Recorder

SKU: HL.49002346

C major. Composed by Nicolas Ché and deville. Edited by Carl F. Dolmetsch. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. 12 pages. Schott Music #ED10334. Published by Schott Music (HL.49002346).

ISBN 9790220102103. UPC: 073999616866. 9.0x12.0x0.065 inches.

Soprano or treble recorder and piano (harpsichord).

By Claude Debussy (1862-1918). Arranged by Jonathan Robbins. For Clarient solo and piano accompaniment. Set of parts

By Claude Debussy (1862-1918). Arranged by Jonathan Robbins. For Trombone solo and piano accompaniment. Set of parts

Alto Recorder - easy to intermediate

SKU: HL.49003825

Composed by George Frideric Handel. Arranged by Willi Hillemann. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. 32 pages. Schott Music #ED2563. Published by Schott Music (HL.49003825).

ISBN 9790001038317. UPC: 073999253450. 9.0x12.0x0.084 inches.

These little pieces for the most part come from Handel's Aylesforder Pieces which were published for the first time a few years ago. As almost all of them are written in two-voice versions, i.e. as melody with bass, they are ideal for performances with recorder and basso continuo (piano, harpsichord, spinet). In the original form, the pieces can also be performed as duets.

By Claude Debussy (1862-1918). Arranged by Jonathan Robbins. For Trumpet solo and piano accompaniment. Set of parts

Chorus (with soloists) and piano (solos: SMezMez(A)ATTBarBBB - choir: SSAATTBB - picc.2.2.2.2. - 4.2.3.0. - timp - hp - str)

SKU: BR.DV-6081

Lyrical Opera in 3 Acts. Composed by Pjotr Iljitsch Tschaikowsky. Edited by Manfred Koerth / Wo Ebermann. Arranged by M. Koerth and W. Ebermann. Choir; Softbound. Deutscher Verlag. Opera; Music theatre; Romantic. Piano/Vocal Score. 300 pages. Deutscher Verlag fur Musik #DV 6081. Published by Deutscher Verlag fur Musik (BR.DV-6081).

ISBN 9790200460032. 9.5 x 12 inches.

Duration: full evening

Translation : German (W. Ebermann/M. Koerth), Engl. (D. Llyod-Jones), French (M. Delines)
Place and time: Partly on the estate, partly in Petersburg, in 20ies of the 19th Century

Characters : Larina, Owner of the Estate (mezzo-soprano) - Tatiana (soprano) and Olga (alto), her Daughters - Filipjewna, Wet Nurse (mezzo-soprano/alto) - Eugen Onegin (baritone) - Lenskij (tenor) - Prince Gremin (bass) - A Commander (bass) - Saretzkij (bass) - Triquet, a French Man (tenor) - Guillot, a Valet (silent part) - Country Folk, Ball Guests, Squire, Officers (chorus) - Waltz, mazurka, polonaise and Russian dance (Ballet )

There is an interesting parallel between the subject of the opera and Tchaikovsky's life during the year he wrote the work (1877): in each case, a letter provokes fateful developments in the lives of the protagonists. In the opera, Tatyana's love letter to Eugene sets off the tragedy, whereas in real life, the love letter of a pupil led the composer into a marriage, which lasted all of ... three months. Tchaikovsky took this doomed decision without love, solely because the circumstances want it and because I cannot act differently. Certain allusions made, for example, in a letter of January 1878 to Taneyev suggest that the composer's personal situation also flowed into the work: I did not want anything to do with the so-called 'grand opera.' I am looking for an intimate but powerful drama which is built on the conflict of circumstances which I myself have seen and experienced, a conflict which truly moves me. Partly for this reason the composer decided to call the work not an opera but lyrical scenes.Eugene Onegin, conceived by Tchaikovsky for limited resources and a small stage, is the most frequently performed Russian opera today along with Mussorgsky's Boris Godunov, which represents a completely contrary aesthetic stance.

Tschaikowskys letzte Oper - auf ein Libretto seines Bruders Modest nach der Dramenvorlage des danischen Schriftstellers Henrik Hertz - lebt von den poetischen Momenten und den symbolbeladenen Charakterportrats der Hauptfiguren: Die junge blinde Jolanthe wird von ihrem Vater aus Sorge um ihren Makel und zum Schutz ihrer Jungfraulichkeit und vor den Widrigkeiten der Welt in einen paradiesischen Garten gesperrt. Er befielt zu ihrem Schutz sie um ihre Blindheit unwissend zu lassen. Ein Arzt warnt sehen werde sie nur konnen wenn sie es selbst wolle gleich welche Angste aus der vollstandigen Erkenntnis der Welt erwachsen. Als der junge Vaudemont in ihre Abgeschiedenheit einbricht und sich beide ineinander verlieben befreit er sie von ihrer Unwissenheit erklart was Farbe und Licht bedeuten. Erst die Liebe zu ihm macht sie sehend.

