21 pieces for violin players. Par COLLEDGE HUGH / COLLEDGE KATHERINE. La collection Easy String Music de Boosey and Hawkes, dirigée et composée par Katherine et Hugh Colledge, compte quatre volumes d?un répertoire pour cordes destiné aux instrumentistes débutants et en cours d?apprentissage. Ces titres sont très appréciés des professeurs comme de leurs étudiants en raison de leurs vertus pédagogiques : ils introduisent des techniques nouvelles et proposent doigtés, notes et rythmes conçus pour acquérir la maîtrise nécessaire et poser des fondations solides en vue de la suite de l?apprentissage. Des ressources audio de démonstration et d?accompagnement sont disponibles en streaming ou au téléchargement pour tous les volumes de la série. Chaque titre est disponible en deux éditions ? un livre de cordes indépendant pour les élèves ou une édition enrichie comprenant un livret d?accompagnement de piano. Fast Forward est la troisième partie de la série. Les 21 pièces très variées exercent les deuxième, troisième et quatrième doigts avec des rythmes de plus en plus complexes. / Niveau : Facile / Date parution : 2023-01-06/ Recueil / Violon

The on-hiatus Foos released a hit-packed career retrospective in 2009. This matching folio features notes and tab for 15 tunes, including two new songs - 'Wheels? and 'Word Forward? - and: All My Life - Best of You - Big Me - Breakout - Everlong - Learn to Fly - Long Road to Ruin - Monkey Wrench - My Hero - The Pretender - Skin and Bones - This Is a Call - Times like These. / Guitare

Geoffrey G. Forward, entraîneur et expert de premier plan dans la diction américaine agissant, illustre clairement la chanteuse comment prendre le contrôle en éliminant la tension vocale et pauvres diction et son remplacement par une prononciation claire. Mettez la touche finale à votre chant non seulement à l'excellente diction vous gagnerez en utilisant ce texte, mais aussi à travers les concepts de phrasé, l'identification des mots clés et chanter avec émotion, qui ont été portées à la vie dans ce livre. Ce livre de 270 pages est un ajout essentiel à la bibliothèque de chaque chanteur, professeur de chant et coach vocal. / Voix

Learn how to bend strings like a pro with this latest edition to the Fast Forward series. Comes with a high-quality CD of audio tracks, so you can listen, learn and play along. Create the famous string bends used by Jimi Hendrix, Mark Knopfler, Chuck Berry, Duane Eddy, Hank Marvin and other legends. Develop all the correct techniques for effective string bending. Achieve greater versatility and expression. / Guitare

Martin Luther. Par SCHNEIDER ENJOTT. On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther. The composer describes the five movements of the symphony as follows: '1st movement: Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of 'faith' ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people. 2nd movement: In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the 'Luther rose' which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, 'white' is the colour of angels and ghosts, 'black' stands for the pain of crucification: 'The just shall live by faith, but by faith in the Crucified.' But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time. 3rd movement: The omnipresence of death and dying – from the plague and war to the never-ending dangers of daily life – was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The 'Danse macabre' was a popular motif in those years. Luther's chorale 'Mitten wir im Leben sind / mit dem Tod umfangen' from 1524 ('Enchiridion' from Erfurt) is based on the Gregorian chant 'Media vita in morte sumus' created in France around 750 and, with its idea of transience, inspired a simplistic air. 4th movement: The famous confession delivered at the Diet of Worms in 1521, 'I stand here and can say no more. God help me. Amen', are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a 'perpetuum mobile', i.e. a dogged, ostinato and never-ending musical air. 5th movement: The 'Mighty Fortress', on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the 'Marseille anthem of the Reformation', Friedrich Engels the 'Marseillaise of the Peasants' Wars'. This disputability is not thought through to the end but rather interrupted: With a jubilant 'birdcall version' of the melody, the finale shows a rather chamber-music-like side of the 'ideals of freedom of Christians'.'/ Répertoire / Orgue

Par WYLIE KENNAN / BISSONETTE GREGG. Designed for anyone just learning to play the drumset, Book 2 of this instruction method continues building on the fundamentals from Book 1 and moves forward into more challenging styles and techniques. Includes hours of audio tracks for demonstration and play-along, plus video lessons by drum master Gregg Bissonette. Lessons include: limb independence - half-time grooves - syncopation - funk grooves - ghost notes - jazz drumming - chart reading - drum soloing - brush playing - and much more. Designed for anyone just learning to play the drumset, Book 2 of this instruction method continues building on the fundamentals from Book 1 and moves forward into more challenging styles and techniques. Includes hours of audio tracks for demonstration and play-along, plus video lessons by drum master Gregg Bissonette. Lessons include limb independence - half-time grooves - syncopation - funk grooves - ghost notes - jazz drumming - chart reading - drum soloing - brush playing and much more. / Méthode / Méthode / Batterie

This book provides the pianist with an amazing assortment of easy, essential exercises. Players of all experience levels can utilize this method: beginners will learn to play music through creative exercises, while advanced pianists can add new exercises to their routines. With this book, you will be able to practice scales and chords without the usual monotony. The exercises focus on three 5-note palindrome patterns (which sound the same forwards and backwards) and are excellent for sight reading. Correct fingering is the key to playing piano with dexterity—this book provides all 120 ways these 5-note patterns can be played, giving you the ability to utilize all ten fingers efficiently across 88 keys. / Pédagogie / Date parution : 2018-05-04/ Etude / Piano

The skill and thrill of auto racing is captured musically in this piece via its infectious groove and exciting syncopations. Written in one continuous movement, its sections will help you imagine sitting behind the wheel of a powerful and agile racing machine over the course of a breathtaking speed contest. Students performing this piece will enjoy discovering that the palindromic nature of the piece, including the title, 'Race Car' (which reads the same forwards and backwards), a pervasive syncopated ostinato rhythm, A-B-A form, and a fugato section at the center of the work (Pit Stop), in which virtually each instrumental part is a palindrome! (3:25) / Concert Band

The Foos released a hit-packed career retrospective in 2009. This matching folio features piano/vocal/guitar arrangements for 15 tunes, including two new songs ? ?Wheels? and ?Word Forward?
All My Life
Best Of You
Big Me
Breakout
Everlong
Learn To Fly
Long Road To Ruin
Monkey Wrench
My Hero
The Pretender
Skin and Bones
This Is A Call
Times Like These
Wheels
Word Forward
/ Partitions variété - pop - rock / Variété internationale / Piano voix guitare / HAL LEONARD

Par SPARKE PHILIP. To A New Dawn was commissioned by the United States Continental Army Band - Captain Timothy J. Holtan, Commander and Conductor. The brief was for a piece to celebrate the 3rd Millennium and it was the composer’s aim to provide a work which, as well as looking forward to the challenges of the new century, also contained moments of reflection about the last one. After a bright introduction featuring the trumpets a perky theme, passing quickly through several keys, appears on the woodwinds. A solo trumpet takes up a new theme over bubbling quavers (eighth notes) and this leads to a rhythmic figure on low clarinets, followed by the upper woodwinds. A brass interlude follows and, after ashort bridge passage, an oboe takes up a contrasting legato tune that builds to a climax. An andante section follows with solos for horn and flugel horn (or trumpet) and a florid flute cadenza. A passionate climax leads back to the faster music and, eventually, to a full recapitulation, revisiting the earlier material before a lively coda close the work as it began. / Niveau : 4 / Pièce de concert / Répertoire / Concert Band ou Harmonie