Orchestra SATB vocal soli, SATB choir, 2 recorders, 2 oboes, 3 bassoons, 2 horns, 2 trumpets, timpani, 2 (3) violins, 2 violas, cello, basso continuo

SKU: CA.5507505

Ode. Version of the first performance and version of 1751. Composed by George Frideric Handel. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Handel. Innovative practice aids, Sacred vocal music, Oratorios. Choral Score. Composed 1736/1751. HWV 75. 40 pages. Duration 85 minutes. Carus Verlag #CV 55.075/05. Published by Carus Verlag (CA.5507505).

ISBN 9790007171230. Text language: German/English.

For the magnificent opening of the oratorio season at the beginning of 1736 Handel presented a composition which, like hardly any of his other oratorios, gave him the opportunity to display his musical artistry: John Dryden's ode Alexander's Feast or the Power of Music, published in 1696, demonstrates the power of music by the example of the ancient hero, Alexander the Great. From the impressive lament on the death of Darius, the King of Persia, to the boisterous Praise of Bacchus Handel avails himself of the entire breadth of the musical representation of the emotions and the possibilities for expression. In the text by Newburg Hamilton added at the end of work St. Cecilia elevates the events of the ancient heathen story, which Handel expressed in plastic, skillful polyphony. Later, this homage to the patron saint of church music, Handel also present the opportunity to perform the work on St. Cecilia's Day (22 November). For the first time the present new edition is based consistently on Handel's conducting score, which he used for his own performances of the oratorio, thus not only eliminating timeworn errors, but also offering clarity concerning the choruses, the arias and recitatives, actually performed in Handel's concerts, as well as their sequence of performance. The new Carus edition offers two performance versions: the version of the premiere in 1736, as well as a revised version from 1751. Furthermore, the inclusion of the Concerto for Harp HWV 294 (CV 55.294) is also possible; Handel composed this work especially for Alexander's Feast (as an illustration of Timotheus, the ancient poet who played the lyre). For this purpose the edition contains the appropriate alternatives for the sequence of the movements. Score available separately - see item CA.5507500.

Orchestra SATB vocal soli, SATB choir, 2 recorders, 2 oboes, 3 bassoons, 2 horns, 2 trumpets, timpani, 2 (3) violins, 2 violas, cello, basso continuo

SKU: CA.5507519

Ode. Version of the first performance and version of 1751. Composed by George Frideric Handel. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Handel. Complete orchestral parts. Innovative practice aids, Sacred vocal music, Oratorios. Set of Orchestra Parts. Composed 1736/1751. HWV 75. Duration 85 minutes. Carus Verlag #CV 55.075/19. Published by Carus Verlag (CA.5507519).

ISBN 9790007171438. Text language: German/English.

For the magnificent opening of the oratorio season at the beginning of 1736 Handel presented a composition which, like hardly any of his other oratorios, gave him the opportunity to display his musical artistry: John Dryden's ode Alexander's Feast or the Power of Music, published in 1696, demonstrates the power of music by the example of the ancient hero, Alexander the Great. From the impressive lament on the death of Darius, the King of Persia, to the boisterous Praise of Bacchus Handel avails himself of the entire breadth of the musical representation of the emotions and the possibilities for expression. In the text by Newburg Hamilton added at the end of work St. Cecilia elevates the events of the ancient heathen story, which Handel expressed in plastic, skillful polyphony. Later, this homage to the patron saint of church music, Handel also present the opportunity to perform the work on St. Cecilia's Day (22 November). For the first time the present new edition is based consistently on Handel's conducting score, which he used for his own performances of the oratorio, thus not only eliminating timeworn errors, but also offering clarity concerning the choruses, the arias and recitatives, actually performed in Handel's concerts, as well as their sequence of performance. The new Carus edition offers two performance versions: the version of the premiere in 1736, as well as a revised version from 1751. Furthermore, the inclusion of the Concerto for Harp HWV 294 (CV 55.294) is also possible; Handel composed this work especially for Alexander's Feast (as an illustration of Timotheus, the ancient poet who played the lyre). For this purpose the edition contains the appropriate alternatives for the sequence of the movements. Score and parts available separately - see item CA.5507500.

