By Richard L. Saucedo. (Score and Parts). MusicWorks Grade 5. Concert Band. Score and full set of parts. Published by Hal Leonard.

Concert band - medium-easy (grade 3)

SKU: RM.TILT00248-BA

Arranged by Laurent Delbecq. Concert band. Orchestra. Full set. Editions Robert Martin #TILT00248-BA. Published by Editions Robert Martin (RM.TILT00248-BA).

ISBN 9790231002485.

Book 2. By Carol Barratt. (Percussion). Boosey and Hawkes Chamber Music. Size 9x12 inches. Published by Boosey & Hawkes.

Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Contrabassoon, English Horn, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3, Percussion 4, Piccolo and more.

SKU: PR.11641139S

Composed by Lowell Liebermann. Full score. Duration 15 minutes. Theodore Presser Company #116-41139S. Published by Theodore Presser Company (PR.11641139S).

UPC: 680160682119.

Barca rolles for a Sinking City was inspired by the city of Venice, a place that has long held the fascination of artists, writers and composers, and which I have been lucky enough to visit on several occasions. Sadly it seems that future generations may not be so lucky: in addition to the city's slow sinking and recently discovered tilting, studies predict that if global warming and the resultant rise of ocean levels is unabated, the entire city (as well as many other coastal cities around the globe) will be under water by 2100.   I. Funeral Gondola The late, cryptic piano works of Franz Liszt made a profound impression on me as a young composer, among them two works he entitled La Lugubre Gondola (usually translated as The Funeral Gondola ) which were said to be a premonition of Wagner's death in Venice, his coffin transported through the canals in a black gondola. These late pieces of Liszt acquired even greater significance to me after I spent two summers in Bayreuth under the patronage of Friedelind Wagner, the granddaughter of Wagner and great-granddaughter of Liszt. This movement is a meditation on Wagner, Liszt, Venice and its own evanescence. II. Barcarolle/Quodlibet The Quodlibet (Latin for what pleases) is a musical form dating back to the 15th century where many disparate melodies are juxtaposed. Popular in the Renaissance, sacred and secular melodies were combined, often to comical effect due to the resultant incongruity of the words. The form was considered the ultimate test of a composer's mastery of counterpoint. The most famous Quodlibet is without doubt the final Variation of Bach's Goldberg Variations. As a form the Quodlibet is less common in more recent music, although examples can be found in the works of Kurt Weill and David Del Tredici.   My own Barcarolle/Quodlibet was inspired by the (perhaps apocryphal) story of the funeral where musicians were asked to play a Bach Choral, but due to miscommunication played instead the Bacarolle from The Tales of Hoffmann. Here, the Bach Choral Allen Menschen mussen sterben (All Men Must Die) is heard in the strings pizzicato, with a tempo indication In slow motion. The alto line of the Bach suggests a phrase from Beethoven's Ninth Symphony (Alle Menchen werden Bruder) heard in the muted trombone. Before long, the famous tune from Offenbach's opera is heard, followed by quotations from iconic Barcarolles by Chopin, Mendelssohn and Faure, as well as two Venetian popular songs and more Beethoven.   III. Barcarola/Ostinato/Carill on An ostinato is a repeated musical figure, and carillon is Italian for music box. This movement references the obsolete genre of salon pieces that imitated music boxes: such works by composers like Liadov and Gretchaninov used to be a mainstay of pianists' encore repertoire. This movement is however much darker in conception than those pleasant trifles. Utilizing the full battery of percussion, the carefully notated temporal slowing of the ostinato becomes overwhelmed by a poignant chorale melody before this box is snapped shut.   IV. Barcarolle Oubliee (Forgotten Barcarolle) Marked limpido (still) the final movement begins with the sound of rain produced by a percussion instrument called (appropriately) a rain stick. Halting phrases in the harp coalesce into the accompaniment for a plangent melody heard in the clarinet. The central Adagio of this movement leads to a shattering climax, before the opening phrases return and dissipate into nothingness.

Choral; Orchestra (Full Score)

SKU: HL.260537

Full Score. Composed by Karl Aage Rasmussen. Music Sales America. Classical. Softcover. 27 pages. Duration 420 seconds. Edition Wilhelm Hansen #WH33037. Published by Edition Wilhelm Hansen (HL.260537).

