| Vivaldi Concerto In La
Maggiore Per Violino,
Archi E Cembalo Rv343 En Français Violon, Cordes Et Clavecin [Partition] ID Music
Virtuose du violon, l'italien Antonio Vivaldi a été un des plus célèbres com...(+)
Virtuose du violon, l'italien Antonio Vivaldi a été un des plus célèbres compositeurs de la période baroque. A travers cette partition Vivaldi Concerto In La Maggiore Per Violino, Archi E Cembalo Rv343 vous retrouverez tout le talent de ce compositeur. Ecrite pour Violon et plus précisément pour Violon, Cordes Et Clavecin cette partition a été éditée par les éditions ID Music sous le numéro PR462. / Violon, Cordes Et Clavecin / Partition
18.50 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Vivaldi Concerto In La
Maggiore Per Violino,
Archi E Cembalo Rv336 En Français Violon, Cordes Et Clavecin [Partition] ID Music
Virtuose du violon, l'italien Antonio Vivaldi a été un des plus célèbres com...(+)
Virtuose du violon, l'italien Antonio Vivaldi a été un des plus célèbres compositeurs de la période baroque. A travers cette partition Vivaldi Concerto In La Maggiore Per Violino, Archi E Cembalo Rv336 vous retrouverez tout le talent de ce compositeur. Ecrite pour Violon et plus précisément pour Violon, Cordes Et Clavecin cette partition a été éditée par les éditions ID Music sous le numéro PR716. / Violon, Cordes Et Clavecin / Partition
19.50 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Concerto Ut Majeur (Pour
2 Fl. Et Orchestre A
Cordes Partition Et
Parties En Français 2 Flûtes Et Orchestre A Cordes [Partition] Leduc, Alphonse
La partition Concerto Ut Majeur (Pour 2 Fl. Et Orchestre A Cordes Partition Et P...(+)
La partition Concerto Ut Majeur (Pour 2 Fl. Et Orchestre A Cordes Partition Et Parties de Vivaldi/Rougeron a été composée pour Flûte Traversière et plus particulièrement pour 2 Flûtes Et Orchestre A Cordes. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Leduc. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / 2 Flûtes Et Orchestre A Cordes / Partition
48.80 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Concerto Per Archi E
B.C.: In Fa Rv 142 -
F.Xi/2 Tomo 6 (VIVALDI
ANTONIO) Cordes [Partition] Ricordi
F.Xi-2 - Tomo 6. Par VIVALDI ANTONIO. / Répertoire / Cordes
18.50 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Concerto Per Archi E
B.C.: In Mi Min. Rv 134 -
F.Xi/13 Tomo 56 (VIVALDI
ANTONIO) Cordes [Partition] Ricordi
F.Xi/13 - Tomo 56. Par VIVALDI ANTONIO. / Répertoire / Cordes
22.80 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Concerto Per Archi E
B.C.: In Do Rv 110 -
F.Xi/25 Tomo 200 (VIVALDI
ANTONIO) Cordes [Partition] Ricordi
F.Xi-25 - Tomo 200. Par VIVALDI ANTONIO. / Répertoire / Cordes
18.50 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Concerto Per Archi E
B.C.: In Re Op. 12 N.3 -
Rv 124 - F.Xi/42 Tomo 464
(VIVALDI ANTONIO) Cordes [Partition] Ricordi
F.Xi-42 - Tomo 464. Par VIVALDI ANTONIO. / Répertoire / Cordes
23.90 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Concerto Per Archi E
B.C.: In Sol Min. Rv 154
- F.Xi/39 Tomo 310
(VIVALDI ANTONIO) Cordes [Partition] Ricordi
F.Xi-39 - Tomo 310. Par VIVALDI ANTONIO. / Répertoire / Cordes
18.50 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Concerto Per Archi E
B.C.: In Re Min.