Featuring Large Music Notation, Lyrics, and Simplified Harmonies C Edition. Composed by Various. Easy Fake Book. Broadway, Pop, Standards. Softcover. 176 pages. Published by Hal Leonard

Composed by James Newton Howard. This edition: Piano Solo/Vocal. Piano Collection; Piano Supplemental; Solo. Movie. Book. 20 pages. Alfred Music #00-47836. Published by Alfred Music

(SATB Voices with Keyboard and Optional Trumpet in B-Flat). Composed by Antonio Vivaldi (1678-1741). Edited by Patrick M. Liebergen. Arranged by Patrick M. Liebergen. Orchestra. For SATB, Trumpet, Keyboard. Patrick M. Liebergen Masterworks Series. Choral. Piano reduction/vocal score. Standard notation. 8 pages. Published by Carl Fischer

Composed by Antonio Vivaldi (1678-1741). Edited by Thomas Fettke. Harold Flammer. Easter, Sacred. Octavo. 8 pages. Published by Harold Flammer Music

Score Only Concert Band (Score) - Grade 2

SKU: HL.861705

Composed by Alan Menken and Howard Ashman. Arranged by Paul Lavender. Essential Elements Expert Level. Ballad, Children, Disney, Movies, Pop. Published by Hal Leonard (HL.861705).

UPC: 884088161736. 9.0x12.0x0.035 inches.

Here is the familiar and beautiful title song from Disney's Beauty and the Beast set for younger bands with the melody skillfully passed from section to section. (Essential Elements Expert Level).

About Essential Elements Band Method

Abo ut Essential Elements Band Method: Essential Elements Band Method provides a complete system of books and accompanying materials that make the educator's job easier, and the students' learning more thorough and enjoyable. By Tom C. Rhodes, Donald Bierschenk, Tim Lautzenheiser, John Higgens, Linda Petersen.

Orchestra SATB vocal soli, SATB choir, 2 recorders, 2 oboes, 3 bassoons, 2 horns, 2 trumpets, timpani, 2 (3) violins, 2 violas, cello, basso continuo

SKU: CA.5507509

Ode. Version of the first performance and version of 1751. Composed by George Frideric Handel. Edited by Felix Loy. This edition: urtext. 2x 55.075/21 2 flutes, 1x 55.075/22 oboe 1, 1x 55.075/23 oboe 2, 3x 55.075/24 3 bassoons, 2x 55.075/31 2 horns, 3x 55.075/32 2 trumpets, 3x 55.075/32 2 trumpets, 3x 55.075/32 2 trumpets, 3x 55.075/32 2 trumpets. Stuttgart Urtext Edition: Handel. Harmony parts. Innovative practice aids, Sacred vocal music, Oratorios. Set of Orchestra Parts. Composed 1736/1751. HWV 75. Duration 85 minutes. Carus Verlag #CV 55.075/09. Published by Carus Verlag (CA.5507509).

ISBN 9790007226794. Text language: German/English.

For the magnificent opening of the oratorio season at the beginning of 1736 Handel presented a composition which, like hardly any of his other oratorios, gave him the opportunity to display his musical artistry: John Dryden's ode Alexander's Feast or the Power of Music, published in 1696, demonstrates the power of music by the example of the ancient hero, Alexander the Great. From the impressive lament on the death of Darius, the King of Persia, to the boisterous Praise of Bacchus Handel avails himself of the entire breadth of the musical representation of the emotions and the possibilities for expression. In the text by Newburg Hamilton added at the end of work St. Cecilia elevates the events of the ancient heathen story, which Handel expressed in plastic, skillful polyphony. Later, this homage to the patron saint of church music, Handel also present the opportunity to perform the work on St. Cecilia's Day (22 November). For the first time the present new edition is based consistently on Handel's conducting score, which he used for his own performances of the oratorio, thus not only eliminating timeworn errors, but also offering clarity concerning the choruses, the arias and recitatives, actually performed in Handel's concerts, as well as their sequence of performance. The new Carus edition offers two performance versions: the version of the premiere in 1736, as well as a revised version from 1751. Furthermore, the inclusion of the Concerto for Harp HWV 294 (CV 55.294) is also possible; Handel composed this work especially for Alexander's Feast (as an illustration of Timotheus, the ancient poet who played the lyre). For this purpose the edition contains the appropriate alternatives for the sequence of the movements. Score and parts available separately - see item CA.5507500.

