460 chants de veillée et de variété française avec accords de guitare Depuis qu?il a été cité par Jérôme Bonaldi sur Canal Plus, ce premier recueil de près de 460 chansons est une référence dans le domaine des carnets de chants depuis plus de dix ans. Chacun y trouvera un répertoire pour chanter toutes les circonstances de la vie. Pour les guitaristes, tous les chants sont accompagnés de leurs accords. Le premier chapitre, 'Salut l?artiste', est un recueil de variétés françaises : Brel, Goldman, Souchon, Renaud? 'Au rythme du monde' regroupe des chansons à thème susceptibles de provoquer la réflexion ou d?affirmer un engagement. 'Racines et couleurs du temps' emprunte au folklore français, aux négro-spirituals et au patrimoine des mouvements de jeunes et d?éducation populaire. La quatrième partie, 'Fêtes et rencontres', offre un éventail de chansons pour se réunir dans la joie, l?émotion ou la fantaisie. Une sélection de 'Canons et ritournelles' termine le carnet. Un index alphabétique par auteurs et par titres, à la fin du carnet, complète le sommaire.

Livre de poche regroupant une compilation de standards de Jazz. (I'm Afraid) The Masquerade Is Over, (Love Is) The Tender Trap52nd Street Theme, A Ballad, A Blossom Fell, A Cottage For Sale, A Flower Is A Lovesome Thing, A Lovely Way To Spend An Evening, A Nightingale Sang In Berkeley Square, A Portrait Of Jenny, A Taste Of Honey, A Walkin' Thing, A Weaver Of Dreams, A Wonderful Day Like TodayAblution, Adam's Apple, Affirmation, Alfie's Theme, All Alone (Left Alone), All My Tomorrows, Along Came Betty, Alto Itis, April Skies, Aquellos Ojos Verdes (Green Eyes), Ask Me Now, At The Mambo Inn, AzureBaby, It's Cold Outside, Bags And Trane, Bags' Groove, Baia (Bahla), Bali Ha'i, Ba-lue Bolivar Ba-ldes-arb (Bolivar Blues), Barbara, Be-bopBig P, Billie's Blues (I Love My Man), Bill's Hit Tune, Bird Feathers, Birdland, Bitches Brew, Blackberry Winter, Bloomdid, Blue 'n Boogie, Blue Serge, Blue Seven, Blue Silver, Blues By Five, Blues For Wood, Blues In The Closet, Bohemia After Dark, Bolivia, Born To Be Blue, Bossa Antigua, Bouncing With Bud, Bright Boy, Brilliant Corners, Buster Rides Again, Bye Bye BlackbirdCaldonia (What Makes Your Big Head So Hard'), Caravan, Careful, Chameleon, Chasin' The Trane, Circle, Cold Duck Time, Comin' Home Baby, Continuum, Cool Blues, Cousin Mary, Crazy She Calls Me, Criss CrossDance Of The Infidels, Day By Day, Day Dream, 'deed I Do, Dewey Square, Dheamy, Dig, Dindi, Do I Love You Because You're Beautiful', Don't Ever Go Away (For Causa De Voce), Don't Explain, Don't Worry 'Bout Me, Doxy, DuffEarly Morning Mood, East To Wes, Eclypso, Elogie, Elora, Emancipation Blues, Estate, Eye Of The HurricaneFarmer's Trust, Feels So Good, Fever, Fields Of Gold, Filthy Mcnasty, Five Brothers, Fly Me To The Moon (In Other Words), Flying Home, Fox Hunt, Freight Trane, Frenest, Full Moon And Empty Arms, Funkallero, FunkyGeorgia On My Mind, Gettin' It Togetha, Girl Talk, Glad To Be Unhappy, Gregory Is Here, GrooveyardH and H, Hackensack, Hallucinations, Happy Little Sunbeam, Hard Hearted Hannah (The Vamp Op Savannah), Harlem Nocturne, Havona, Head And Shoulders, Hi Beck, High Fly, Hit That Mess, Ho-ba-la-la, Holy Land, Honeysuckle Rose, Horace Scope, How Are Things In Glocca Morra, HumptydumptyI Believe In You, I Can't Believe That You're In Love With Me, I Didn't Know What Time It Was, I Get Along Without You Very Well (Except Sometimes), I Gotta Right To Sing The Blues, I Have Dreamed, I Hear A Rhapsody, I Left My Heart In San Francisco, I Like The Likes Of You, I Remember Bird, I Remember You, I Will Wait For You, I Wish, I Didn't Love You So, I Wish I Were In Love Again, I Wish You Love, Ice Cream Konitz, Idol Gossip, If I Loved You, If I Should Lose You, If I Were A Bell, I'll Know, I'm A Fool To Want You, I'm Just A Lucky So And So, I'm Sitting On Top Of The World, Imagination, In A Little Spanish Town ('twas On A Night Like This), In Case You Haven't Heard, In Pursuit Op The 27th Man, In Walked Bud, Indiana (Back Home Again In Indiana), Infant Eyes, Island Birdie, It All Depends On You, It Could Happen To You, It Might As Well Be Spring, It Never Entered My Mind, It's A Good Day, It's A Most Unusual Day, It's Impossible (Somos Novios), It's Only A Paper Moon, It's So Peaceful In The Country, I've Found A New Baby, I've Told Ev'ry Little StarJackie, Jamba, James, Jingles, Jitterbug Waltz, Jumpin' With Symphony Sid, June Is Bustin' Out All Over, Just A Few, Just The Two Of UsKary's Trance, Kathina Ballerina, Kickin' The Gong Around, Kids Are Pretty People, Killer JoeLady Day, Lakes, Last Night When We Were Young, Learnin' The