Piano SKU: HU.HN1225 Composed by Bela Bartok. Edited by Laszlo Vikarius and Ver...(+)
Piano
SKU: HU.HN1225
Composed by Bela Bartok.
Edited by Laszlo Vikarius
and Vera Lampert. Piano
Solo, Piano and Keyboard,
Repertoire, Solos. For
Children Vol. 1.
Softcover Book. 63 pages.
G. Henle #HN1225.
Published by G. Henle
(HU.HN1225).
(40 Modern Pop Favorites). Arranged by Dan Coates. For Piano. This edition: ...(+)
(40 Modern Pop
Favorites).
Arranged by Dan Coates.
For
Piano. This edition: Easy
Piano. Book; Piano - Easy
Piano Collection; Piano
Supplemental. Greatest
Hits.
Pop. Easy Piano. 208
pages.
Published by Alfred Music
22 Songs by the Creators of Kismet, Song of Norway and Grand Hotel. By George Fo...(+)
22 Songs by the Creators
of Kismet, Song of Norway
and Grand Hotel. By
George Forrest, Robert
Wright.
Piano/Vocal/Chords
Composer Collection
(Arrangements for piano
and voice with guitar
chords). Size 9x12
inches. 104 pages.
Published by Scheffel
Music Corp.
Easy Piano Piano/Keyboard SKU: HL.282482 The New Decade Series. Co...(+)
Easy Piano Piano/Keyboard
SKU: HL.282482
The New Decade
Series. Composed by
Various. Easy Piano
Songbook. Pop, Rock.
Softcover. 400 pages.
Published by Hal Leonard
(HL.282482).
ISBN
9781540034397. UPC:
888680789268.
9.0x12.0x0.923
inches.
70 songs
from the new millenium
arranged for easy piano,
including: Beautiful *
Before He Cheats * Bye
Bye Bye * Chasing
Pavements * Don't Know
Why * Drive * Fallin' *
Hey There Delilah * I
Gotta Feeling * I'm Yours
* Just Dance * Love Story
* Mercy * Only Time * The
Reason * Rehab * This
Love * A Thousand Miles *
Umbrella * Viva La Vida *
Waiting on the World to
Change * With Arms Wide
Open * You Raise Me Up *
and more.
SATB choir and piano/orchestra (2.2.2.2-4.3.3.1-timps-st r) - Moderately Difficu...(+)
SATB choir and
piano/orchestra
(2.2.2.2-4.3.3.1-timps-st
r) - Moderately Difficult
SKU:
OU.9780193359727
Composed by Howard
Skempton. Secular Choral
- Mixed Voices. Vocal
score. 12 pages. Duration
7'. Oxford University
Press #9780193359727.
Published by Oxford
University Press
(OU.9780193359727).
ISBN 9780193359727. 12
x 8 inches.
For
SATB and piano/orchestra
Walt Whitman's poetry
abounds in references to
music and song but
nowhere more so than in
'That Music Always Round
Me'. Skempton's
captivating setting
acknowledges the serenity
and timelessness of these
opening words and the
pertinence of the
complete text.
By The Rolling Stones. Arranged by Ralph Ford. For Marching Band. Marching Band....(+)
By The Rolling Stones.
Arranged by Ralph Ford.
For Marching Band.
Marching Band. Mega
Sounds for Marching Band.
Pop. Level: 3 (Medium)
(grade 3). Conductor
Score & Parts. 108 pages.
Published by Alfred
Publishing.
Chamber Music trombone SKU: CF.WF231 20 Original Etudes in a Variety o...(+)
Chamber Music trombone
SKU: CF.WF231
20 Original Etudes in
a Variety of Styles.
Composed by Tom Brantley.
Collection - Performance.
With Standard notation.
48 pages. Carl Fischer
Music #WF231. Published
by Carl Fischer Music
(CF.WF231).
ISBN
9781491153314. UPC:
680160910816.
Styli
stic Etudes for Trombone
was written for
intermediateto advanced
level trombonists,
seeking to meet
thedemands of the modern
marketplace for
performers. AsI often
tell my students,
it’s simply not
enough to mastera single
style and fake the rest.
To make a living as
aperformer, trombonists
are expected to play
many, manydifferent
styles authentically.
