| High Gear Cadences for Percussion Fanfare [Conducteur et Parties séparées] Band Music Press
| | |
| Volume 1 - How To Play Jazz and Improvise
Formation musicale - Solfège [Partition + CD] - Intermédiaire Jamey Aebersold Jazz
Jamey Aebersold. For singers, vocalists, drums, bass, guitar, flute, clarinet, v...(+)
Jamey Aebersold. For
singers, vocalists,
drums, bass, guitar,
flute, clarinet, violin,
viola, piano, keyboard,
organ, saxophone,
trombone, trumpet,
harmonica. Play-Along
series with accompaniment
CD. The culmination of
Jamey's 35 years as the
world's leading jazz
exponents. Play-Along
Categories:
Improvisation. Level:
beginner, intermediate.
Book with CD. Published
by Jamey Aebersold Jazz.
(22)$21.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| By Lantern's Light - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Crash Cymbals, Euphonium,
Euphonium T.C., Finger
Cymbals, Flute, Flute 2,
Horn, Mallet Percussion,
Mark Tree, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal and more. - Grade
2 SKU: CF.YPS249F
Three Persian Folk
Songs. Composed by
Michael J. Miller. Yps.
Full score. 20 pages.
Duration 3 minutes, 29
seconds. Carl Fischer
Music #YPS249F. Published
by Carl Fischer Music
(CF.YPS249F). ISBN
9781491161883. UPC:
680160920563. By
Lantern's Light is a
medley of Persian folk
songs. The songs come
from a collection for
voice and piano by Clair
Fairchild in his Twelve
Persian Folk Songs
published by Novello and
Company, London, 1904.
Fairchild's goal was to
capture the spirit and
ambiance of Persia's
music and musicians.
Fairchild took special
care to preserve their
authenticity by limiting
western harmony. Such is
also the case in this
setting for concert band.
Special attention should
be given to replicate
songlike phrasing of the
melodic lines and the
rhythmic integrity and
style of the
accompaniment. Conductors
are encouraged to take
liberties with dynamics
and articulations to help
performers play
expressively. There are
many inflections that
exist beyond what is
printed on the page. For
example, the reeds might
subtly shape the rhythmic
accompaniment in m. 6-7,
as might the trumpets
with the melody in m. 18.
In. m. 23, the wind
musicians other than the
trumpets are a part of
the rhythm section with
the percussion. These
rhythms should fit
together nicely to create
a steady cadence. The
melodic statements
beginning at m. 35 should
be carefully balanced to
speak evenly throughout
the various voices. If an
oboist is not available,
the solo in m. 57 has
been cued in the alto
saxophone. By
Lantern's Light is a
medley of Persian folk
songs. The songs come
from a collection for
voice and piano by Clair
Fairchild in his Twelve
Persian Folk Songs
published by Novello and
Company, London, 1904.
Fairchild's goal was to
capture the spirit and
ambiance of Persia's
music and musicians.
Fairchild took special
care to preserve their
authenticity by limiting
western harmony. Such is
also the case in this
setting for concert band.
Special attention should
be given to replicate
songlike phrasing of the
melodic lines and the
rhythmic integrity and
style of the
accompaniment. Conductors
are encouraged to take
liberties with dynamics
and articulations to help
performers play
expressively. There are
many inflections that
exist beyond what is
printed on the page. For
example, the reeds might
subtly shape the rhythmic
accompaniment in m. 6-7,
as might the trumpets
with the melody in m. 18.
In. m. 23, the wind
musicians other than the
trumpets are a part of
the rhythm section with
the percussion. These
rhythms should fit
together nicely to create
a steady cadence. The
melodic statements
beginning at m. 35 should
be carefully balanced to
speak evenly throughout
the various voices. If an
oboist is not available,
the solo in m. 57 has
been cued in the alto
saxophone. By
Lantern’s Light is a
medley of Persian folk
songs. The songs come
from a collection for
voice and piano by Clair
Fairchild in his Twelve
Persian Folk Songs
published by Novello and
Company, London, 1904.
Fairchild’s goal was to
capture the spirit and
ambiance of Persia’s
music and musicians.
