| Symfoni Nr. 2 - Snapshot
Symphony: Orchestra:
Score Orchestre Wilhelm Hansen
Niels Marthinsen's Symphony No. 2 - Snapshot Symphony (2009). 1st movement Fiest...(+)
Niels Marthinsen's Symphony No. 2 - Snapshot Symphony (2009). 1st movement Fiesta Mexicana: fortissimo accelerando (ca. 6 minutes) 2nd movement Arabian Nights: adagio intensivo e furioso (ca. 11 minutes) 3rd movement Great Fireworks in China: giocoso esplosivo e marcatissimo (ca. 8 minutes) Programme note I’ve never been to Mexico and Arabia or to China. But I love the way those countries sound in Hollywood movies and inpop culture generally: When Clint Eastwood rides south of the border when Disney’s Alladin or Mulan takes me far east when arabic pop music roars past me out of the open windows of a car... and bull fighter music and the sound of acrobatic beat-em-up’s in John Woo’s Hong Kong karate movies – and so on: powerful images splashed all over my eye balls and ear drums. My recollections of this ethnic-pop-film-music has turned itself into a symphony. And I don’t even have to just remember what I have heard: A few internet clicks gives me access to incredible sound libraries containing live-and-kicking ethnic music from my three favorite countries just waiting to be put together in new combinations and energize my personal imagery. The symphony is like a huge slide show – musical snapshots from my travels in the western pop culture versions of three exotic locations: Mexico Arabia and China – original and popular melodies welded together by my personal musical language and associations. I use all the effects of modern pling-plong-music plus a few of my own inventions to create a spectacular contemporary orchestral sound sporting a bee hive of melodies from either East or West played simultaneously in different keys and differents tempos at once while kept firmly in place by
114.99 GBP - vendu par Musicroom GB | |
| Sadie Harrison: A
Journey: Double Bass:
Score Contrebasse, Orchestre [Partition] University Of York Music Press
Sadie Harrison's A Journey for Double Bass and Piano. Composed in 2015 revised...(+)
Sadie Harrison's A Journey for Double Bass and Piano. Composed in 2015 revised and published in 2016. Duration: 8 minutes.This four movement work was written at the request of bassist Ben Groenevelt for his pupil Alex Gibberd with funds provided by Bristol City Council’s Guild of Guardians in recognition of Alex’s contribution to the musical life of the city. A Journey is a reflection of Bristol’s history as a trading port with routes to the Americas Northern Europe and the Far East with movements entitled:I Deep South - ‘lazy darkblues’II The Eastern Road - ‘austere theatre’III Northern Lights - ‘a frozen glittering landscape’IV Wayout West! - ‘jaunty hoedown’
15.95 GBP - vendu par Musicroom GB | |
| Ernest Bloch: Suite for
Viola (or Cello) and
Orchestra: Viola: Score Schirmer
Study Score No. 146-This composition was inspired and originally titled accord...(+)
Study Score No. 146-This composition was inspired and originally titled according to a romantic vision of the Far East (which Ernest Bloch had never visited). At one time the suite had a set of descriptive titles which begun with In the Jungle (Life in the Primitive World)- at attempt to portray Nature in its wildest and most primitive state. The second movement was known as 'Grotesque (Simian Stage)' - it is sardonic and fantastic. The third movement was was inspired by the tales of a close friend about a night-time journey through Javanese villages from which could be heard the distant sound of wooden musical instruments. The finale originally Land of the Sun (China) was Bloch said the most cheerful thing I ever wrote. It is based on pentatonic motives (like a common Chinese scale) and also recalls music from the other movements.This is the full score of this work.
