Artist Edition B-Flat Instruments. Par METHENY PAT. Pat Metheny is one of the most important voices in modern music. Through his writing, recordings and performances he has created a significant body of work that places him among the major musical figures of our time. With his recent induction as the youngest member of the Downbeat Hall of Fame, Metheny becomes only the fourth jazz guitarist to be chosen for that honor, joining Charlie Christian, Django Reinhardt and Wes Montgomery. He has won twenty Grammy' awards in twelve different categories, been named Best Guitarist in countless polls over four decades, and has sold millions of records worldwide. For all his accomplishments in music, his compositions have become modern standards, beloved by musicians all over the world. With this volume, Metheny has selected 147 of his most played tunes to create a new type of Real Book, approved and gig-tested by the composer himself! This edition is arranged for all B-flat instruments./ Recueil / Instruments en Sib

Singing in EnglishInstrument : high voice and pianoNombre de Pages : 128The Boosey Voice Coach is an entirely new concept in vocal training. Not a self-teaching manual, and not filled with off-putting diagrams, this series is a wholly practical guide to singing - learning about technique and interpretation through the repertoire itself. Each volume is devoted to singing in one particular language or to singing in a specific context, such as musical theatre or oratorio. In each volume of the series, works from the vocal canon have been selected specifically by Mary King for their technical and musical challenges. Each piece is discussed at length, starting with the words ('Text' - including a literal translation as appropriate), moving to general advice about how the song might be approached ('Notes'), and then addressing the technical difficulties the music presents ('Skills'). Expressed in clear language, Mary King's approach is direct, practical and not limited to one particular teaching method. Any student will find that these books enrich and complement their vocal studies. Singing in English: Even for native speakers, the English language presents singers with particular difficulties. How do you manage diphthongs, for example' How do you make consonants clear without spoiling the vocal line' How do you make sense of the story-telling in a strophic folksong' These issues and more are covered in this book, which contains songs with texts in the English language, from Britain and elsewhere.Content : Introduction - Purcell/Britten: Music for a while - Purcell/Britten: Man if for the woman made - Purcell/Britten: Sweeter than rose - Handel: O sleep, why dost thou leave me' - Handel: Where'er you walk - Haydn: The mermaid's song - Haydn: The spirit's song - Haydn: My mother bids me bind my hair - Warlock: The countryman - Warlock: The baylyn berith the bell away - Warlock: There is a lady sweet and kind - Finzi: Rollicum rorum - Finzi: Fear no more the heat o' the sun - Traditional (arr. Britten): Oliver Cromwell - Traditional (arr. Britten): The salley gardens - Traditional (arr. Britten): The trees they grow so high - Copland: Why do they shut me out of heaven' - Copland: Heart we will forget him - Rorem: Orchids - Rorem: The serpent - Pronunciation guide

Wq 217. Par BACH CARL PHILIPP EMMANUEL. His Heilig Wq 217 is just 6 minutes long. Bach, however, put all his art into these few minutes, as he himself wrote to his publisher: „ Here I have proved the most daring and hard work . . . It will be my swan song of this nature, and serve to ensure that you do not forget myself too soon after my death“. The work requires an extraordinary instrumentation: two full orchestras with 3 Trumpets, 2 Oboes and Strings and two mixed choirs. A sensitive alto solo initiates the work and prepares the dialogue between the choirs of angels and of peoples. It is a musical highlight, when the angel choir modulates from F minor via the tritone interval to B major, initiating the tutti fortissimo. A strong four-part fugue concludes the short work. / Messe / Date parution : 1973-01-01/ Répertoire / Solo A, Choeur SATB/SATB, 2 Orchestres: 2 Hautbois

Twelve Fantasias for Flute without Bass TWV 40:1-12 . Par TELEMANN GEORG PHILIPP. The Fantasias For Flute Without Bass address themselves less to the virtuoso than to the amateur flutist, who will find everything he wishes in these pieces. Although Telemann himself may have lost track of his works, the many flutists who have perfected their technique and musical interpretation with the help of these lovely Fantasias will never forget them. - Urtext of the Telemann Edition. / Répertoire d'Examen / Répertoire / Flûte Traversière

Wq 217. Par BACH CARL PHILIPP EMMANUEL. His Heilig Wq 217 is just 6 minutes long. Bach, however, put all his art into these few minutes, as he himself wrote to his publisher: „ Here I have proved the most daring and hard work . . . It will be my swan song of this nature, and serve to ensure that you do not forget myself too soon after my death“. The work requires an extraordinary instrumentation: two full orchestras with 3 Trumpets, 2 Oboes and Strings and two mixed choirs. A sensitive alto solo initiates the work and prepares the dialogue between the choirs of angels and of peoples. It is a musical highlight, when the angel choir modulates from F minor via the tritone interval to B major, initiating the tutti fortissimo. A strong four-part fugue concludes the short work. / Messe / Date parution : 1973-01-01/ Répertoire / Solo A, Choeur SATB/SATB, 2 Orchestres: 2 Hautbois

Wq 217. Par BACH CARL PHILIPP EMMANUEL. His Heilig Wq 217 is just 6 minutes long. Bach, however, put all his art into these few minutes, as he himself wrote to his publisher: „ Here I have proved the most daring and hard work . . . It will be my swan song of this nature, and serve to ensure that you do not forget myself too soon after my death“. The work requires an extraordinary instrumentation: two full orchestras with 3 Trumpets, 2 Oboes and Strings and two mixed choirs. A sensitive alto solo initiates the work and prepares the dialogue between the choirs of angels and of peoples. It is a musical highlight, when the angel choir modulates from F minor via the tritone interval to B major, initiating the tutti fortissimo. A strong four-part fugue concludes the short work. / Messe / Date parution : 1973-01-01/ Répertoire / Solo A, Choeur SATB/SATB, 2 Orchestres: 2 Hautbois