Die dunkle Welt der Jolanthe zeichnet Tschaikowsky zu Beginn musikalisch durch eine Introduktion ausschliesslich fur Blaser. Erst mit dem Eintritt in die unbekannte Welt der Liebe und des Sehens verwendet Tschaikowsky einen warmen Streicherklang. Gerade dadurch stiess die Oper wohl bei Zeitgenossen auf Verstorung. Tschaikowskys ,,Jolanthe nimmt in seinem Opernschaffen eine Sonderstellung ein: neben dem glucklichen Ende einer Apotheose des Lichts und der Liebe mit einem religios gepragten Schlusschoral ist es eines der wenigen Buhnenwerke Tschaikowskys ohne Bezug zur russischen Geschichte. Der ausgepragte Lyrismus des Werks verweist stattdessen auf Tschaikowskys Nahe zur franzosischen Kultur die im 19. Jahrhundert einen starken Einfluss auf Russland hatte. Die Oper wurde 1892 am Mariinsky-Theater in Sankt Petersburg als Auftragswerk zusammen mit seinem Ballett ,,Der Nussknacker uraufgefuhrt.

Nebe n der Produktion des Munchner Rundfunkorchesters wurde ,,Jolanthe szenisch erfolgreich bei den Festspielen Baden-Baden mit Anna Netrebko und Piotr Beczala als Liebespaar rehabilitiert. Ausserhalb Deutschlands lief die Opernraritat in Toulouse Tokyo San Sebastian und Monte Carlo. Zuletzt erneut die ,,Suddeutsche Zeitung: ,,Jolanthe ist eine Opernausgrabung die ,,wirklich zu Unrecht vergessen ist. Tchaikovsky's last opera - on a libretto by the composer's brother Modest based on the drama by the Danish author Henrik Hertz - derives its life-blood from its poetic moments and the symbol-laden portraits of the leading characters: the blind young Yolanta is kept prisoner in a paradisiacal garden by her father who fears for her purity and her virginity and seeks to protect her from the adversities of the world. To do so he orders everyone to keep her ignorant of the fact that she is blind. A doctor warns that she will only be able to see when she is ready to do so herself no matter what fears might result from a complete experience of the world. When the young Vaudemont breaks into her secluded world and the two fall in love he frees her from her ignorance and explains the significance of color and light. It is through her love for him that she is finally able to see. At the beginning of the work Tchaikovsky depicts Yolanta's dark world with an introduction scored exclusively for winds. It is not until her discovery of the unknown world of love and sight that Tchaikovsky uses a warm string sound. This is what many of the composer's contemporaries found disturbing about the opera.

Tchaikovsky 's Yolanta occupies a special place in the composer's operatic oeuvre: for one it has a happy ending an apotheosis of light and love with a religiously stamped closing chorale; for another it is one of Tchaikovsky's few stage works without any reference to Russian history. Instead the work's pronounced lyricism points to the composer's closeness to French culture. which exerted a strong influence on Russia in the 19th century.

The opera was given its world premiere at the Mariinsky Theater in St. Petersburg in 1892. It had been commissioned along with the ballet The Nutcracker. Next to the production by the Munchner Rundfunkorchester Yolanta was also successfully rehabilitated in a recent staged production at the Baden-Baden Festival with Anna Netrebko and Piotr Beczala as the lovers. Outside of Germany the operatic rarity was performed in Toulouse Tokyo San Sebastian and Monte Carlo.

In closing another quote from the Suddeutsche Zeitung: 'Yolanta' is an operatic rediscovery of a work that was truly 'wrongly forgotten'.

For Treble Recorder and Piano. By Steve Rosenberg. (Recorder). Boosey and Hawkes Chamber Music. Size 8.5x11 inches. 52 pages. Published by Boosey and Hawkes.

Voice and piano

SKU: BR.EB-8872

Repertoire Collection. Composed by Marina Sandel and Peter Anton Ling. Edited by Peter Anton Ling. Voice; Softbound. Edition Breitkopf. Aria; Opera; Classical; Late-romantic. Piano/Vocal Score. 152 pages. Breitkopf and Haertel #EB 8872. Published by Breitkopf and Haertel (BR.EB-8872).

ISBN 9790004184622. 9 x 12 inches. German / English.