Blues, Leila, Lennie's Pennies, Let There Be Love, Let's Cool One, Let's Get Lost, Like Sonny (Simple Like), Like Young, Limbo, Line Games, Linger Awhile, Little Chicago Fire, Little Rootie Tootie, Little Shoes, Little Sunflower, Lone Jack, Lonely Dreams, Look For The Silver Lining, Look To The Rainbow, Lost In The Stars, Love Is Just Around The Corner, Love Vibrations, Love, Look Away, Lover, Lover Man (Oh, Where Can You Be'), Lover, Come Back To MeManhattan, Manteca, Masquerade, Mayreh, Mean To Me, Menina Flor, Midnight Sun, Miles Ahead, Minor Mishap, Minor Mood, Moanin', Monk's Mood, Monk's Shop, Moon Rays, Moon River, Moonglow, Moose The Mooche, More Than You Know, Morning Dance, Moten Swing, Move, Mr. Magic, My Attorney Bernie, My Blue Heaven, My Heart Stood Still, My Little Suede Shoes, My Old Flame, My Silent LoveNight Song, No Moe, No Splice, North Atlantic Run, Now See How You Are, NutvilleOff Minor, Oh, What A Beautiful Mornin', Old Devil Moon, One By One, One Foot In The Gutter, One Morning In May, Out Back Of The Barn, Oye Como VaPannonica, Parisian Thoroughfare, Passport, Peel Me A Grape, Pennies Prom Heaven, People Will Say We're In Love, Perdido, Petite Fleur (Little Flower), Petits Machins, Phase Dance, Picadillo (A La Puente), Poinciana (Song Of The Tree), Polka Dots And Moonbeams, Poor Butterfly, Prisoner Of Love, Pursuance (Partih)Question and Answer, QuicksilverRaw Kan Kan, Re: Person I Knew, Revelation, Rhythm-a-ning, Right As Rain, Room 608, Rose Room, Rosewood, Round Trip, RubberneckS.O.S., Sack Of Woe, Salt Peanuts, Sandu, Say It (Over And Over Again), Segment, Serenade To A Soul Sister, Serene, Shutterbug, Silver's Serenade, Simone, Sing, You Sinners, Smoke Gets In Your Eyes, Smoke Rings, So Danqo Samba (Jazz 'N' Samba), Softly As In A Morning Sunrise, Some Other Blues, Somebody Loves You, Something Wonderful, Song For Bilbao, Song For Strayhorn, Songbird (Thank You For Your Lovely Song), Soul Eyes, Speak Like A Child, Spiral, S'posin', Spring Will Be A Little Late This Year, Squeeze MeSt. Thomas, Stablemates, Stormy Weather (Keeps Rainin' All The Time), Straight Life, Strayhorn 2, Strode Rode, Strollin', Struttin' With, Some Barbecue, Subconscious Lee, Suddenly It's Spring, Summer In Central Park, Sweet And Lovely, Syeeda's Song Flute tain't What You Do (It's The Way That Cha Do It)Take Ten, Tanga, Tangerine, Teen Town, Teenie's Blues, Telephone Song, Tempus Fugit, Tenor MadnessThe Best Things In Life Are Free, The Birth Of The Blues, The Blessing, The Breeze And I, The Core, The Creole Love Call, The Drive, The Folks Who Live On The Hill, The Frim Fram Sauce, The Gift! (Recado Bossa Nova), The Glory Of Love, The Hucklebuck, The Jody Grind, The Lady Is A Tramp, The Last Time I Saw Paris, The Nearness Of You, The Odd Couple, The Red One, The Sweetest Sounds, The Thrill Is Gone, The Thumper, The Touch Of Your Lips, The WhopperTheme From Mr. Broadway, There Are Such Things, There's A Small Hotel, These Foolish Things (Remind Me Of You), Thick, Things To Come, This Masquerade, Three Base Hit, Till There Was You, Tippin', Tomorrow's Destiny, Too Young, Trane's Blues, Turnaround, Twisted, Two Cigarettes In The Dark, Two Degrees East, Three Degrees WestUntil I Met YouWalkin' Shoes, Warm Valley, Watch What Happens, Watehcolors, Webb CityWendy, What A Diff''rence A Day Made, What A Wonderful World, What's New', Where Or When, Whisper Not, Who Can I Turn To (When Nobody Needs Me), Why Do I Love You', Will You Still Be Mine, Witchcraft, With A Song In My Heart, Without A SongYardbird Suite, You Are Beautiful, You Can Depend On Me, You're My Everything, You're Nobody 'Til Somebody Loves You

2me Polonaise brillante pour violon avec acompagnement de piano op.21Henryk Wieniawski wrote only two polonaises. The first one, op. 4 in D minor, is one of his youthful works; the other, op. 21 in A major, is one of the last works he composed. Moreover, H. Wieniawski is the co-author of another polonaise, op. 8, for violin and piano, which he wrote with his brother Józef Wieniawski, a pianist. The latter polonaise, like the Polonaise in D minor op. 4, is also a youthful composition (1852). The polonaise as a genre, therefore, does not occupy much space in Wieniawskis heritage. Nonetheless, both polonaises, in D minor and A major, constitute an essential part of his artistic inheritance. Likewise, both polonaises had been composed in two versions: for violin and orchestra, and for violin and piano. The Polonaise in A major was completed in 1870. It is not known precisely which of the versions, the one with the piano, or the one with the orchestra first came into being. It