Trios Vol. 1 3 Trompettes (trio) [Partition + CD] - Facile Editions Marc Reift (Swiss import)
By John G. Mortimer. For 3 trumpets (or 3 cornets) and piano/keyboard (or CD acc...(+)
By John G. Mortimer. For
3 trumpets (or 3 cornets)
and piano/keyboard (or CD
accompaniment). Swiss
import. Play Along.
Level: 2-2 . Sheet music
and accompaniment CD.
Published by Editions
Marc Reift. (EMR 6161)
Trios Vol. 1 3 Saxophones (trio) [Partition + CD] - Facile Editions Marc Reift (Swiss import)
By John G. Mortimer. For 3 saxophones (aat) and piano (keyboard). Swiss import. ...(+)
By John G. Mortimer. For
3 saxophones (aat) and
piano (keyboard). Swiss
import. Play Along.
Level: 2-2 . Sheet music
and accompaniment CD.
Published by Editions
Marc Reift. (EMR 2270)
Trios Vol. 1 Clarinette, 2 Saxophones (trio) [Partition + CD] - Facile Editions Marc Reift (Swiss import)
By John G. Mortimer. For clarinet, alto saxophone, tenor saxophone & piano (keyb...(+)
By John G. Mortimer. For
clarinet, alto saxophone,
tenor saxophone & piano
(keyboard). Swiss import.
Play Along. Sheet music
and accompaniment CD.
Published by Editions
Marc Reift. (EMR
2264) Level: 2-2+.
Trios Vol. 1 3 Saxophones (trio) [Partition + CD] - Facile Editions Marc Reift (Swiss import)
By John G. Mortimer. For 3 alto saxophones and piano (keyboard). Swiss import. P...(+)
By John G. Mortimer. For
3 alto saxophones and
piano (keyboard). Swiss
import. Play Along.
Level: 2-2 . Sheet music
and accompaniment CD.
Published by Editions
Marc Reift. (EMR 2258)
Chamber Music SKU: PR.164002120 Composed by Dan Welcher. Set of Score and...(+)
Chamber Music
SKU:
PR.164002120
Composed
by Dan Welcher. Set of
Score and Parts. With
Standard notation.
32+16+12+12+12 pages.
Duration 16 minutes.
Theodore Presser Company
#164-00212. Published by
Theodore Presser Company
(PR.164002120).
UPC:
680160037582.
Works
of chamber music
including flute and
strings are not nearly as
numerous as those for
clarinet, or even the
oboe. Probably the reason
for this is the less
assertive, more pure tone
the flute possesses - it
can't compete for volume
or range with the
clarinet, except in its
top octave, and the
oboe's tone is more
penetrating and easily
discerned from within a
string texture.
Consequently, composers
who have written for
flute and strings have
done so in lightweight
divertimento works:
compare, for instance,
the delicate flute
quartets of Mozart with
his monumental quintet
for clarinet and strings.
When Karl and Joan
Karber approached me with
the ideas of writing a
work for flute and string
trio, I originally
thought it would be best
to write a humorous,
rather offhand piece -
but a look at their
repertoire (mostly
comprised of smaller
works of the Rococo
period) convinced me that
it was the last thing
they needed. In spite of
the challenge (or maybe
because of it?), I
determined to write a
large work, and a serious
work. Zephyrus (named for
the God of the West Wind,
in deference to the
flute) is a
three-movement work, with
each movement cast in a
very different form, but
all three being built of
the same twelve-note
series. There is also a
rhythmic motive and a
pair of themes that
appear in all three
movements. The
first movement plays with
the idea of contrast and
persuasion. The flute, at
the outset, is the
hell-for-leather
protagonist, charging and
swooping around the
strings - who seem oddly
unconcerned by his
passion. Indeed, they
have a more somber song
to sing - and as the
movement unfolds, the
flute becomes less and
less active, while the
strings become
increasingly enlivened.
By the midpoint, when all
four instruments are
finally in the same meter
and the same tempo, the
flute's energy has
finally infected the
other three players, and
this energy does not let
up until the movement's
abrupt final cadence.
The second
movement begins with a
tag from the first - as
if the energy left over
was too great to simply
stop. At length, though,
a very poignant flute
melody appears over an
almost bluesy harmony in
the strings. After this
has been fully exposed, a
slight increase in
motion, marked gently
rocking in triplets,
features a theme-fragment
from Leonard Bernstein's
Symphony No. 2 (Kaddish).
Bernstein died as I was
writing this work, and it
seemed quite natural to
encourage what was
already implicit in the
music, and create an
Elegy for L.B. The music
rises and peaks, then in
the recapitulation of the
opening the Kaddish theme
reappears, as the
ensemble suggests a
gentle song of sleep.
