Arr. Jacob De Haan. Par GRIEG EDVARD. Edvard Grieg (1843-1907) a délibérément choisi de donner à ses oeuvres une touche norvégienne et nordique très personnelle. La notoriété de plusieurs de ses oeuvres a dépassé les frontières de la Scandinavie. Ainsi, le Concerto pour piano en La mineur (1868) et la musique de scène Peer Gynt (1876) ont été salués par les mélomanes du monde entier. Edvard Grieg a également composé un grand nombre de mélodies, chansons et lieder. Jacob de Haana choisi d’arranger trois de ces chansons : Fremad!, Fremad!, une chanson au caractère majestueux ; Stille Nu!, plus mélancolique en raison de sa tonalité mineure et Fola, Fola, Blakken, unallegro plein de gaieté qui vient conclure cette petite suite en trois parties. / Niveau : 1.5 / Pièce de concert / Répertoire / Concert Band ou Harmonie ou Fanfare

Arr. Jacob De Haan. Par GRIEG EDVARD. Norwegian composer Edvard Grieg (1843-1907) wrote a lot of songs, several of which Jacob de Haan has arranged for ensemble of variable strength. The songs are: Fremad! Fremad!, Stille Nu! and Fola, Fola, Blakken. It has been arranged for beginner bands and can be played with a minimum of four players (+ percussion). / Niveau : 1.5 / Répertoire / Brass Band

The sophomore album release by the recording star from New Zealand was released in June 2017. Our matching folio to this concept album features all 11 songs from the album in arrangements for piano, voice and guitar, including the lead single Green Light plus: Hard Feelings/Loveless - Homemade Dynamite - Liability - Liability (Reprise) - The Louvre - Perfect Places - Sober - Sober II (Melodrama) - Supercut - Writer in the Dark. / Piano/Vocal/Guitare (PVG)

This guidebook teaches songwriters exactly how to create awesome solos that will really help their material stand out. Based on the study of nearly 900 songs from six decades of great music it explains the musical role played bysolos illustrates which notes work over any chord sequence and offers a comprehensive range of hints and tips for creating instrumental breaks that will enhance any song. An accompanying CD includes no fewer than 42 sample solosin a range of styles and moods. Separate backing tracks are provided for the reader to work with and play over. For songwriting guitarists the book goes beyond mere instrumental technique to demonstrate how lead guitar can bemade to serve a song rather than simply decorating it. It also explores the wide range of other instruments that can be used to create really stunning solos.

Letter from Sado is an exciting new piece for young band based on a Japanese haiku of the same name. Sado refers to Sado Island in Japan in which various artists religious and military leaders were sent in exile many years ago. The island has historically had a strong community of taiko drummers and as such the piece incorporates optional homemade taiko drums. Blackshaw writes: To capture the idea of interpretation and the concept of reading between the lines the students are invited to become decision makers about particular sections in the music. For example the opening and closing sections of the piece use the same material which is a selection of repeated melodic figures.The students themselves decide how to play these figures as individuals in small teams and then as a whole band. Their decisions include ideas regarding tempo (how fast') dynamics (how loud') and articulation (smooth short or hard'). To inspire them we use the haiku poem; i.e. the opening section invites the students to play the material as if it were a 'stormy wild sea' and the closing section invites the students to play the same melodic figures but this time draw their inspiration from 'Heaven's River ' or as we know it the Milky Way. In-between there is an elaborate heavily textured section that becomes increasingly powerful. The music doesn't rest harmonically until the whole band plays in unison. These multiple layers of sound represent the many thoughts and ideas that would have surrounded those individuals sent to Sado Island in exile the final unison is representative of their own breakthrough experience sending them on a pathway to inner peace and acceptance. Embrace your players' creativity offer them your trust and see how far Letter from Sado can take your band!

The Bucket Book is a groundbreaking new resource for elementary and middle school general music classes. This inventive program is designed to help teachers and students discover the joy of creating music and the fun of using homemade or found instruments to do so. Fully reproducible, and including a Data CD with 30 MP3s of musical examples and a PDF of the book for projection and enhanced classroom learning, The Bucket Book curriculum teaches rhythm skills and percussion techniques using easy-to-teach lessons that do not require a percussion background. Detailed information, photos, and resources are provided to acquaint educators with percussion vocabulary and techniques. The activities will engage and delight your students as they explore different timbres and search for the next great sound or rhythm they can produce with their instruments. For teachers wishing to provide their students with a creative, high-quality music education, The Bucket Book is an outstanding resource! / Formation Musicale

The traditional English carol is remade with a contemporary jazz flair that is refreshing and rhythmically vibrant. A wonderful choice for caroling and vocal groups who take their holiday programming into the community! Available: SATB a cappella. Duration: ca. 2:40.

Welcome to the Copacabana! Latin American music with its rousing rhythms and grooves, catchy melodies and emotional texts enriches our lives. Dirko Juchem and his easy-to-play and professional arrangements of great Latin hits like Besame Mucho or Girl from Ipanema open the dancefloor for flutists with rhythm in their blood! The accompanying audio tracks (full and playalong versions) recorded by the author himself are available for download and streaming.Pages : 96Niveau : facile - moyen Besame MuchoGirl From IpanemaDon‘t You Worry About A ThingLibertangoGuantanameraSamba de OrfeuPor Una CabezaOne Note SambaDesafi nadoVolareEl ChocloCopacabanaTico TicoCantaro / Flûte traversière / Schott

Tre Koncertstykker For Orgel / Three Concert Pieces for Organ by Rued Langgaard edited by Erik Haumann (1994).Contents: 1. Hjemad - minde for orgel BVN 267 2. Som lynet er Kristi genkomst BVN 341 3. Øde gader BVN 373

Par ESCUDERO MARIO. Con gran ilusión ofrezco esta Colección, armonizadas a dos, tres y cuatro voces iguales o mixtas, para aquellos grupos que de una manera especial sientan inquietud por la música, ofreciendo a las distintas agrupaciones de masas corales, un repertoriotante./ Répertoire / Choeur

Latino-américaine de la musique avec ses rythmes contagieux et des rainures, ses doux et facile à chanter des mélodies ainsi que ses textes émotionnels enrichit notre vie. Dirko Juchem apporte les plus grands succès dans des arrangements latino-facile-à-jeu et professionnelle sur la scène Lounge Saxophone bien connue et réussie - un univers coloré play-along soirée avec beaucoup de plaisir à jouer et le plaisir de la vie garanti! Tous les morceaux sur le CD d'accompagnement ont été enregistrées par l'auteur lui-même et sont également disponibles en version lecture. / Saxophone Tenor

Ce recueil format poche vous propose une sélection de 20 tubes des années 80, avec accords, paroles, lignes mélodiques. A emmener partout, pour chanter seul ou entre amis et s'accompagner au clavier ou à la guitare.