci’s European excursion, occasionally interrupted by visits to Italy, lasted sixteen years. While not as lengthy as that of many of his countrymen and ending, unlike the careers of many Italians, with a definitive return to the land of his birth, his European travels were no less important for his career. Thanks to this experience, Ricci was able to establish an internationalreputation and find, on a personal level, the stimulus and the occasions to bring to maturity his personality as a composer, filled with the aspirations and contradictions typical not only of artists, but of all creative men of his time. In this critical edition, 12 symphonies have been chosen in order to illustrate characteristics and general problems related to the entire corpus of these works. The Archivio della Sinfonia Milanese series is intended to bring together the symphonic repertoire in eighteenth-century Lombardy to encourage experts to study it, musicians to perform it and draw the attention of a wider audience. In particular, the series intends to publish the major works by progressive, European-oriented composers of the period from Milan or who were active there and in the Lombardy area, giving pride of place to compositions which have not yet been published in our time. / Niveau : Intermédiaire / Musique contemporaine / Date parution : 1905-07-09/ Répertoire / 2 Violons, Alto, Hautbois, Cor et Basse Continue