Standard notation and a simple alpha-numerical tablature system are used to present this unusual collection of pre-18th Century tunes for the standard 12/11-course hammered dulcimer. Creating a hybrid of folk and classical elements, Carol Koenig has expanded the repertoire of the hammered dulcimer with melodies from France, Spain, England, and Scotland. The tunes are first presented in a simple melodic statement, then in a more complex harmonized version. The author insists that it is not necessary to be an outstanding sight reader to make beautiful music on the hammered dulcimer, or with this book. Standard notation and a simplealpha-numerical tablature system areused to present this unusual collectionof pre-18th Century tunes for thestandard 12/11-course hammereddulcimer. Creating a hybridof folk andclassical elements, Carole Koenig hasexpanded the repertoire of the hammereddulcimer with melodies from France,Spain, England, and Scotland. The tunesare first presented in a simplemelodicstatement, then in a more complexharmonized version. The author insiststhat it is not necessary to be an outstanding sight reader to makebeautiful music on the hammereddulcimer, or with thisbook. / Niveau : 4 / Classique / Recueil / Dulcimer

'Running from silence? est inspiré par le poème de Rumi 'Quietness? (Silence). Les idées musicales sont construites à partir de cellules rythmiques, issues du code Morse. 'Running from Silence? a été sélectionné au concours international 'Bass 2008? de Paris. / Contrebasse Solo

Par FRANCES-HOAD CHERYL. Thinking I Hear Thee Call by Cheryl Frances-Hoad is inspired by the life of Florence Attridge, an Essex woman who, whilst working at the Marconi factory in Chelmsford during WWII, helped to make secret radio sets for spys. In this piece for soprano, speaker and electronics, we hear Florence recount her experiences, whilst, in another, secret location, in another time, a spy goes through the radio's (complicated!) set up instructions one last time before going on their first reconnaissance mission. The electronic element takes sounds that are associated with Florence's life and the history of Marconi, including morse code and 'Absent', the first song to be broadcast from the factory. The text for Florence's part was written by Frances M Lynch based on research by Patricia Fara, and the speakers text comes from the official manual for the The British Type 3 Mark II Spy Radio. Watch the video (embed) https://www.youtube.com/watch?v=d3K2D66RY3k The performers from electric voice theatre are:- Frances M Lynch - Soprano (Florence Attridge) Margaret Cameron - Speaker (Spy). The performers recorded their parts individually in their homes and the final work was combined with the composer's electronic track and produced by Frances M Lynch & Herbie Clarke at Birnam Studios, London. The work was commissioned by electric voice theatre and first Performed Online during the Covid-19 Pandemic, Aug 24th 2020 as part of the ‘Echoes from Essex’. The project was supported by the Arts Council Emergency Response Fund (National Lottery). / Date parution : 2022-09-07/ Répertoire / Soprano, Récitant et Electronique

Exact transcriptions in score format for all of the songs from the album, including the huge hits All Apologies, Heart Shaped Box and: Dumb ú Frances Farmer Will Have Her Revenge on Seattle ú Milk It ú Penny Royal Tea ú Radio Friendly Unit Shifter ú Rape Me ú Scentless Apprentice ú Serve the Servants ú Tourrets ú Very Ape. / Guitare

This amazing pack lets you play along with original backing tracks created and recorded by the Piano Guys! Each book includes a unique code that lets you access the backing tracks online for download or streaming. This book features 10 songs from the album arranged for piano solo. Includes: Fight Song/Amazing Grace - A Sky Full of Stars - Hello/Lacrimosa - Okay - Themes from Pirates of the Caribbean - Celloopa - The Jungle Book/Sarabande - Holding On - Can't Stop the Feeling - Tour de France - Uncharted. Don't miss this opportunity to play along with the Piano Guys! / Piano/Vocal/Guitare (PVG)

