Recorder SKU: HL.49002346 C major. Composed by Nicolas Ché a...(+)
Recorder
SKU:
HL.49002346
C
major. Composed by
Nicolas Ché and
deville. Edited by Carl
F. Dolmetsch. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. 12 pages.
Schott Music #ED10334.
Published by Schott Music
(HL.49002346).
ISBN
9790220102103. UPC:
073999616866.
9.0x12.0x0.065
inches.
Soprano or
treble recorder and piano
(harpsichord).
Alto Recorder - easy to intermediate SKU: HL.49003825 Composed by George ...(+)
Alto Recorder - easy to
intermediate
SKU:
HL.49003825
Composed
by George Frideric
Handel. Arranged by Willi
Hillemann. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. 32 pages.
Schott Music #ED2563.
Published by Schott Music
(HL.49003825).
ISBN
9790001038317. UPC:
073999253450.
9.0x12.0x0.084
inches.
These
little pieces for the
most part come from
Handel's Aylesforder
Pieces which were
published for the first
time a few years ago. As
almost all of them are
written in two-voice
versions, i.e. as melody
with bass, they are ideal
for performances with
recorder and basso
continuo (piano,
harpsichord, spinet). In
the original form, the
pieces can also be
performed as duets.
Chorus (with soloists) and piano (solos: SMezMez(A)ATTBarBBB - choir: SSAATTBB -...(+)
Chorus (with soloists)
and piano (solos:
SMezMez(A)ATTBarBBB -
choir: SSAATTBB -
picc.2.2.2.2. - 4.2.3.0.
- timp - hp - str)
SKU: BR.DV-6081
Lyrical Opera in 3
Acts. Composed by
Pjotr Iljitsch
Tschaikowsky. Edited by
Manfred Koerth / Wo
Ebermann. Arranged by M.
Koerth and W. Ebermann.
Choir; Softbound.
Deutscher Verlag. Opera;
Music theatre; Romantic.
Piano/Vocal Score. 300
pages. Deutscher Verlag
fur Musik #DV 6081.
Published by Deutscher
Verlag fur Musik
(BR.DV-6081).
ISBN
9790200460032. 9.5 x 12
inches.
Duration:
full evening Translation
: German (W. Ebermann/M.
Koerth), Engl. (D.
Llyod-Jones), French (M.
Delines) Place and
time: Partly on the
estate, partly in
Petersburg, in 20ies of
the 19th
Century
Characters
: Larina, Owner of the
Estate (mezzo-soprano) -
Tatiana (soprano) and
Olga (alto), her
Daughters - Filipjewna,
Wet Nurse
(mezzo-soprano/alto) -
Eugen Onegin (baritone) -
Lenskij (tenor) - Prince
Gremin (bass) - A
Commander (bass) -
Saretzkij (bass) -
Triquet, a French Man
(tenor) - Guillot, a
Valet (silent part) -
Country Folk, Ball
Guests, Squire, Officers
(chorus) - Waltz,
mazurka, polonaise and
Russian dance (Ballet
)
There is an
interesting parallel
between the subject of
the opera and
Tchaikovsky's life during
the year he wrote the
work (1877): in each
case, a letter provokes
fateful developments in
the lives of the
protagonists. In the
opera, Tatyana's love
letter to Eugene sets off
the tragedy, whereas in
real life, the love
letter of a pupil led the
composer into a marriage,
which lasted all of ...
three months. Tchaikovsky
took this doomed decision
without love, solely
because the circumstances
want it and because I
cannot act differently.
Certain allusions made,
for example, in a letter
of January 1878 to
Taneyev suggest that the
composer's personal
situation also flowed
into the work: I did not
want anything to do with
the so-called 'grand
opera.' I am looking for
an intimate but powerful
drama which is built on
the conflict of
circumstances which I
myself have seen and
experienced, a conflict
which truly moves me.