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| Ernest Bloch: Suite:
Viola: Instrumental Work Schirmer
This composition was inspired and originally titled according to a romantic vi...(+)
This composition was inspired and originally titled according to a romantic vision of the Far East (which Ernest Bloch had never visited). At one time the suite had a set of descriptive titles which begun with 'In the Jungle (Life in the Primitive World)'- at attempt to portray Nature in its wildest and most primitive state. The second movement was known as 'Grotesque (Simian Stage)' - it is sardonic and fantastic. The third movement was was inspired by the tales of a close friend about a night-time journey through Javanese villages from which could be heard the distant sound of wooden musical instruments. The finale originally 'Land of the Sun (China)' was Bloch said 'the most cheerful think I ever wrote.' It is based on pentatonic motives (like a common Chinese scale) and also recalls music from the other movements.
29.99 GBP - vendu par Musicroom GB Délais: En Stock | |
| Melodies Of The Far East
(PHUNG TUAN VU) Guitare - Intermédiaire/avancé Mel Bay
Par PHUNG TUAN VU. Pieces are inspired by Vietnamese folk music. The eight begin...(+)
Par PHUNG TUAN VU. Pieces are inspired by Vietnamese folk music. The eight beginning bars of Nostalgia, in natural harmonics emulate the unichord, a Vietnamese single-stringed instrument. The two movements of Two Dreams were written ten years apart and triggered by the musical sounds the composer heard upon waking from his actual dreams. The whole piece is polytonal but based on Vietnamese folk tonalities. / Niveau : Intermédiaire à Avancé / World Music - Solos / Recueil / Guitare Classique
19.22 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Phung Tuan Vu: Melodies
Of The Far East For
Guitar Book/Cd Set:
Guitar: Guitare [Partition + CD] - Intermédiaire/avancé Mel Bay
Pieces are inspired by Vietnamese folk music. The eight beginning bars of ...(+)
Pieces are inspired by Vietnamese folk music. The eight beginning bars of Nostalgia in natural harmonics emulate the unichord a Vietnamese single-stringed instrument. The two movements of Two Dreams were written ten yearsapart and triggered by the musical sounds the composer heard upon waking from his actual dreams. The whole piece is polytonal but based on Vietnamese folk tonalities.
13.99 GBP - vendu par Musicroom GB | |
| Ole Buck: Rejang:
Percussion: Instrumental
Work Percussion [Partition] Wilhelm Hansen
Programme Note In REJANG for solo percussion I have linked elements from t...(+)
Programme Note In REJANG for solo percussion I have linked elements from the music of the Far East to a more Western way of thinking. The title can be understood partly as a description of the instruments played yielding local associations and partly as having an undefined ritual flavour inasmuch asit contains a particular idea. To the almost aggressive character of this work I have added a sound from nature conveyed by a set of genuine Balinese Wind Mills (surely used here for the first time in a Western work) which endow the work with a more conciliatory transition between two areas which however remain what they are: tendencies pushing in opposite directions. The work is divided into five movements according to considerations of timbre. Some kind of order or limitation if you like had to be imposed on the almost chaotic events and ideas which lie behind at least some parts of REJANG. Ole Buck
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| Giulio Cesare in Egitto
HVW 17 (HAENDEL GEORG
FRIEDRICH)
Orchestre [Partition] Barenreiter
Par HAENDEL GEORG FRIEDRICH. ?Giulio Cesare in Egitto? is by far Handel?s most f...(+)
Par HAENDEL GEORG FRIEDRICH. ?Giulio Cesare in Egitto? is by far Handel?s most frequently performed opera owing its success not least to its subject matter, one of the best known love stories in world history. Already during Handel?s lifetime the popular work was often staged and therefore adapted by Handel for each of the performance conditions. The editor Hans Dieter Clausen has succeeded in editorially defining and practically presenting these adaptations ? essentially four versions ? on the basis of a meticulous study of the sources within the framework of the ?Halle Handel Edition?. The new edition allows for a performance of each of the four versions. The version of 1725 is particularly noteworthy because Handel newly devised the role of Sesto for the famous tenor Francesco Borosini.
The libretto shows the Roman dictator Cesar in a friendly light. He instructs his enemy, the Egyptian tyrant Tolomeo, how to treat adversaries: he reconciles the widow and son of his enemy Pompeo who was murdered by Tolomeo: he is generous and just, hands on, but also diplomatic, thoughtful, aware of the limits of his power, and susceptible for art and nature. However, the actual protagonist of the opera is Cleopatra. In a masterly way Handel develops her character musically.