Christmas fiddlers can draw on a rich and varied repertoire. This collection spans seven centuries, from the boisterous medieval Song of the Ass to contemporary tunes like Sleigh ride, taking in such traditional carols as Away in a manger and O little town of Bethlehem along the way. There is music in The Christmas Fiddler from England, Wales, France, Germany and North America.Of course Christmas time is not only a religious festival. Much of the music here - the Welsh carol Deck the hall, the 'fireside' movement from The Four Seaons, the modern classic Chestnuts roasting on an open fire - is as much a celebration of the ancient secular festival of the Winter Solstice.The arrangements in this collection can be performed as solos or duets, or by larger ensembles. The keyboard accompaniments are there for a multitude of purposes, from concert performances to playing at home- and the violin accompaniments will be invaluable for those Christmas busking sessions.The full range of traditional fiddle repertoire is now at your fingertips! Using these generous collections, you can create your own ceilidh, barn dance, jazz club, Sarajevo street-café or Gypsy gathering. Some of this music is familiar, some more exotic, but all of it is absolutely authentic, faithfully arranged and, above all, hugely enjoyable. Each title in the series is available in two formats: the violin edition (with an optional easy violin part and guitar chord)- or the complete edition, which also includes both keyboard and violin accompaniments. Either format is hugely flexible, which means the music can be played as solos, duets or trios as well as with larger ensembles. Edward Huws Jones has travelled extensively researching fiddle-playing traditions. In each book he explains the background of the particular musical style, giving his own suggestions for a lively performance. And to help recreate the spirit of the music, every book in the series is beautifully illustrated. / Violon Et Guitare

Par BERTHOUD PHILIP JOHN. Ideal for the intermediate-level guitarist, these 17 traditional tunes from the UK plus one from France are arranged to be played with your electric guitar plugged-in. The transformation that occurs in switching from acoustic to electric instruments adds an unmistakable Celtic rock element to the author's companion recording.The tunes are all played twice through on the recording and transcribed note-for-note in the book. The recording features backup from both electric bass and a second electric guitar, often played with a slide and a little 'dirt? thrown into the mix. Skillful bodhrán and djembe playing on many of the tracks adds to the dynamic nature of the recording.Many of these tunes can be played in lower positions but a few venture as high as the 14th fret. Playing one note at a time within a narrow range, if you don't read particularly well now, working through these tunes will help you improve and gain confidence as a sight reader.Written in standard notation and guitar tablature. Includes access to online audio. / Niveau : Intermédiaire / Musique traditionnelle anglaise, irlandaise, écoss / Tablatures / Guitare Electrique

In this outstanding video recital, Brazilian concert guitarist Carlos Barbosa-Lima takes the listener on a musical journey through Brazil, The Caribbean, North America, and the Hawaiian Islands, including works by European masters from France and Spain. Maestro Barbosa-Lima displays the stunning musicality, arranging skills, and refined technique that have drawn applause from sold-out concert halls the world over. Program: Sons de Carrihoes (Joao Pernambuco) - Odeon (Ernesto Nazareth) - Sambolero (Luiz Bonfa) - Cochichanda (Alfredo Vianna) - Aquarela do Brasil (Ary Barroso) - Adios (Enric Madriquera) - La Comparsa (Ernesto Lecuona) - Fantasy of a Hawaiian Lullaby 'Pupu Hinu Hinu' (N. Beamer arr. by Dr. Byron Yasui) - St. Louis Blues (W. C. Handy, arr. J. Griggs/Barbosa-Lima) - Two Ladies: One Old, One New (Bobby Scott) - La Alborada (Francisco Tarrega) - La Mariposa (Francisco Tarrega) - Golliwogg's Cakewalk (Claude Debussy) - I Got Rhythm (George Gershwin) - Las Abejas (Augustin Barrios) - Ja-Da (trad. arr. J. Griggs/Barbosa-Lima) - and Seis Milongas from Suite Antillana (Ernesto Cordero). Many of these selections were arranged by Carlos Barbosa-Lima and include unusual techniques such as double harmonics and Hawaiian slack-key effects. / Classic - Concert/Documentary / Accessoire / Guitare Classique

Les Anges dans nos campagnes. The title of this clever arrangement reveals the Christmas song it is based on. The melody can be traced back to a French folksong from the 18th century which is now known around the world. In France it is called Les anges dans nos campagnes, in Germany it is most widely known as Engel auf den Feldern singen and in England it was originally called Angels From the Realms of Glory but it often known as Angels We Have Heard on High. Everyone will rejoice upon hearing the ‘Gloria in excelsis Deo’ refrain! / Niveau : 3 / Pièce de concert / Répertoire / Concert Band ou Harmonie

Les Anges dans nos campagnes. The title of this clever arrangement reveals the Christmas song it is based on. The melody can be traced back to a French folksong from the 18th century which is now known around the world. In France it is called Les anges dans nos campagnes, in Germany it is most widely known as Engel auf den Feldern singen and in England it was originally called Angels From the Realms of Glory but it often known as Angels We Have Heard on High. Everyone will rejoice upon hearing the ‘Gloria in excelsis Deo’ refrain! / Niveau : 3 / Pièce de concert / Répertoire / Concert Band ou Harmonie