Buzzing on the mouthpiece has many benefits if done with a systematic and observant approach. Because the mouthpiece offers less resistance than does the instrument, buzzing helps accustom the player to using more air. This greater airflow helps let the lips relax and vibrate more freely, producing a more resonant sound. It also makes the player more reliant on his ear to place pitches, just as a singer does. Further, it aids in developing the most efficient and consistent mouthpiece placement. Finally, perhaps most importantly, mouthpiece buzzing allows the player to develop new and more refined aural/physical habits more easily.

Piano Sonata C major K. 309 (284b) Editor: Ernst Herttrich Fingering: Hans-Martin Theopold I wish to do it to reflect the character of Mad:selle Rose, Mozart replied when asked how he intended to set out the Andante of his Sonata in C major. In autumn 1777 he had got to know Rosina Cannabich in Mannheim and during her lessons immediately introduced her to the Sonata K. 309 that he had composed for her. Indeed, in December 1777 according to her teacher she was already able to perform it excellently. So that a great many other pupils might follow in her footsteps, we are now publishing this small gem that shows Mozart‘s great skill in composing for the piano as a single edition with a new preface by the editor; it was previously only available in the complete volumes (HN 1 and 3). FIRST MOVEMENT The first movement of the C major Sonata K 309 is a model teaching sonata form structure. With sonata forms, as with Bach fugues, no formal dogmas underlie the process of composition, but each sonata varies anew a basic principle. For Mozart, this entailed strict adherence to certain fundamental patterns without his creative freedom. In his sonata movements in major keys, for example he favoured a distinct second subject in the dominant as most contemporary composers did. Haydn, on the other hand, reveled in experiment at this point. A brief analysis may help to demonstrate Mozart's standard sonata allegro form and the first movement of it is an ideal example for such an investigation. The first subject is a distinctive, marcato opening followed by a five-bar response. The falling fourth and rising sixth of the opening is one of Mozart's favourite motifs, his common melodic device. He often uses it in the minor as well as the major, and many of his themes start with this motif (e.g. the second movement of the A major Sonata K 331, the Adagio in B minor K 540, and subjects in the Symphonies K 114, 124, 319/II and 551/II). The seven measures of the main theme are repeated, slightly varied. Measures 15 to 21 conclude the first subject group with an answering phrase (3+3 bars). The transition consists of new material and then, in measure 35 (after two measures of preparation comes a second cantabile theme, in the dominant (G major) comprising 2x4 bars, which is also repeated and proceeds to a spirited closing theme (concluding group) using passage-work (m. 43) and incorporating a delightful diminuation of measures 35 36 in measure 45. The exposition ends with a codetta of five bars. The development presents the opening motif first in g minor, and then the various ideas of the first subject are worked out. With this procedure Mozart is keeping much more closely to textbook principles than he usually does. Two further statements of the opening motif lead back to the recapitulation in measure 94. The second subject, now in the tonic, has surprisingly changed place with its accompaniment. The opening is recalled again in an effectively assertive coda. SECOND MOVEMENT The second movement of this sonata is an introspective Andante un poco adagio. In a letter Mozart stated his desire to make this Andante match the character of the young pianist Rosa Cannabich for whom he wrote it: ...she is a sweet, pretty girl, just like the andante. For her age she is sensible and level-headed; she is serious, and doesn't talk too much, though what she says is pleasing and sympathetic. THIRD MOVEMENT An elegant and smoothly flowing Rondo of unusually large proportions concludes this Sonata. Paul and Eva Badura-Skoda

C Instruments Book with Online Audio Tracks. Les célèbres Real Books ont maintenant été mis à jour et incluent des pistes d'accompagnement de 240 titres accessibles en ligne, à télécharger ou à lire en streaming. Les Real Books sont depuis toujours les recueils de jazz les plus vendus ! Les accompagnements sont accessibles en ligne à l'aide du code unique fourni avec le recueil et peuvent être téléchargés ou écoutés en streaming. Les fichiers audio incluent PLAYBACK +, un lecteur multi-fonctions qui vous permet d'accélérer ou ralentir le tempo, de changer de tonalité, ou de travailler en boucle certains passages !/ Recueil / Instruments en Do

Par . Hal Leonard proudly presents new mini editions of its best-selling Real Books. These 5.5 x 8.5 little books pack a big jazz punch; they include all 400 fantastic songs found in the 9 x 12 versions / Date parution : 2023-06-16/ Recueil / Instruments En C

Par OGDEN NIGEL. Reflecting his admiration for the age of flying boats and Bakelite radios, the 'Art-Deco Suite' is an affectionate study in nostalgia - a trio of images from the 1920s and 30s set in music of timeless elegance. The first piece 'Ritzy', speaks for itself: classy, carefree and full of elite syncopations. 'Acacia Avenue', in contrast, is a miniature tone poem, its languidly flowing melody conjuring up visions of neat suburban 'semis' and impeccably tended gardens. The unstoppable finale, 'To Clarice', pays homage to the popular Clarice Cliff ceramics of the period, superbly decorated in black, orange and lime, and now as much a collector's item as this composition has provedto be amongst lovers of stylish organ music./ Recueil / Orgue