In his extensive Foreword Hans Dieter Clausen not only decribes the genesis, historical background, reception and the edition of the opera, he also examines the musical and dramaturgical reworking of individual numbers in ?Giulio Cesare?. Handel was such an expert in adapting arias for new purposes and other characters that he did not only meet the needs at hand but often the new version surpassed the original. In this way, the reader gains, in passing, a well-founded insight into Handel?s work methods when designing and redevising his characters. The detailed Critical Commentary includes information on the comprehensive and highly complex source situation as well as on individual editorial decisions./ Répertoire / Chant et Orchestre
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| La Mer Violoncelle Barenreiter
'La Mer?, which is an impressionistic work through and through, was composed bet...(+)
'La Mer?, which is an impressionistic work through and through, was composed between 1903-1905. Debussy however refined this work up until at least 1913. These corrections are found in a score which Debussy gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists, resulting in an array of new readings and corrections. In addition, there are many changes, a.o. in terms of articulation and dynamics.This new edition includes the famous 'fanfare? in Movement III, clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work, but was reinstated by a number of great conductors who knew Debussy, i.e. Monteux, Münch, Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so, the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.- New Urtext edition with numerous corrections in comparison to other editions- Important sources which were previously inaccessible have been taken into account- Score and orchestral parts in large format (25.5 x 32.5cm)- Score and orchestral parts with an impeccable generous layout- Includes an informative introduction (Eng/Fr/Ger), facsimiles, source descriptions and a Critical Commentary (Eng) / Violoncelle
10.73 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| La Mer Orchestre [Conducteur] Barenreiter
'La Mer?, which is an impressionistic work through and through, was composed bet...(+)
'La Mer?, which is an impressionistic work through and through, was composed between 1903-1905. Debussy however refined this work up until at least 1913. These corrections are found in a score which Debussy gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists, resulting in an array of new readings and corrections. In addition, there are many changes, a.o. in terms of articulation and dynamics.This new edition includes the famous 'fanfare? in Movement III, clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work, but was reinstated by a number of great conductors who knew Debussy, i.e. Monteux, Münch, Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so, the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.- New Urtext edition with numerous corrections in comparison to other editions- Important sources which were previously inaccessible have been taken into account- Score and orchestral parts in large format (25.5 x 32.5cm)- Score and orchestral parts with an impeccable generous layout- Includes an informative introduction (Eng/Fr/Ger), facsimiles, source descriptions and a Critical Commentary (Eng) / Ensemble A Vent
164.72 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| La Mer Orchestre [Partie séparée] Barenreiter
'La Mer?, which is an impressionistic work through and through, was composed bet...(+)
'La Mer?, which is an impressionistic work through and through, was composed between 1903-1905. Debussy however refined this work up until at least 1913. These corrections are found in a score which Debussy gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists, resulting in an array of new readings and corrections. In addition, there are many changes, a.o. in terms of articulation and dynamics.This new edition includes the famous 'fanfare? in Movement III, clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work, but was reinstated by a number of great conductors who knew Debussy, i.e. Monteux, Münch, Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so, the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.- New Urtext edition with numerous corrections in comparison to other editions- Important sources which were previously inaccessible have been taken into account- Score and orchestral parts in large format (25.5 x 32.5cm)- Score and orchestral parts with an impeccable generous layout- Includes an informative introduction (Eng/Fr/Ger), facsimiles, source descriptions and a Critical Commentary (Eng) / Violon I
10.73 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| La Mer Orchestre [Partie séparée] Barenreiter
'La Mer?, which is an impressionistic work through and through, was composed bet...(+)