ISBN 9788759840276.

Best ilt af DR til DR VokalEnsemblet og DR SymfoniOrkestret til fejringen af 500-ars dagen for Reformationen d. 31. oktober 2017. Tekst fra Luthers Hymne, 1523 Nu fryd jer, kristne menighed, nu ingen sorg vil tynge. I samlet flok, med liv og lyst, vi tillidsfuldt vil synge: at Gud, der er sa god og st''rk, ar gjort et herligt underv''rk som dyrt han matte yde. Hvad jeg har l''rt, alt hvad jeg var, det ma du ogsa v''re. Guds rige vil vokse sig stort til lov og pris og ''re. Korpartitur / Vocal score: WH33037C Stemmer / Parts are available on hire: hire@ewh.dk.

Piano

SKU: H2.MH3331

Composed by Trygve Madsen. Published by Musikk-Husets Forlag (H2.MH3331).

For Piano.
1. pris-vinner i Griegselskapets komponistkonkurranse 2008.

Marche norvegienne
Elle danse
Il y avait une fois
Danse norvegienne
Uttalelse om noen undervisningshefter i forhold til bruk i undervisning

Trygv e Madsen: A la maniere de Grieg for Piano, Opus 138, Musikk-Husets Forlag A/S, Oslo 2008

A la maniere de Grieg bestar av fire stykker:
1. Marche norvegienne
2. Elle danse
3. Il y avait une fois
4. Danse norvegienne

Stykke ne vant 1. pris i Griegselskapets komponistkonkurranse 2008.
Igjen viser Trygve Madsen seg som en kreativ og fantasifull komponist nar han velger a benytte motiver og temaer som allerede har funnet sin plass i norsk musikkliv. Denne gangen bruker han deler av temaer fra Griegs lyriske stykker. Han setter disse temaene sammen pa en ny og spennende mate og benytter fargerike, frodige akkorder som aldri kommer i konflikt med temaenes egenart. Man kjenner igjen brokker fra Griegs Gangar op.54, Hun danser op.58, Hjemve op.58, Halling op.71 m.fl. og blir imponert over hvordan disse melodibrokkene blir behandlet pa en sa tiltalende og smidig mate. Dette er ypperlig undervisningsmusikk, godt tilrettelagt pa piano, som passer best for elever pa litt viderekomment niva.

Bjorg J. Bjontegaard.

Piano - easy to intermediate

SKU: HL.49016269

Composed by Bernd Frank. This edition: Saddle stitching. Sheet music. Schott Pro Line. Classical. 72 pages. Schott Music #SPL 1024. Published by Schott Music (HL.49016269).

ISBN 9783795751166. 8.25x11.75x0.254 inches. German.

Das Buch richtet sich an Pianisten und Keyboarder, die stiltypische rhythmisch-harmonische Begleitmuster suchen. Auch in diesem zweiten Band werden wieder eine Fulle von Patterns vorgestellt, und zwar aus den Bereichen Boogie Woogie, Rhythm & Blues, Rock'n'Roll, Rock Five Four, Seven Four, Funk, Jazzrock, Reggae, Salsa, Rap/HipHop, Techno. Zu jedem Kapitel gibt es eine kurze Einfuhrung, die Geschichte und Entwicklung eines Stils beschreibt. Danach werden die musikalischen Besonderheiten untersucht. Durch Anwendungsbeispiele und kleine Ubungen wird der Pianist angeleitet, die Patterns auf verschiedene musikalische Situationen zu ubertragen. Auf der CD, die dem Band 1 beiliegt, sind auch diese Patterns solo auf Klavier eingespielt worden. So konnen Musiker die Stile akustisch nachvollziehen und mit den Play Alongs den passenden Groove einuben.

Orchestra Cello, Contrabass, Guitar, Viola, Violin 1, Violin 2 - Grade 3.5

SKU: CF.CAS130F

Composed by Sam Gelfer. Sws. Cas. Full score. 16 pages. Carl Fischer Music #CAS130F. Published by Carl Fischer Music (CF.CAS130F).

ISBN 9781491157480. UPC: 680160916061. 9 x 12 inches.