The final movement
is a Rondo-Variations
form, with the slight
alteration of adding the
main theme of the second
movement in what would be
the trio of the form. The
ritornello theme is a
kind of ethnic dance
music, almost an allusion
to the Klezmer ensembles
of Eastern Europe. The
successive episodes
between the ritornelli
are loosely organized
variations on the basic
theme, but always
beginning with a metric
modulation, a rhythmic
changing of gears. The
movement reaches and apex
of speed and furious
pulsing, then abruptly
pirouttes, and finishes.
Zephyrus was
written between April and
November of 1990 in
Austin, Aspen, and
Honolulu, and is
dedicated to Karl Kraber
and The Chamber Soloists
of Austin. --Dan
Welcher.
SKU: PR.16400212S Composed by Dan Welcher. With Standard notation. Durati...(+)
SKU: PR.16400212S
Composed by Dan Welcher.
With Standard notation.
Duration 16 minutes.
Theodore Presser Company
#164-00212S. Published by
Theodore Presser Company
(PR.16400212S).
UPC:
680160037605.
Works
of chamber music
including flute and
strings are not nearly as
numerous as those for
clarinet, or even the
oboe. Probably the reason
for this is the less
assertive, more pure tone
the flute possesses - it
can't compete for volume
or range with the
clarinet, except in its
top octave, and the
oboe's tone is more
penetrating and easily
discerned from within a
string texture.
Consequently, composers
who have written for
flute and strings have
done so in lightweight
divertimento works:
compare, for instance,
the delicate flute
quartets of Mozart with
his monumental quintet
for clarinet and strings.
When Karl and Joan
Karber approached me with
the ideas of writing a
work for flute and string
trio, I originally
thought it would be best
to write a humorous,
rather offhand piece -
but a look at their
repertoire (mostly
comprised of smaller
works of the Rococo
period) convinced me that
it was the last thing
they needed. In spite of
the challenge (or maybe
because of it?), I
determined to write a
large work, and a serious
work. Zephyrus (named for
the God of the West Wind,
in deference to the
flute) is a
three-movement work, with
each movement cast in a
very different form, but
all three being built of
the same twelve-note
series. There is also a
rhythmic motive and a
pair of themes that
appear in all three
movements. The
first movement plays with
the idea of contrast and
persuasion. The flute, at
the outset, is the
hell-for-leather
protagonist, charging and
swooping around the
strings - who seem oddly
unconcerned by his
passion. Indeed, they
have a more somber song
to sing - and as the
movement unfolds, the
flute becomes less and
less active, while the
strings become
increasingly enlivened.
By the midpoint, when all
four instruments are
finally in the same meter
and the same tempo, the
flute's energy has
finally infected the
other three players, and
this energy does not let
up until the movement's
abrupt final cadence.
The second
movement begins with a
tag from the first - as
if the energy left over
was too great to simply
stop. At length, though,
a very poignant flute
melody appears over an
almost bluesy harmony in
the strings. After this
has been fully exposed, a
slight increase in
motion, marked gently
rocking in triplets,
features a theme-fragment
from Leonard Bernstein's
Symphony No. 2 (Kaddish).
Bernstein died as I was
writing this work, and it
seemed quite natural to
encourage what was
already implicit in the
music, and create an
Elegy for L.B. The music
rises and peaks, then in
the recapitulation of the
opening the Kaddish theme
reappears, as the
ensemble suggests a
gentle song of sleep.
The final movement
is a Rondo-Variations
form, with the slight
alteration of adding the
main theme of the second
movement in what would be
the trio of the form. The
ritornello theme is a
kind of ethnic dance
music, almost an allusion
to the Klezmer ensembles
of Eastern Europe. The
successive episodes
between the ritornelli
are loosely organized
variations on the basic
theme, but always
beginning with a metric
modulation, a rhythmic
changing of gears. The
movement reaches and apex
of speed and furious
pulsing, then abruptly
pirouttes, and finishes.
Zephyrus was
written between April and
November of 1990 in
Austin, Aspen, and
Honolulu, and is
dedicated to Karl Kraber
and The Chamber Soloists
of Austin. --Dan
Welcher.
Chamber Music Clarinet, Flute, Piano SKU: PR.114417570 For Flute, Bb C...(+)
Chamber Music Clarinet,
Flute, Piano
SKU:
PR.114417570
For
Flute, Bb Clarinet, And
Piano. Composed by
Edvard Grieg. Arranged by
Michael Webster. Sws
each. See the program
notes on pages two and
three of the full score.
Set of Score and Parts.
With Standard notation.
Composed 2008. 40 8 8
pages. Duration 18
minutes. Theodore Presser
Company #114-41757.
Published by Theodore
Presser Company
(PR.114417570).
ISBN
9781491107867. UPC:
680160636013. 9x12
inches.
The famous
set of dances by Norway's
greatest composer were
written for piano duet.