Wq 217. Par BACH CARL PHILIPP EMMANUEL. His Heilig Wq 217 is just 6 minutes long. Bach, however, put all his art into these few minutes, as he himself wrote to his publisher: „ Here I have proved the most daring and hard work . . . It will be my swan song of this nature, and serve to ensure that you do not forget myself too soon after my death“. The work requires an extraordinary instrumentation: two full orchestras with 3 Trumpets, 2 Oboes and Strings and two mixed choirs. A sensitive alto solo initiates the work and prepares the dialogue between the choirs of angels and of peoples. It is a musical highlight, when the angel choir modulates from F minor via the tritone interval to B major, initiating the tutti fortissimo. A strong four-part fugue concludes the short work. / Messe / Date parution : 1973-01-01/ Répertoire / Solo A, Choeur SATB/SATB, 2 Orchestres: 2 Hautbois

Par TELEMANN GEORG PHILIPP. Twelve Fantasias for treble Recorder solo based on the fantasias for flauto traverso solo TWV 40:2-13. This arrangement of Telemann 's ; Twelve Fantasias for treble Recorder is based on our edition for solo flute BA2971. With the exception of Nos 4, 5 & 12 which were transposed up a fourth for the Recorder, all other fantasias are transposed up a third following a technique often used in the 18th Century. The Fantasias for Flute without bass address themselves less to the virtuoso than to the amateur flutist, who will find everything he wishes in these pieces. Although Telemann himself mayhave lost track of his works, the many flutists who have perfected their technique and musical interpretation with the help of these lovely Fantasias will never forget them. / Répertoire d'Examen / Répertoire / Flûte à Bec Alto

The follow-up to the hugely successful Essential Acoustic Playlist, this companion volume features another 70 classic tunes for the acoustic guitar.This book focuses on classic indie hits from the 80s, 90s and beyond. With names like Pulp, Manic Street Preachers, Supergrass, Radiohead, Blur and The Verve all represented, acoustic indie fans need look no further. The book also features a couple of tracks rarely seen in print, such as the classic 'Shine On' from The House Of Love and Jeff Buckley's beautiful version of 'Lilac Wine'.Each song is presented very simply, with lyrics and chord symbols, sothere's no need to be able to read music. As with all products on this site, the arrangements are guaranteed accurate and have been checked by an experienced editor. The chord shapes given are authentic and sound great on an acoustic guitar. The book features simple 'lyrics and chords' format; authentic and easy chord shapes given for every song; includes capo and tuning information where appropriate.Songlist: (I'm Gonna) Cry Myself Blind (Primal Scream); A Design For Life (Manic Street Preachers); A Little Like You (Grand Drive); A Man Needs To Be Told (The Charlatans); A Minha Meninha (The Bees); Ain't That Enough (Teenage Fanclub); All Together Now (The Farm); Alright (Supergrass); Am I Wrong (Mull Historical Society); American English (Idlewild); Average Man (Turin Brakes); Beetlebum (Blur); Buy It In Bottles (Richard Ashcroft); Can You Dig It? (The Mock Turtles); Caught By The River (Doves); Coffee And TV (Blur); Come Away With Me (Norah Jones); Come Back To What You Know (Embrace); Common People (Pulp); Crazy Beat (Blur); Creep (Radiohead); Distant Sun (Crowded House); Don't Let Me Down Gently (The Wonder Stuff); Don't Think You're The First (The Coral); Everlong (Foo Fighters); Fallen Angel (Elbow); Fastboy (The Bluetones); Forget About Tomorrow (Feeder); Getting Away With It (Electronic); Go To Sleep (Radiohead); Grace (Supergrass); Here's Where The Story Ends (The Sundays); High And Dry (Radiohead); History (The Verve); Hooligan (Embrace); I Need Direction (Teenage Fanclub); I Will (Radiohead); In A Room (Dodgy); It's True That We Love One Another (The White Stripes); Just When You're Thinkin' Things Over (The Charlatans); La Breeze (Simian); Lilac Wine (Jeff Buckley); Live In A Hiding Place (Idlewild); Long Distance (Turin Brakes); Lucky (Radiohead); No Surprises (Radiohead); Only Happy When It Rains (Garbage); Out Of Time (Blur); Painkiller (Turin Brakes); Pass It On (The Coral); Personal Jesus (Johnny Cash); Pineapple Head (Crowded House); Poor Misguided Fool (Starsailor); Road Rage (Catatonia); Seen The Light (Supergrass); Seven Nation Army (The White Stripes); Shine On (The House Of Love); Silence Is Easy ( Starsailor); Sk8er Boi (Avril Lavigne); Stay Away From Me( The Star Spangles); The Final Arrears (Mull Historical Society); There There (Radiohead); Thinking About Tomorrow (Beth Orton); This Is How It Feels (Inspiral Carpets); Wake Up Boo! (The Boo Radleys); Words (Doves); Yoshimi Battles The Pink Robots (The Flaming Lips); You're So Pretty, We're So Pretty (The Charlatans); You've Got Her In Your Pocket (The White Stripes)

Cette collection de 24 chansons et arias s'inspire des oeuvres qui s'étendent sur la durée de vie du compositeur, y compris ses premières périodes de Americana expérimentales et matures. / Voix Moyenne (Ou Basse) Et Piano / Partition

15 mélodies de compositeurs américains - une sélection qui devrait intéresser en particulier ceux qui étudient le chant. Le CD contient l'accompagnent au piano. / Voix Grave Et Piano / Partition Cd