The Boosey and Hawkes Bartók Edition showcases brand new stylish arrangements of highlights from the leading twentieth century composer for developing musicians to learn and enjoy. The Romanian Folk Dances were originally written in 1915 as a suite of six short piano pieces, which Bartók subsequently orchestrated for small ensemble. In this edition, Hywel Davies has arranged the suite for cello with piano accompaniment. / Violoncelle Et Piano

Considéré par beaucoup comme le dernier représentant du classicisme viennois, Ludwig Van Beethoven, mort à 57 ans est un génie qui a composé quantité d'oeuvres dont Dances for Piano pour Piano. Ce sont les éditions Henle qui ont éditées cette oeuvre de Ludwig Van Beethoven. Il ne vous reste plus qu'à la jouer. / Piano / Chanson En Séparée

Par SCHUBERT FRANZ. Franz Schubert 's Dances D783 including 16 German Dances for solo Piano./ Répertoire / Piano

Editée il y a moins de 10 ans par les éditions Henle, sous la référence 918 cette partition de musique Slavonic Dances op. 72 du compositeur Dvo?ák Antonín a été composée pour Piano 4 mains Et Plus. L'instrumentation exacte de cette partition est Piano 4 Mains. Elle fait partie intégrante des partitions de la catégorie Classique. / Piano 4 Mains / Chanson En Séparée

A travers cette méthode d'apprentissage Flûte à bec vous aurez tous les éléments pour pouvoir maitriser votre instrument. Cet ouvrage 95 Dexterity Exercises And Dances For Recorder In F G. Rooda a été écrit par Auteurs Divers et éditée par les éditions ID Music sous la référence HRW4. / Flûte A Bec / Partition

Arrangeur: Jonathan Leshnoff. Par LESHNOFF JONATHAN. Having written four String Quartets in less than a decade, Leshnoff struck a lighter note with his fifth, titled Four Dances. The four dance movements are I Waltz, II Pavane, III Chas Tanz, IV Furlana. Written in 2014, Four Dances was premiered by Carpe Diem String Quartet the following year, and has just been recorded by the same on an album featuring Leshnoff's 3rd and 4th String Quartets, as well. Four Dances is also arranged for saxophone quartet (494-03141) and Baltimore Chamber Orchestra recently premiered a chamber orchestra arrangement, available on a rental basis. An arrangement for full orchestra is also available on rental.Having written four String Quartets in less than a decade, Leshnoff struck a lighter note with his fifth, titled Four Dances. The four dance movements are I Waltz, II Pavane, III Chas Tanz, IV Furlana. Written in 2014, Four Dances was premiered by Carpe Diem String Quartet the following year, and has just been recorded by the same on an album featuring Leshnoff's 3rd and 4th String Quartets, as well. Four Dances is also arranged for saxophone quartet (494-03141) and Baltimore Chamber Orchestra recently premiered a chamber orchestra arrangement, available on a rental basis. An arrangement for full orchestra is also available on rental./ Répertoire / 2 Violons, Alto et Violoncelle

This is a new edition of Béla Bartók's popular Romanian Folk Dances in its original scoring for Solo Piano. With fascinating background notes and unique imagery, this publication is essential for pianists interested in the work of the Hungarian composer.When Bartók was just 23 years old, he visited the Transylvanian town of Gerlicepuszta. Overhearing a lullaby sung by a teenage servant girl named Lidi Dósa, he quizzed her about it and noted it down. This was the beginning of a passion for folk music that would go on to change the course of the composer's life and work.Romanian Folk Dances remains one of Bartók's most popular and enduring works, evoking the folk melodies combined with his own idiosyncratic harmonies and textures. Each of the six short pieces here is based on a traditional melody which Bartók penned during his travels. Including newly engraved masterpieces Stick Dance, Waistband Dance, In One Spot, Dance From Butschum, Romanian Polka and Fast Dance, this sheet music collection features editorial revisions guided by recordings of Bartók's own performance. The notation also includes fingering guidance throughout.Romanian Folk Dances also features a specially-written introduction as well as some fantastic photographs that both tell the story of the young composer and the intriguing backstory of this work. One of the most important 20th century composers and, along with Liszt, one of Hungary's finest musical minds, Bartók held a strong fascination for folk music. Through his studies, recordings and arrangements, he composed some incredible music like these Romanian Folk Dances, while simultaneously initiating the field of ethnomusicology. / Piano