was the version with orchestra that the composer performed for the first time on 17 March 1870, in the Grand Theatre in St. Petersburg. But merely two months later he performed the Polonaise in Warsaw, accompanied by his brother Józef at the piano. It is quite possible that Wieniawski had already performed this version of the Polonaise. It is certain, nonetheless, that both versions either appeared simultaneously, or one was composed shortly after the other. From its first public performance until the end of his concert career, Wieniawski often included this Polonaise in his concert repertoire, playing one version or another, the choice depending on the needs and circumstances. Just to mention one occasion, he played the orchestral version during a concert tour of Sweden in 1870, when he dedicated and presented a manuscript of this piece to King Charles XV of Sweden. The dedication, however, was changed in print, and both versions were eventually dedicated to François van Hal. Both versions were published simultaneously, by Schott Publishers in Mainz, with the same plate number, though the orchestral version appeared only in parts, which was a common practice in those days. The piece was most probably not published earlier than 18751. The Polonaise was praised by the critics. The reviews reported that it was a magnificent piece2, and this opinion was shared by later critical reviews, both Russian and West European. The Polonaise remained popular after the composer had died, which is evident from the number of later editions of the piece (more than ten) issued by different publishers, mostly German, and prepared by different editors. In Poland, the Polonaise was published twice after the Second World War. All the editions introduced some more or less significant changes into the text, mostly concerning performance indications, but in a sense blurring the composers intentions. All those changes were pertinent to the violin and piano version, and it was mostly in this form that the piece appeared in concert and teaching repertoires. The performances with an orchestra were much more seldom which was, among other factors, due to limited availability of the orchestral version, as it had never been published again after the first edition, until now. The Polonaise in A major was composed approximately at the same time as the Violin Concerto No. 2 in D minor3. This convergence in time had influenced a certain similarity with regard to both composition and technical means, and also to the themes. In particular, the similarity becomes quite obvious in the second theme of the Allegro in the Concerto, and in the theme of the Polonaise. The Polonaise in A major is also in a certain way similar to the first Polonaise (in D minor), the motifs of the themes in both polonaises are alike. However, both pieces differ in style. The Polonaise in D minor shows the composers fascination with technical writing. Wieniawski makes the most of double-stops, chords, and all other sophisticated virtuoso techniques. The Polonaise in A major, written 18 years later, is much more mature. Although it is a virtuosic piece as well, the techniques used are somewhat more limited and subordinated to the expression. The virtuoso character of this piece is more fragile, much closer to the brillant style. At the same time, the Polonaise is typical of Wieniawskis violin playing technique. Here the composer uses the means regarded by his contemporaries to be typical of him, e.g., long staccato fragments played with one bow. The Polonaise is a concert piece in one movement extended form with a considerably abbreviated return of the first section at the end. The middle section is contrasting in character, due to the modulation to F major, change of tempo (meno mosso) and the reduction in the number of instruments (in the orchestral version). All the sections show thematic similarity. The first section, too, consists of three subsections, including a contrasting middle subsection (in E major). Zofia Chechli?ska Footnotes 1. See The Critical Commentary, p. ' and onward. 2. See V. Grigoriev, Henryk Wieniawski. ?ycie i twórczo??. [Life and Work] Warszawa - Pozna? 1986, p. 184. 3. The first version of the Concerto No. 2 in D minor was completed in 1862, but in 1870, i.e., not until the Polonaise in A major was completed, Wieniawski had been working on the Concerto and implemented quite a few changes.Publisher: PWM/Towarzystwo Muzyczne im. Henryka Wieniawskiego w PoznaniuSeries: Henryk Wieniawski - Complete WorksCover: softbackNr ISMN: 979-0-2740-0753-9Number of pages: 34 8Format: N4 stoj. 235x305Language version of text: pol., Eng.

