Par . The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white neighbors had already begun learning the music?listening to, watching, and imitating the musicians whose music they so admired. And what these white musicians ended up expressing in their own playing and singing was not simply imitation, but their own reconfiguration of what their models did, played in accordance with their own senses of rhythm, phrasing and how to sing the music.In Hillbilly Fingerstyle Blues Guitar, author John Miller offers transcriptions, in tablature and standard notation, of twenty-eight pieces by these white fingerstyle blues players, taken from recordings made in the period 1926?1970. Some of the featured musicians in the book, like Sam McGee, Frank Hutchison, Maybelle Carter, Hobart Smith, and Roscoe Holcomb are pretty well known, but the tunes by more obscure players like Debs Mays, Lake Howard, or Lester McFarland certainly don?t suffer by comparison, and in many instances are spectacular. The pieces have been chosen for variety, too?you?ll encounter pieces played in C, E, and A in standard tuning, as well as songs in Open G, Open D tunings and an exotic offshoot of Open G tuning. Downloadable links to all of the original performances from which the transcriptions were made come with the book, so you can get the sound of the tunes in your head. The musicians in Hillbilly Fingerstyle Blues Guitar gravitated towards the Blues because the music spoke to them so strongly that they felt compelled to make it part of their own musical language. And they did just that. These performances are strong and worthwhile in their own right, but they?ll also show you how you can honor those who have inspired you by singing and playing in your own voice. And that?s an important lesson to learn. Includes access to online audio. / Date parution : 2021-11-03/ Recueil / Guitare

Trempette dans cette grande sélection de chansons populaires, standards de jazz, thèmes de films et montrent des airs ! Tous les morceaux est spécialement adaptés pour Flute et est classés en fonction d'une vaste gamme de niveaux de jeu. Chaque chanson est décerné à un classement basé sur la difficulté - à prendre cette folio idéal pour tout le monde, du flutiste début pour le musicien expérimenté. Il comprend des chansons à succès par les Beatles, Coldplay, Oasis, Elvis Presley, KT Tunstall, James Blunt, Frank Sinatra, Andrew Lloyd Webber, Jeff Buckley et beaucoup d'autres. Où d'autre pouvez-vous trouver un tel plaisir collection de mélodies, d'une grande variété d'artistes ? / Flûte Traversière / 160 pages / Partition

Par CHURCHILL FRANK / HARLINE LEIGH / SMITH PAUL. 9 songs from the first ever Disney animated feature film, which was released in 1937. This collection includes piano/vocal/arrangements of the songs: Bluddle Uddle Um Dum (The Washing Song) - The Dwarfs' Yodel Song (Silly Song) - Heigh Ho - I'm Wishing - One Song - Snow White - Some Day My Prince Will Come - Whistle While You Work - With a Smile and a Song. 9 songs from the first ever Disney animated feature film, which was released in 1937. This collection includes piano/vocal/arrangements of the songs: / TV, Film, Comédie musicale / Recueil / Piano, Chant et Guitare

The Polar Express is a wonderfully heart-warming seasonal tale that has touched the spirits of millions over the years, telling the story of the power of belief. Published in 1985, the inevitable movie version was the Christmas film of 2004. This sumptuous edition features eight pages of stills from the film, along with Piano, Voice and Guitar arrangements of the 7 original songs by Ballard and Silvestri. Futhermore, the folio also includes five Christmas classics as performed by Frank Sinatra and Perry Como. / TV, Film, Comédie musicale / Recueil / Chant et Piano

50 classic songs to accompany the world-famous justinguitar.com courses for guitar! The Justinguitar.com Acoustic Songbook is for all guitar players who want to progress beyond beginner level. The book starts with beginner level material, before progressing to songs that will teach you how to use more complex chords (including barre chords), riffs, fingerstyle patterns and open tunings. This book contains 50 great acoustic songs by artists such as The Beatles, Eric Clapton, Johnny Cash, Elliott Smith, Crowded House, Ed Sheeran, Coldplay, Sting, Tom Waits and David Gray. Take your playing forward by starting with the 15 beginner level songs, then move on to 15 intermediate songs specially chosen to develop your barre chords. After that you'll learn a further 15 songs which introduce interesting new techniques, chords and rhythms, before finishing off with 5 classic songs written out in full TAB! Every song is accompanied by performance tips and strumming patterns, often with tablature and chord diagrams to help you through any tricky bits. Much more than just a songbook, this book contains valuable tips and tutorials that will help you with every aspect of your playing. This long-awaited volume really is the best Acoustic Songbook ever! 'One of the most influential guitar teachers in history' - The Independent / Guitare et Guitare Tablatures