'La Mer?, which is an impressionistic work through and through, was composed between 1903-1905. Debussy however refined this work up until at least 1913. These corrections are found in a score which Debussy gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists, resulting in an array of new readings and corrections. In addition, there are many changes, a.o. in terms of articulation and dynamics.This new edition includes the famous 'fanfare? in Movement III, clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work, but was reinstated by a number of great conductors who knew Debussy, i.e. Monteux, Münch, Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so, the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.- New Urtext edition with numerous corrections in comparison to other editions- Important sources which were previously inaccessible have been taken into account- Score and orchestral parts in large format (25.5 x 32.5cm)- Score and orchestral parts with an impeccable generous layout- Includes an informative introduction (Eng/Fr/Ger), facsimiles, source descriptions and a Critical Commentary (Eng) / Contrebasse
10.73 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| La Mer Orchestre [Partie séparée] Barenreiter
'La Mer?, which is an impressionistic work through and through, was composed bet...(+)
'La Mer?, which is an impressionistic work through and through, was composed between 1903-1905. Debussy however refined this work up until at least 1913. These corrections are found in a score which Debussy gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists, resulting in an array of new readings and corrections. In addition, there are many changes, a.o. in terms of articulation and dynamics.This new edition includes the famous 'fanfare? in Movement III, clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work, but was reinstated by a number of great conductors who knew Debussy, i.e. Monteux, Münch, Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so, the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.- New Urtext edition with numerous corrections in comparison to other editions- Important sources which were previously inaccessible have been taken into account- Score and orchestral parts in large format (25.5 x 32.5cm)- Score and orchestral parts with an impeccable generous layout- Includes an informative introduction (Eng/Fr/Ger), facsimiles, source descriptions and a Critical Commentary (Eng) / Alto
10.73 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| La Mer Orchestre [Conducteur et Parties séparées] Barenreiter
'La Mer?, which is an impressionistic work through and through, was composed bet...(+)
'La Mer?, which is an impressionistic work through and through, was composed between 1903-1905. Debussy however refined this work up until at least 1913. These corrections are found in a score which Debussy gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists, resulting in an array of new readings and corrections. In addition, there are many changes, a.o. in terms of articulation and dynamics.This new edition includes the famous 'fanfare? in Movement III, clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work, but was reinstated by a number of great conductors who knew Debussy, i.e. Monteux, Münch, Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so, the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.- New Urtext edition with numerous corrections in comparison to other editions- Important sources which were previously inaccessible have been taken into account- Score and orchestral parts in large format (25.5 x 32.5cm)- Score and orchestral parts with an impeccable generous layout- Includes an informative introduction (Eng/Fr/Ger), facsimiles, source descriptions and a Critical Commentary (Eng) / Orchestre
114.84 EUR - vendu par LMI-partitions Délais: Sur commande | |
| La Mer Orchestre [Partie séparée] Barenreiter
'La Mer?, which is an impressionistic work through and through, was composed bet...(+)
'La Mer?, which is an impressionistic work through and through, was composed between 1903-1905. Debussy however refined this work up until at least 1913. These corrections are found in a score which Debussy gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists, resulting in an array of new readings and corrections. In addition, there are many changes, a.o. in terms of articulation and dynamics.This new edition includes the famous 'fanfare? in Movement III, clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work, but was reinstated by a number of great conductors who knew Debussy, i.e. Monteux, Münch, Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so, the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.- New Urtext edition with numerous corrections in comparison to other editions- Important sources which were previously inaccessible have been taken into account- Score and orchestral parts in large format (25.5 x 32.5cm)- Score and orchestral parts with an impeccable generous layout- Includes an informative introduction (Eng/Fr/Ger), facsimiles, source descriptions and a Critical Commentary (Eng) / Violon II
10.73 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Welcome All Wonders (A
Christmas Cantata)
(BEDNALL DAVID) Orgue, Trompette et Voix Mixte [Partition] Faber Music Limited
Par BEDNALL DAVID. David Bednall's Christmas cantata Welcome All Wonders was com...(+)
Par BEDNALL DAVID. David Bednall's Christmas cantata Welcome All Wonders was commissioned and first performed by the Choir of Queen's College, Oxford in 2012 and received rave reviews from, among others, BBC Music Magazine, Limelight Magazine and Gramophone. Described as 'ingenious', 'engaging', 'spirited', 'extremely appealing' and 'accessible without being superficial', a recording of this notable work is available on the Signum label (SIGCD335).