Una voce poco profonda: Curtain up for Trouser Roles and HeroinesWhether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential - in the OperAria mezzo-soprano and alto volumes, singers with a deeper voice and a special talent for the trouser role through to the heroine find everything they need for their performance. Throbbing of the heart? Yes, that's simply part of the game! Feeling nervous? No, because actually nothing can go wrong with OperAria. The best vocal coach for auditions and current theatre practice. Only the voice needs to do its bit. Toi, toi, toi!Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres. (Peter Anton Ling and Marina Sandel, editors)OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance)with comments on the ariasinformation on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of viewwith phonetic assistant and text assistantaria texts in the original language spoken by native speakers as an audio file (mp3)aria texts in German and English translations as a text file (pdf)available for download

One of the most difficult decisions for singers (and their teachers!) is finding the right repertoire for the present state of vocal development. These three volumes for mezzo-soprano and alto provide a magnificent orientation, and are a great gift! (Marilyn Schmiege, Patron mezzosoprano, alto).

Voice and piano

SKU: BR.EB-8871

Repertoire Collection. Composed by Marina Sandel and Peter Anton Ling. Edited by Peter Anton Ling. Voice; Softbound. Edition Breitkopf.

Publication of Vol. 1 is scheduled for the first half of 2020, Vol. 2 for the first half of 2021.

Aria; Opera; Classical; Late-romantic. Piano/Vocal Score. 132 pages. Breitkopf and Haertel #EB 8871. Published by Breitkopf and Haertel (BR.EB-8871).

ISBN 9790004184615. 9 x 12 inches. German / English.

Una voce poco profonda: Curtain up for Trouser Roles and HeroinesWhether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential - in the OperAria mezzo-soprano and alto volumes, singers with a deeper voice and a special talent for the trouser role through to the heroine find everything they need for their performance. Throbbing of the heart? Yes, that's simply part of the game! Feeling nervous? No, because actually nothing can go wrong with OperAria. The best vocal coach for auditions and current theatre practice. Only the voice needs to do its bit. Toi, toi, toi!Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres. (Peter Anton Ling and Marina Sandel, editors)OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance)with comments on the ariasinformation on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of viewwith phonetic assistant and text assistantaria texts in the original language spoken by native speakers as an audio file (mp3)aria texts in German and English translations as a text file (pdf)available for download

One of the most difficult decisions for singers (and their teachers!) is finding the right repertoire for the present state of vocal development. These three volumes for mezzo-soprano and alto provide a magnificent orientation, and are a great gift! (Marilyn Schmiege, Patron mezzosoprano, alto).

By J. B. Loeillet de Gant`(1688-1720). For Treble (alto) recorder. DOWANI 3 Tempi Play Along - Treble (alto) recorder. Artist: Alexander Puliaev - Harpsichord; Klaus-Dieter Brandt - Cello; Manfredo Zimmermann - Treble (alto) recorder. Level: Intermediate. Sheet Music with CD (3 Tempi Play Along). Published by Dowani International.

Music Through the Ages in Two Volumes. By Alan Ridout. Edited by Kathryn Bennetts And Peter Bowman. For treble/alto recorder and piano. 54 pages. Published by ABRSM (Associated Board of the Royal Schools of Music).

By J. M. Hotteterre "Le Romain" (1674-1763). For Treble (alto) recorder. DOWANI Urtext 3 Tempi Play Along - Treble (alto) recorder. Artist: Alexander Puliaev - Harpsichord; Manfredo Zimmermann - Treble (alto) recorder; Ulrike Volkhardt - Treble (alto) recorder. Level: Intermediate. Sheet Music with CD (3 Tempi Play Along). Published by Dowani International.

Der Partitur beigelegt sind Stimmen f!r Altblockfl!te und Vc(Bc). By Georg Philipp Telemann. Edited by Ruitz, Manfred. For Alto recorder (f,g)/ Violin/ Flute, Harpsichord/ Piano, Basso continuo. Hortus Musicus. Playing Score; Single Part. TWV 42:B4. Published by Hortus Musicus (German import).

Alto Recorder and Piano

SKU: BT.SY-2915

Piano Accompaniment. Composed by Richard Voss. Educational Tool. Book Only. Composed 2014. 48 pages. Ricordi #SY 2915. Published by Ricordi (BT.SY-2915).

ISBN 9783938809679. German.