Fairchild took special
care to preserve their
authenticity by limiting
western harmony. Such is
also the case in this
setting for concert
band. Special attention
should be given to
replicate songlike
phrasing of the melodic
lines and the rhythmic
integrity and style of
the accompaniment.
Conductors are encouraged
to take liberties with
dynamics and
articulations to help
performers play
expressively. There are
many inflections that
exist beyond what is
printed on the page. For
example, the reeds might
subtly shape the rhythmic
accompaniment in m. 6-7,
as might the trumpets
with the melody in m. 18.
In. m. 23, the wind
musicians other than the
trumpets are a part of
the rhythm section with
the percussion. These
rhythms should fit
together nicely to create
a steady cadence. The
melodic statements
beginning at m. 35 should
be carefully balanced to
speak evenly throughout
the various voices. If an
oboist is not available,
the solo in m. 57 has
been cued in the alto
saxophone. $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| By Lantern's Light - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Crash Cymbals, Euphonium,
Euphonium T.C., Finger
Cymbals, Flute, Flute 2,
Horn, Mallet Percussion,
Mark Tree, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal and more. - Grade
2 SKU: CF.YPS249
Three Persian Folk
Songs. Composed by
Michael J. Miller. Yps.
Set of Score and Parts.
8+2+4+4+2+2+5+2+2+4+4+4+3
+3+2+3+2+1+2+6+24 pages.
Duration 3 minutes, 29
seconds. Carl Fischer
Music #YPS249. Published
by Carl Fischer Music
(CF.YPS249). ISBN
9781491161326. UPC:
680160919918. By
Lantern's Light is a
medley of Persian folk
songs. The songs come
from a collection for
voice and piano by Clair
Fairchild in his Twelve
Persian Folk Songs
published by Novello and
Company, London, 1904.
Fairchild's goal was to
capture the spirit and
ambiance of Persia's
music and musicians.
Fairchild took special
care to preserve their
authenticity by limiting
western harmony. Such is
also the case in this
setting for concert band.
Special attention should
be given to replicate
songlike phrasing of the
melodic lines and the
rhythmic integrity and
style of the
accompaniment. Conductors
are encouraged to take
liberties with dynamics
and articulations to help
performers play
expressively. There are
many inflections that
exist beyond what is
printed on the page. For
example, the reeds might
subtly shape the rhythmic
accompaniment in m. 6-7,
as might the trumpets
with the melody in m. 18.
In. m. 23, the wind
musicians other than the
trumpets are a part of
the rhythm section with
the percussion. These
rhythms should fit
together nicely to create
a steady cadence. The
melodic statements
beginning at m. 35 should
be carefully balanced to
speak evenly throughout
the various voices. If an
oboist is not available,
the solo in m. 57 has
been cued in the alto
saxophone. By
Lantern’s Light is a
medley of Persian folk
songs. The songs come
from a collection for
voice and piano by Clair
Fairchild in his
“Twelve Persian Folk
Songs” published by
Novello and Company,
London, 1904.
Fairchild’s goal was to
capture the spirit and
ambiance of Persia’s
music and musicians.
Fairchild took special
care to preserve their
authenticity by limiting
western harmony. Such is
also the case in this
setting for concert
band. Special attention
should be given to
replicate songlike
phrasing of the melodic
lines and the rhythmic
integrity and style of
the accompaniment.
Conductors are encouraged
to take liberties with
dynamics and
articulations to help
performers play
expressively. There are
many inflections that
exist beyond what is
printed on the page. For
example, the reeds might
subtly shape the rhythmic
accompaniment in m. 6-7,
as might the trumpets
with the melody in m. 18.
In. m. 23, the wind
musicians other than the
trumpets are a part of
the rhythm section with
the percussion. These
rhythms should fit
together nicely to create
a steady cadence. The
melodic statements
beginning at m. 35 should
be carefully balanced to
speak evenly throughout
the various voices. If an
oboist is not available,
the solo in m. 57 has
been cued in the alto
saxophone. $65.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Boogie Wonderbeat Fanfare Show and Marching Music
By Sam Grondale. For Snare Drum, Multi Tenors, Cymbals, Tonal Bass Drums. Marchi...(+)
By Sam Grondale. For
Snare Drum, Multi Tenors,
Cymbals, Tonal Bass
Drums. Marching
Percussion
Series/Cadences. Cadence.
