Piano, Vocal and Guitar SKU: HL.14006301 Composed by Jan Holdstock. Music...(+)
Piano, Vocal and Guitar
SKU: HL.14006301
Composed by Jan
Holdstock. Music Sales
America. Education.
Cassette. Composed 2015.
Golden Apple Productions
#GA11065. Published by
Golden Apple Productions
(HL.14006301).
English.
A
musical presentation with
five songs and
topic-linked narration,
celebrating the new
millennium and the 21st
century. If you need to
license a school/youth
theatre performance of
this product, please use
the online application
form.
Piano, Vocal and Guitar SKU: HL.14022429 Composed by Alison Hedger and Sh...(+)
Piano, Vocal and Guitar
SKU: HL.14022429
Composed by Alison Hedger
and Sheila Wainwright.
Music Sales America.
Musicals. Cassette.
Composed 2015. Golden
Apple Productions
#GA11010. Published by
Golden Apple Productions
(HL.14022429).
English.
A fun
musical play in rhyme
with seven songs for
Primary schools based on
the Grimm Brothers'
story. Meet the
flamboyant donkey who
revels in showing-off,
the kindly old dog who
discovers he can sing,
the slinky cat the
night-singer, and the
always-in-a-flap Rooster.
Whilst perfect singing
voices are not required,
enthusiasm and humour
are! The play has nine
main characters, a unison
speaking chorus, a body
of singers and a troupe
of dancing forest
animals. If you need to
license a school/youth
theatre performance of
this product, please use
the online application
form.
Soprano voice, bass voice, basso continuo SKU: FZ.5883 Composed by Andre ...(+)
Soprano voice, bass
voice, basso continuo
SKU: FZ.5883
Composed by Andre Campra.
Edited by Jean
Saint-Arroman. This
edition: Facsimile. La
Musique Francaise
Classique de 1650 a 1800.
Chamber Music. Score.
Published by Anne Fuzeau
Productions - France
(FZ.5883).
ISBN
9790230658836. 24.00 x
33.00 cm
inches.
This
facsimile of an original
by Andre Campra is part
of our French classical
music collection. Edition
: Paris, C. Ballard,
1714. Preface by Jean
Saint-Arroman: Campra's
prosody and
ornamentation. The sixth
cantata, Enee et Didon,
is for soprano, bass and
continuo. This Cantata
has been isolated from
the Second Book as it
appears in the
Agregation and Capes
(high level) teaching
examination programme.
The Second Book will
later be published in its
entirety. Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile
of a copy in the
Municipal Library of Lyon
(France). Anne Fuzeau
Classique propose period
copies of classical music
scores.
After
being some time away from
classical composition I
decided to challenge
myself and write one
short guitar piece daily.
I did it for a month and
ended up with around 20
Sketches. The original
idea was to make short
pieces for children.
Some turned out to be
too difficult for
students, so they might
become longer pieces in
the future. Some others I
just didn't like that
much. In the end I
selected the 10 Sketches
that I liked the most.
These 10 pieces
are intended for
intermediate level
players and each of them
focuses on a technical or
musical aspect.
Suite No. 1 Guitare Guitare classique [Conducteur] - Avancé Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4308 Composed by Giorgio Mirto. Score. ...(+)
Guitar solo - Advanced
SKU: DZ.DZ-4308
Composed by Giorgio
Mirto. Score. Les
Productions d'OZ #DZ
4308. Published by Les
Productions d'OZ
(DZ.DZ-4308).
ISBN
9782898522253.
Foll
owing a recent experience
on the jury of a guitar
competition, I noted with
great pleasure that
Giorgio Mirto, with whom
I had shared the role of
juror, wanted to
celebrate the experience
of the competition -
during from which we
discovered that we had
had a great affinity of
thought - with something
which could endure over
time and not evaporate as
often happens in short
and occasional meetings
between musicians. He did
it as a true composer,
which he is, and
dedicated to me a very
beautifully crafted Suite
to which I allowed myself
to collaborate at least
formally, by suggesting
titles for the four
movements. This is how
Suite n.1 was born, a
piece that does not
strictly respect the
formal rules of the
Baroque era, but
reinterprets and reuses
them in a new key. The
work's obvious late
Baroque inspiration led
me to find titles that
invited the performer to
delve deeper into the
work's aesthetic
inspiration. So I
suggested to Giorgio that
he title the four
movements with something
that linked their content
to four greats of the
18th century. German
masters. The prelude has
thus become from Eisenach
because of its sometimes
improvised Bach-like
atmosphere, the second
movement, vaguely
toccata, speaks an organ
language in the manner of
Buxtehude (who lived in
Lübeck), the slow
movement has a Handelian
quality - and Handel was
born in Halle - and the
last movement, far from
being a true Chaconne,
undoubtedly has the
latter's taste for
variation and ostinato,
typical traits of
Telemann who lived in
Magdeburg. The cities
that appear in the titles
are therefore indelible
to the authors cited.
