By Various. Edited by Losse. For High Voice and Piano. New selection of 60 songs by famous and less-known composers, also folk songs, selected for their value in vocal teaching, arranged in chronological order (Text Language: German)

By Various. Edited by Losse. For Medium Voice, Piano. New selection of 60 songs by famous and less-known composers, also folk songs, selected for their value in vocal teaching, arranged in chronological order (Text Language: German)

Arranged by H. Voxman. For C flute, oboe (second Flute) and Bb clarinet. Format: trio format performance score. With performance parts. Baroque, classical period and romantic period. 32 pages. 9x12 inches. Published by Hal Leonard.

By John Loesburg (Editor). For Harp. Irish, Folk, Scottish. Sheet Music and Audio CD. 40 pages. Published by Ossian Publications.

(Cello and Bass). By Andrew H. Dabczynski and Bob Phillips. Orchestra. For Cello and Bass. String Orchestra Collection. Book and CD. 40 pages. Published by Alfred Music Publishing

(Feast Overture / Festouverture). Composed by Peter Ilyich Tchaikovsky (1840-1893). Edited by Polina Vajdman. For orchestra. This edition: Urtext. Full score. 72 pages. Published by Breitkopf and Haertel

(Violin). By Andrew H. Dabczynski and Bob Phillips. Orchestra. For Violin. String Orchestra Collection. Book and CD. 48 pages

(Viola). By Andrew H. Dabczynski and Bob Phillips. Orchestra. For Viola. String Orchestra Collection. Book and CD. 40 pages. Published by Alfred Music Publishing

Chorus a cappella

SKU: BR.CHB-5234-02

Composed by Fanny Cecile Mendelssohn. Edited by Gottfried Heinz and J. Draheim. Choir; stapled. Chor-Bibliothek (Choral Library). Fanny Hensel's choral works not only stand up to comparison with any of the rich and varied choral works of the Romantic era - they also rank among the best. Very likely to become hits! (Musica). Song; Romantic. Choral score. 4 pages. Breitkopf and Haertel #ChB 5234-02. Published by Breitkopf and Haertel (BR.CHB-5234-02).

ISBN 9790004411537. 7.5 x 10.5 inches. German.

Madame Hensel, Mendelssohn's sister, whose eyes speak intelligence and profundity''. This diary entry made by Robert Schumann in June 1843 succinctly but fittingly characterizes Fanny Hensel, without a doubt the most significant woman composer of the 19th century. Born in Hamburg on 14 November 1805, she was the eldest sister of Felix Mendelssohn Bartholdy and the granddaughter of the philosopher Moses Mendelssohn. In 1829 she married the Prussian court painter and occasional poet Wilhelm Hensel (1794-1861). After her sudden death in Berlin on 14 May 1847 as a result of a stroke, the music journalist Ludwig Rellstab poignantly wrote that she shared the brotherhood ef talent with her famous sibling.Fanny Hensel was given the same excellent and comprehensive musical training as her precocious brother, including composition lessons with Goethe's friend Carl Friedrich Zelter. Felix and Fanny not only loved each other tenderly, but they also maintained an intensive, life-long exchange of ideas which proved musically profitable to both of them. However, it was only in 1846 that Mendelssohn gave up his resistance to Fanny's publication plans. And so, just shortly before her death, she was able to publish a carefully selected sample of her songs and piano pieces.Not only these pieces, but also a few orchestral and chamber-music works (e.g. the String Quartet in E flat major, KM 2255) and, in particular, choral music occupy an important position in her oeuvre. Most of her choral works were written in 1846, and she was able to rehearse them with the chorus she conducted at the famous Sunday Concerts in the Mendelssohn home. She had six of these choral songs published in a revised version under the title Gartenlieder Op. 3 by the Berlin music publisher Bote & Bock. The title of the Gartenlieder brings to mind Mendelssohn's well-known Lieder im Freien zu singen (Opera 41, 48, 59; ChB 4763-4780), published before 1846. But, as far as the quality of their melodic writing, the compositional technique, and the choice of texts are concerned, as well as the perfect balance between folk-like simplicity and polished design, they are as outstanding as the works of her brother.