Medium/Advanced. Score
and set of parts
$34.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Jammin' In The Street [Conducteur et Parties séparées + CD] Row-Loff Publications
By John Wooton. For bass drum (includes parts for 3, 4, or 5 bass drums plus CD)...(+)
By John Wooton. For bass
drum (includes parts for
3, 4, or 5 bass drums
plus CD). Cadence(s). 4
$40.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Ceremony of Peace - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Euphonium, Eupho...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Euphonium,
Euphonium T.C., Floor
Tom, Flute, Flute 2,
Horn, Mallet Percussion,
Oboe, Percussion 1,
Percussion 2, Snare Drum,
Tam-tam, Tambourine,
Timpani, Tom-tom,
Trombone, Trumpet 1 and
more. - Grade 1 SKU:
CF.BPS126 Composed by
Joseph Compello. Folio.
Bps. Set of Score and
Parts.
8+2+8+2+5+2+2+8+4+6+2+3+1
+1+8+2+16 pages. Duration
2:20. Carl Fischer Music
#BPS126. Published by
Carl Fischer Music
(CF.BPS126). ISBN
9781491156186. UPC:
680160914722. 9 x 12
inches. Personal
Note My high school band
director, Clarence F.
Wroblewski, died on
November 24, 2018. In the
1950s, he was a pioneer
in the field of public
school instrumental music
in Baltimore City. He was
my mentor and my dear
friend. It was his
guidance and
encouragement that set my
young life's course on
the path of music.
Performance Notes
Ceremony of Peace
contains only the notes
of the ascending
pentatonic scale: Bb, C,
Eb, F, and G. The middle
voice written for Oboe,
Tenor Sax and Horn uses
the note D at cadences.
The character of the
music should give the
impression of ceremonial
music performed on
primitive instruments.
The Tom-Tom parts are
exactly the same as the
Snare Drum and Bass Drum
parts. The director may
decide whether to use one
or the other or both. If
Snare Drum with snares
off is used, try it with
mallets instead of drum
sticks. If a Bass Drum is
used be certain that it
does not overpower the
band. The director may
choose to turn it on its
side and muffle it with a
towel. In the Percussion
2 part Sleigh Bells may
double with the
Tambourine to add a
primitive, ceremonial
sound. The Clarinet part
may be doubled an octave
higher in bands where
this is
possible. Personal
NoteMy high school band
director, Clarence F.
Wroblewski, died on
November 24, 2018. In the
1950s, he was a pioneer
in the field of public
school instrumental music
in Baltimore City. He
was my mentor and my dear
friend. It was his
guidance and
encouragement that set my
young life’s course on
the path of
music.Performance
NotesCeremony of Peace
contains only the notes
of the ascending
pentatonic scale: Bb, C,
Eb, F, and G. The middle
voice written for Oboe,
Tenor Sax and Horn uses
the note D at
cadences.The character of
the music should give the
impression of ceremonial
music performed on
primitive instruments.
The Tom-Tom parts are
exactly the same as the
Snare Drum and Bass Drum
parts. The director may
decide whether to use one
or the other or both. If
Snare Drum with snares
off is used, try it with
mallets instead of drum
sticks. If a Bass Drum is
used be certain that it
does not overpower the
band. The director may
choose to turn it on its
side and muffle it with a
towel. In the Percussion
2 part Sleigh Bells may
double with the
Tambourine to add a
primitive, ceremonial
sound.The Clarinet part
may be doubled an octave
higher in bands where
this is possible. $53.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Ceremony of Peace - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Euphonium, Eupho...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Euphonium,
Euphonium T.C., Floor
Tom, Flute, Flute 2,
Horn, Mallet Percussion,
Oboe, Percussion 1,
Percussion 2, Snare Drum,
Tam-tam, Tambourine,
Timpani, Tom-tom,
Trombone, Trumpet 1 and
more. - Grade 1 SKU:
CF.BPS126F Composed
by Joseph Compello. Sws.
Bps. Full score. 16
pages. Duration 2:20.