Furthermore, one should
not think that the style
of the work is in any way
German, given that
Giorgio Mirto expresses
himself in a very joyful
language that synthesizes
modality with minimalism,
all seasoned with a a nod
to Pink's progressive
rock Floyd. or a Mike
Oldfield... The result of
this mixture of ideas,
inspirations and styles
is a work that personally
I never tire of reading
and rereading, for the
freshness that emanates
from it and for the
climate expressive which
rises, nourishing itself
with full efficiency. We
ultimately cannot ignore
that the note B, the one
which marks in a minor
way some of the most
expressive works of the
guitar repertoire, from
the study of Sor which
made generations of
students fall in love
with the guitar, until to
that of Frank Martin's
Four Pieces via La
Catedral di Barrios, is
the modal fulcrum of the
entire Suite: it is true
that the Prelude begins
with a clear chord in E
minor and lingers on an
open ending in A minor ,
but it almost seems that
the initial E serves as a
launching pad for a
continuation of the work
in which the dominant,
that is to say the B, is
the true musical North,
the pole star which
guides us in the other
three movements until the
end of the Chaconne de
Magdebourg. I wish
Giorgio and our Suite
great longevity and a
favorable destiny in the
complex and complex world
of contemporary guitar
composition. And I thank
him again, flattered by
his very kind
dedication.
Guitar duet - Intermediate SKU: DZ.DZ-4311 Composed by Louise Farrenc. Ar...(+)
Guitar duet -
Intermediate
SKU:
DZ.DZ-4311
Composed
by Louise Farrenc.
Arranged by Eddie Healy.
Score and parts. Les
Productions d'OZ #DZ
4311. Published by Les
Productions d'OZ
(DZ.DZ-4311).
ISBN
9782898522284.
Loui
se Farrenc was a
profoundly influential
French composer,
performer, professor, and
author. Though she would
ultimately become quite a
sought-after performer,
her potential as a
composer was recognized
quite early on. Women
were not permitted to
enroll in conventional
composition classes at
the Conservatoire de
Paris at the time, but,
she did receive private
lessons from Anton
Reicha, the professor of
composition there. Years
later she would receive a
permanent appointment as
Professor of Piano at the
same institution, a
position she held for
thirty years. She was the
only woman during the
19th century to bear that
title. Her piano
etudes possess
pedagogical value as well
as great beauty and
character. These works
lend themselves quite
well to the guitar duo
setting. While I have
rendered all of
Farrenc’s
melodies quite
faithfully, I have taken
liberties with the
accompaniments in order
to make them more
idiomatic to the guitar.
Likewise, many of the
effects of which the
guitar is capable have
been brought to bear in
ways that deviate from
the original intent of
the etude. Alternatively,
the challenges that some
of these etudes were
meant to address for the
piano student are
amplified by this
adaptation. For example,
etude 5 is intended to
enable the piano student
to improve the
coordination between
their left and right
hands. It certainly
presents a challenge in
that regard to the guitar
duo! These selections
are entirely suitable for
guitarists with limited
experience, though they
could, of course, be
beautifully realized by
players with a great deal
more experience as
well.
This
cycle, containing 20
studies for solo guitar
is inspired from Bela
Bartok’s didactical
works, such as For
Children or Mikrokosmos.
The common element found
in his works and mine are
the themes coming from
the children folk music
which are very rich in
Hungary and moreover in
Romania. All the
developed songs I used in
this volume are a little
part of the ritualic
music of the Romanian
children. These little
studies are polyphonic
and harmonic exercises
which are very useful for
the young guitarists.
The modal structures
give to this score a
unique flavor and invite
the musicians to discover
an astonishing music
tradition.
Harpsichord SKU: FZ.5835 Serie I - France 1600-1800. Edited by Phi...(+)
Harpsichord
SKU:
FZ.5835
Serie I -
France 1600-1800.