Classical performers
studyhard and devote
themselves to mastering
the stylisticnuances of
various eras, various
composers, variousforms;
jazz musicians seek to
accurately reflect the
stylesof everything from
bar-room burlesque to
Coltrane; hornbands in
the funk, rock, ska and
hip-hop idioms
mustreflect attention to
the details of their
influences even asthey
create new paths through
popular music.This etude
collection is an attempt
to help studentsand their
teachers work on the
details associated
withmastering each of
these various styles.In
order to perform with the
correct feel,
articulationand sound,
trombonists must first
get these concepts
intheir head through
diligent listening and
then disciplinedpractice
playing in every single
style. The same
wayorchestral players
study the symphonic
literature andexcerpts,
or the way a professional
jazz musician mightwork
on chord changes in
excruciating detail, a
wellroundedtrombone
player must master styles
by listeningto and
playing with great
recordings. Most of the
etudesin this book are
based on styles from
specific
orchestralliterature,
jazz standards and other
styles such as
NewOrleans’ funk
music (Meters) or the
music of JamesBrown and
Tower of Power.One final
note: some of these are
hard. On purpose.
Theseare not warm-ups
that you can play through
mindlesslyto get your
face going. These are
“study
pieces†in the
oldfashionedsense. They
are designed to challenge
you asa player, to make
you a little
uncomfortable. Some
aretougher than others,
of course, but none of
them are easy.If you can
play through each of
these well, with
greatmusicianship and
impeccable technique, you
will be anincredibly
versatile instrumentalist
and be able to
secureperformance
opportunities that are
outside the comfortzone
of many
trombonists.Thanks for
buying this book. I hope
you enjoy workingthrough
these, whether
you’re a teacher,
student,performer, or
weekend warrior. I
learned a lot by
puttingthese together and
I hope you find them
useful and
helpful. Stylistic
Etudes for Trombone was
written for intermediate
to advanced level
trombonists, seeking to
meet the demands of the
modern marketplace for
performers. As I often
tell my students,
it’s simply not
enough to master a single
style and fake the rest.
To make a living as a
performer, trombonists
are expected to play
many, many different
styles authentically.
Classical performers
study hard and devote
themselves to mastering
the stylistic nuances of
various eras, various
composers, various forms;
jazz musicians seek to
accurately reflect the
styles of everything from
bar-room burlesque to
Coltrane; horn bands in
the funk, rock, ska and
hip-hop idioms must
reflect attention to the
details of their
influences even as they
create new paths through
popular music.This etude
collection is an attempt
to help students and
their teachers work on
the details associated
with mastering each of
these various styles.In
order to perform with the
correct feel,
articulation and sound,
trombonists must first
get these concepts in
their head through
diligent listening and
then disciplined practice
playing in every single
style. The same way
orchestral players study
the symphonic literature
and excerpts, or the way
a professional jazz
musician might work on
chord changes in
excruciating detail, a
well-rounded trombone
player must master styles
by listening to and
playing with great
recordings. Most of the
etudes in this book are
based on styles from
specific orchestral
literature, jazz
standards and other
styles such as New
Orleans’ funk
music (Meters) or the
music of James Brown and
Tower of Power.How these
etudes were conceived,
composed and transcribed:
The style or concept of
the etude was thought out
in my head and ear. I
then improvised in that
style and concept on my
trombone, recording my
efforts until I was
satisfied with the etude.
All along, my goal was to
play the range of the
instrument while
emphasizing certain
articulations, rhythms,
range and, fundamentally,
the intended style of the
etude. The resulting
etude was then
transcribed by a terrific
graduate student named
Zach Bornheimer, who also
works with many other
classical and jazz
composers as a
copyist/arranger.Tips for
working on the etudes:
Seek out professional
recordings that match the
style of each etude to
get a good idea of what
the etude should sound
like musically. My
recording of each of
these etudes is available
for download and can be
purchased online for a
modest fee. Search for
“Brantley
Etudes†at either
iTunes or CDBaby.
Practice each etude very
slowly and in segments as
needed, using a
metronome. Record
yourself and listen for
good technique,
musicianship and
authenticity of style
with your sound, feel and
articulations. Compare
your own efforts to the
sounds you’ve
heard on recordings.
Would you fit in that
ensemble or band? If
range is an issue, take
certain notes or passages
down or up an octave.
Work on your fundamentals
every day, including the
techniques and skills
needed for these etudes.
Be patient! Small
improvements every day
result in big success
over time. Always play
with a wide dynamic
range. Always play with
line and direction.