Carl Fischer Music
#BPS126F. Published by
Carl Fischer Music
(CF.BPS126F). ISBN
9781491156193. UPC:
680160914739. 9 x 12
inches. Personal
Note My high school band
director, Clarence F.
Wroblewski, died on
November 24, 2018. In the
1950s, he was a pioneer
in the field of public
school instrumental music
in Baltimore City. He was
my mentor and my dear
friend. It was his
guidance and
encouragement that set my
young life's course on
the path of music.
Performance Notes
Ceremony of Peace
contains only the notes
of the ascending
pentatonic scale: Bb, C,
Eb, F, and G. The middle
voice written for Oboe,
Tenor Sax and Horn uses
the note D at cadences.
The character of the
music should give the
impression of ceremonial
music performed on
primitive instruments.
The Tom-Tom parts are
exactly the same as the
Snare Drum and Bass Drum
parts. The director may
decide whether to use one
or the other or both. If
Snare Drum with snares
off is used, try it with
mallets instead of drum
sticks. If a Bass Drum is
used be certain that it
does not overpower the
band. The director may
choose to turn it on its
side and muffle it with a
towel. In the Percussion
2 part Sleigh Bells may
double with the
Tambourine to add a
primitive, ceremonial
sound. The Clarinet part
may be doubled an octave
higher in bands where
this is
possible. Personal
NoteMy high school band
director, Clarence F.
Wroblewski, died on
November 24, 2018. In the
1950s, he was a pioneer
in the field of public
school instrumental music
in Baltimore City. He
was my mentor and my dear
friend. It was his
guidance and
encouragement that set my
young life’s course on
the path of
music.Performance
NotesCeremony of Peace
contains only the notes
of the ascending
pentatonic scale: Bb, C,
Eb, F, and G. The middle
voice written for Oboe,
Tenor Sax and Horn uses
the note D at
cadences.The character of
the music should give the
impression of ceremonial
music performed on
primitive instruments.
The Tom-Tom parts are
exactly the same as the
Snare Drum and Bass Drum
parts. The director may
decide whether to use one
or the other or both. If
Snare Drum with snares
off is used, try it with
mallets instead of drum
sticks. If a Bass Drum is
used be certain that it
does not overpower the
band. The director may
choose to turn it on its
side and muffle it with a
towel. In the Percussion
2 part Sleigh Bells may
double with the
Tambourine to add a
primitive, ceremonial
sound.The Clarinet part
may be doubled an octave
higher in bands where
this is possible. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| When the Saints Go Marchin In Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
Arranged by Andy Clark. Young Concert Band. Command. Full score and set of parts...(+)
Arranged by Andy Clark.
Young Concert Band.
Command. Full score and
set of parts. Composed
2006. Duration 0:02:23.
Published by C.L.
Barnhouse. Level:
Grade 2.
$40.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Forever Free Orchestre d'harmonie - Intermédiaire/avancé Edward B. Marks Music Company
Concert Band (Score & Parts) - Grade 4 SKU: HL.4003982 (Fanfare-Overtu...(+)
Concert Band (Score &
Parts) - Grade 4 SKU:
HL.4003982
(Fanfare-Overture for
Band). Composed by
Kenneth Fuchs. Hal
Leonard Concert Band
Series. Classical.
Published by Edward B.
Marks Music (HL.4003982).
UPC: 888680028220.
9x12
inches. Commissione
d to celebrate the
sesquicentennial of the
state of West Virginia,
Forever Free
incorporates indigenous
elements of the state's
musical heritage,
capturing a robust and
celebratory spirit. Cast
in a single movement in
three sections, the title
is inspired by the state
motto, “Montani
semper liberi”
(“Mountaineeers
forever free”). The
work is unified at the
outset and closing by a
ceremonial fanfare that
is based on thematic
figures from the state
song West Virginia
Hills. A contrasting
middle section features a
lyric variant accompanied
by a militaristic snare
drum and timpani cadence,
before all thematic
elements are combined for
the buoyant and festive
conclusion. Duration:
4:25. $75.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Royal Coronation Dances Orchestre d'harmonie Manhattan Beach Music
Concert band - Grade 3 SKU: MH.1-59913-054-8 Composed by Bob Margolis. Su...(+)
Concert band - Grade 3
SKU:
MH.1-59913-054-8
Composed by Bob Margolis.