This cantata brings together a beautiful selection of sacred and secular Christmas texts, skilfully interwoven by Bednall to produce a captivating musical narrative of the Christmas story, from Advent through to Epiphany. As a complete work of c.80 minutes' duration, it offers choirs a full programme for their Christmas concert. Alternatively, most movements can be performed as individual items - the unaccompanied motets are particularly suited to this and are available separately as digital downloads.
/ Répertoire / Orgue, Trompette et Voix Mixte
10.83 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Hans Abrahamsen: String
Quartet No.2: String
Quartet: Score Quatuor à cordes: 2 violons,
alto, violoncelle [Partition] - Intermédiaire/avancé Wilhelm Hansen
String Quartet No.2 was composed by Hans Abrahamsen in 1981. Programme note: Han...(+)
String Quartet No.2 was composed by Hans Abrahamsen in 1981. Programme note: Hans Abrahamsens's second string quartet was commissioned by the Lerchenborg music-week of 1981 during which it was first performed by the Gaudeamus Quartet. In Hans Abrahamsen's second quartet it is the continuous alternation of soberness and drama that first catches the listner's ears: the lyrical/gestural tradition as we know it from Arnold Schoenberg and Alban Berg pitched - not against - but around the 'sober barbarism' which is characteristic of rhytmic neo-classicism. Both the first and the last movement of th is quartet are emotional at manylevels: sad - and still seething with life and always unpredictable in their development it is night twilight and white-hot light. Sparkling diamonds set off by scarlett velvet. The two middle movements link the contrasts without cushioning: the second movement a gruelling stripped rhythmical drill followed by a hushed far-off dance in triple meter which shifts and hesitates all the time though. There is an ambience of the classics glimpsed through many veils. The second quartet is music which is fraught with danger in its ambiguous relation to tradition: the past emerges as a most relevant and living ghost. The Beauty and the Beast as musical drama.
15.50 GBP - vendu par Musicroom GB | |
| Sonata à violin solo
(M.S. 83) Violon [Partition] Ricordi
A cura di | Edited by Italo Vescovo. Par PAGANINI NICCOLO. The Sonata à violin ...(+)
A cura di | Edited by Italo Vescovo. Par PAGANINI NICCOLO. The Sonata à violin solo (M.S. 83) is an early work by Paganini that can be ascribed to the years 1796-1800, a period which includes works such as the posthumous Grande concerto (M.S. 75), the Inno patriottico con variazioni (M.S. 81) and the Tema variato (M.S. 82) for violin. There are no doubts as to the authenticity of the work: the highly virtuosic experimental writing, the indications ?Organetto? and ?Flagioletto? and the use of the fourth string are all distinctive traits found in Paganini?s writing from this period which link the Sonata to the Inno patriottico con variazioni and the Tema variato. The most significant characteristics of this composition are its length and the three-movement structure that connect it to the Classical style, at least far as the first movement is concerned: it is written in sonata form, something rarely seen in Paganini?s solo violin works. / Date parution : 2022-02-17/ Répertoire / Violon
20.70 EUR - vendu par LMI-partitions Délais: En Stock | |
| Bob Chilcott: Wenceslas:
Mixed Choir: Vocal Score [Vocal Score] Oxford University Press
Bob Chilcott's Wenceslas for Mezzo-Soprano and Baritone soloists SATB chorus an...(+)
Bob Chilcott's Wenceslas for Mezzo-Soprano and Baritone soloists SATB chorus and Piano or Orchestra. Vocal score. The story of Good King Wenceslas on the Feast of Stephen is presented here as a vivid musical narrative with solo parts for the characters of Wenceslas (Baritone) and Page (Mezzo-Soprano). Chilcott sets new words by Charles Bennett to a colourful array of styles to recount their snow-bound story. The choir sets the scene before Wenceslas and Page meet in 'Who can that be?' and the story-telling continues in several contrasting movements including a touching solo ballad from Page entitled 'Thank you' and the strong yetreflective closing movement 'On St Stephen's Night'. The full five verses of the well-known carol are skilfully interwoven throughout the work in different parts with the final verse being sung by the audience or a semi-chorus and the movements are punctuated by an instrumental interlude and triumphant fanfare.