Grieg later created a
piano solo version, but
refused to orchestrate
the set. After some study
of Grieg and his music,
Michael Webster has
arranged the four dances
for Flute, Clarinet, and
Piano in a faithful
setting, using the piano
duet version as a guide.
This lively Grieg classic
will be a welcome new
addition to performance
programs. For advanced
performers.______________
_________________________
Text from the scanned
back cover:Born in 1944,
MICHAEL WEBSTER made his
New York recital debut at
Town Hall in 1968 with
his eminent father,
Beveridge Webster, as
pianist. In the same
year, he won the Young
Concert Artists
International Competition
and succeeded his
teacher, Stanley Hasty,
as Principal Clarinet in
the Rochester
Philharmonic, a position
he held for twenty years.
Webster has performed
with the Chamber Music
Society of Lincoln
Center, the 92nd Street
Y, with the Tokyo,
Cleveland, Muir, Ying,
Enso, and Dover String
Quartets, and with the
festivals of Marlboro,
Santa Fe, Norfolk,
Chamber Music Northwest,
Angel Fire, Steamboat
Springs, Park City,
Sitka, Kapalua, Bowdoin,
Orcas Island,
Skaneateles, La Musica di
Asolo, Stratford,
Victoria, and Domaine
Forget.As soloist he has
appeared with many
orchestras, including the
Philadelphia Orchestra
under Aaron Copland and
the Boston Pops under
John Williams. His
travels have taken him as
performer and teacher to
most of the 50 states, as
well as Canada,
Mexico,Puerto Rico,
Central and South
America, Europe, Japan,
China, Australia, and New
Zealand. Webster was
Acting Principal Clarinet
of the San Francisco
Symphony, and has served
on the clarinet and/or
conducting faculties of
New England Conservatory,
Boston University,
University of Michigan,
and the Eastman School,
from which he earned his
three degrees. Currently
he is Professor of Music
at Rice Universityâ??s
Shepherd School of Music
and Artistic Director of
the Houston Youth
Symphony, which has won
multiple first prizes in
national performance
competitions.With his
wife, flutist Leone
Buyse, and pianist Robert
Moeling, he plays in the
Webster Trio, which has
recorded his arrangements
on Tour de France and
World Wide Webster for
Crystal Records.
Otherarrangements were
recorded for Nami and
Camerata Tokyo in Japan
with pianist Chizuko
Sawa. Webster has also
recorded for Albany,
Arabesque, Beaumont,
Bridge, Centaur, CRI, and
New World. He has played
at many ClarinetFests for
the International
Clarinet Association and
written a column entitled
â??TeachingClarinetâ?
in The Clarinet Magazine
since 1998. Michael
Webster is a Buffet
artist-clinician,
performing on Buffet
clarinets
exclusively. NORWEGIAN
DANCES (Grieg)Michael
Websterâ??s
transcriptions for Flute,
Clarinet, and Piano have
created the core
literature for this
instrumental genre.
Working directly from
Griegâ??s original piano
four-hands version of the
charmingly familiar
Norwegian Dances, Webster
has given flutists and
clarinetists another
addition to the
ensembleâ??s
repertoire.
Tripartita Violon, Clarinette, Piano (trio) Subito Music
Clarinet, Violin & Piano SKU: SU.46200090 For Clarinet, Violin & Piano...(+)
Clarinet, Violin & Piano
SKU: SU.46200090
For Clarinet, Violin &
Piano. Composed by
William Averitt. Chamber
Music, Piano Trio. Score
& Parts. Subito Music
Corporation #46200090.
Published by Subito Music
Corporation
(SU.46200090).
Clarinet,
Violin & Piano Duration:
22' Composed: 1988
Published by: Verdehr
Trio Tripartita is a
title invented for this
score, a piece in three
movements for three
players. The first
movement Elaborations is
a sonata-like structure
whose ideas evolve out of
the harmonic succession
heard as the background
material of the opening
passage. The second and
third movements are based
on essentially the same
scalar and harmonic
materials as the first;
however, they are
somewhat different in
their moods and
expression, in part
because they both
incorporate elements
derived from popular
music idioms of the early
part of the twentieth
century. The form of the
second movement,
Dances,is related to the
nineteenth century
scherzo with two trios;
here, the scherzo
sections are fast and
jazzy,while the more
relaxed digressions are,
respectively, a
ragtime-waltz and a
tango. The third movement
Blues with Variations
follows without pause,
and furthermore is linked
structurally to the
previous movements, since
the chord sequence for
the blues (and subsequent
variations) is the same
one employed from the
very opening of the work.
—William
Averitt.
Edited by Amy Appleby. For piano. Format: piano solo book (spiral bound). With f...(+)
Edited by Amy Appleby.
For piano. Format: piano
solo book (spiral bound).