Edited by Philippe
Lescat, Jean
Saint-Arroman. This
edition: Facsimile.
Methodes & Traites.
Score. Published by Anne
Fuzeau Productions -
France (FZ.5835).
ISBN
9790230658355. 24.00 x
33.00 cm
inches.
These early
music methods are in
facsimile in two books.
ANCELET - Antoine
BEMETZIEDER (1-2) -
Jean-Laurent de BETHISY -
Michel CORRETTE (2) -
Denis DIDEROT - Jacques
DUPHLY (1-2) -
Encyclopedie -
Encyclopedie methodique -
Louis-Joseph le neveu
FRANCOEUR - Pierre Claude
FOUCQUET (1-2) -
Francois-Alexandre-Pierre
de GARSAULT -
Jean-Benjamin de LABORDE
- Philippe MACQUER -
Friedrich Wilhelm MARPURG
- Jean-Philippe RAMEAU
(4) - Jean-Jacques
ROUSSEAU - Simon SIMON.
Table of contents:
Corrette Michel: Les
amusements du Parnasse -
1749. Foucquet Pierre
Claude: Les caracteres de
la paix - 1749. Foucquet
Pierre Claude: Second
livre de pieces de
clavecin - 1751.
Encyclopedie:
Encyclopedie ou
dictionnaire raisonne -
1751/1772. Duphly
Jacques: Troisieme livre
de pieces de clavecin -
1756. Ancelet:
Observations sur la
musique - 1757. Rameau
Jean-Philippe: Code de
musique pratique - 1760.
Garsault
Francois-Alexandre-Pierre
de: Notionnaire - 1761.
Simon Simon: Pieces de
clavecin - 1761. Bethisy
Jean-Laurent de:
Exposition de la theorie
- 1764. Rousseau
Jean-Jacques:
Dictionnaire de la
musique - 1768. Duphly
Jacques: Du doigter - c.
1769. Diderot Denis:
Manuscrit autographe - s.
d. Bemetzrieder Antoine:
Lecons de clavecin -
1771. Francoeur
Louis-Joseph le neveu:
Diapason general - 1772.
Macquer Philippe:
Dictionnaire raisonne -
1773. Laborde
Jean-Benjamin de: Essai
sur la musique - 1780.
Bemetzrieder Antoine:
Nouvelles lecons de
clavecin - 1783.
Encyclopedie methodique:
Encyclopedie methodique,
arts et metiers
mecaniques - 1788.
Marpurg Friedrich
Wilhelm: L'art de toucher
le clavecin - c. 1797.
Collection supervised by
the musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of
copies from:- National
Library of Paris
(France). - Fitzwilliam
Museum of Cambridge
(England). - Bayerische
Staatsbibliotheck of
Munich (Germany). -
British Library of London
(England). - In Private
collection. Anne Fuzeau
Classique propose the
complete theoretic
documentation, methods,
classical music scores on
the harpsichord.
Easy Piano SKU: HL.295711 Composed by Andrew Lloyd Webber and Glenn Slate...(+)
Easy Piano
SKU:
HL.295711
Composed by
Andrew Lloyd Webber and
Glenn Slater. Easy Piano
Vocal Selections.
Broadway. Softcover. 72
pages. Published by Hal
Leonard (HL.295711).
ISBN 9781540056559.
UPC: 888680948733.
9.0x12.0x0.195 inches.
Music by Andrew Lloyd
Webber Lyrics by Glenn
Slater.
A dozen
easy piano arrangements
from the Tony
Award-nominated 2015
musical adapted from the
popular 2003 silver
screen production of the
same name. Our folio
includes the new songs
with music by Andrew
Lloyd Webber and lyrics
by Glenn Slater and the
title track by Mike White
and Samuel Buonaugurio.
Includes: Children of
Rock * Here at Horace
Green * Horace Green Alma
Mater * I'm Too Hot for
You * If Only You Would
Listen * If Only You
Would Listen (Reprise) *
School of Rock * Stick It
to the Man * Time to Play
* When I Climb to the Top
of Mount Rock * Where Did
the Rock Go? * You're in
the Band.
Viola SKU: FZ.5794 Serie I - France 1600-1800. Edited by Philippe ...(+)
Viola
SKU: FZ.5794
Serie I - France
1600-1800. Edited by
Philippe Lescat, Jean
Saint-Arroman. This
edition: Facsimile.