Suitable for advanced
middle school, high
school, community and
college bands. Conductor
score and set of parts.
Duration 4:45. Published
by Manhattan Beach Music
(MH.1-59913-054-8).
ISBN
9781599130545. Roya
l Coronation Dances is
the first sequel to the
Fanfare Ode & Festival,
both being settings of
dance music originally
arranged by Gervaise in
the mid 16th-century (the
next sequel is The
Renaissance Fair, which
uses music of Susato and
Praetorius). Fanfare Ode
& Festival has been
performed by many tens of
thousands of students,
both in high school and
junior high school. I
have heard that some of
them are amazed that the
music they are playing
was first played and
danced to over 400 years
ago. Some students tend
to think that music
started with Handel and
his Messiah to be
followed by Beethoven and
his Fifth Symphony, with
naught in between or
before of consequence.
Although Royal Coronation
Dances is derived from
the same source as
Fanfare Ode & Festival,
they are treated in
different ways. I
envisioned this new suite
programmatically -- hence
the descriptive movement
titles, which I imagined
to be various dances
actually used at some
long-ago coronation. The
first movement depicts
the guests, both noble
and common, flanked by
flag and banner bearers,
arriving at the palace to
view the majestic event.
They are festive, their
flags swirling the air,
their cloaks brightly
colored. In the second
movement, the queen in
stately measure moves to
take her place on the
throne as leader and
protector of the realm.
In the third movement,
the jesters of the court
entertain the guests with
wild games of sport.
Musically, there are
interesting sonorities to
recreate. Very special
attention should be given
to the tambourine/tenor
drum part in the first
movement. Their lively
rhythms give the movement
its power. Therefore they
should be played as
distinctly and
brilliantly as possible.
The xylophone and
glockenspiel add clarity,
but must not be allowed
to dominate. Observe
especially the differing
dynamics; the intent is
to allow much buzzing
bass to penetrate. The
small drum (starting at
meas. 29) should be
played expressively, with
attention to the notated
articulations, with the
brass light and detached,
especially in a lively
auditorium. It is of some
further interest that the
first dance is extremely
modal. The original is
clearly in G mixolydian
mode (scale:
G-A-B-C-D-E-F-G).
However, other editors
might put in F-sharps in
many places (changing the
piece almost to G major),
in the belief that such
ficta would have been
automatically put in by
the 16th-century
performers as they
played. I doubt it. I
have not only eschewed
these within the work,
but even at the cadences.
So this arrangement is
most distinctly modal
(listen to the F-naturals
in meas. 22 and 23, for
instance), with all the
part-writing as Gervaise
wrote it. In the second
movement, be careful that
things do not become too
glued together. In the
16th century this music
might have been played by
a consort of recorders,
instruments very light of
touch and sensitive to
articulation. Concert
band can easily sound
heavy, and although this
movement has been scored
for tutti band, it must
not sound it. It is
essential, therefore,
that you hear all the
instruments, with none
predominating. Only when
each timbre can be heard
separately and
simultaneously will the
best blend occur, and
consequently the greatest
transparency. So aim for
a transparent, spacious
tutti sound in this
movement. Especially have
the flutes, who do this
so well, articulate
rather sharply, so as to
produce a chiffing sound,
and do not allow the
quarter-notes to become
too tied together in the
entire band. The entrance
of the drums (first
tenor, then bass) are
events and as such should
be audible. Incidentally,
this movement begins in F
Major and ends in D
Minor: They really didn't
care so much about those
things then. The third
movement (one friend has
remarked that it is the
most Margolisian of the
bunch, but actually I am
just getting subtler, I
hope) again relies upon
the percussion (and the
scoring) to make its
points. Xylophone in this
movement is meant to be
distinctly audible.
Therefore, be especially
sure that the xylophone
player is secure in the
part, and also that the
tambourine and toms sound
good. This movement must
fly or it will sink, so
rev up the band and
conduct it in 1 for this
mixolydian jesting. I
suppose the wildly
unrelated keys (clarinets
and then brass at the
end) would be a good
16th-century joke, but to
us, our
put-up-the-chorus-a-half-
step ears readily accept
such shenanigans.