Piano accompaniment for Altblockflötenfieber (treble recorder) vol. 3. The recorder method Blockflötenfieber is for kids from 7 years. Concept: modern, rock, pop, jazz sounds instead of childrens music or baroque/renaissance.
< br>Das vorliegende Heft enthält Klavierbegleitungen zu vielen Stücken aus Band 3 der beliebten ALTBLOCKFLÖTENFIEBER- Reihe, unter anderem alle Meisterstücke. Sie sind für den Unterricht ebenso geeignet wie für das Musizieren mit Freunden oderGeschwistern und natürlich als Vortragsstücke. Soweit wie möglich wurden die Begleitungen so leicht gehalten, dass etwa gleichaltrige Klavierspieler sie spielen können. Bei den rhythmisch etwas kniffliger scheinenden Rock- und Popstücken empfiehlt essich, zuvor das entsprechende Stück auf der CD anzuhören. Viel Erfolg!

Alto Recorder - advanced

SKU: HL.49004664

Composed by Johann Sebastian Bach. Edited by Gerhard Wohlgemuth. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. 31 pages. Schott Music #ED4140. Published by Schott Music (HL.49004664).

ISBN 9790001048910. UPC: 884088060565. 12.25x8.75x0.428 inches.

By Douglas Steele. For Voice, treble recorder and piano. Moderate. Published by Forsyth Publications

Based on the Sonata in E Major for Flauto Traverso, BWV 1035. By Johann Sebastian Bach. Dowani Book/CD. Softcover with CD. Size 9x12 inches. 12 pages. Published by Dowani.

Composed by Johann Christian Schickhardt (1680-1762). For alto recorder and basso continuo. Baroque. Intermediate. Booklet, full score, part and play-along CD. Published by Recorder JP

Schott Student Edition Level 3 Piano Accompaniment; Recorder (Score and Solo Part) - intermediate

SKU: HL.49045571

For Treble Recorder and Piano - Schott Student Edition Level 3. Composed by Diego Ortiz. Edited by Maria Dorner-Hofmann. This edition: Saddle stitching. Sheet music. Woodwind. Classical. Softcover. 20 pages. Schott Music #SE1020. Published by Schott Music (HL.49045571).

ISBN 9790001162548. UPC: 841886028968. 9.0x12.0x0.083 inches. German - English - French.

The viol player Diego Ortiz, who was musical director at the court of the Spanish viceroy in Naples in the mid-16th century, wrote a textbook which became authoritative for the art of improvisation during the Renaissance. This textbook contains pieces with written improvisations in the tradition of the Renaissance period. Although the writing of improvisations was a contradiction in terms even then, Ortiz' pieces are excellent textbooks for the study of the structures and rules of this art.

About Schott Student Edition

Th e Schott Student Edition gathers instrumental works for music lessons providing a unique and varied repertoire resource including standard teaching works, lesser known pieces which are perfectly suited to lessons as well as to student concerts and competitions.

Th e repertoire is divided into levels 1-5, from very easy to difficult, and includes works from the Renaissance up to modern performance pieces. Each title is graded, from very easy works for beginners up to demanding pieces for more advanced students who are preparing for further study or examinations.

Ev ery work in the series has been carefully selected and edited by experienced music teachers. The editions also contain a wealth of information on the pieces as well as useful advice on studying, rehearsing and interpreting the works. The first titles to be published in the Schott Student Edition series contain works for violin, violoncello, flute, clarinet and recorder. Further editions are in preparation.

Chamber Music & Piano Accompaniment 1 Alto Saxophone 1 Piano - Grade 2

SKU: FL.FX072559

Composed by Alain Lopez. Original Composition. Classical, Educational. Score and Set of Parts. FLEX Editions #FX072559. Published by FLEX Editions (FL.FX072559).

A simple composition in two movements (Fast / slow) allowing the player to become familiar with the repeated notes, while being attentive to piano accompaniment. - Alain LOPEZ ;

A Piece for students from 2 years of instrument practice ; Instruments: 1 Alto Saxophone 1 Piano; Difficuly Level: Grade 2; Duration: 2 mn 05 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Alain LOPEZ;.

Alto Recorder. By Various. Arranged by John Camden and Peter Devereux. Recorder. Size 9x12 inches. 68 pages. Published by G. Schirmer, Inc.

Arrangement for Two Pianos / Eight Hands. Composed by Paul Desmond. Arranged by Melody Bober. This edition: score and 4 parts included. Duet or Duo; Piano Quartet (2 Pianos, 8 Hands); Solo Small Ensembles. Jazz; Recital. Sheet. 32 pages. Alfred Music #00-48593. Published by Alfred Music

(Flute). Arranged by Various. For Flute. Book; CD; Instrumental Series; Play-Along. Easy Instrumental Solos. Grade 1. 48 pages. Published by Alfred Music

By Philip Lane. For Descant recorder and piano (or string orchestra). Moderate to Intermediate. Published by Forsyth Publications