14.50 GBP - vendu par Musicroom GB Délais: En Stock | |
| Catskills, The. Brass
Band (Score) (HESS NIGEL) Ensemble de cuivres [Partition] Faber Music Limited
Par HESS NIGEL. Dans l'état de New York, se trouvent les montagnes Catskill - u...(+)
Par HESS NIGEL. Dans l'état de New York, se trouvent les montagnes Catskill - une combinaison extraordinaire de la Majesté et la puissance, la paix et la tranquillité. Une fois vu qu'ils appellent vous revenir encore et encore. Cette transcription brass band a été faite par Phillip Littlemore et explore les sons chaleureuses et sonores de la fanfare. ' Les Catskills ' est le deuxième mouvement de photos de la côte est, écrite à l'origine de la bande de vent et a été commandée en 1985 par l'orchestre de vent de jeunes britanniques avec des fonds de la National Westminster Bank plc. Ces trois courts ' images ' ont été inspirés par plusieurs visites par le compositeur d'une petite partie de la côte atlantique des Etats-Unis, un secteur qui offre le grands extrêmes dans la géographie et le peuple. Ce travail a récemment été enregistré sur le CD ' Images East Coast ' par la bande Leyland, réalisée par Michael Fowles et peuvent être commandé à partir de ce site (numéro de catalogue: 0-571-52109-6)./ Répertoire / Brass Band
14.80 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Catskills, The. Brass
Band (Sc And Parts) (HESS
NIGEL) Ensemble de cuivres [Partition] Faber Music Limited
Par HESS NIGEL. Dans l'état de New York, se trouvent les montagnes Catskill - u...(+)
Par HESS NIGEL. Dans l'état de New York, se trouvent les montagnes Catskill - une combinaison extraordinaire de la Majesté et la puissance, la paix et la tranquillité. Une fois vu qu'ils appellent vous revenir encore et encore. Cette transcription brass band a été faite par Phillip Littlemore et explore les sons chaleureuses et sonores de la fanfare. ' Les Catskills ' est le deuxième mouvement de photos de la côte est, écrite à l'origine de la bande de vent et a été commandée en 1985 par l'orchestre de vent de jeunes britanniques avec des fonds de la National Westminster Bank plc. Ces trois courts ' images ' ont été inspirés par plusieurs visites par le compositeur d'une petite partie de la côte atlantique des Etats-Unis, un secteur qui offre le grands extrêmes dans la géographie et le peuple. Ce travail a récemment été enregistré sur le CD ' Images East Coast ' par la bande Leyland, réalisée par Michael Fowles et peuvent être commandé à partir de ce site (numéro de catalogue: 0-571-52109-6)./ Répertoire / Brass Band
29.60 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Poul Ruders: Psalmodies:
Chamber Ensemble: Score GTR/ENS::Guitare/Ensemble
d'École [Partition] Wilhelm Hansen
Full score for this work for Guitar and Small Ensemble. Ruders writes: The word ...(+)
Full score for this work for Guitar and Small Ensemble. Ruders writes: The word has its origin in ancient Greek: Psalmoidia i.e. ?singing to the harp? and we find the word again in Psalter derived from Psallein ?playing the strings with the fingers?. 'Psalmodies' written for and dedicated to David Starobin has no specific religious content or aim; the collection of eleven pieces forms a concert-suite displaying a wide range of emotions; from the jubilant to the dismal the guitar playing the natural leading part ?inside? a chorus of woodwinds and strings. The title and each movement mirrors the variety of moods from the secular feast of A Fanfare for All to the sacredintroversion of A Prayer with Halo. 'Psalmodies' opens with a guitar-solo and closes down with one: the rejoicing Entrance for One and the hushed melancholy Exit for One thus exemplifying the emotional compass which I in an essay on my first symphony; ?Himmelhoch Jauchsend-zum Tode betrübt? entitle: Of Joy and Grief. Of Worship and Oblivion.