Methodes & Traites.
Score. Published by Anne
Fuzeau Productions -
France (FZ.5794).
ISBN
9790230657945. 24.00 x
33.00 cm
inches.
These early
music methods are in
facsimile in one book.
ANCELET - Jean Laurent de
BETHISY - C. R. BRIJON -
Michel CORRETTE -
Francois, le jeune CUPIS
- Encyclopedie - FRAMERY
N. E. et GINGUENE P. L. :
Encyclopedie methodique -
Francois-Alexandre-Pierre
de GARSAULT -
Jean-Benjamin de LABORDE
- Marin MERSENNE - Michel
WOLDEMAR. Table of
contents: VIOLA. Mersenne
Marin: Harmonie
universelle - 1636.
Bethisy Jean Laurent de:
Exposition de la theorie
- 1754. Garsault
Francois-Alexandre-Pierre
de: Notionnaire ou
Memorial raisonne - 1761.
Corrette Michel: Methode
pour apprendre [. . . ]
de la quinte ou alto -
1773. Laborde
Jean-Benjamin de: Essai
sur la musique - 1780.
Framery N. E. et Ginguene
P. L. : Encyclopedie
methodique (reprend le
texte de l'Encyclopedie
de Diderot) - 1785. Cupis
Francois, Le jeune:
Methode d'alto - 1800
(ca). Woldemar Michel:
Methode d'alto -
1800/1805 (ca).
PAR-DESSUS DE VIOLE.
Corrette Michel: Methode
pour apprendre facilement
a jouer du par-dessus de
viole - 1748. Ancelet:
Observations sur la
musique - 1757. Garsault
Francois-Alexandre-Pierre
de: Notionnaire ou
Memorial raisonne - 1761.
Brijon C. R. : Methode
nouvelle et facile pour
apprendre a jouer du
par-dessus de viole -
1766. Laborde
Jean-Benjamin de: Essai
sur la musique - 1780.
Collection supervised by
the musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of
copies from: - Bayerische
Staatsbibliothek of
Munich (Germany). -
National Library of Paris
(France). - British
Library of London
(England). - Det
Kongelike Bibliothek of
Copenhagen (Denmark). -
Gemeente Museum of The
Hague (Netherlands). Anne
Fuzeau Classique propose
the complete theoretic
documentation, methods,
classical music scores on
the viola and pardessus
de viole.
Recorder, Flageolet, Galoubet SKU: FZ.50501 For recorder, flageolet an...(+)
Recorder, Flageolet,
Galoubet
SKU:
FZ.50501
For
recorder, flageolet and
galoubet. Edited by
Patricio Portell.
Mnemosis: The Memory of
Music Collection. Book
and CD. Published by Anne
Fuzeau Productions -
France (FZ.50501).
ISBN 9782841691692.
17.00 x 24.00 cm
inches.
Delve into
the memory of music with
the Mnemosis collection
from Anne Fuzeau
Classique. The recorder
enjoyed its golden age
from the late 17th
century to the first half
of the 18th century. Not
only was the instrument
part of the orchestra of
kings and the theatre
companies of major town
in Europe, but it also
contributed to the
enjoyment of small,
intimate performed in the
Chateaux and residences
of the flourishing
bourgeoisie who were
eager to listen to music.
it is mainly for this
public that an enormous
number of scores were
printed in order to
satisfy the growing
circles of music lovers.
Everything was printed,
from erudite to
fashionable music, from
church to chamber music,
to please all tastes and
styles. until now, no
bibliography of music for
the flute, printed during
the period when this
instrument enjoyed so
much popularity, has been
published. This
bibliography helps to
identify over one
thousand titles of works
composed directly or
indirectly for the
recorder. this work makes
it possible to locate
and, therefore, learn all
about a vast musical
repertory that has been
lying dormant on the
shelves of librairies,
just wainting to be
discovered. Summary:
Introduction. Liste des
abreviations. Liste des
bibliotheques avec leur
abreviations. A : Oeuvres
pour la flute a bec. B :
Oeuvres qui peuvent aussi
se jouer sur la flute a
bec. C : Recueils. D :
Oeuvre didactiques. Index
par instrument.
Bibliographie.