Ensemble instrumentation:
1 Full Score, 1 Piccolo,
4 Flute 1, 4 Flute 2 & 3,
2 Oboe 1 & 2, 2 Bassoon 1
& 2, 1 Eb Clarinet, 4 Bb
Clarinet 1, 4 Bb Clarinet
2, 4 Bb Clarinet 3, 2 Eb
Alto Clarinet, 1 Eb
Contra Alto Clarinet, 3
Bb Bass & Bb Contrabass
Clarinet, 2 Eb Alto
Saxophone 1, 2 Eb Alto
Saxophone 2, 2 Bb Tenor
Saxophone, 2 Eb Baritone
Saxophone, 3 Bb Trumpet
1, 3 Bb Trumpet 2, 3 Bb
Trumpet 3, 4 Horn in F 1
& 2, 2 Trombone 1, 4
Trombone 2 & 3, 3
Euphonium (B.C.), 2
Euphonium (T.C.), 4 Tuba,
1 String Bass, 1 Timpani
(optional), 2 Xylophone &
Glockenspiel, 5
Percussion. $95.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| When Hearts Tremble Orchestre d'harmonie Carl Fischer
Band concert band - Grade 4.5 SKU: CF.SPS75 Composed by Brant Karrick. SW...(+)
Band concert band - Grade
4.5 SKU: CF.SPS75
Composed by Brant
Karrick. SWS FS. Carl
Fischer Symphonic
Performance Series. Set
of Score and Parts. With
Standard notation.
3+12+12+6+12+12+12+6+6+6+
6+6+6+9+9+9+6+6+9+9+9+9+6
+12+6+9+3+9+9+40 pages.
Duration 6 minutes, 44
seconds. Carl Fischer
Music #SPS75. Published
by Carl Fischer Music
(CF.SPS75). ISBN
9781491147702. UPC:
680160905201. 9 x 12
inches. Key: F
major. When Hearts
Tremble is an emotion
packed piece dedicated to
musician friends lost all
to soon. This beautiful
composition by Brant
Karrick reflects on the
fragility of human
existence, joyous
memories of loved ones
and their effect on
everyone around them, and
maintaining hope for what
the future will hold when
all feels lost. This tour
de force piece perfectly
displays Karrick's
polished compositional
craft with impeccable
scoring, beautiful
melodic writing, and
exceptional
orchestrational
color. While the
day-to-day grind of our
lives can be filled with
overwhelming obligations,
goals and commitments, it
is sometimes very easy to
forget just how precious
and fragile life is . It
is so easy to get caught
up in our own personal
feelings and worries that
we sometimes don’t
realize and appreciate
the many blessings we
have, especially
friendships . On
Wednesday, November 18,
2015 the Jefferson High
School Band in Jefferson,
Georgia lost two of its
members to a fatal car
accident . The victims
were brothers . Music was
a constant part of their
lives, and the boys were
talented percussionists
in the marching band . To
help with the grieving
process the school and
community commissioned
this piece to celebrate
the lives of William and
Alex Trimble .As a
father, I cannot imagine
losing a child, let alone
two, and beginning this
piece was very difficult
as I felt extreme
anguish, especially for
the parents . But it was
decided the piece should
primarily reflect the
enthusiasm, youthful
spirits and positive
influence these two young
men demonstrated as they
were deeply loved by
their band mates,
community and family .
There are four main
themes, each representing
the feelings and emotions
that are certain to occur
after a loss of loved
ones . The first theme is
a short, introductory
fanfare, strong and bold,
to stand for courage . A
second dance-like melody
features a liltingly
mixed meter to portray a
youthful and carefree
innocence . This soon
changes into a third more
song-like, and stately
theme intended to provide
encouragement as we move
forward through life .The
middle of the piece
includes a soft
transition as two snare
drummers give voice to
the boys, allowing them
to thank their friends
and assuring them that it
will be okay . This moves
directly into a slow
melody introduced by the
saxophones (Alex, the
younger brother was also
a saxophonist) and is a
time for reflection and
allows for feelings of
sadness at losing beloved
friends . However, a
second statement of the
same theme, now at full
volume with a strong
percussion cadence,
intends to lift the
spirits and allows all
friends to unite in
joyous celebration of
life . Both the
enthusiastic dance theme
and stately lyrical theme
return, now in different
keys, and work their way
toward the highly
energetic burst of
glorious sound in the
short and wild coda .