Par SCHOCKER GARY. Gary Schocker's Three Dances for Two Flutes has long been a staple of the flute repertoire - in its original voicing with piano, as well as in transcriptions with string orchestra or band accompaniment, for alto saxophone duo with piano, and even in the composer's flute quartet version of the famous Coffee Nerves movement. Schocker has arranged Three Dances for one solo flute with piano, incorporating all of the original work's counterpoint, beauty, and spice, into this practical and concise instrumentation.Gary Schocker's Three Dances for Two Flutes has long been a staple of the flute repertoire - in its original voicing with piano, as well as in transcriptions with string orchestra or band accompaniment, for alto saxophone duo with piano, and even in the composer's flute quartet version of the famous Coffee Nerves movement. Schocker has arranged Three Dances for one solo flute with piano, incorporating all of the original work's counterpoint, beauty, and spice, into this practical and concise instrumentation./ Répertoire / Flûte Traversière et Piano

Par GERMAN EDWARD. Three Dances from Henry VIII for Flute Choir, by Edward German, arranged for flute choir by Paige Dashner Long. Edward German composed Three Dances from Henry VIII as incidental music to be performed during Henry Irving?s version of Henry VIII at the Lyceum Theater in London. These are very British and great fun! Each dance can stand on its own or the three dances can be performed together. German incorporates three different types of olde English dances: Morris Dance; Shepherds? Dance; Torch Dance. / Date parution : 2022-11-29/ Répertoire / Ensemble de Flûtes

Arranged For Violoncello et Piano. Par DVORAK ANTONIN. In 1891 Dvorák arranged the final eighth dance of his popular first set of the Slavonic Dances Op. 46 for violoncello and piano. The Czech composer Jirí Gemrot, born in 1957, has followed his example and has arranged the remaining dances for the same scoring. However in order to approach Dvorák’s ideal sound Gemrot based his arrangements on the composer's orchestral score. Dvorák’s own arrangement of Slavonic Dance No. 8 has been taken from the Complete Edition of the Works of Antonín Dvorák, Volume IV/3 (Compositions for Violoncello). First complete edition of the first set of Slavonic Dances arranged for violoncello and pianoby Jirí Gemrot Includes Dvorák’s own arrangement of Dance No. 8 With fingering and bowing by Tomáš Jamník Foreword (Cz/Eng/Ger) by Eva Velická / Niveau : 3 / Répertoire / Violoncelle et Piano

This volume is intended for children as well as for every practising singer and musician with an interest in Russian songs and dances. These songs and dances from the rich treasury of traditional Russian folklore are an inspiring treasure trove for communal singing and music making with recorders and Orff instruments such as xylophone and glockenspiel. The volume also contains precise instructions for choreographing the dances and is therefore an important aid for working with children./ Recueil / Voix, Flûte à Bec et Orff-Instruments

Arrangeur: Robert Rainford. Par BRUCH MAZ. 7 short, melodic pieces with chances for both soloists to shine. Max Bruch (1838-1920) was a German Romantic composer, conductor and teacher. A child prodigy, he composed his first pieces at the age of nine, and went on to hold musical posts in Mannheim, Berlin and Bonn. He also spent three seasons as conductor of the Liverpool Philharmonic Society. In his lifetime he was known mostly as a choral composer, but it is for his first violin concerto that he is chiefly remembered now. These dances were first published in 1892 for violin and piano, although Bruch later arranged them for solo piano, and also for orchestra. The slow, stately introduction leads in to seven dances in volume one, each a charming character study. Individual movements aredramatic, then tranquil: dance-like then reflective. The third, fifth and seventh movements have the feeling of folk-dances, while the others are more lyrical and expressive. Structurally the pieces are fairly simple, with melody sections flowing in to each other. Some ideas are developed into links and codas. In this arrangement, both solo players share the melodic material fairly evenly. Each has a solo movement to play, with the other movements featuring call and answer moments, harmony sections and contrapuntal elements to enjoy. Technically quite advanced, with the music covering the whole range of the instrument, these gems of pieces are well worth working on. / Niveau : Intermédiaire à Avancé / Répertoire / Flûte Traversière, Hautbois et Piano