Fanny Hensel's choral works not only stand up to comparison with any of the rich and varied choral works of the Romantic era - they also rank among the best. Very likely to become hits! (Musica).

By J. H. Hopkins. Arranged by Darmon Meader. For SATB A Cappella. Published by Carl Fischer.

Piano

SKU: BR.BG-591

Composed by Gunther (Hrsg.) Becker. Edited by Gunther Becker. Solo instruments; Softcover. Edition Gerig. Music post-1945. Score. 24 pages. Breitkopf and Haertel #BG 591. Published by Breitkopf and Haertel (BR.BG-591).

ISBN 9790004130841. 9 x 12 inches.

These two books of piano pieces arranged in progressive order of difficulty are the first collection to give a representative survey of contemporary Greek music. No pretensions of completeness are being made. The piece by Skalkottas is the only one that has been published before, and I am indebted to the Universal Edition, Vienna, for their kind permission to republish it.The younger generation of Greek composers have turned away from their national folklore, which is in evidence in just a few works only as a latent force. Some of the composers were introduced to modern techniques by the outstanding teacher Jannis A. Papaioannou and have gone abroad to complete their knowledge of the latest methods and to integrate them into their personal style. Older composers like Poniridy and Konstantinidis are represented by works of artfully stylized folk music.I should like to acknowledge the advice and help given to me by my friend and colleague Jannis A. Papaioannou, as well as to the American Director of the Gennadeios Library, Francis R. Walton, for generously providing the manuscript of the piece by Mitropoulos. (Gunther Becker).

Edited by Jan Zacek. For voice, guitar. This edition: paperback. Edition Breitkopf. Collection. 44 pages. Published by Breitkopf and Haertel

Voice and Piano. By Percy Aldridge Grainger. Vocal Collection. Size 9x12 inches. 88 pages. Published by G. Schirmer, Inc.

Edited by H. Clough-Leighter. Choral / Choral Collection. For SSA and SSAA choirs. General. Published by E.C. Schirmer Publishing.

By Folkmar Langin. For violoncello. Paperback. Edition Breitkopf. 40 pages. Published by Breitkopf and Haertel

String Quartet (str quar)

SKU: BR.MR-32069

Composed by Johannes Brahms. Edited by Christian Beyer. Chamber music; stapled. Musica Rara. Overture; Romantic. Score and parts. 44 pages. Duration 10'. Breitkopf and Haertel #MR 32069. Published by Breitkopf and Haertel (BR.MR-32069).

ISBN 9790004489499. 9 x 12 inches.

Johannes Brahms wrote the Academic Festival Overture op. 80 in Bad Ischl in the summer of 1880 as a token of thanks for the honorary doctorate that had been bestowed upon him the previous year by the University of Breslau. In keeping with the event, the work contains various folkloric and student songs which Brahms borrowed from the well-known Commers-Buch fur den deutschen Studenten, a book containing material for the annual students' social gatherings. The overture's first performance was held in Breslau on 4 January 1881 under the direction of the composer. The present arrangement for string quartet by Christian Beyer compliments the already available overtures by Mozart, which Beyer also arranged for this instrumentation.

Cello and piano

SKU: BR.EB-8332

Composed by Louis de Caix d'Hervelois. Edited by Folkmar Langin. Solo instruments; stapled. Edition Breitkopf. Baroque period. Score. 36 pages. Breitkopf and Haertel #EB 8332. Published by Breitkopf and Haertel (BR.EB-8332).

ISBN 9790004176405. 9 x 12 inches.

TTBB choir

SKU: GH.N03113

Schweizer Volkslied. Composed by Traditional. Arranged by H A Peter. Octavo. With Language: Swedish, German. 4 pages. Published by Gehrmans Musikforlag (GH.N03113).

ISBN 9790070027663. A4 inches. Text: Traditional / Teresia Euren (Swedish).