Par DRUEL GUILLAUME. Animaux minute, ce sont 60 pièces très courtes (1 à 2 minutes) pour clarinette seule, prévues pour accompagner un élève dès le début de son apprentissage, et tout au long de sa progression jusqu'aux niveaux les plus avancés. Ce n'est pas une méthode d'apprentissage, mais une série de 'vignettes', dans lesquelles on pourra choisir un morceau pour une audition, un examen... ou juste pour le plaisir. Au fil des morceaux apparaissent çà et là des éléments particuliers du langage musical, certains communs à nombre d’instruments, d’autres plus spécifiques à la clarinette. Par exemple, et dès la première page, on trouvera des appoggiatures brèves, et aussi une portée sans indication de mesure... Plus loin une note piquée, une syncope, puis deux... Tiens, un quintolet, tiens, un doigté spécial, Ici un '3 pour 2', un trille... Là, une douzième, une cadence, un do bémol... donc ça existe ? Il faut croire ! Et plus loin, un Flatter... quoi ? Ah ? Ici on joue à la croche, plus tard on jouera à la blanche, à la blanche pointée... Ces petites découvertes sont distillées une par une, 'tranquillamente', couche après couche, et elles sont là non pas comme un simple prétexte d'exercice, mais parce qu'elles sont nécessaires à la musique. Les animaux proposent souvent leur rythme, leur chant, leur activité frénétique ou lente ; il y a leur milieu (l'eau, l'air qui ondulent...), leur localisation (l'Orient, l'Afrique et leurs parfums...); autant de pistes que j'ai pu suivre comme sources d'inspiration. Tout ce petit monde, tous ces petits mondes organisent le temps, le remplissent et le vident. Et organiser le temps, ne serait-ce pas ça, la musique ? Nous sommes principalement des tubes où passent des aliments, avec quelques appendices autour pour organiser la collecte desdits aliments. Chez les humains, ces appendices permettent aussi de jouer des instruments de musique. Guillaume Druel Les pièces sont présentées en 3 volumes : Volume 1 (Cycle 1) pièces 1 à 20 - durée 26 minutes Volume 2 (Cycle 2) pièces 21 à 40 - durée 28 minutes 30 Volume 3 (Cycle 3 et plus) pièces 41 à 60 - durée 28 minutes/ Recueil / Clarinette Bb

14 Accordion Solos On European Melodies. Par FAZIO JAMES. Cette collection de 14 original valse, tangos et danses pour piano accordéon est représentant de nombreux monuments et les sons de l'Europe. Chaque chanson a sa propre histoire à raconter. ' A Little Town Called Mulhausen ' a été écrite en l'honneur du titulaire d'un petit café en Allemagne. De même, toutes les autres chansons sont sur les lieux du compositeur visités et les choses, lui et sa famille a fait tout en visitant l'Europe. / Niveau : Débutant à Intermédiaire / European - Solos / Recueil / Accordéon ou Clavier

Romeo And Juliet is an orchestral work by Tchaikovsky. Written in the form of a symphonic poem it was styled a Fantasy Overture by the composer. First written in 1870 and based on the Shakespeare play of the same name it was revised several times with notable suggestions from Balakirev before the final version was produced in 1880. Pyotr Ilyich Tchaikovsky (1840 - 1893) is one of the best-known Russian composers in the West. He was the first Russian composer to write in the European style generating criticism from his peers for abandoning the Russian cultural heritage but gathering acclaim across both Europeand America.

Parlor Gems A Treasury of 19th Century Music for Classical Guitar. In the late eighteenth and nineteenth centuries, the parlor was a room set aside for particular functions. Before the advent of the radio, it was the place where formal presentations were staged, including amateur and semi-professional concerts. This classical guitar solo collection for the intermediate to advanced player offers nine engaging and lyrical European and North American favorites of this bygone era. All of the solos are presented in standard notation only and played on authentic reproductions of period instruments on the book?s online companion recording. Author Joseph Mayes plays works by well-known guitarist-composers Carulli, Coste and Giuliani as well as the lesser-known but deserving ?Kathleen Mavoureen?Romanza? by Frederick N. Crouch arranged by Charles de Janon, and Felix Arndt?s ?Nola,? one of the era?s most popular ragtime piano themes, here transcribed and arranged by William Foden and the author. Includes access to online audio.