By Many. Text: Many. For Hymnal Extender. Hymns; Sacred. Published by Jackman Music Corporation.
Level: Medium Easy.

By Various. Text: Many. For Various Instruments. Hymns; Sacred. Level: Medium Easy. Published by Jackman Music Corporation.

By Various. Text: Many. For Hymnal Extender. Hymns; Sacred. Level: Medium Easy. Published by Jackman Music Corporation.

By Various. For Instrumental. Hymns; Sacred. Level: Medium Easy. Published by Jackman Music Corporation.

Composed by Roger L. Miller. Arranged by Christine H. Davis. For SATB choir, Organ. Sacred, hymn. Octavo. Text language: English. Duration 4:45. Published by Jackman Music Corporation

Arranged by Brent Jorgensen. Christian, Contemporary Christian, Gospel, Inspirational. Jackman Music Corporation #01964. Published by Jackman Music Corporation

By Many. Arranged by Elaine Stratford. Text: Many. For Guitar and Voice. Published by Jackman Music Corporation.
Level: Medium.

By Many. Arranged by Brent Jorgensen. For Piano Book. Published by Jackman Music Corporation.
Level: Varied.

Fakebook for Eb instrument. With vocal melody, lyrics and chord names. Series: Hal Leonard Fake Books. 864 pages. Published by Hal Leonard.

(C Edition) For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Series: Hal Leonard Fake Books. 856 pages. 9x12 inches. Published by Hal Leonard.

C Edition. Composed by Various. Fake Book. Broadway, Country, Jazz, Pop, Standards. Softcover. 802 pages. Published by Hal Leonard

By Many. Arranged by Compiled And Arranged By Brent Jorgensen. Text: Many. For Easy Songbook. Published by Jackman Music Corporation.
Level: Easy.

By C. Marianne Johnson Fisher, William H. Monk, Joseph J. Daynes, George Careless, Ebenezer Beesley, Hans G. Nageli, Robert Lowry, Giocomo Meyerbeer, John B. Dykes, Lowell Mason, Freeman Lewis, William B. Bradbury, John J. Mcclellan, Frank W. Asper,. Arranged by Darwin Wolford. For Organ Book. Level: Medium. Published by Jackman Music Corporation.

Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Library. Softcover. Size 8.5x11 inches. 373 pages. Published by Hal Leonard.

For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, lyrics, piano accompaniment, chord names and leadsheet notation. Hymn. Series: Hal Leonard Fake Books. 494 pages. 9x12 inches. Published by Hal Leonard.

Fake Book (Includes melody line and chords). Size 9x12 inches. 568 pages. Published by Hal Leonard.

By Various. Arranged by Darwin Wolford. For cello and piano. Includes part for cello only. Piano accompaniment available separately (see item 01436). Medium. Published by Jackman Music Corporation (JK.01162). This book of hymns for cello with piano accompaniment includes: "A Poor Wayfaring Man of Grief" "Abide with Me; 'Tis Eventide" "Beautiful Zion for Me" "Come Thou Fount of Every Blessing" "God Is Love" "I Am a Child of God" "I Know That My Redeemer Lives" "Love at Home" "Sweet Hour of Prayer" "The Lord is My Shepherd".

By Many. Arranged by Brent Jorgensen. Text: Many. For Easy Songbook. Published by Jackman Music Corporation.
Level: Easy.

Choral Children's choir, Piano

SKU: PR.312419290

From Terra Nostra. Composed by Stacy Garrop. Performance Score. 8 pages. Duration 2 minutes, 35 seconds. Theodore Presser Company #312-41929. Published by Theodore Presser Company (PR.312419290).

ISBN 9781491137932. UPC: 680160692620. Texts from The King James Bible, creation myths from India, North America, and Egypt; Edna St. Vincent Millay, Percy Bysshe Shelley, Walt Whitman, Lord Byron, Esther Iverem, William Wordsworth, Wendell Berry, Lord Alfred Tennyson, Charles Mackay, William .

Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her?

By Lars Hagstrom and Jeremy Chesman. Method/Instruction; Organ Method (Suzuki); Suzuki. Suzuki Organ School. Book. 72 pages. Alfred Music #00-47161. Published by Alfred Music

By Many. Arranged by Brent Jorgensen. Text: Many. For Easy Piano Solo. Published by Jackman Music Corporation.
Level: Very Easy.

By Many. Arranged by Darwin Wolford. For Instrumental Solo with Piano Accompaniment. Published by Jackman Music Corporation.
Level: Medium.

By Many. Arranged by Douglas E. Bush. For Organ Book. Level: Medium Difficult. Published by Jackman Music Corporation.

By Various. Arranged by Brent Jorgensen. For Easy Piano. Published by Jackman Music Corporation.
Level: Easy.

By Various. Arranged by Crockett / Manookin / Ballard. -. For Piano Book. Level: Varied. Published by Jackman Music Corporation.