Always play with
impeccable time as well
as rhythm. Use a
metronome to help with
this. Always play in
tune. You can work on
this with a tuner as well
as with drones. Play
these for teachers,
friends, peers and
colleagues not only for
their feedback but also
for the experience of
informal performance. An
audience changes
everything. Make music,
listen to music, record
yourself, play in public
and have fun!One final
note: some of these are
hard. On purpose. These
are not warm-ups that you
can play through
mindlessly to get your
face going. These are
“study
pieces†in the
old-fashioned sense. They
are designed to challenge
you as a player, to make
you a little
uncomfortable. Some are
tougher than others, of
course, but none of them
are easy. If you can play
through each of these
well, with great
musicianship and
impeccable technique, you
will be an incredibly
versatile instrumentalist
and be able to secure
performance opportunities
that are outside the
comfort zone of many
trombonists.Thanks for
buying this book. I hope
you enjoy working through
these, whether
you’re a teacher,
student, performer, or
weekend warrior. I
learned a lot by putting
these together and I hope
you find them useful and
helpful.Best
wishes,—Tom
Brantley.
Performed by Billy Joel. For voice, piano and guitar chords. Format: piano/vocal...(+)
Performed by Billy Joel.
For voice, piano and
guitar chords. Format:
piano/vocal/chords
single. With vocal
melody, piano
accompaniment, lyrics,
chord names and guitar
chord diagrams. Pop rock
and rock. Eb Major. 6
pages. 9x12 inches.
Published by Hal Leonard.
Piano, Voix et Guitare [Feuillet] - Intermédiaire Hal Leonard
Performed by Willie Nelson. For voice, piano and guitar chords. Format: piano/vo...(+)
Performed by Willie
Nelson. For voice, piano
and guitar chords.
Format:
piano/vocal/chords
single. With vocal
melody, piano
accompaniment, lyrics,
chord names and guitar
chord diagrams. Country,
progressive country and
outlaw country. G Major.
3 pages. 9x12 inches.
Published by Hal Leonard.
(The Songs of Ernesto Lecuona) Performed by Placido Domingo, composed by Ernesto...(+)
(The Songs of Ernesto
Lecuona) Performed by
Placido Domingo, composed
by Ernesto Lecuona
(1895-1963). For voice,
piano and guitar chords.
Format: piano/vocal
songbook. With vocal
melody, piano
accompaniment, lyrics
(Spanish and English),
introductory text and
black and white photos.
Latin and spanish. 64
pages. 9x12 inches.
Published by Marks.
Performed by Pat Metheny. For guitar (no tablature). Format: fake book. With lea...(+)
Performed by Pat Metheny.
For guitar (no
tablature). Format: fake
book. With leadsheet
notation and chord names.
Jazz and jazz fusion. 448
pages. 9x12 inches.
Published by Hal Leonard.
Composed by Michael Wise. Edited by Geoffrey Webber. For SATB choir and organ. M...(+)
Composed by Michael Wise.
Edited by Geoffrey
Webber. For SATB choir
and organ. Mixed Voices.
Church Music Society
publications. Sacred,
Choral Leaflet. Level B
(easy). Vocal score. 12
pages. Duration 5'.
Published by Oxford
University Press
Choir, Piano Accompaniment, Voice, 4-Part, SATB The Music's Always The...(+)
Choir, Piano
Accompaniment,
Voice, 4-Part, SATB
The Music's Always
There With
You. Composed by John
Rutter.
Vocal score. 12 pages.
Duration 3.5'.
Oxford
University Press
#9780193565999. Published
by
Oxford University Press
(31 Duets That Can Be Played by Any Combination of String Instruments). By Larry...(+)
(31 Duets That Can Be
Played by Any Combination
of String Instruments).
By Larry Clark. Edited by
Doris Gazda. Arranged by
Larry Clark. For viola.
Compatible Duets for
Strings. Part book
(softcover). 48 pages.
Published by Carl Fischer
(31 Duets That Can Be Played by Any Combination of String Instruments). By Larry...(+)
(31 Duets That Can Be
Played by Any Combination
of String Instruments).
By Larry Clark. Arranged
by Larry Clark. For bass.
Part book (softcover).
Published by Carl Fischer
(31 Duets That Can Be Played by Any Combination of String Instruments). By Larry...(+)
(31 Duets That Can Be
Played by Any Combination
of String Instruments).
By Larry Clark. Arranged
by Larry Clark. For
cello. Part book
(softcover). Published by
Carl Fischer