With fingerings. Baroque,
classical period,
romantic period and
americana. 240 pages.
9x12 inches. Published by
Music Sales.
Arranged by Deborah Greenblatt. String Trio. For viola 3. Trios for Strings. Iri...(+)
Arranged by Deborah
Greenblatt. String Trio.
For viola 3. Trios for
Strings. Irish Folk. Part
book. Standard Notation.
50 pages. Published by
Greenblatt & Seay
Performed by Al Di Meola. For 3 guitars. Format: complete score songbook. With s...(+)
Performed by Al Di Meola.
For 3 guitars. Format:
complete score songbook.
With standard notation,
chord names and black and
white photos. Jazz.
Series: Hal Leonard
Artist Transcriptions. 96
pages. 9x12 inches.
Published by Hal Leonard.
Fiddle, Violin - Difficulty: medium SKU: HL.235 By Various. Fiddle. Folk....(+)
Fiddle, Violin -
Difficulty: medium
SKU: HL.235
By
Various. Fiddle. Folk.
Solo fiddle songbook.
With performance notes,
introductory text and
standard notation. 96
pages. Published by
Centerstream Publications
(HL.235).
ISBN
9781574240566. UPC:
073999567786. 9x12
inches.
This
comprehensive collection
of fabulous fiddle tunes
includes reels,
hornpipes, strathspeys,
jigs, waltzes and slow
airs.
Piano seul [Partition] - Intermédiaire Music Sales
For piano. Music For Millions: Volume 37. Format: piano solo book. With fingerin...(+)
For piano. Music For
Millions: Volume 37.
Format: piano solo book.
With fingerings. Baroque,
classical period,
romantic period and 20th
century. 160 pages. 9x12
inches. Published by
Music Sales
Composed by Franz Schubert (1797-1828), edited by Willi Kahl. For piano duet. Pa...(+)
Composed by Franz
Schubert (1797-1828),
edited by Willi Kahl. For
piano duet. Paper bound.
Format: piano duet book.
With standard notation
and introductory text.
Romantic period. Series:
Urtext Editions. 211
pages. 9x12 inches.
Published by G. Henle.
Guitar (NOTEN+CD) - very easy to intermediate SKU: HL.49033110 Die mod...(+)
Guitar (NOTEN+CD) - very
easy to intermediate
SKU: HL.49033110
Die moderne
Gitarrenschule fur
Jugendliche und
Erwachsene. Composed
by Toennes. This edition:
Ring/Spiral binding.
Sheet music with CD.
Edition Schott. Die
moderne Gitarrenschule
fur Jugendliche und
Erwachsene bietet das
Erfolgsrezept fur
Melodiespiel, Picking und
Akkordbegleitung an.
Dabei ist es egal, ob Sie
Neueinsteiger sind oder
vor langerer Zeit einmal
ein paar Griffe gelernt
haben. Edition with CD.
96 pages. Schott Music
#ED 9475. Published by
Schott Music
(HL.49033110).
ISBN
9783795755980.
German.
The modern
guitar method for young
people and adults offers
the recipe for success
when it comes to melody
playing, picking and
chord accompaniment. It
does not make a
difference if you are an
absolute beginner or if
you already know a few
chords. For with the
pieces that you have
always wanted to play,
you also learn to play
the guitar: plucking,
melody and song
accompaniment, and the
major chords and rhythms
with which you can play
the best 50 folk and pop
songs. The CD as a
training partner
guarantees a lot of fun
and success: You can
listen to the songs as
they are supposed to
sound. Fade out one of
the channels! You then
have 3 possibilities to
play along: melody,
picking or rhythm.
Flute SKU: BT.9781408105276 The Way to Learn Through Songs and Tunes(+)
Flute
SKU:
BT.9781408105276
The Way to Learn
Through Songs and
Tunes. Composed by
Malcolm Pollock.
Abracadabra. Method. Book
with CD. 64 pages.
Collins Music Publishing
#9781408105276. Published
by Collins Music
Publishing
(BT.9781408105276).
Mixed Instrument
Collection F Instruments
- Grade 2
SKU:
KN.19514
Composed by
Various. Arranged by
Jason Varga. Solo and
Ensemble. Mixed
Instrument Collection.
Book/method. Kendor Music
Inc #19514. Published by
Kendor Music Inc
(KN.19514).
UPC:
822795195149.
This
collection of flexible
instrument trios includes
16 classic melodies that
are included in many
popular method books.
This collection is ideal
for taking your student
Beyond the Method, and
expanding on educational
concepts. Part 1 contains
the melody, as you might
see it in a traditional
method book. Part 2 is a
harmony line designed to
work with the melody, and
part 3 is a bass line.
This innovative grade 2
collection is published
in score form for any
combination of 3 like or
mixed instruments using
the appropriate
key-compatible books.