Partly for this reason
the composer decided to
call the work not an
opera but lyrical
scenes.Eugene Onegin,
conceived by Tchaikovsky
for limited resources and
a small stage, is the
most frequently performed
Russian opera today along
with Mussorgsky's Boris
Godunov, which represents
a completely contrary
aesthetic stance.
Tschaikowskys
letzte Oper - auf ein
Libretto seines Bruders
Modest nach der
Dramenvorlage des
danischen Schriftstellers
Henrik Hertz - lebt von
den poetischen Momenten
und den symbolbeladenen
Charakterportrats der
Hauptfiguren: Die junge
blinde Jolanthe wird von
ihrem Vater aus Sorge um
ihren Makel und zum
Schutz ihrer
Jungfraulichkeit und vor
den Widrigkeiten der Welt
in einen paradiesischen
Garten gesperrt. Er
befielt zu ihrem Schutz
sie um ihre Blindheit
unwissend zu lassen. Ein
Arzt warnt sehen werde
sie nur konnen wenn sie
es selbst wolle gleich
welche Angste aus der
vollstandigen Erkenntnis
der Welt erwachsen. Als
der junge Vaudemont in
ihre Abgeschiedenheit
einbricht und sich beide
ineinander verlieben
befreit er sie von ihrer
Unwissenheit erklart was
Farbe und Licht bedeuten.
Erst die Liebe zu ihm
macht sie sehend.
Die dunkle Welt
der Jolanthe zeichnet
Tschaikowsky zu Beginn
musikalisch durch eine
Introduktion
ausschliesslich fur
Blaser. Erst mit dem
Eintritt in die
unbekannte Welt der Liebe
und des Sehens verwendet
Tschaikowsky einen warmen
Streicherklang. Gerade
dadurch stiess die Oper
wohl bei Zeitgenossen auf
Verstorung. Tschaikowskys
,,Jolanthe nimmt in
seinem Opernschaffen eine
Sonderstellung ein: neben
dem glucklichen Ende
einer Apotheose des
Lichts und der Liebe mit
einem religios gepragten
Schlusschoral ist es
eines der wenigen
Buhnenwerke Tschaikowskys
ohne Bezug zur russischen
Geschichte. Der
ausgepragte Lyrismus des
Werks verweist
stattdessen auf
Tschaikowskys Nahe zur
franzosischen Kultur die
im 19. Jahrhundert einen
starken Einfluss auf
Russland hatte. Die Oper
wurde 1892 am
Mariinsky-Theater in
Sankt Petersburg als
Auftragswerk zusammen mit
seinem Ballett ,,Der
Nussknacker
uraufgefuhrt.
Nebe
n der Produktion des
Munchner
Rundfunkorchesters wurde
,,Jolanthe szenisch
erfolgreich bei den
Festspielen Baden-Baden
mit Anna Netrebko und
Piotr Beczala als
Liebespaar rehabilitiert.
Ausserhalb Deutschlands
lief die Opernraritat in
Toulouse Tokyo San
Sebastian und Monte
Carlo. Zuletzt erneut die
,,Suddeutsche Zeitung:
,,Jolanthe ist eine
Opernausgrabung die
,,wirklich zu Unrecht
vergessen ist.
Tchaikovsky's last opera
- on a libretto by the
composer's brother Modest
based on the drama by the
Danish author Henrik
Hertz - derives its
life-blood from its
poetic moments and the
symbol-laden portraits of
the leading characters:
the blind young Yolanta
is kept prisoner in a
paradisiacal garden by
her father who fears for
her purity and her
virginity and seeks to
protect her from the
adversities of the world.
To do so he orders
everyone to keep her
ignorant of the fact that
she is blind. A doctor
warns that she will only
be able to see when she
is ready to do so herself
no matter what fears
might result from a
complete experience of
the world. When the young
Vaudemont breaks into her
secluded world and the
two fall in love he frees
her from her ignorance
and explains the
significance of color and
light. It is through her
love for him that she is
finally able to see. At
the beginning of the work
Tchaikovsky depicts
Yolanta's dark world with
an introduction scored
exclusively for winds. It
is not until her
discovery of the unknown
world of love and sight
that Tchaikovsky uses a
warm string sound. This
is what many of the
composer's contemporaries
found disturbing about
the
opera.