Get yourself — or your beginning jazz combo — sounding good right away with the first fake book ever designed for the beginning improviser.This book contains: Easy, but classic jazz tunes to give thestudent a good start in learning the jazz repertoire. Sample Piano voicings, Guitar chord diagrams, sample Bass lines and useful scales for improvisation included with each tune, for easy reference. Each song willsound good played in rock, funk or Latin styles, as well as swing. Perfect for individual students of all ages, as well as jazz combos.With The Real Easy Book Volume 1 you'll learntheeasiest tunes from Horace Silver, Eddie Harris, Freddie Hubbard, Red Garland, Cannonball Adderley, Sonny Rollins, Cedar Walton, Wes Montgomery and more.Bags' GrooveBig BerthaBlue SevenBlues By FiveBlues In The ClosetCold Duck TimeContemplationDoxyEdward LeeEquinoxFreedom Jazz DanceGingerbread BoyGroove MerchantJive SambaJo Jo CalypsoKiller JoeListen HereLittle SunflowerMercy, Mercy, MercyMidnight WaltzMr. P.C.One For Daddy-ORed's Good GrooveRevelationRoad SongShort StuffShoshanaSir JohnSister SadieSo Danco SambaSong For My FatherSonnymoon For TwoSt. James InfirmarySt. ThomasStraight LifeTenor MadnessTrail DustWhen The Saints Go Marching InWork SongYardbird SuiteZ's Blues / Instrument en mib / Sher Music

Hal Leonard a combiné deux de ses marques les plus populaires - Pages Blanches et Guitar Play-Along - en une nouvelle super-produit pour les guitaristes: les pages blanches Guitar Tab Play-Along!Ce package contient l'onglet impressionnant de 100 transcriptions des plus grandes chansons rock jamais, avec six CD de haute qualité, playback pleine bande qui coordonnent avec les transcriptions.Les CD peuvent être lus sur n'importe quel lecteur CD, et sont également amélioré de façon utilisateurs Mac et PC peuvent ajuster les pistes Play-Along à n'importe quel tempo sans changer la hauteur. C'est vraiment le play-along guitare ultime collection! / Guitare

The Worlds greatest fake book is the world’s first great legal anthology of over 200 jazz compositions – created by and for Jazz Players. Everything considered essential to recreating a tune has been included with the composers approval. / Instrumental Music / Recueil / Saxophone

The Real Books are the best-selling jazz books of all time. Since the 1970s, musicians have trusted these volumes to get them through every gig, night after night. The problem is that the books were illegally produced and distributed, without any regard to copyright law, or royalties paid to the composers who created these musical masterpieces. Hal Leonard is very proud to present the first legitimate and legal editions of these books ever produced. You won't even notice the difference, other than all the notorious errors being fixed: the covers and typeface look the same, the song list is nearly identical, and the price for our edition is even cheaper than the original! Every conscientious musician will appreciate that these books are now produced accurately and ethically, benefitting the songwriters that we owe for some of the greatest tunes of all time! Includes 400 songs: All Blues · Au Privave · Autumn Leaves · Black Orpheus · Bluesette · Body and Soul · Bright Size Life · Con Alma · Dolphin Dance · Don't Get Around Much Anymore · Easy Living · Epistrophy · Falling in Love with Love · Footprints · Four on Six · Giant Steps · Have You Met Miss Jones? · How High the Moon · I'll Remember April · Impressions · Lullaby of Birdland · Misty · My Funny Valentine · Oleo · Red Clay · Satin Doll · Sidewinder · Stella by Starlight · Take Five · There Is No Greater Love · Wave · and hundreds more! Editions also available in C, B-flat, and E-flat. Looking for a particular song? Check out the Real Book Songfinder here. / Instruments En Clé de Fa

The Hal Leonard Acoustic Guitar Method uses real songs to teach you all the basics of acoustic guitar in the style of the Beatles, Eric Clapton, John Mellencamp, the Indigo Girls, Robert Johnson, James Taylor and many others. Lessons include: strumming - fingerpicking - using a capo - open tunings - folk, country and bluegrass styles - acoustic blues - acoustic rock - and more. Songs include: Barely Breathing - Dust in the Wind - Here Comes the Sun - Name - and more. In standard notation and tablature. / Guitare

Le plomb est une série intégrée pour saxophone alto, clarinette, flûte, piano, saxophone ténor, trompette et violon. Dans chaque édition, toutes les chansons sont dans la même clé au concert pitch, permettant aux différents instruments à jouer ensemble. Symboles de corde sont inclus au concert pitch pour utilisation par piano ou de la guitare. ' Prendre les comédies musicales de plomb ' comprend tous les grands succès de l'extrémité ouest et spectacles de Broadway. Les étudiants ont le choix de jouer avec CD, Piano ou guitare et toutes les pièces sont entièrement intégrés avec des arrangements pour les autres instruments de la série, ce qui en fait la ressource idéale pour les groupes scolaires et les petits ensembles. Utilisé comme un livre solo ces arrangements idiomatiques stimulera confiance et sont idéales pièces des joueurs pour la performance. Table des matières : Fame (Fame) - Food glorieuse alimentaire (Oliver) - si j'étais un homme riche (un violon sur le toit) - Over The Rainbow (magicien d'Oz) - Send In The Clowns (petite musique de nuit) - Chantons sous la pluie (Chantons sous la pluie) - demain (Annie)/ Recueil / Saxophone Alto et Piano