Madrigalesco Rv 129
F.Xi/10 Tomo 36 (VIVALDI
ANTONIO) Cordes [Partition] Ricordi
F.Xi-10 - Tomo 36. Par VIVALDI ANTONIO. / Répertoire / Cordes
31.50 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Sinf. Per Archi E B.C.:
In Sol Rv 149 - F.Xi/40
Tomo 321 (VIVALDI
ANTONIO) Cordes [Partition] Ricordi
Par VIVALDI ANTONIO. / Répertoire / Cordes
22.80 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Sinf. Per Archi E B.C.:
In Do Rv 116 - F.Xi/46
(VIVALDI ANTONIO) Cordes [Partition] Ricordi
F.Xi/46. Par VIVALDI ANTONIO. / Répertoire / Cordes
18.50 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Concerto Per Archi E
B.C.: In Fa Min. Rv 143 -
F.Xi/35 Tomo 289 (VIVALDI
ANTONIO) Cordes [Partition] Ricordi
F.Xi-35 - Tomo 289. Par VIVALDI ANTONIO. / Répertoire / Cordes
18.50 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Concerto Per Archi E
B.C.: In Do Min. Rv 118 -
F.Xi/9 Tomo 32 (VIVALDI
ANTONIO) Cordes [Partition] Ricordi
F.Xi-9 - Tomo 32. Par VIVALDI ANTONIO. / Répertoire / Cordes
22.80 EUR - vendu par LMI-partitions Délais: Sur commande |
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| La Stravaganza Op. 4
Vol.I: Concertos I-Vi
(VIVALDI ANTONIO) Violon, Cordes et Basse Continue [Partition] Barenreiter
12 Concertos For Violin, Strings And Basso Continuo. Par VIVALDI ANTONIO. Antoni...(+)
12 Concertos For Violin, Strings And Basso Continuo. Par VIVALDI ANTONIO. Antonio Vivaldi's twelve concertos op. 4 known by the name of 'La Stravaganza” were first mentioned as a collection of 'Concerti a 4” in the 1711 Foreword of 'L'Estro Armonico” op. 3. Their publication had to wait until 1716, when Estienne Roger issued them in two volumes of six concertos each. However, unlike the original announcement, 'La Stravaganza” is more than a collection of concertos for solo violin with string accompaniment: in five of the concertos the soloist is joined by a second solo violin or even by a solo violoncello (Concerto No. 7).
The many reprints of 'La Stravaganza” bear witness to its popularity and widespread dissemination well into the 1730s. Besides the surviving prints, there is a significant body of handwritten sources containing alternative versions for seven of the concertos. Some of these manuscripts stem from the music library of Johann Georg Pisendel.
This edition of 'La Stravaganza” is not only the first scholarly-critical edition, it is also the only complete edition available. In addition to the twelve concertos handed down in the Roger edition, Bärenreiter offers an additional concerto in full score, piano reduction and parts contained in the 1728 print issued by the English publishers Walsh and Hare, as well as alternative versions (without viola) found in handwritten sources for Concertos No. 6 (Volume 1) and No. 11 (Volume 2)./ Répertoire / Violon, Cordes et Basse Continue
102.10 EUR - vendu par LMI-partitions Délais: Sur commande |
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| La Stravaganza Op. 4
Vol.II: Concertos VII-XII
(VIVALDI ANTONIO) Violon, Cordes et Basse Continue [Partition] Barenreiter
12 Concertos For Violin, Strings And Basso Continuo. Par VIVALDI ANTONIO. Antoni...(+)
12 Concertos For Violin, Strings And Basso Continuo. Par VIVALDI ANTONIO. Antonio Vivaldi's twelve concertos op. 4 known by the name of 'La Stravaganza” were first mentioned as a collection of 'Concerti a 4” in the 1711 Foreword of 'L'Estro Armonico” op. 3. Their publication had to wait until 1716, when Estienne Roger issued them in two volumes of six concertos each. However, unlike the original announcement, 'La Stravaganza” is more than a collection of concertos for solo violin with string accompaniment: in five of the concertos the soloist is joined by a second solo violin or even by a solo violoncello (Concerto No. 7).