SKU: FZ.8324 Serie I - France 1600-1800 - Complete theoretical works i...(+)
SKU: FZ.8324
Serie I - France
1600-1800 - Complete
theoretical works in 3
volumes.. Edited by
Bertrand Porot, Jean
Saint-Arroman. This
edition: Facsimile.
Methodes & Traites.
Score. Published by Anne
Fuzeau Productions -
France (FZ.8324).
ISBN
9790230683241. 24.00 x
33.00 cm
inches.
These early
music methods are in
facsimile in three books.
Traite de l'harmonie -
Nouveau systeme de
musique. Remarques sur
les differents genres de
musique. Observations sur
la methode
d'accompagnement. Plan
abrege d'une nouvelle
methode d'accompagnement.
Dissertation sur les
differentes methodes
d'accompagnement.
Discours sur l'harmonie -
Demonstration du principe
de l'harmonie. Verites
egalement ignorees et
interessantes. Origines
des sciences - Code de
musique pratique
Generation harmonique.
Observations sur notre
instinct pour la musique
etc. . . Articles from
the Encyclopaedia and
their cristicism by
Rameau. Argument with
Monteclair -
Correspondence. Articles
published in newspapers -
Prefaces to musical
works. Table of contents:
Volume 1: Rameau
Jean-Philippe: Traite de
l'harmonie - 1722. Rameau
Jean-Philippe: Pieces de
clavecin avec une methode
pour la mecanique - 1724.
Rameau Jean-Philippe:
Nouveau systeme de
musique - 1726. Rameau
Jean-Philippe: Lettre de
M. Rameau a Houdar de la
Motte - 1727. Rameau
Jean-Philippe: Remarques
sur les differents genres
de musique - 1728.
[Monteclair Michel
Pignolet de ?]:
Conference sur la musique
- 1729. Rameau
Jean-Philippe: Examen de
la conference sur la
musique - 1729. Rameau
Jean-Philippe:
Observations sur la
methode d'accompagnement
- 1730. Rameau
Jean-Philippe: Plan
abrege d'une methode
nouvelle d'accompagnement
- 1730. [Monteclair
Michel Pignolet de ?]:
Reponse su second
musicien au premier -
1730. Rameau
Jean-Philippe: Replique
du premier musicien a la
reponse du second - 1730.
[Monteclair Michel
Pignolet de ?]:Reponse du
second musicien au
premier musicien - 1730.
Rameau Jean-Philippe:
Replique du premier
musicien a l'ecrit du
second - 1730. Rameau
Jean-Philippe:
Dissertation sur les
differentes methodes
d'accompagnement - 1732.
Rameau Jean-Philippe: Les
Indes galantes, ballet
reduit a quatre concerts
- 1735. Castel R. P.
Louis-Bertrand: Suite et
seconde partie des
nouvelles experiences -
1735. Castel R. P.
Louis-Bertrand: Suite et
troisieme partie des
nouvelles experiences -
1735. Rameau
Jean-Philippe: Lettre de
M. Rameau au R. P. Castel
- 1736. Rameau
Jean-Philippe: Pieces de
clavecin avec une table
pour les agrements -
1736. Rameau
Jean-Philippe: Discours
sur l'harmonie - 1737.
Volume 2: Rameau
Jean-Philippe: Generation
harmonique - 1737. Rameau
Jean-Philippe: Generation
harmonique, ou traite de
musique theorique - 1737.
Anonyme: Le Pour ou le
Contre - Tome XIII -
1737. Rameau
Jean-Philippe: Lettre a
Hans Sloane - 1737.
Anonyme: Le Pour ou le
Contre - Tome XIV - 1738.
Rameau Jean-Philippe:
Lettre a Jean-Pierre
Christin - 1741. Rameau
Jean-Philippe: Pieces de
clavecin en concert -
1741. Rameau
Jean-Philippe: Deux
lettres a Johann II
Bernoulli - 1750. Rameau
Jean-Philippe: Lettre a
Gabriel Cramer - 1750.
Rameau Jean-Philippe:
Demonstration du principe
de l'harmonie - 1750.
Rousseau Jean-Jacques:
Encyclopedie - Articles
Accompagnement, Accord,
Cadence - 1751. Rameau
Jean-Philippe: Nouvelles
reflexions de M. Rameau -
1752. Rameau
Jean-Philippe: Lettre a
Johann II Bernoulli
(copie ancienne) - 1752.
Rameau Jean-Philippe:
Lettre de M. Rameau a
l'auteur du mercure -
1752. Euler Leonhard:
Lettre a Rameau - 1752.
Rameau Jean-Philippe:
Reflexions de M. Rameau
sur la maniere de former
la voix - 1752. Rameau
Jean-Philippe: Extrait
d'une reponse de M.
Rameau a M. Euler - 1752.
Rousseau Jean-Jacques:
Encyclopedie - articles
Choeur, Chromatique -
1753. Rameau
Jean-Philippe: Extrait
d'une reponse de M.
Rameau - 1753. Rameau
Jean-Philippe:
Observations sur notre
instinct pour la musique
- 1754. Rousseau
Jean-Jacques:
Encyclopedie - article
Dissonance - 1754. Rameau
Jean-Philippe: Erreurs
sur la musique - 1755.
Volume 3: Rousseau
Jean-Jacques:
Encyclopedie - Article
Enharmonique - 1755.
Alembert Jean Le Rond d'
et Diderot Denis:
Encyclopedie -
Avertissement du volume
VI - 1756. Rameau
Jean-Philippe: Suite des
erreurs sur la musique
dans l'Encyclopedie -
1756. Rameau
Jean-Philippe: Prospectus
ou l'on propose - 1757.
Alembert Jean Le Rond d':
Encyclopedie : articles
Fondamental - Gamme -
1757. Rameau
Jean-Philippe: Reponse de
M. Rameau a MM. les
editeurs - 1757. Rameau
Jean-Philippe: Lettre de
M. d'Alembert - 1758.
Rameau Jean-Philippe: 2
lettres a J. B. Beccari
1759. Rameau
Jean-Philippe: 2 lettres
au Padre Martini - 1759.
Rameau Jean-Philippe:
Lettre au Padre Martini -
1759. Rameau
Jean-Philippe: Code de
musique pratique - 1760.
Alembert Jean Le Rond d':
Lettre de Monsieur
d'Alembert a Monsieur
Rameau - 1761. Rameau
Jean-Philippe: Reponse de
Monsieur Rameau a la
lettre de M. d'Alembert -
1761. Rameau
Jean-Philippe: Origine
des Modes & du
Temperament par M. Rameau
- 1761. Rameau
Jean-Philippe: Suite de
la reponse de M. Rameau a
la Lettre de M.
d'Alembert - 1761. Rameau
Jean-Philippe: Origine
des sciences - 1762.
Alembert Jean Le Rond d':
Reponse de M. d'Alembert
a une lettre imprimee de
M. Rameau - 1762. Rameau
Jean-Philippe: Lettre de
M*** a M. D**** sur un
Ouvrage Seconde lettre
deM*** a M*** ou extrait
d'une controverse - 1762.
Rameau Jean-Philippe:
Observations de M. Rameau
sur son ouvrage - 1762.
Rameau Jean-Philippe:
Lettre de M. Rameau aux
Philosophes - 1762.
Alembert Jean Le Rond d':
Reponse a une lettre
imprimee de M. Rameau -
1762. Rameau
Jean-Philippe: Verites
interessantes - manuscrit
autographe incomplet -
1763/1764. Rameau
Jean-Philippe: Verites
egalement ignorees et
interessantes tirees du
sein de la nature -
manuscrit avec
corrections de
autographes de Rameau -
1763/1764. Rameau
Jean-Philippe: A. M. de
la Place, auteur du
Mercure sur M. Rameau
(publication posthume
d'une lettre de Rameau) -
1765. Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimiles of
copies from: - Academie
des Sciences, Belles
Lettres et Arts of Lyon
(France). - Conservatory
Library of Dijon
(France). - Inguimbertine
Library of Carpentras
(France). - Municipal
Library of Bordeaux
(France). - Municipal
Library of Grenoble
(France). - Municipal
Library of Lyon (France).
- National Library of
Paris (France). - British
Library of London
(England). - Civico Museo
Bibliografico Musicale of
Bologna (Italy). -
Mariemont Museum of
Morlanwelz (Belgium). -
Nederlands Musiek
Instituut of The Hague
(Netherlands). -
offentliche Bibliothek
der Universitat of Basel
(Switzerland). -
osterreischiche
National-Bibliothek of
Vienna (Austria). -
Stiftelsen Muzikkulturens
Framjande of Stokckholm
(Suede). - Zurich Library
(Switzerland). - In
Private Collection. Anne
Fuzeau Classique propose
the complete theoretic
documentation, methods,
classical music scores on
the Jean-Philippe
Rameau.
Violin SKU: FZ.5852 Serie I - France 1600-1800. Edited by Philippe...(+)
Violin
SKU:
FZ.5852
Serie I -
France 1600-1800.
Edited by Philippe
Lescat, Jean
Saint-Arroman. This
edition: Facsimile.
Methodes & Traites.
Score. Published by Anne
Fuzeau Productions -
France (FZ.5852).
ISBN
9790230658522. 24.00 x
33.00 cm
inches.
These early
music methods are in
facsimile in four books.
Anonyme (3-4) - Louis,
L'aine BORNET - Joseph
DEMAR - Louis-Antoine
DURIEU - Encyclopedie
methodique - LABADENS (2)
- J. J. O. de
MEUDE-MONPAS. Table of
contents: Anonyme: La
parfaite connoissance -
1782. Bornet Louis,
l'aine: Nouvelle methode
de violon - 1786.
Meude-Monpas J. J. O. de:
Dictionnaire de musique -
1787. Encyclopedie
methodique: Article sur
les outils de lutherie et
complements a
l'Encyclopedie de Diderot
- 1788. Anonyme:
Principes pour apprendre
facilement - c. 1790.
Labadens: Nouvelle
methode pour apprendre a
jouer du violon - 1790.
Durieu Louis-Antoine:
Methode de violon - 1794.
Demar Joseph: Nouvelle
methode abregee - c.
1797. Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of
copies from:- British
Library of London
(England). - National
Library of Paris
(France). Anne Fuzeau
Classique propose the
complete theoretic
documentation, methods,
classical music scores on
the violin.
Violin SKU: FZ.6370 Serie VII - Germany-Austria - 1600-1800. Edite...(+)
Violin
SKU:
FZ.6370
Serie VII
- Germany-Austria -
1600-1800. Edited by
Siegbert Rampe, Dominik
Sackmann. This edition:
Facsimile. Methodes &
Traites. Score. Published
by Anne Fuzeau
Productions - France
(FZ.6370).
ISBN
9790049063708. 24.00 x
33.00 cm
inches.
These early
music methods are in
facsimile in four books.
Hans GERLE - Matthias
KELZ - Johann Jacob
PRINNER - Georg MUFFAT
(1) - Daniel SPEER -
Georg MUFFAT (2) - Joseph
Friederich Bernhard
Caspar MAJER - Johann
Philipp EISEL - Maurus
BUOHL - ANONYME. Table of
contents: Gerle Hans:
Musica und Tablatur, auff
die Instrument der
kleinen und grossen
Geygen - 1546. Kelz
Matthias: Epidigma
Harmoniae Novae - 1669.
Prinner Johann Jacob:
Musicalischer Schlissl -
1677. Muffat Georg:
SUAVIORIS HARMONIAE
INSTRUMENTALIS - 1695.
Speer Daniel:
Grund-richtiger
Kurz-Leicht-und Nothiger
jetzt Wol-vermehrter
Unterricht der
Musicalishen Kunst -
1697. Muffat Georg:
EXQUISITORIS HARMONIAE
INSTRUMENTALIS - 1701.
Majer Joseph Friederich
Bernhard Caspar: MUSEUM
MUSICUM THEORETICO
PRACTICUM - 1732. Eisel
Johann Philipp: Musicus
autodidactos - 1738.
Buohl Maurus: Ein neues
durch die Musicalische
Combination - 1756.
Anonyme: Rudimenta
Panduristae - 1770.
Collection supervised by
the musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of
copies from: - National
Library of Paris
(France). - Congress
Library of Washington
(USA). - University
Library of Uppsala
(Sweden). - British
Library of London
(England). - Stadtarchiv
of Constancy (Germany). -
National Library of Wien
(Austria). Anne Fuzeau
Classique propose the
complete theoretic
documentation, methods,
classical music scores on
the violin.
SKU: FZ.5886 Serie I - France 1600-1800 - Complete theoretical works i...(+)
SKU: FZ.5886
Serie I - France
1600-1800 - Complete
theoretical works in 3
volumes.. Edited by
Bertrand Porot, Jean
Saint-Arroman. This
edition: Facsimile.
Methodes & Traites.
Score. Published by Anne
Fuzeau Productions -
France (FZ.5886).
ISBN
9790230658867. 24.00 x
33.00 cm
inches.