The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white neighbors had already begun learning the music?listening to, watching, and imitating the musicians whose music they so admired. And what these white musicians ended up expressing in their own playing and singing was not simply imitation, but their own reconfiguration of what their models did, played in accordance with their own senses of rhythm, phrasing and how to sing the music.In Hillbilly Fingerstyle Blues Guitar, author John Miller offers transcriptions, in tablature and standard notation, of twenty-eight pieces by these white fingerstyle blues players, taken from recordings made in the period 1926?1970. Some of the featured musicians in the book, like Sam McGee, Frank Hutchison, Maybelle Carter, Hobart Smith, and Roscoe Holcomb are pretty well known, but the tunes by more obscure players like Debs Mays, Lake Howard, or Lester McFarland certainly don?t suffer by comparison, and in many instances are spectacular. The pieces have been chosen for variety, too?you?ll encounter pieces played in C, E, and A in standard tuning, as well as songs in Open G, Open D tunings and an exotic offshoot of Open G tuning. Downloadable links to all of the original performances from which the transcriptions were made come with the book, so you can get the sound of the tunes in your head. The musicians in Hillbilly Fingerstyle Blues Guitar gravitated towards the Blues because the music spoke to them so strongly that they felt compelled to make it part of their own musical language. And they did just that. These performances are strong and worthwhile in their own right, but they?ll also show you how you can honor those who have inspired you by singing and playing in your own voice. And that?s an important lesson to learn. Includes access to online audio.
1. Hillbilly Fingerstyle Blues Guitar ? An Introduction
2. Learning the Songs
3. Understanding the Tablature
4. The Songs
5. 1) Knoxville Blues?Sam McGee
6. 2) Easy Rider?Sam McGee
7. 3) Railroad Blues?Sam McGee
8. 4) Sally Long?Sam McGee
9. 5) Fuzzy Rag?Riley Puckett
10. 6) Worried Blues?Frank Hutchison
11. 7) Train That Carried The Girl From Town?Frank Hutchison
12. 8) The Miner?s Blues?Frank Hutchison
13. 9) K. C. Whistle?Lester McFarland
14. 10) John Hardy Was A Desperate Little Man?The Carter Family
15. 11) Johnson City Blues?Clarence Greene
16. 12) Brown Skin Blues?Dick Justice
17. 13) Cocaine?Dick Justice
18. 14) She Lied To Me?Emry Arthur
19. 15) Everyday Dirt?David McCarn
20. 16) Take Them For A Ride?David McCarn
21. 17) Jailhouse Rag?David Miller
22. 18) Match Box Blues?Larry Hensley
23. 19) New Chattanooga Mama?Lake Howard
24. 20) Soap Box Blues?Debs Mays
25. 21) Rabbit Blues?Debs Mays
26. 22) Graveyard Blues?Hobart Smith
27. 23) Railroad Bill?Hobart Smith
28. 24) K. C. Moan?Hobart Smith
29. 25) Mississippi Heavy Water Blues?Roscoe Holcomb
30. 26) Riley And Spencer?Fields Ward
31. 27) Raggin? The Wires?E. C. Ball
32. 28) Ain?t No Grave Can Hold My Body Down?E. C. Ball
33. Appendix?Default Chord Positions
34. ABOUT THE AUTHOR
35. Afterword
36. ACKNOWLEDGEMENTS
/ Partitions variété - pop - rock / Variété internationale / Guitare tablatures / MEL BAY

Par BAY WILLIAM. Ce livre de point de repère de la musique pour la guitare jazz de style plectre a des années pour compiler, écrire et éditer. Il contient certains des plus grands solos et des duos jamais écrite et interprétée sur la guitare plectre ou flatpicked, incluant les oeuvres de Carl Kress, Dick McDonough, George Van Eps, Bucky Pizzarelli, George Barnes, Eddie Lang, George M Smith, Al Valenti, Mel Bay, Frank Victor, Harry Volpe, Carmen Mastren, Oscar Moore, Mundell Lowe, Tony Mottola, Al Hendrickson et Cal Collins. Tous les solos sont en notation et tablature tandis que les duos sont indiquées dans la notation standard uniquement. / Niveau : Intermédiaire à Avancé / All Styles - Solos and Duets / Tablatures / Guitare Tablatures Flatpick et Plectre

Solo-Duet-Trio-Quartet with Optional AccompanimentThe Flex-Ability series, arranged by Victor Lopez, fills the need for multi-level instrumentalists to play popular music together. Each instrument book includes 11 songs in four-part score form. The top line (solo) is for level 2 1/2-3. The second line (duet/harmony) is for level 2-2 1/2. The third line (trio/harmony) is for level 1 1/2. The bottom line (harmony or bass line) is for level 1(only whole, half, dotted half, and quarter notes and rests). Contents :Celebration George Melvin Brown (composer); Ronald Bell (composer); Claydes Smith (composer); Robert Mickens (composer); Dennis Thomas (composer); Robert Bell (composer); James Warren J. T. Taylor (composer); Earl Toon (composer); Eumir Deodato (composer)China Grove Tom Johnston (composer)Eye of the Tiger (from Rocky III) Jim Peterik (composer); Frankie Sullivan III (composer)Frosty the Snowman Steve Nelson (composer); Jack Rollins (composer)In the Midnight Hour Steve Cropper (composer); Wilson Pickett (composer)Jeepers Creepers Harry Warren (composer); Johnny Mercer (lyricist)La Bamba Victor Lopez (arranger)Peter Gunn (from Peter Gunn) Henry Mancini (composer)Soul Man Isaac Hayes (composer); David Porter (composer)Sweet Georgia Brown Maceo Pinkard (composer); Ben Bernie (composer); Kenneth Casey (composer)When the Saints Go Marching In Victor Lopez (arranger)

The Really Big Really Easy Piano Songbook combines a huge selection of songs from the entire Easy Piano series. Ranging from Mozart to Justin Bieber, this songbook is sure to satiate any beginner pianist and expand their repertoire ten-fold!Includes songs from: Ludwig Van Beethoven, Coldplay, Bill Withers, John Legend, Elvis Presley, Franz Schubert, Taylor Swift, Simon and Garfunkel, David Bowie, Adele and many more! / Piano

100 pièces divertissantes pour piano du classique au pop arrangées par HG Heumann.

Niveau facile
/ Partition /

Mit Melodielinie Text und Akkorden. Par . / Date parution : 2021-11-03/ Recueil / Guitar

Une grande collection de musiques populaires arrangées pour violon, spécialement classés de facile à jouer des airs à plus de morceaux difficiles. Une gamme de grade 1 à 3. Comprend des symboles s'inclinant, d'articulation et d'accords. / Violon / Partition