The many reprints of 'La Stravaganza” bear witness to its popularity and widespread dissemination well into the 1730s. Besides the surviving prints, there is a significant body of handwritten sources containing alternative versions for seven of the concertos. Some of these manuscripts stem from the music library of Johann Georg Pisendel.
This edition of 'La Stravaganza” is not only the first scholarly-critical edition, it is also the only complete edition available. In addition to the twelve concertos handed down in the Roger edition, Bärenreiter offers an additional concerto in full score, piano reduction and parts contained in the 1728 print issued by the English publishers Walsh and Hare, as well as alternative versions (without viola) found in handwritten sources for Concertos No. 6 (Volume 1) and No. 11 (Volume 2)./ Répertoire / Violon, Cordes et Basse Continue
102.10 EUR - vendu par LMI-partitions Délais: Sur commande |
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| The Quartet Collection
Vol.1 / Quatuor A Cordes Quatuor à cordes: 2 violons,
alto, violoncelle Fentone Music
Avec cette nouvelle série, les joueurs de chaîne d'un standard de modérée pe...(+)
Avec cette nouvelle série, les joueurs de chaîne d'un standard de modérée peut explorer la musique de chambre dans l'un de ses plus grandes formes - le quatuor à cordes. Chaque volume contient quatre morceaux magnifiquement arrangé, ayant tous une partie de violon option tiers, afin qu'ils puissent également être joué sans alto. Volume 1 couvre une large gamme, de la période baroque jusqu'à la 20ème siècle, y compris la musique du 19ème siècle le long du chemin. Vous pouvez découvrir la musique de grands compositeurs tels que Vivaldi et Grieg et dans le même temps élargir votre répertoire en y incorporant des styles modernes comme le ragtime. / Quatuor A Cordes / 24 pages / niveau : Elémentaire / Set (Conducteur et parties séparées)
29.30 EUR - vendu par LMI-partitions Délais: Sur commande |
|
| The Quartet Collection
Vol.3 / Quatuor A Cordes Quatuor à cordes: 2 violons,
alto, violoncelle Fentone Music
Avec cette nouvelle série, les joueurs de chaîne d'un standard de modérée pe...(+)
Avec cette nouvelle série, les joueurs de chaîne d'un standard de modérée peut explorer la musique de chambre dans l'un de ses plus grandes formes - le quatuor à cordes. Chaque volume contient quatre morceaux magnifiquement arrangé, ayant tous une partie de violon option tiers, afin qu'ils puissent également être joué sans alto. Volume 1 couvre une large gamme, de la période baroque jusqu'à la 20ème siècle, y compris la musique du 19ème siècle le long du chemin. Vous pouvez découvrir la musique de grands compositeurs tels que Vivaldi et Grieg et dans le même temps élargir votre répertoire en y incorporant des styles modernes comme le ragtime. / Quatuor A Cordes / 32 pages / niveau : Elémentaire / Set (Conducteur et parties séparées)
29.30 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Les Quatres Saisons -
Cantates
Françaises Voix, Instrument(s) Et Basse Continue,
(Voix Dessus, Violon, Flûte
Traversière, Flûte A Bec,
Basse Continue, Voix Basse, Violon,
Flûte Traversière, Basse
Continue, Voix Dessus, 2 Parties De
Violon, Flûte
Traversière, Viole Et Basse
Continue), Voix Et Anne Fuzeau Productions
Edition : Paris, l'Auteur, Boivin, 1724Après Vivaldi et avant Haydn, Joseph Bod...(+)
Edition : Paris, l'Auteur, Boivin, 1724Après Vivaldi et avant Haydn, Joseph Bodin de Boismortier compose une oeuvre sur ce thème. Mais il s'agit ici de quatre Cantates Françaises, assez développées, expressives.Présentation de :Jean Saint-Arroman : Prosodie et agrémentationPhilippe Lescat : Historique des éditions - les personnages mythologiques des cantates / Voix, Instrument(s) Et Basse Continue, (Voix Dessus, Violon, Flûte Traversière, Flûte A Bec, Basse Continue, Voix Basse, Violon, Flûte Traversière, Basse Continue, Voix Dessus, 2 Parties De Violon, Flûte Traversière, Viole Et Basse Continue), Voix Et Bass / 120 pages / niveau : 1 / Fac-Similés - Format: 24 X 33
55.80 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Concerto Per Violino,
Archi E Bc, Rv 259 Op.