These early
music methods are in
facsimile in three books.
Traite de l'harmonie -
Nouveau systeme de
musique. Remarques sur
les differents genres de
musique. Observations sur
la methode
d'accompagnement. Plan
abrege d'une nouvelle
methode d'accompagnement.
Dissertation sur les
differentes methodes
d'accompagnement.
Discours sur l'harmonie -
Demonstration du principe
de l'harmonie. Verites
egalement ignorees et
interessantes. Origines
des sciences - Code de
musique pratique
Generation harmonique.
Observations sur notre
instinct pour la musique
etc. . . Articles from
the Encyclopaedia and
their cristicism by
Rameau. Argument with
Monteclair -
Correspondence. Articles
published in newspapers -
Prefaces to musical
works. Table of contents:
Rousseau Jean-Jacques:
Encyclopedie - Article
Enharmonique - 1755.
Alembert Jean Le Rond d'
et Diderot Denis:
Encyclopedie -
Avertissement du volume
VI - 1756. Rameau
Jean-Philippe: Suite des
erreurs sur la musique
dans l'Encyclopedie -
1756. Rameau
Jean-Philippe: Prospectus
ou l'on propose - 1757.
Alembert Jean Le Rond d':
Encyclopedie : articles
Fondamental - Gamme -
1757. Rameau
Jean-Philippe: Reponse de
M. Rameau a MM. les
editeurs - 1757. Rameau
Jean-Philippe: Lettre de
M. d'Alembert - 1758.
Rameau Jean-Philippe: 2
lettres a J. B. Beccari
1759. Rameau
Jean-Philippe: 2 lettres
au Padre Martini - 1759.
Rameau Jean-Philippe:
Lettre au Padre Martini -
1759. Rameau
Jean-Philippe: Code de
musique pratique - 1760.
Alembert Jean Le Rond d':
Lettre de Monsieur
d'Alembert a Monsieur
Rameau - 1761. Rameau
Jean-Philippe: Reponse de
Monsieur Rameau a la
lettre de M. d'Alembert -
1761. Rameau
Jean-Philippe: Origine
des Modes & du
Temperament par M. Rameau
- 1761. Rameau
Jean-Philippe: Suite de
la reponse de M. Rameau a
la Lettre de M.
d'Alembert - 1761. Rameau
Jean-Philippe: Origine
des sciences - 1762.
Alembert Jean Le Rond d':
Reponse de M. d'Alembert
a une lettre imprimee de
M. Rameau - 1762. Rameau
Jean-Philippe: Lettre de
M*** a M. D**** sur un
Ouvrage Seconde lettre
deM*** a M*** ou extrait
d'une controverse - 1762.
Rameau Jean-Philippe:
Observations de M. Rameau
sur son ouvrage - 1762.
Rameau Jean-Philippe:
Lettre de M. Rameau aux
Philosophes - 1762.
Alembert Jean Le Rond d':
Reponse a une lettre
imprimee de M. Rameau -
1762. Rameau
Jean-Philippe: Verites
interessantes - manuscrit
autographe incomplet -
1763/1764. Rameau
Jean-Philippe: Verites
egalement ignorees et
interessantes tirees du
sein de la nature -
manuscrit avec
corrections de
autographes de Rameau -
1763/1764. Rameau
Jean-Philippe: A. M. de
la Place, auteur du
Mercure sur M. Rameau
(publication posthume
d'une lettre de Rameau) -
1765. Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of
copies from: - Nederlands
Musiek Instituut de La
Hague (Netherlands). -
Municipal Library of Lyon
(France). - Municipal
Library of Grenoble
(France). - British
Library of London
(England). - National
Library of Paris
(France). - Civico Museo
Bibliografico Musicale of
Bologna (Italy). -
osterreischiche
National-Bibliothek of
Vienna (Austria). -
Municipal Library of
Bordeaux (France). -
Stiftelsen Muzikkulturens
Framjande of Stokckholm
(Suede). - In Private
Collection. Anne Fuzeau
Classique propose the
complete theoretic
documentation, methods,
classical music scores on
the Jean-Philippe
Rameau.
Composed by John Trotter. Featured Products, Wire bound. Method. Book/CD set...(+)
Composed by John Trotter.
Featured Products, Wire
bound. Method. Book/CD
set.
282 pages. Mel Bay
Publications, Inc
#610506E.
Published by Mel Bay
Publications, Inc