Tchaikovsky
's Yolanta occupies a
special place in the
composer's operatic
oeuvre: for one it has a
happy ending an
apotheosis of light and
love with a religiously
stamped closing chorale;
for another it is one of
Tchaikovsky's few stage
works without any
reference to Russian
history. Instead the
work's pronounced
lyricism points to the
composer's closeness to
French culture. which
exerted a strong
influence on Russia in
the 19th
century.
The opera
was given its world
premiere at the Mariinsky
Theater in St. Petersburg
in 1892. It had been
commissioned along with
the ballet The
Nutcracker. Next to the
production by the
Munchner
Rundfunkorchester Yolanta
was also successfully
rehabilitated in a recent
staged production at the
Baden-Baden Festival with
Anna Netrebko and Piotr
Beczala as the lovers.
Outside of Germany the
operatic rarity was
performed in Toulouse
Tokyo San Sebastian and
Monte Carlo.
In
closing another quote
from the Suddeutsche
Zeitung: 'Yolanta' is an
operatic rediscovery of a
work that was truly
'wrongly forgotten'.
For Treble Recorder and Piano. By Steve Rosenberg. (Recorder). Boosey and Hawke...(+)
For Treble Recorder and
Piano. By Steve
Rosenberg. (Recorder).
Boosey and Hawkes Chamber
Music. Size 8.5x11
inches. 52 pages.
Published by Boosey and
Hawkes.
Voice and piano SKU: BR.EB-8872 Repertoire Collection. Composed by...(+)
Voice and piano
SKU:
BR.EB-8872
Repertoire
Collection. Composed
by Marina Sandel and
Peter Anton Ling. Edited
by Peter Anton Ling.
Voice; Softbound. Edition
Breitkopf. Aria; Opera;
Classical; Late-romantic.
Piano/Vocal Score. 152
pages. Breitkopf and
Haertel #EB 8872.
Published by Breitkopf
and Haertel (BR.EB-8872).
ISBN 9790004184622. 9
x 12 inches. German /
English.
Una voce
poco profonda: Curtain up
for Trouser Roles and
HeroinesWhether the voice
is lyric light or heavy,
whether it can master
coloratura, perhaps even
has dramatic potential -
in the OperAria
mezzo-soprano and alto
volumes, singers with a
deeper voice and a
special talent for the
trouser role through to
the heroine find
everything they need for
their performance.
Throbbing of the heart?
Yes, that's simply part
of the game! Feeling
nervous? No, because
actually nothing can go
wrong with OperAria. The
best vocal coach for
auditions and current
theatre practice. Only
the voice needs to do its
bit. Toi, toi, toi!Our
goal is to give the user
a modern-day,
systematically structured
vocal coach who satisfies
the demands of
present-day theater
practice. At long last a
consistent repertoire and
a well-ordered conflation
of respective audition
arias for all vocal
genres. (Peter Anton Ling
and Marina Sandel,
editors)OperAria -
repertoire anthology of
opera arias according to
vocal criteria (range,
tessitura, specifics,
type of aria) with due
regard to practical
aspects of musical and
theatrical nature (style,
era, role type, national
provenance)with comments
on the ariasinformation
on the composer, the
librettist, the work, the
range and of versions or
casting a short synopsis
of the contents
illuminating the basic
dramatic constellation in
the context of the
opera's plot an
evaluation from the
singer's point of
viewwith phonetic
assistant and text
assistantaria texts in
the original language
spoken by native speakers
as an audio file
(mp3)aria texts in German
and English translations
as a text file
(pdf)available for
download
One of
the most difficult
decisions for singers
(and their teachers!) is
finding the right
repertoire for the
present state of vocal
development. These three
volumes for mezzo-soprano
and alto provide a
magnificent orientation,
and are a great gift!
(Marilyn Schmiege, Patron
mezzosoprano, alto).