Orchestra SATB vocal soli, SATB choir, 2 recorders, 2 oboes, 3 bassoon, 2 horns, 2 trumpets, timpani, 2 (3) violin, 2 violas, cello, basso continuo

SKU: CA.5507500

Ode. Version of the first performance and version of 1751. Composed by George Frideric Handel. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Handel. Innovative practice aids, Sacred vocal music, Oratorios. Full score. Composed 1736/1751. HWV 75. 184 pages. Duration 85 minutes. Carus Verlag #CV 55.075/00. Published by Carus Verlag (CA.5507500).

ISBN 9790007167769. Language: German/English.

For the magnificent opening of the oratorio season at the beginning of 1736 Handel presented a composition which, like hardly any of his other oratorios, gave him the opportunity to display his musical artistry: John Dryden's ode Alexander's Feast or the Power of Music, published in 1696, demonstrates the power of music by the example of the ancient hero, Alexander the Great. From the impressive lament on the death of Darius, the King of Persia, to the boisterous Praise of Bacchus Handel avails himself of the entire breadth of the musical representation of the emotions and the possibilities for expression. In the text by Newburg Hamilton added at the end of work St. Cecilia elevates the events of the ancient heathen story, which Handel expressed in plastic, skillful polyphony. Later, this homage to the patron saint of church music, Handel also present the opportunity to perform the work on St. Cecilia's Day (22 November). For the first time the present new edition is based consistently on Handel's conducting score, which he used for his own performances of the oratorio, thus not only eliminating timeworn errors, but also offering clarity concerning the choruses, the arias and recitatives, actually performed in Handel's concerts, as well as their sequence of performance. The new Carus edition offers two performance versions: the version of the premiere in 1736, as well as a revised version from 1751. Furthermore, the inclusion of the Concerto for Harp HWV 294 (CV 55.294) is also possible; Handel composed this work especially for Alexander's Feast (as an illustration of Timotheus, the ancient poet who played the lyre). For this purpose the edition contains the appropriate alternatives for the sequence of the movements.

(Marienantiphon). By Wolfgang Amadeus Mozart (1756-1791). Edited by Christine Martin. Arranged by Paul Horn. For Solo Soprano, SATB Choir, 2 Flutes, 2 Oboes, 2 Horns, 2 Violins, 2 Violas, Cello/Bassoon/Contrabass, Organ. This edition: paperbound. KV 127. Stuttgart Urtext editions; Occasions: Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours; Use during chuch year: Easter and Eastertide. Level 3. Score. Language: Latin. 48 pages. Duration 17 min

By Various Artists. Composed by Alan Menken. Lyricists: Howard Ashman, Tim Rice. 2 discs. Broadway. Karaoke CD. Published by Stage Stars Records.

SATB with SATB Soli (Orch.) (German text in Preface) (English, German Language Edition). Composed by Johann Sebastian Bach (1685-1750). Choral (Sacred); Choral Worship Cantata; Larger Works; Masterworks; Performance Music Ensemble; Worship Resources. Kalmus Edition. Baroque; Easter; Masterwork; Sacred; Spring. Book. 60 pages. Kalmus Classic Edition #00-K06016. Published by Kalmus Classic Edition

Composed by Ludwig van Beethoven (1770-1827). Arranged by Becki Slagle Mayo and Lynn Shaw Bailey. Christian. Octavo. Celebrating Grace #622022206. Published by Celebrating Grace

By Dave Eastlee. Reh Publications. Softcover with CD. With notes and tablature. Size 9x12 inches. 40 pages. Published by Hal Leonard.

By David Lovrien. For brass choir, percussion. Chamber music. Middle-eastern tonality plus surround sound. Concert fanfare. Full score and set of parts. Duration 3:00. Published by Lovebird Music. (116) Level: advanced.

SKU: GI.G-1117

Music of William Averitt. Composed by Cameron LaBarr, Missouri State University Chorale, and William Averitt. GIA ChoralWorks. Music Education. Choral score. GIA Publications #1117. Published by GIA Publications (GI.G-1117).