Vi/2 (VIVALDI ANTONIO) Violon, Ensembles de Cordes et Basse
Continue [Conducteur] - Intermédiaire/avancé Ricordi
Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership wi...(+)
Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection was published without the composer’s assistance and perhaps even his agreement - these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principalviolin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldi’s Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole. / Niveau : Intermédiaire à Avancé / Classique / Répertoire / Violon, Ensembles de Cordes et Basse Continue
23.90 EUR - vendu par LMI-partitions Délais: Sur commande |
|
| Concerto Per Violino,
Archi E Bc, Rv 280 Op.
Vi/5 (VIVALDI ANTONIO) Violon, Ensembles de Cordes et Basse
Continue [Conducteur] - Intermédiaire/avancé Ricordi
Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership wi...(+)
Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection was published without the composer’s assistance and perhaps even his agreement - these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principalviolin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldi’s Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole. / Niveau : Intermédiaire à Avancé / Classique / Répertoire / Violon, Ensembles de Cordes et Basse Continue
23.90 EUR - vendu par LMI-partitions Délais: Sur commande |
|
| Concerto Per Violino,
Archi E Bc, Rv 324 Op.
Vi/1 (VIVALDI ANTONIO) Violon, Ensembles de Cordes et Basse
Continue - Intermédiaire/avancé Ricordi
Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership wi...(+)
Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection was published without the composer’s assistance and perhaps even his agreement - these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principalviolin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldi’s Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole. / Niveau : Intermédiaire à Avancé / Date parution : 1905-07-09/ Répertoire / Violon, Ensembles de Cordes et Basse Continue
46.10 EUR - vendu par LMI-partitions Délais: Sur commande |
|
| Concerto Per Violino,
Archi E Bc, Rv 324 Op.
Vi/1 (VIVALDI ANTONIO) Violon, Ensembles de Cordes et B.C. [Conducteur] - Intermédiaire/avancé Ricordi
Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership wi...(+)
Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection was published without the composer’s assistance and perhaps even his agreement - these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principalviolin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldi’s Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole. / Niveau : Intermédiaire à Avancé / Classique / Date parution : 1905-07-09/ Répertoire / Violon, Ensembles de Cordes et B.C.
23.90 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Concerto Per Violino,
Archi E Bc, Rv 239 Op.
Vi/6 (VIVALDI ANTONIO) Violon, Ensembles de Cordes et Basse
Continue - Intermédiaire/avancé Ricordi
Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership wi...(+)
Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection was published without the composer’s assistance and perhaps even his agreement - these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principalviolin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldi’s Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole. / Niveau : Intermédiaire à Avancé / Date parution : 1905-07-09/ Répertoire / Violon, Ensembles de Cordes et Basse Continue
46.10 EUR - vendu par LMI-partitions Délais: Sur commande |
|
| Concerto Per Violino,
Archi E Bc, Rv 259 Op.
Vi/2 (VIVALDI ANTONIO) Violon, Ensembles de Cordes et B.C. - Intermédiaire/avancé Ricordi
Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership wi...(+)
Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection was published without the composer’s assistance and perhaps even his agreement - these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principalviolin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldi’s Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole. / Niveau : Intermédiaire à Avancé / Date parution : 1905-07-09/ Répertoire / Violon, Ensembles de Cordes et B.C.
46.10 EUR - vendu par LMI-partitions Délais: Sur commande |
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