SKU: BR.BV-382

Beitrage zu einer kritischen Musikwissenschaft. Composed by Peter Schweinhardt. Edited by Peter Schweinhardt. Softbound. Buchverlag Breitkopf & Hartel (Music Books).

Hanns Eislers Wiener Arbeiten nach der Ruckkehr aus dem Exil

Book. 368 pages. Breitkopf and Haertel #BV 382. Published by Breitkopf and Haertel (BR.BV-382).

ISBN 9783765103827. 6.5 x 9.5 inches.

Hanns Eisler's native Vienna is the point of convergence for the approach to three complexes in his life and works: re-emigration, film music and incidental music. At the center is the period between Eisler's return from exile in the U.S. in 1948 and the end of his compositional engagement in Vienna, which was closely connected to the withdrawal of the Soviet occupational forces from Austria in 1955. At the center of Eisler's film and incidental music are three major works which Peter Schweinhardt examines on the basis of widely unknown musical material and documents: the filming of Brecht's Herr Puntila und sein Knecht Matti (1955), the work on the script of the Fidelio screen adaptation by Walter Felsenstein (1953-56) and the incidental music to Nestroy's Hollenangst (1948). This lengthy score is characteristic of Eisler's post-war project of a new, folkloristic-classicistic music.

Violin 2 (picc.2.2.2.2.dble bsn - 4.3.3.1 - timp.perc(2) - str)

SKU: BR.OB-3208-16

Urtext based on the Brahms Complete Edition of the Gesellschaft der Musikfreunde in Vienna. Composed by Johannes Brahms. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Johannes Brahms wrote the Academic Festival Overture op. 80 in Bad Ischl in the summer of 1880 as a token of thanks for the honorary doctorate that had been bestowed upon him the previous year by the University of Breslau. Overture; Romantic. Part. 4 pages. Duration 10'. Breitkopf and Haertel #OB 3208-16. Published by Breitkopf and Haertel (BR.OB-3208-16).

ISBN 9790004300589. 10 x 12.5 inches.

In keeping with the event, the work contains various folkloric and student songs which Brahms borrowed from the well-known Commers-Buch fur den deutschen Studenten, a book containing material for the annual students' social gatherings. The Overture's first performance was held in Breslau on 4 January 1881 under the direction of the composer.

Johannes Brahms wrote the Academic Festival Overture op. 80 in Bad Ischl in the summer of 1880 as a token of thanks for the honorary doctorate that had been bestowed upon him the previous year by the University of Breslau.

Violin 1 (picc.2.2.2.2.dble bsn - 4.3.3.1 - timp.perc(2) - str)

SKU: BR.OB-3208-15

Urtext based on the Brahms Complete Edition of the Gesellschaft der Musikfreunde in Vienna. Composed by Johannes Brahms. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Johannes Brahms wrote the Academic Festival Overture op. 80 in Bad Ischl in the summer of 1880 as a token of thanks for the honorary doctorate that had been bestowed upon him the previous year by the University of Breslau. Overture; Romantic. Part. 4 pages. Duration 10'. Breitkopf and Haertel #OB 3208-15. Published by Breitkopf and Haertel (BR.OB-3208-15).

ISBN 9790004300572. 10 x 12.5 inches.

In keeping with the event, the work contains various folkloric and student songs which Brahms borrowed from the well-known Commers-Buch fur den deutschen Studenten, a book containing material for the annual students' social gatherings. The Overture's first performance was held in Breslau on 4 January 1881 under the direction of the composer.

Johannes Brahms wrote the Academic Festival Overture op. 80 in Bad Ischl in the summer of 1880 as a token of thanks for the honorary doctorate that had been bestowed upon him the previous year by the University of Breslau.

Electronic Organ

SKU: M7.BRP-1346

Composed by H. van Zuptphen. Sheet music. Score (also performance score). MDS (Music Distribution Services) #BRP 1346. Published by MDS (Music Distribution Services) (M7.BRP-1346).