When Hearts Tremble was
written to celebrate the
joys of youth and life,
and should remind us that
our friends and loved
ones are precious, and we
should live each day to
bring more joy into the
world and into the lives
of others . $140.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Drumz In The Hood (Cadence) Fanfare [Conducteur et Parties séparées] Matrix Publishing
Arranged by Alan Keown. Marching Band. Matrix Marching Band. Grade 2 (Easy). Sco...(+)
Arranged by Alan Keown.
Marching Band. Matrix
Marching Band. Grade 2
(Easy). Score and set of
parts. Composed 2004
$20.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Music Show Chorale [Partition + Accès audio] Hal Leonard
Video Series With Animated FUNdamentals Through Song. Composed by John Ja...(+)
Video Series With
Animated FUNdamentals
Through Song.
Composed by John
Jacobson, Roger Emerson.
Music Express Books.
Elementary, Resource.
Softcover Video Online.
32 pages. Published by
Hal Leonard (HL.195499).
$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Prometheus Subito Music
Percussion Ensemble (6 players) SKU: SU.80111701 For Percussion Ensemb...(+)
Percussion Ensemble (6
players) SKU:
SU.80111701 For
Percussion Ensemble (6
players). Composed by
Meyer Kupferman.
Percussion, Percussion
Ensemble. Score & Parts.
Subito Music Corporation
#80111701. Published by
Subito Music Corporation
(SU.80111701).
Prometheus was
composed in the spring of
1975 during my stay in
Munich. The work was
conceived as a complete
scene for my opera, also
called Prometheus, in
which the percussionists
are on stage as the main
actors. With the help of
dancers, projections, and
a dazzling array of
lighting effects, the
opera re-enacts the story
of Prometheus. Earlier
and later in the opera
there are singing
soloists and a chorus,
and an orchestra of many
brass and wind
instruments added to the
percussion. Strings are
used only for a few
lyrical sections. The
percussion group is made
up of six players, five
of whom are surrounded by
a large phalanx of drums,
cymbals, gongs, bells,
wood, skin, metal and
mallet instruments. The
slide whistle is even
used to suggest the wind
on the high mountain that
Prometheus is chained to.
The sixth player is
represented by the four
timpani, and is somewhat
set apart from the others
because he is the musical
image of the
hero--Prometheus. The
timpani cadence is the
high point of the scene,
with the lighting
throwing everything on
the stage into a
silhouette, except for
the face and hands of the
timpanist. The work is
built around the concept
of a God choosing to
bring fire and energy to
mankind; he imparts the
gift of work and the
freedom for man to choose
his own destiny. The five
big bass drums explode in
stretto-like passages
suggesting the anger of
the Gods. Ultimately
Prometheus is punished,
but man once tasting
freedom, becomes the
winner. Prometheus was
composed under a
Guggenheim Fellowship and
was first performed by
Paul Price's Manhattan
School Percussion
Ensemble in
1976.Percussion Ensemble
(6 players) Duration:
13’30 Composed: 1975
Published by: Soundspells
Productions. $65.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Yuletide Fanfare Chorale SATB SATB divisi [Octavo] Alfred Publishing
By Jean Perry, Dave Perry. For Opt. Flute and Percussion. (SATB divisi). Choral...(+)
By Jean Perry, Dave
Perry. For Opt. Flute and
Percussion. (SATB
divisi). Choral Octavo.
Choral Designs.
Christmas. Choral Octavo.
24 pages. Published by
Alfred Publishing.
$2.95 $2.8025 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Gone, Gone, Gone Chorale 2 parties Hal Leonard
By Phillip Phillips. Arranged by Mark A. Brymer. For Choral (2-Part). Pop Choral...(+)
By Phillip Phillips.
Arranged by Mark A.
Brymer. For Choral
(2-Part). Pop Choral
Series. 12 pages.
Published by Hal Leonard
$1.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Gone, Gone, Gone Chorale [CD] Hal Leonard
By Phillip Phillips. Arranged by Mark A. Brymer. For Choral (ShowTrax CD). Pop C...(+)
By Phillip Phillips.