Voice and piano SKU: BR.EB-8871 Repertoire Collection. Composed by...(+)
Voice and piano
SKU:
BR.EB-8871
Repertoire
Collection. Composed
by Marina Sandel and
Peter Anton Ling. Edited
by Peter Anton Ling.
Voice; Softbound. Edition
Breitkopf.
Publication of
Vol. 1 is scheduled for
the first half of 2020,
Vol. 2 for the first half
of 2021.
Aria; Opera; Classical;
Late-romantic.
Piano/Vocal Score. 132
pages. Breitkopf and
Haertel #EB 8871.
Published by Breitkopf
and Haertel (BR.EB-8871).
ISBN 9790004184615. 9
x 12 inches. German /
English.
Una voce
poco profonda: Curtain up
for Trouser Roles and
HeroinesWhether the voice
is lyric light or heavy,
whether it can master
coloratura, perhaps even
has dramatic potential -
in the OperAria
mezzo-soprano and alto
volumes, singers with a
deeper voice and a
special talent for the
trouser role through to
the heroine find
everything they need for
their performance.
Throbbing of the heart?
Yes, that's simply part
of the game! Feeling
nervous? No, because
actually nothing can go
wrong with OperAria. The
best vocal coach for
auditions and current
theatre practice. Only
the voice needs to do its
bit. Toi, toi, toi!Our
goal is to give the user
a modern-day,
systematically structured
vocal coach who satisfies
the demands of
present-day theater
practice. At long last a
consistent repertoire and
a well-ordered conflation
of respective audition
arias for all vocal
genres. (Peter Anton Ling
and Marina Sandel,
editors)OperAria -
repertoire anthology of
opera arias according to
vocal criteria (range,
tessitura, specifics,
type of aria) with due
regard to practical
aspects of musical and
theatrical nature (style,
era, role type, national
provenance)with comments
on the ariasinformation
on the composer, the
librettist, the work, the
range and of versions or
casting a short synopsis
of the contents
illuminating the basic
dramatic constellation in
the context of the
opera's plot an
evaluation from the
singer's point of
viewwith phonetic
assistant and text
assistantaria texts in
the original language
spoken by native speakers
as an audio file
(mp3)aria texts in German
and English translations
as a text file
(pdf)available for
download
One of
the most difficult
decisions for singers
(and their teachers!) is
finding the right
repertoire for the
present state of vocal
development. These three
volumes for mezzo-soprano
and alto provide a
magnificent orientation,
and are a great gift!
(Marilyn Schmiege, Patron
mezzosoprano, alto).
By J. B. Loeillet de Gant`(1688-1720). For Treble (alto) recorder. DOWANI 3 Temp...(+)
By J. B. Loeillet de
Gant`(1688-1720). For
Treble (alto) recorder.
DOWANI 3 Tempi Play Along
- Treble (alto) recorder.
Artist: Alexander Puliaev
- Harpsichord;
Klaus-Dieter Brandt -
Cello; Manfredo
Zimmermann - Treble
(alto) recorder. Level:
Intermediate. Sheet Music
with CD (3 Tempi Play
Along). Published by
Dowani International.
Treble recorder and piano (A) SKU: HL.49007054 27 Pieces for Treble Re...(+)
Treble recorder and piano
(A)
SKU:
HL.49007054
27
Pieces for Treble
Recorder and Piano.
Edited by Johannes
Weigart. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. 92 pages.
Schott Music #ED7213.
Published by Schott Music
(HL.49007054).
Music Through the Ages in Two Volumes. By Alan Ridout. Edited by Kathryn Bennett...(+)
Music Through the Ages in
Two Volumes. By Alan
Ridout. Edited by Kathryn
Bennetts And Peter
Bowman. For treble/alto
recorder and piano. 54
pages. Published by ABRSM
(Associated Board of the
Royal Schools of Music).
By J. M. Hotteterre "Le Romain" (1674-1763). For Treble (alto) recorder. DOWANI ...(+)
By J. M. Hotteterre "Le
Romain" (1674-1763). For
Treble (alto) recorder.
DOWANI Urtext 3 Tempi
Play Along - Treble
(alto) recorder. Artist:
Alexander Puliaev -
Harpsichord; Manfredo
Zimmermann - Treble
(alto) recorder; Ulrike
Volkhardt - Treble (alto)
recorder. Level:
Intermediate. Sheet Music
with CD (3 Tempi Play
Along). Published by
Dowani International.
Der Partitur beigelegt sind Stimmen f!r Altblockfl!te und Vc(Bc). By Georg Phili...(+)
Der Partitur beigelegt
sind Stimmen f!r
Altblockfl!te und Vc(Bc).
By Georg Philipp
Telemann. Edited by
Ruitz, Manfred. For Alto
recorder (f,g)/ Violin/
Flute, Harpsichord/
Piano, Basso continuo.
Hortus Musicus. Playing
Score; Single Part. TWV
42:B4. Published by
Hortus Musicus (German
import).
Alto Recorder and Piano SKU: BT.SY-2915 Piano Accompaniment. Compo...(+)
Alto Recorder and Piano
SKU: BT.SY-2915
Piano
Accompaniment.
Composed by Richard Voss.
Educational Tool. Book
Only. Composed 2014. 48
pages. Ricordi #SY 2915.
Published by Ricordi
(BT.SY-2915).
ISBN
9783938809679.
German.
Piano
accompaniment for
Altblockflötenfieber
(treble recorder) vol. 3.
The recorder method
Blockflötenfieber is
for kids from 7 years.
Concept: modern, rock,
pop, jazz sounds instead
of childrens music or
baroque/renaissance. <
br>Das vorliegende Heft
enthält
Klavierbegleitungen zu
vielen Stücken aus
Band 3 der beliebten
ALTBLOCKFLÖTENFIEBER-
Reihe, unter anderem alle
Meisterstücke. Sie
sind für den
Unterricht ebenso
geeignet wie für das
Musizieren mit Freunden
oderGeschwistern und
natürlich als
Vortragsstücke. Soweit
wie möglich wurden die
Begleitungen so leicht
gehalten, dass etwa
gleichaltrige
Klavierspieler sie
spielen können. Bei
den rhythmisch etwas
kniffliger scheinenden
Rock- und Popstücken
empfiehlt essich, zuvor
das entsprechende
Stück auf der CD
anzuhören. Viel
Erfolg!
Alto Recorder - advanced SKU: HL.49004664 Composed by Johann Sebastian Ba...(+)
Alto Recorder - advanced
SKU: HL.49004664
Composed by Johann
Sebastian Bach. Edited by
Gerhard Wohlgemuth. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. 31 pages.
Schott Music #ED4140.
Published by Schott Music
(HL.49004664).
ISBN
9790001048910. UPC:
884088060565.
12.25x8.75x0.428
inches.
Based on the Sonata in E Major for Flauto Traverso, BWV 1035. By Johann Sebastia...(+)
Based on the Sonata in E
Major for Flauto
Traverso, BWV 1035. By
Johann Sebastian Bach.
Dowani Book/CD. Softcover
with CD. Size 9x12
inches. 12 pages.
Published by Dowani.
Composed by Johann Christian Schickhardt (1680-1762). For alto recorder and bass...(+)
Composed by Johann
Christian Schickhardt
(1680-1762). For alto
recorder and basso
continuo. Baroque.
Intermediate. Booklet,
full score, part and
play-along CD. Published
by Recorder JP
Treble recorder and piano (Parts) SKU: HL.49014738 From Airs Anglois(+)
Treble recorder and piano
(Parts)
SKU:
HL.49014738
From
Airs Anglois.
Composed by George
Bingham. Edited by
Michael Tilmouth. This
edition: Folding. Sheet
music. Edition Schott.
Classical. Individual
part. Schott Music #ED
11749-01. Published by
Schott Music
(HL.49014738).
Recercada 1 & 2 Flûte à bec Alto, Piano - Intermédiaire Schott
Schott Student Edition Level 3 Piano Accompaniment; Recorder (Score and Solo Par...(+)
Schott Student Edition
Level 3 Piano
Accompaniment; Recorder
(Score and Solo Part) -
intermediate
SKU:
HL.49045571
For
Treble Recorder and Piano
- Schott Student Edition
Level 3. Composed by
Diego Ortiz. Edited by
Maria Dorner-Hofmann.
This edition: Saddle
stitching. Sheet music.
Woodwind. Classical.
Softcover. 20 pages.
Schott Music #SE1020.
Published by Schott Music
(HL.49045571).
ISBN
9790001162548. UPC:
841886028968.
9.0x12.0x0.083 inches.
German - English -
French.
The viol
player Diego Ortiz, who
was musical director at
the court of the Spanish
viceroy in Naples in the
mid-16th century, wrote a
textbook which became
authoritative for the art
of improvisation during
the Renaissance. This
textbook contains pieces
with written
improvisations in the
tradition of the
Renaissance period.
Although the writing of
improvisations was a
contradiction in terms
even then, Ortiz' pieces
are excellent textbooks
for the study of the
structures and rules of
this art.
About Schott
Student
Edition
Th
e Schott Student Edition
gathers instrumental
works for music lessons
providing a unique and
varied repertoire
resource including
standard teaching works,
lesser known pieces which
are perfectly suited to
lessons as well as to
student concerts and
competitions.
Th
e repertoire is divided
into levels 1-5, from
very easy to difficult,
and includes works from
the Renaissance up to
modern performance
pieces. Each title is
graded, from very easy
works for beginners up to
demanding pieces for more
advanced students who are
preparing for further
study or
examinations.
Ev
ery work in the series
has been carefully
selected and edited by
experienced music
teachers. The editions
also contain a wealth of
information on the pieces
as well as useful advice
on studying, rehearsing
and interpreting the
works. The first titles
to be published in the
Schott Student Edition
series contain works for
violin, violoncello,
flute, clarinet and
recorder. Further
editions are in
preparation.
L'Envol Saxophone Alto et Piano - Facile FLEX Editions
Chamber Music & Piano Accompaniment 1 Alto Saxophone 1 Piano - Grade 2 SKU: F...(+)
Chamber Music & Piano
Accompaniment 1 Alto
Saxophone 1 Piano - Grade
2
SKU: FL.FX072559
Composed by Alain Lopez.
Original Composition.
Classical, Educational.
Score and Set of Parts.
FLEX Editions #FX072559.
Published by FLEX
Editions (FL.FX072559).
A simple
composition in two
movements (Fast / slow)
allowing the player to
become familiar with the
repeated notes, while
being attentive to piano
accompaniment. - Alain
LOPEZ ;
A Piece
for students from 2 years
of instrument practice ;
Instruments: 1 Alto
Saxophone 1 Piano;
Difficuly Level: Grade 2;
Duration: 2 mn 05 s;
Musical Style: Classical,
Educational; Category:
Original Composition;
Composer: Alain
LOPEZ;.
Take Five (2p, 8h) 2 Pianos, 8 mains - Intermédiaire/avancé Alfred Publishing
Arrangement for Two Pianos / Eight Hands. Composed by Paul Desmond. Arranged b...(+)
Arrangement for Two
Pianos /
Eight Hands. Composed by
Paul Desmond. Arranged by
Melody Bober. This
edition:
score and 4 parts
included.
Duet or Duo; Piano
Quartet
(2 Pianos, 8 Hands); Solo
Small Ensembles. Jazz;
Recital. Sheet. 32 pages.
Alfred Music #00-48593.
Published by Alfred Music
(Flute). Arranged by Various. For Flute. Book; CD; Instrumental Series; Play-Alo...(+)
(Flute). Arranged by
Various. For Flute. Book;
CD; Instrumental Series;
Play-Along. Easy
Instrumental Solos. Grade
1. 48 pages. Published by
Alfred Music