UPC: 785147011729.

†œHistory is written by the victors…” In societal struggles, those who “come out on top” seem to get to choose what is taught as history. With respect to racial matters in the United States, the struggles of people of color have simply not been a significant part of historical studies in American schools. The immense failure of Reconstruction on Black people in America is the cataclysm that is most pertinent to the retelling of Easter, 1906. Lynchings were a deeply disturbing and immoral method of dominating, primarily, Black people and terrorizing them into submission. Behind these exercises in mob violence lay frequently invented claims of crimes. Easter, 1906 recounts one such event that took place in Springfield, Missouri, over Easter weekend, 1906. Poet Robert Bode has collected material from historical documents of the period and created new poems that reflect upon this tragic event. In turn, Bode’s words are here set to music by composer William Averitt for double choir, spoken narration, piano four-hands, and two percussionists. Performed by the Missouri State University Chorale, conducted by Cameron LaBarr.   A powerful work like this is important because we can easily forget events that have contributed to the lingering blatant and hidden prejudices that exist today. It is through this musical presentation that musicians and audiences can have the tough yet meaningful conversations about how we all can do and be better when relating to others. —Marques L. A. Garrett     Conductor and Composer Learn more about the story behind this project in the video below:.

SATB choir, assembly, keyboard accompaniment, guitar - Beginning

SKU: GI.G-9002

Three Songs for the Communion Procession. Composed by Michel Guimont. Choral. Choral. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #9002. Published by GIA Publications (GI.G-9002).

UPC: 785147900207. English. Text by Delores Dufner.

Though intended for Communion, each setting has its own theme, making them suitable at other times—whether in praise of the risen Christ, as a song to answer Christ’s invitation to the banquet, or when we gather in his name and then go forth to share his life with the world. While scored for SATB voices, the settings are versatile enough for use by cantor and assembly or by smaller, unison choirs. The accompaniments work well on organ, piano, or guitar. Contents: Alleluia, Alleluia, Praise the Risen Son!, Happy Are All Who Are Called to the Feast and Where Two or More Have Come.

Arranged by Jerry Brubaker. Arr. Jerry Brubaker. For Full Orchestra. Full Orchestra. Pop Intermediate Full Orchestra. Movie; Novelty; Secular. Conductor Score and Parts. 256 pages. Published by Alfred Publishing.
Level: 2.5 (grade 2.5).

Arranged by Jerry Brubaker. Arr. Jerry Brubaker. For Full Orchestra. Full Orchestra. Pop Intermediate Full Orchestra. Movie; Novelty; Secular. Conductor Score. 20 pages. Published by Alfred Publishing.
Level: 2.5 (grade 2.5).

Tenor, Narrator, Piano. By Rodion Shchedrin. Schott. Softcover. Size 9x12 inches. 56 pages. Published by Schott.

Arranged by Gordon Goodwin. Arr. Gordon Goodwin. For Jazz Ensemble. Jazz Ensemble. Gordon Goodwin Series. Conductor Score. 20 pages. Published by Alfred Publishing.

(Soli,Ch,Orch)

SKU: BA.BA05938-01

Composed by Johann Sebastian Bach. Edited by Manuel Bärwald. This edition: Edition of selected works, Urtext edition. Linen. Johann Sebastian Bach. Neue Ausgabe samtlicher Werke. Revidierte Edition (NBArev) 6. Edition of selected works, Score. Composed 1725. BWV 245. Baerenreiter Verlag #BA05938_01. Published by Baerenreiter Verlag (BA.BA05938-01).

ISBN 9790006556335. 33 x 26.2 cm inches. Language: German. Preface: Barwald, Manuel.

The St. John Passion, Bach's first passion oratorio, can hardly be understood asonework. Between 1724 and 1750 the work was performed at least four times in various Leipzig churches under the composer's direction and for every one of these occasions it was revised - sometimes quite substantially.

Thi s edition presents the St. John Passion in its second version of 1725, of which only excerpts were rendered in the New Bach Edition volume II/4 (1973). This version as well as the last one of 1749 constitute the two versions that have come down to us almost in their entirety.

Most recently found sources - in particular the libretto print of the passion rediscovered in 2015 - are taken into consideration in this edition for the first time.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding