For Organ and Brass Quartet, or Organ Solo. By Jean Langlais. Arranged by Kenneth Danchik. H.T. Fitzsimons Co. Size 9x12 inches. 12 pages. Published by H.T. FitzSimons Company.

Gospel Fantasy on Siyahamba and ShorToccata on Kumbaya. Arranged by Grimoaldo Macchia. H.T. Fitzsimons Co. African, Folk, Multicultural. Softcover. H.T. FitzSimons Company #F0683. Published by H.T. FitzSimons Company

4 Part Variable Wind Ensemble with Percussion - intermediate

SKU: BT.DHP-1216326-070

Arranged by Wil van der Beek. Music Box. Folk Music. Set (Score & Parts). Composed 2021. De Haske Publications #DHP 1216326-070. Published by De Haske Publications (BT.DHP-1216326-070).

ISBN 9789043162067. English-German-French-Dut ch.

1. Emerald Isle, in this part, the musical spotlight focuses in on the green island of Ireland and its great wealth of traditional folk music. The piece opens with the air ‘My Lodging Is on the Cold Ground’, also known under the title ‘Believe Me, If All Those Endearing Young Charms’ (bars 5-24). Next, we hear another well-known air ‘The Minstrel Boy’ (bars 29-44). Finally, the air ‘The Groves of Blarney’, possibly better known as ‘The Last Rose of Summer’ (bars 53-68) is heard. Each air is heralded by a short introduction and brought to an end by a short conclusion. 2. Old Kentucky Memories, following an introduction of 14 bars all attention is claimed by the song ‘My Old Kentucky Home’. As the piece goes on, snippets of memories emerge, fleetingly, surfacing fast, but quickly disappearing again: this is musically featured by way of small motifs and themes from other songs. These can be heard briefly, and then they disappear, musing on Old Kentucky until the introduction returns to end the piece. 3. Uppland, is a province in Sweden that had a rich folk music culture, like the whole of Sweden, that boasts many songs and dances. A notable amount of these songs and dances have been composed in minor keys, three of which feature in this part. First, we hear ‘Svensk folkvisa’(bars 1-38), followed by the famous ‘Värmlandsvisanà ¢â‚¬â„¢ (bars 39-67) and then brought to an end by ‘Vexelsang’ (bars 68-end). 4. Ratatouille, in this part, no folk songs of just one country or one province are featured. This piece is a mishmash (or ratatouille), a hotchpotch of three folk songs with no significant relation at all. In succession, we hear a song from Russia (bars 1-30), one from Japan (bars 31-58) and one from Australia (bars 59-end). The composer of the Russian song titled ‘The Nightingale’ is Alexander Alyabyev (1787 1851), but the composers of the Japanese song titled ‘Sakura’ and the Australian ‘Waltzing Matilda’ are unknown.

1. Emerald Isle, in dit deel zijn de muzikale schijnwerpers gericht op het groene eiland Ierland, op de grote rijkdom aan traditionele volksmuziek. Het werkje opent met de air ‘My Lodging Is on the Cold Ground’, ook bekend onder de titel ‘Believe Me, If All Those Endearing Young Charms’ (maat 5-24). Daarna volgt de bekende air ‘The Minstrel Boy’ (maat 29-44). En ten slotte horen we nog de air ‘The Groves of Blarney’, misschien beter bekend als ‘The Last Rose of Summer’ (maat 53-68). Elke air wordt voorafgegaan door een korte inleiding en beëindigd met een korte afsluiting. 2. Old Kentucky Memories, na een inleiding van 14 maten (deels ook als afsluiting van dit deel gebruikt) wordt alle aandacht opgeëist door de song ‘My Old Kentucky Home’. Al gauw doemen er echter flarden van herinneringen op, vluchtig, snel opkomend, maar ook weer snel verdwijnend: dit krijgt muzikaal gestalte door middel van motiefjes en thema’s uit andere songs. Deze zijn even hoorbaar en dan weer vlug verdwenen... Mijmeren over Old Kentucky dus... 3. Uppland, is een provincie in Zweden met een rijke muziekcultuur, zoals heel Zweden trouwens ruim bedeeld is met volksliederen en volksdansen. Opvallend veel van deze liederen en dansen zijn gecomponeerd in mineurtoonsoorten. Dit is ook het geval met de drie voor dit deel uitgekozen songs: als eerste ‘Svensk folkvisa’(maat 1-38), gevolgd door het bekende ‘Värmlandsvisanà ¢â‚¬â„¢ (maat 39-67) en tot besluit ‘Vexelsang’ (maat 68-slot). 4. Ratatouille, in dit deel worden geen volksliedjes van één land of één provincie belicht. Dit werkje is een ‘ratjetoe’ (ratatouille), een allegaartje van drie folksongs die onderling geen enkel verband met elkaar hebben: de enige overeenkomst is dat ze alle drie als volksmuziek bestempeld kunnen worden. Achtereenvolgens klinkt er een lied uit Rusland (maat 1-30), uit Japan (maat 31-58) en uit Australië (maat 59-slot). Van het Russische lied met de titel ‘De nachtegaal’ is de componist bekend: dat is Aleksandr Aljabjev (1787 1851). Van het Japanse lied ‘Sakura’ en de Australische song ‘Waltzing Matilda’ kennen we niet de componist niet.

1. Emerald Isle, in diesem Abschnitt richtet sich die musikalische Aufmerksamkeit auf die grüne Insel Irland mit ihrem großen Reichtum an traditioneller Volksmusik. Das Stück beginnt mit der Melodie My Lodging Is on the Cold Ground“, auch bekannt unter dem Titel Believe Me, If All Those Endearing Young Charms“ (Takt 5-24). Anschließend erklingt die bekannte Melodie The Minstrel Boy“ (Takt 29-44). Schließlich ist The Groves of Blarney“, vielleicht bekannter unter dem Titel The Last Rose of Summer“ (Takt 53-68), zu hören. Jede Melodie wird durch eine kurze Einleitung angekündigt und mit einem kurzen Nachspiel beendet. 2. Old Kentucky Memories, nach einer 14 Takte dauerndern Einleitung tritt das Lied My Old Kentucky Home“ in den Mittelpunkt. Im weiteren Verlauf des Stücks erscheinen bruchstückhafte Erinnerungen, die fast so schnell wieder verschwinden, wie sie auftauchen. Dies wird musikalisch durch kleine Motive und Themen aus anderen Liedern dargestellt. Diese sind kurz zu hören und verschwinden dann, während man über Old Kentucky nachdenkt, bis die Einleitung wieder erklingt, die zum Schluss des Stückes führt. 3. Uppland, ist eine schwedische Provinz, die wie ganz Schweden eine reiche Volksmusikkultur mit vielen Liedern und Tänzen hat. Eine große Anzahl der Lieder und Tänze, von denen drei in diesem Abschnitt enthalten sind, stehen in Moll-Tonarten. Zuerst hören wir Svensk folkvisa“ (Takt 1-38), darauf erklingt das berühmte Värmlandsvisan“ (Takt 39-67) und am Ende Vexelsang“ (Takt 68-end). 4. Ratatouille, in diesem Abschnitt werden nicht die Volkslieder eines einzigen Landes oder einer einzigen Provinz vorgestellt, sondern das Stück ist ein Mischung (oder Ratatouille“) aus drei Volksliedern, die keinerlei Beziehung zueinander haben. Zunächst erklingt ein Lied aus Russland (Takt 1-30), dann eines aus Japan (Takt 31-58) und zum Schluss eines aus Australien (Takt 59-Ende). Der Komponist des russischen Liedes mit dem Titel The Nightingale“ ist Alexander Alyabyev (1787 1851). Die Komponisten des japanischen Liedes Sakura“ und der australischen Melodie Waltzing Matilda“ sind unbekannt.

1. Emerald Isle (Île d’émeraude), cette première partie met en vedette la verdoyante île d’Irlande et son riche patrimoine de musique folklorique traditionnelle. Elle s’ouvre avec « My Lodging Is on the Cold Ground », un air également connu sous le titre « Believe Me, If All Those Endearing Young Charms » (mesures 5-24). Vient ensuite un autre air célèbre, « The Minstrel Boy » (mesures 29-44), lui-même suivi de « The Groves of Blarney », peut être mieux connu sous le titre « The Last Rose of Summer » (mesures 53-68). Chaque air est annoncé par une courte introduction et s’achève avec une courte conclusion. 2. Old Kentucky Memories (Souvenirs du vieux Kentucky), après une introduction de 14 mesures, toute l’attention se porte sur la chanson « My Old Kentucky Home ». A fil de la pièce, des fragments de souvenirs fugaces émergent, disparaissant aussi vite qu’ils se présentent : cette impression est créée par le biais de courts motifs et thèmes empruntés d’autres chansons. On les entend brièvement puis ils s’estompent, comme de lointains souvenirs du vieux Kentucky, jusqu’ une reprise de l’introduction pour conclure la pièce. 3. Uppland, est une province suédoise aux riches traditions musicales, tout comme l’ensemble de la Suède, qui compte de nombreuses danses et chansons. Beaucoup sont en tonalité mineure, et cette partie en comprend trois. La première est « Svensk folkvisa » (mesures 1-38), qui est suivie de « ‘Värmlandsvisan » (mesures 39-67), et la pièce s’achève avec « Vexelsang » (mesure 68 jusqu’ la fin). 4. Ratatouille, cette dernière partie ne comprend pas d’air provenant d’un seul pays. C’est un méli-mélo, une « ratatouille » de trois chansons folkloriques sans aucun lien. Il y a d’abord une chanson russe, « Le Rossignol » (mesures 1-30), puis « Sakura », originaire du Japon (mesures 31-58) et, enfin, « Waltzing Matilda », venue d’Australie (mesure 59 jusqu’ la fin). La chanson russe est d’Alexander Alyabyev (1787-1851), mais nous ignorons les auteurs des deux autres chansons.

By H. Owen Reed. By H. Owen Reed. For Concert Band. Concert Band. Belwin Classic Band. Conductor Score, Parts and CD. 520 pages. Duration 21:58. Published by Alfred Publishing.

Piano Trio

SKU: BR.EB-9382

Composed by Shen Ye. Chamber music; stapled. Edition Breitkopf. Music post-1945; New music (post-2000). Score. Composed 2011. 64 pages. Duration 17'. Breitkopf and Haertel #EB 9382. Published by Breitkopf and Haertel (BR.EB-9382).

ISBN 9790004188521. 9 x 12 inches.

This work was commissioned by the Phoenix Concerts of New York State Council. I clarified that I tend to provide sensation, instead of telling a story under the frame of the Folk Tale Project. It's the sensation of a traveller, stranger, geographical, temporal or cultural, while he/she reaches a new spot just with his/her memories, knowledges and songs. The work Five Folk Songs is about exploration and integration. Folk song is just like the goblet. Every time it is refilled, the fragrance of wine is different. From the goblet she drinks Muscat. Happy or sad in her heart fulfilled? It is also variant. The Five Folk Songs could be listened to paradigmatically. You may notice that essentially the Folk Songs are like the wine bottles, Bartok, Brahms, Berio..., composers pour their thinking and consciousness into. (SHEN Ye)

World premiere: New York City, Church of St. Matthew & St. Timothy, December 9, 2011.

Organ Solo. By Frederick Swann. (Organ). Organ. Size 9x12 inches. 16 pages. Published by H.T. FitzSimons Company.

For Piano. Arranged by Rodney Abriol. H.T. Fitzsimons Co. Hymns, Christian, Sacred. Softcover. 20 pages. H.T. FitzSimons Company #F0674. Published by H.T. FitzSimons Company (HL.237008).

By Jean Langlais. H.T. Fitzsimons Co. Size 9x12 inches. Published by H.T. FitzSimons Company.

By Jean Langlais (1907-1991). For Organ. H.T. Fitzsimons Co. 32 pages. H.T. FitzSimons Company #F0604. Published by H.T. FitzSimons Company

Gavotte (Bach) Fantasy In A Flat,op76#1(alkan) Klavierstuck (C.p.e.bach) Etude For L.h. (Bartok) 9 Etudes For L.h. (Berens) Etude For L.h. (Berger) Etude Op.36 (Blumenfeld) Etude No. 3,op.273 (Bonimici) Etude In E Flat Minor,op.10#6 Etude For One Hand (Czerny) Capriccio In E Flat,op.26#2 Elegy (Godowsky) Meditation (Godowsky) Etude For L.h.(op.19) Greulich Four-voiced Fugue (Kalkbrenner) Exercise In Arpeggio (Kohler) Melody(weber's Freischutz)kohler Rhythmic Studies (Kohler) 3 Folk Songs For L.h. (Kohler) Hungary's God (Liszt) La Ricordanza (Marxsen) Etude,op.92,#4 (Moskowski) Scherzo (Reger) Humoreske (Reger) Romanze (Reger) Prelude And Fugue (Reger) see all... Finale (Son.for L.h.) Reinecke Moto Perpetuo (Saint-saens) Nocturne, Op.9,#2 (Scriabin) Prelude,op.9#1 (Scriabin) Exercises For L.h.(22,45)tappert Viennese Pranks (Zichy) Solfeggietto Piano Music for 1 Hand (Piano Solo). By Various. Edited by Raymond Lewenthal. Piano Collection. Difficult Class piece for the One Hand Piano Music for Specially Capable Junior Musician (SCJM) event with the National Federation of Music Clubs (NFMC) Festivals Bulletin 2008-2009-2010. SMP Level 8 (Early Advanced). 136 pages. G. Schirmer #ED2773. Published by G. Schirmer

Concert Band/Harmonie - Grade 2

SKU: BT.AMP-025-010

Composed by Edvard Grieg. Arranged by Philip Sparke. Debut Series (Anglo). Set (Score & Parts). Composed 2001. Anglo Music Press #AMP 025-010. Published by Anglo Music Press (BT.AMP-025-010).

The melodies, harmonies, moods and rhythms of Norwegian folk songs and dance (even the sounds of Norwegian folk instruments) permeate the music of Edvard Grieg (1843-1907). After studying in Leipzig and Copenhagen he returned to Norway and a chance meeting with Norwegian nationalist Rikard Nordraak ignited his interest in folk music and laid the foundation for his compositional style. His most famous orchestral works are the Piano Concerto (1868) and the incidental music to Ibsen’s play Peer Gynt (1875). He wrote many collections of folk music for piano and these two tunes come from his 25 Norwegian Folk Songs and Dances, op. 17.

1.Cow Keeper's Song 2.Wedding March. Die Musik von Edvard Grieg ist durchdrungen von Melodien, Harmonien, Stimmungen und Rhythmen norwegischer Volkslieder und -tänze, man hört sogar norwegische Instrumente erklingen. Zu seinen berühmtesten Orchesterwerken zählen das Piano Concerto (1868) und die Vertonung von Ibsens Peer Gynt (1875). Darüber hinaus komponierte er viel Volksmusik für Klavier, darunter auch diese beiden Melodien, die 25 Norwegian Folk Songs and Dances, op. 17 entnommen sind.

Concert Band/Harmonie - Grade 2

SKU: BT.AMP-025-140

Composed by Edvard Grieg. Arranged by Philip Sparke. Debut Series (Anglo). Score Only. Composed 2001. 16 pages. Anglo Music Press #AMP 025-140. Published by Anglo Music Press (BT.AMP-025-140).

The melodies, harmonies, moods and rhythms of Norwegian folk songs and dance (even the sounds of Norwegian folk instruments) permeate the music of Edvard Grieg (1843-1907). After studying in Leipzig and Copenhagen he returned to Norway and a chance meeting with Norwegian nationalist Rikard Nordraak ignited his interest in folk music and laid the foundation for his compositional style. His most famous orchestral works are the Piano Concerto (1868) and the incidental music to Ibsen’s play Peer Gynt (1875). He wrote many collections of folk music for piano and these two tunes come from his 25 Norwegian Folk Songs and Dances, op. 17.

1.Cow Keeper's Song2.Wedding MarchDie Musik von Edvard Grieg ist durchdrungen von Melodien, Harmonien, Stimmungen und Rhythmen norwegischer Volkslieder und -tänze, man hört sogar norwegische Instrumente erklingen. Zu seinen berühmtesten Orchesterwerken zählen das Piano Concerto (1868) und die Vertonung von Ibsens Peer Gynt (1875). Darüber hinaus komponierte er viel Volksmusik für Klavier, darunter auch diese beiden Melodien, die 25 Norwegian Folk Songs and Dances, op. 17 entnommen sind.

Grade 3

SKU: BT.WH30797

Composed by Mette Stig Nielsen. Theory. Book with CD. Composed 2013. 262 pages. Edition Wilhelm Hansen #WH30797. Published by Edition Wilhelm Hansen (BT.WH30797).

ISBN 9788759815915. Danish.

List en to Scandinavia er et samarbejdsprojekt mellem tre nordiske konservatorielærere , Brita Bremberg (Stockholm), Gro Shetelig Kruse (Oslo) og Mette Stig Nielsen (Odense), som underviser i hørelære,aud itiv analyse og musikpædagogik.

Den nordiske musik fører i al almindelighed et usynligt og uhørligt liv i musikundervisningen - såvel i lærebøgerne som i klasseværelserne.En dvidere mangler der pædagogiske værktøjer og metoder til undervisning i partiturmusik fra det 20. århundrede, næsten al klassisk musikpædagogik er bygget op omkring vesteuropæiskmusikf ra 1700- og 1800-tallet.

I denne bog har vi derfor udarbejdet et undervisningsmateriale, der kan bruges på gymnasier, seminarier, MGK- kurser, musikkonservatorier, universiteter og andre steder, hvor derundervises i musik, musikteori, musikhistorie og musikpædagogik. Vi håber, at den nyere og nye nordiske musik vil blive brugt til intensiv lytning, hørelære, formlære, musikanalyse bl.a. gennem detforeliggende materiale, og at musiklærere og studerende vil kunne blive inspireret af vores spørgsmål i opgaverne og vores forskellige ideer til grafisk partitur, fri tegning og improvisation..

Detmusikalske materiale er et rigt udvalg af musik fra Danmark, Norge, Sverige, Finland, Færøerne og Island, og repræsenterer musik fra årene 1900-1919, 1920-1939, 1940-1959, 1960-1979 og 1980-2003.

Det ligger udenfor mulighederne i denne bog at omtale alle de betydningsfulde komponister som de nordiske lande har fostret. Musikeksemplerne er udvalgt, så de tilsammen giver et bredt indtryk af den nordiske musik efterår 1900 og ud fra deres kunstneriske og pædagogiske potentiale.

BOGENS METODE
Bogen er baseret på den idé, at man ved at lytte mange gange med skiftende fokus på et musikstykke kanudvikle evnen til at.

TTBB, Tenor Solo Choral (TTBB Choir) - grade 2

SKU: HL.50488397

By Istvan Nemeth Samorinszky. By Bela Bartok. EMB. Volume 1. Classical, Folk, Hungarian. Octavo. 12 pages. Editio Musica Budapest #Z5919. Published by Editio Musica Budapest (HL.50488397).

ISBN 9790080059197. B/5 (17x24) inches. Hungarian, German. Imre Ormay; Istvan Samorinszky Nemeth.

Contents 1. Bartók Béla: Fehér liliomszál 2. Bartók Béla: Ha felmegyek a budai nagy hegyre 3. Bartók Béla: Házasodik a tücsök 4. Bartók Béla: Nem loptam én életemben 5. Bartók Béla: Nem messze van ide Margitta 6. Bartók Béla: Tiszán innen, Tiszán túl.

A Method for the Recorder Based on Israel Folk Melodies. By Tzipora H. Jochsberger. Transcontinental Music Folios. Size 9x12 inches. 66 pages. Published by Transcontinental Music Publications.

Trio

SKU: BR.KM-2285

Folk Music for Variable Instrumental Ensemble. Composed by Axel Genannt. Chamber music; stapled. Kammermusik-Bibliothek (Chamber Music Library). Music pedagogy. Full score. 44 pages. Breitkopf and Haertel #KM 2285. Published by Breitkopf and Haertel (BR.KM-2285).

ISBN 9790004503133. 9 x 12 inches. German.

Ascolta! (= Listen!) is the name of the ensemble with which the editor played all the pieces in this book: in the classroom, in home music-making, outdoors and at international festivals. Listening is an indispensable precondition of group playing, particularly because the stylistically appropriate performance of folk music requires improvisational abilities. The performance material consists of sheet music that can be used without having to turn pages. This sheet music has also been prepared for instruments in C, B flat and for guitar on the enclosed CD-ROM. The subheading variable ensemble is to be taken literally, for there are practically no limits to the imagination when it comes to the scoring and the execution of the pieces: the classical melody instruments can be supplemented by the accordion, the guitar and percussion. The 14 pieces come from Europe, South America, and from Yiddish folk music. The edition is rounded off by tips and comments on ensemble playing, on the individual pieces, and on the performance of percussion instruments; further, there are free translations of the song texts.

Woodwinds (picc.2.2.cor ang.2.2. - 4.2.2CaP.3.1. - timp.perc(4) - str)

SKU: BR.OB-5528-30

Festival Overture - Urtext. Composed by Pjotr Iljitsch Tschaikowsky. Edited by Polina Vajdman. Folder. Orchester-Bibliothek (Orchestral Library). The piece is a masterful example of program music that seemingly casually interweaves two Russian folk songs, a liturgical melody of the Russian Orthodox Church and two national anthems, the Marseillaise and the Czar's Hymn. Overture; Romantic. Set of parts. 168 pages. Duration 16'. Breitkopf and Haertel #OB 5528-30. Published by Breitkopf and Haertel (BR.OB-5528-30).

ISBN 9790004341100. 10 x 12.5 inches.

A Tchaikovsky Urtext is no longer a rarity in Breitkopfs orchestral catalogue. Polina Vajdman has edited a very popular repertoire work that the composer personally did not think very highly of. He even confessed to having written the work without the warmth of love. Nevertheless, the piece is a masterful example of program music that seemingly casually interweaves two Russian folk songs, a liturgical melody of the Russian Orthodox Church and two national anthems, the Marseillaise and the Czars Hymn. The work was written for the consecration of the Christ the Savior Cathedral in Moscow, which was erected in memory of the victory over Napoleon in 1812. The first edition of the score, which was carefully corrected three times by Tchaikovsky, is the principal source for this Urtext edition. The wording of the title The Year 1812 corresponds to the composers words, but was oddly never included in the first edition.

By I. Reed Payne, German Folk Tune And Traditional English Carol. Arranged by Bonnie H. Egbert. Text: Bessie Saunders Spencer, Aaron R. Jackman and Traditional English carol. For SSATB Choir. Christmas. Duration 4:30. Published by Jackman Music Corporation.
Level: Medium.

By Andrew H. Dabczynski. Orchestra. Score; String Orchestra. Highland String Alternatives. Folk; Light Concert. Grade 3.5. 24 pages. Published by Alfred Music Publishing

Violin 1 (picc.2.2.cor ang.2.2. - 4.2.2CaP.3.1. - timp.perc(4) - str)

SKU: BR.OB-5528-15

Festival Overture - Urtext. Composed by Pjotr Iljitsch Tschaikowsky. Edited by Polina Vajdman. Stapled. Orchester-Bibliothek (Orchestral Library). The piece is a masterful example of program music that seemingly casually interweaves two Russian folk songs, a liturgical melody of the Russian Orthodox Church and two national anthems, the Marseillaise and the Czar's Hymn. Overture; Romantic. Part. 8 pages. Duration 16'. Breitkopf and Haertel #OB 5528-15. Published by Breitkopf and Haertel (BR.OB-5528-15).

ISBN 9790004341056. 10 x 12.5 inches.

A Tchaikovsky Urtext is no longer a rarity in Breitkopfs orchestral catalogue. Polina Vajdman has edited a very popular repertoire work that the composer personally did not think very highly of. He even confessed to having written the work without the warmth of love. Nevertheless, the piece is a masterful example of program music that seemingly casually interweaves two Russian folk songs, a liturgical melody of the Russian Orthodox Church and two national anthems, the Marseillaise and the Czars Hymn. The work was written for the consecration of the Christ the Savior Cathedral in Moscow, which was erected in memory of the victory over Napoleon in 1812. The first edition of the score, which was carefully corrected three times by Tchaikovsky, is the principal source for this Urtext edition. The wording of the title The Year 1812 corresponds to the composers words, but was oddly never included in the first edition.

By Andrew H. Dabczynski. Orchestra. Part(s); Score; String Orchestra. Highland String Alternatives. Folk; Light Concert. Grade 3.5. 124 pages. Published by Alfred Music Publishing