The Vocal Library High Voice-Concert arrangements for voice and piano in an art song style of 35 great folksongs from the American heritage. These interesting and expressive settings are appropriate for collegiate recitals or advanced high school singers ascontest solos. The songs range from comic to sad from rowdy to inspirational and there are selections appropriate for women and men singers. The collection is primarily comprised of secular folksongs with a few sacred Americanfolk tunes. The same songs appear transposed in the editions for High Voice and Low Voice. There are three bonus duets. Includes fresh arrangements of ?Amazing Grace ? ?Black Is the Color of My True Love'sHair ? ?The Cruel War Is Raging ? ?How Can I Keep from Singing' ? ?I Gave My Love a Cherry ? ?Johnny Has Gone for a Soldier ? ?Shenandoah ? ?Soldier Soldier Will You Marry Me ? ?The Streets of Laredo ? ?Wayfaring Stranger ? ?Wondrous Love? and more.

After Concertino for Clarinet and String Quartet-Inspired by Concertino for Clarinet and String Quartet which draws on fragments of folk tunes from northwestern China. This edition presented for solo clarinet (B flat or A).

This familiar Korean folk tune is arranged in a series of variations through different styles and textures. A very effective setting scored with flexible options for bands with instrumentation challenges.

Irish Folk Tunes for Guitar is a collection of arrangements of traditional and contemporary tunes including jigs, reels, airs and more. Most of the pieces are arranged for solo guitar, with several also offered with accompaniments.Experienced folk guitarist, and author of Scottish Folk Tunes for Guitar (ED 13359), and English Folk Tunes for Guitar (ED 13491) Hugh Burns provides notes on all of the pieces, as well as playing tips, and technical advice. The volume is accompanied by a CD with a recording of all tunes performed by Hugh. German and French translations of all texts are available as pdf downloads from the Schott Music website. Suitable for players of grades 3-8. / Guitare

Publiés pour la première fois en plusieurs volumes dans les années 1950 et maintenant réimprimé en un seul volume avec corde, symboles ajouté, Tune-livre de le violoniste est une collection de point de repère, éditée par le vétéran folkloriste et PRELEVEMENTS Peter Kennedy. Ce livre est bourré avec 200 mélodies de répertoire de base pour tous les musiciens traditionnels. Si vous n'avez aucun livres de musique traditionnelle, c'est la première que devrait acheter. Cette sélection généreuse de certains des plus beaux airs dans les îles britanniques est certain d'être accueilli non seulement par ces mêmes musiciens qui ont utilisé le volume original, mais aussi par la succession de jeunes joueurs traditionnels désireuses de Piller ce coffre au trésor légendaire de mélodies intemporels. Complet avec index avec titres alternatifs et une introduction par Peter Kennedy. Mally est et UK produit # AR101. / Violon (Traditionnel)

English Folk Tunes contains 29 original arrangements of traditional and contemporary tunes including ballads, sea shanties, and carols. Most of the pieces are arranged for solo guitar, with several also offered as trios and with accompaniments.Experienced folk guitarist, and author of Scottish Folk Tunes for Guitar (ED 13359) Hugh Burns provides notes on all of the pieces, as well as playing tips, and technical advice. The volume is accompanied by a CD with a recording of all tunes performed by Hugh Burns. German and French translations of all texts are available as pdf downloads from the Schott Music website. Suitable for players of grades 3-8. / Guitare

The Phillip Keveren Series-15 international folk tunes in unique classical style arrangements for easy Piano by Phillip Keveren. Includes: 'The Bamboo Flute' 'Cielito Lindo (My Pretty Darling)' 'Danny Boy' 'Down in the Valley' 'Frere Jacques (Are You Sleeping?)' 'The Galway Piper' 'Guantanamera' 'Hatikvah (With Hope)' 'Home on the Range' 'Iroquois Lullaby' 'Sakura (Cherry Blossoms)' ''Tis the Last Rose of Summer' 'Water Is Wide' 'Wayfaring Stranger' 'Yankee Doodle'.

Pocketbook Deluxe Series. Par BAY WILLIAM. 96-Page, cas et de poche taille parfaite lié collection complète de plus de quatre-vingt-dix tous temps des airs préférés enregistreur. Comprend les chansons folkloriques, cabanes de mer, Gospels, spirituals, hymnes, chants patriotiques et plus encore - doigté chords graphique et de la guitare inclus. / Niveau : Débutant / Folk - Solos / Méthode / Flûte à Bec Soprano

Czechoslovakia has a rich and diverse heritage of folk-tunes many of which have a vigorous quality that is particularly attractive to young pianists. These fifty-two pieces are selected from a volume of one hundred by the distinguished Czech composer Petr Eben originally published in Prague. The tunes are given simple but inventive arrangements which often illustrate their descriptive titles. They are carefully graded (Grades 1-3) progressively introducing new technical elements. Petr Eben born in South Bohemia in 1929 has pursued a notable teaching career at Charles University Prague alongside his principalactivities as composer and pianist. His concern for young musicians is reflected in his Czech adaptation of Orff's Schulwerk and a large number of compositions for children. His creative arrangements of folk-tunes have already proved a great success with Piano teachers and pupils in Czechoslovakia; they will delight all those who enjoy for example the Bartok and Kodaly arrangements of East European folk material. Included in ABRSM Piano Grade 1 & 2 Syllabus 2017-2018 alternative pieces.

The Romanian Folk Dances undoubtedly rank amongst Bartok's most popular compositions. The earliest version is scored for Piano (1915) and was published by Universal Edition is 1918. The composer himself orchestrated this version in 1917. Several other chamber music arrangements (for example Zoltan Szekely's version for Violin and Piano) were not by Bartok although he authorised them. The musical material derives from Bartok's collections of folk music which date right back to 1904 when he wrote down a melody sung by a Hungarian peasant girl. In the course of extensive travels throughout Eastern Europe Bartokcompiled an enormous collection of folk tunes (by 1918 his collection comprised no fewer than 2700 Hungarian 3500 Romanian and 3000 Slovak dances and songs) which would in all probability have been lost had Bartok not written them down. As it was some of them found their way into his compositions. In 1908 Bartok jotted down tunes in Transylvania. They are the source of Romanian Folk Dances.

The melodies harmonies moods and rhythms of Norwegian folk songs and dance (even the sounds of Norwegian folk instruments) permeate the music of Edvard Grieg (1843-1907). After studying in Leipzig and Copenhagen he returned to Norway and a chance meeting with Norwegian nationalist Rikard Nordraak ignited his interest in folk music and laid the foundation for his compositional style. His most famous orchestral works are the Piano Concerto (1868) and the incidental music to Ibsen’s play Peer Gynt (1875). He wrote many collections of folk music for piano and these two tunes come from his 25 Norwegian Folk Songs and Dances op. 17.

27 Traditional Pieces. Par . Julian Rowlands presents a collection of 27 Russian folk tunes arranged for accordion. Famous tunes such as Ochi Chyornye (Dark Eyes) and Kalinka appear alongside others to discover. The collection includes notes on the history of Russian folk music, as well as notes on the single tunes. German and French translations of all texts are available as PDF. All pieces have been recorded by the editor. / Date parution : 2022-02-15/ Recueil / Accordéon