38.50 GBP - vendu par Musicroom GB | |
| Requiem Da Camera Baryton, Choeur Mixte Et Orchestre Boosey and Hawkes
This organ reduction is intended to use instead of the original orchestral accom...(+)
This organ reduction is intended to use instead of the original orchestral accompaniment- it is compatible with new edition of Requiem da Camera by Christian Alexander (BH 12681). The organ reduction was done by Francis Jackson, doyen of English cathedral organists and titulaire at York Minster for 36 years.Jackson sympathetically recreates the chamber orchestra scoring for a three-manual organ. Ingeniously, the manual couplings (II to III, II and III to I) are unaltered throughout, with pedal coupled to manuals as appropriate. Detailed registrations are not indicated as these are best left to the performer, taking into account the unique circumstances of the particular instrument, size of choir and acoustic setting at each individual performance.The user-friendly landscape score includes at least one principal vocal line cued throughout, and a cappella choral passages are reproduced in full.Requiem da Camera was Finzi's first extended work- only the instrumental prelude was performed during his lifetime. The other three movements are settings of poems by John Masefield, Thomas Hardy and Wilfrid Wilson Gibson. Scored for baritone solo, small chorus (or SATB soli) and chamber orchestra, the wellspring of the Requiem's composition was the death, during active service in 1918, of Finzi's composition teacher, Ernest Farrar. The work may also be viewed as a metaphor - the permanence of the land, and a centuries-old pattern of rural life following the rhythm of the turning seasons, contrasted with the violent havoc and destructive dislocation wrought by war. A reflective and poignant work particularly suitable for performances commemorating the tragedy of World War I. / Baryton, Choeur Mixte Et Orchestre
18.66 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| 1001 All-Time Hit Songs Ligne De Mélodie, (Paroles) et
Accords [Partition] Amsco Wise Publications
Third edition of the world's biggest songbook. This is a vast bumper collection,...(+)
Third edition of the world's biggest songbook. This is a vast bumper collection, perfect for buskers, of 1001 all-time hit songs.Whatever your taste, there's guaranteed to be tonnes of songs you'll want to play, this book will last you years!Inside the spiral bound cover you will find a generous selection of hit songs, golden standards, jazz and blues numbers, classical pieces, hymns, gospel songs, stage, film and musical music! Arranged here in Melody line arrangements for Piano, Organ, Electronic Keyboards, Guitar and all C instruments, complete with lyrics and chord symbols. / Ligne Mélodique, Paroles Et Accords (Avec Grilles D'Accords)
54.81 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Do-It-Yourself Alto Sax Saxophone Alto [Partition + Accès audio] Hal Leonard
The Best Step-by-Step Guide to Start Playing. Par . Do-It-Yourself Alto Sax is a...(+)
The Best Step-by-Step Guide to Start Playing. Par . Do-It-Yourself Alto Sax is a fun way to get started playing on your own. Using more than 120 well-known songs from the Beatles and Disney to Elvis and Adele, you will be given step-by-step instructions on what you need to know to get started and sounding like a pro in no time. Includes audio tracks for demonstration, plus video instruction by saxophone teacher Sam Fettig. Covers: putting the sax together; reading music on the staff; playing notes; developing your sound; improvisation; reed tips; demonstration audio tracks; video instruction and demonstration; sax talk: specific hints just for sax players; toolboxes: the tools you need to keep growing on your instrument. The price of this book includes access to audio and video online, for download or streaming, using the unique code found inside. Includes PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right-available exclusively from Hal Leonard. / Date parution : 2022-05-31/ Méthode / Saxophone Alto
33.52 EUR - vendu par LMI-partitions Délais: Sur commande | |
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