Arranged by Mark A.
Brymer. For Choral
(ShowTrax CD). Pop Choral
Series. CD only.
Published by Hal Leonard
$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Gone, Gone, Gone Chorale SATB Hal Leonard
By Phillip Phillips. Arranged by Mark A. Brymer. For Choral (SATB). Pop Choral S...(+)
By Phillip Phillips.
Arranged by Mark A.
Brymer. For Choral
(SATB). Pop Choral
Series. 12 pages.
Published by Hal Leonard
$1.95 $1.8525 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Gone, Gone, Gone Chorale 3 parties SAB Hal Leonard
Choral (SAB Choir) SKU: HL.122160 By Phillip Phillips. Arranged by Mark A...(+)
Choral (SAB Choir)
SKU: HL.122160 By
Phillip Phillips.
Arranged by Mark A.
Brymer. Pop Choral
Series. Pop. Octavo. 12
pages. Published by Hal
Leonard (HL.122160).
UPC: 884088947828.
6.75x10.5
inches. From
singer-songwriter and
American Idol winner
Phillip Phillips, this
uplifting follow-up to
his mega-hit
“Home” is a
tribute to the powerful
connections between
people, written in a
rousing folk-rock style
with pounding
cadence-like drums and
irresistible
choruses. $1.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Frozen Parade Sequence Fanfare [Conducteur et Parties séparées] - Facile Hal Leonard
Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by Michael Brow...(+)
Composed by Kristen
Anderson-Lopez and Robert
Lopez. Arranged by
Michael
Brown and Will Rapp. For
Marching Band (Score and
Parts). Series One
Marching
Band. Grade 2. Published
by
Hal Leonard
$55.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Silent Midwinter's Noel Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Sleigh Bells, Snare
Drum, Suspended Cymbal,
Timpani, Triangle and
more. - Grade 2.5 SKU:
CF.YPS259 Composed by
Michael J. Miller. Set of
Score and Parts. Carl
Fischer Music #YPS259.
Published by Carl Fischer
Music (CF.YPS259).
ISBN 9781491163597.
UPC:
680160922383. Silen
t Midwinter’s Noel is a
fantasia on three
traditional Christmas
tunes. The introduction
of the piece, an
Adagietto, alternates
between melodic
statements of In The
Bleak Midwinter and
Silent Night. The second
main section of the
piece, an Allegro,
primarily juxtaposes The
First Noel and Silent
Night.The tempo markings
throughout the score are
mostly suggestions. The
conductor may choose to
deviate within five to
ten clicks in either
direction on their
metronome. During the
Adagietto, the conductor
may also choose to draw
out harmonic cadences for
increased tension and
resolution.The piece is
scored in Eb and F major
to allow younger
performers to achieve
excellent intonation.
Performers should strive
to produce characteristic
sounds, especially when
playing melodic
statements. The tunes
within this piece are all
carols, and should be
played as such. The
conductor may choose to
teach the performers how
to sing the carols for
added educational value.
Lyrics for the carols are
included below:Silent
NightSilent night! Holy
night!All is calm, all is
brightRound yon virgin
mother and child!Holy
infant, so tender and
mild,Sleep in heavenly
peace!Sleep in heavenly
peace!In the Bleak
MidwinterIn the bleak
midwinterfrosty wind made
moan,earth stood hard as
iron,water like a
stone:snow had
fallen,snow on snow, snow
on snow,in the bleak
midwinter,long ago.The
First NoelThe First Noel
the angel did sayWas to
certain poor shepherdsin
fields as they lay;In
fields as they lay,
keeping their sheep,On a
cold winter's night that
was so deep.Noel, Noel,
Noel, Noel,Born is the
King of Israel. $65.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Latin Parade Sequence Fanfare [Conducteur et Parties séparées] - Facile Hal Leonard
Arranged by Paul Murtha and Will Rapp. For Marching Band (Score and Parts). Se...(+)
Arranged by Paul Murtha
and
Will Rapp. For Marching
Band
(Score and Parts). Series
One
Marching Band. Grade 2.
Published by Hal Leonard
$50.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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