This energetic composition, written in the style of traditional fiddle-tunes, gradually modulates from B minor to D Major. Players will encounter authentic fiddle techniques such as shuffle-bowing, chops, and double-stops at a brisk tempo. The chop is accomplished by dropping the bow firmly on the D and A strings at the frog, sinking and stopping with slight motion toward the scroll. Players should straighten their fingers on the frog and the bow hair should be tilted toward the bridge when performing this technique. A syncopated bass accompaniment and relentless pace depict a stormy winter season, melting into spring. Each section is given interesting melodic and accompaniment lines, with exciting accented rhythms that require all players to match bow placement, internalize a common tempo, and listen across the ensemble for a precise, focused sound.

About Carl Fischer Concert String Orchestra Series

Thi s series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:

• Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
• More comprehensive bowing techniques
• Viola T.C. included
• Careful selection of keys and degree of difficulty for advancing musicians

Children's unison choir with instruments

SKU: CA.1242100

Composed by Knut Gramss. This edition: Paperbound. Children's music and musicals. German title: Zirkus Hallodria. Cantatas, Cantatas and Singspiele for children, Secular choral music. Full score. 24 pages. Duration 45 minutes. Carus Verlag #CV 12.421/00. Published by Carus Verlag (CA.1242100).

ISBN 9790007098988. Language: German.

The colorful variety of the Circus--exciting, funny, and wonderful--presents itself with music and action in the ring: clowns, rope walkers, jugglers, knife throwers, stilt walkers, trapeze artists, animal tamers, weight lifters, and magicians.

Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Contrabassoon, English Horn, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3, Percussion 4, Piccolo and more.

SKU: PR.11641139L

Composed by Lowell Liebermann. Large Score. Duration 15 minutes. Theodore Presser Company #116-41139L. Published by Theodore Presser Company (PR.11641139L).

UPC: 680160682126.

Barca rolles for a Sinking City was inspired by the city of Venice, a place that has long held the fascination of artists, writers and composers, and which I have been lucky enough to visit on several occasions. Sadly it seems that future generations may not be so lucky: in addition to the city's slow sinking and recently discovered tilting, studies predict that if global warming and the resultant rise of ocean levels is unabated, the entire city (as well as many other coastal cities around the globe) will be under water by 2100.   I. Funeral Gondola The late, cryptic piano works of Franz Liszt made a profound impression on me as a young composer, among them two works he entitled La Lugubre Gondola (usually translated as The Funeral Gondola ) which were said to be a premonition of Wagner's death in Venice, his coffin transported through the canals in a black gondola. These late pieces of Liszt acquired even greater significance to me after I spent two summers in Bayreuth under the patronage of Friedelind Wagner, the granddaughter of Wagner and great-granddaughter of Liszt. This movement is a meditation on Wagner, Liszt, Venice and its own evanescence. II. Barcarolle/Quodlibet The Quodlibet (Latin for what pleases) is a musical form dating back to the 15th century where many disparate melodies are juxtaposed. Popular in the Renaissance, sacred and secular melodies were combined, often to comical effect due to the resultant incongruity of the words. The form was considered the ultimate test of a composer's mastery of counterpoint. The most famous Quodlibet is without doubt the final Variation of Bach's Goldberg Variations. As a form the Quodlibet is less common in more recent music, although examples can be found in the works of Kurt Weill and David Del Tredici.   My own Barcarolle/Quodlibet was inspired by the (perhaps apocryphal) story of the funeral where musicians were asked to play a Bach Choral, but due to miscommunication played instead the Bacarolle from The Tales of Hoffmann. Here, the Bach Choral Allen Menschen mussen sterben (All Men Must Die) is heard in the strings pizzicato, with a tempo indication In slow motion. The alto line of the Bach suggests a phrase from Beethoven's Ninth Symphony (Alle Menchen werden Bruder) heard in the muted trombone. Before long, the famous tune from Offenbach's opera is heard, followed by quotations from iconic Barcarolles by Chopin, Mendelssohn and Faure, as well as two Venetian popular songs and more Beethoven.   III. Barcarola/Ostinato/Carill on An ostinato is a repeated musical figure, and carillon is Italian for music box. This movement references the obsolete genre of salon pieces that imitated music boxes: such works by composers like Liadov and Gretchaninov used to be a mainstay of pianists' encore repertoire. This movement is however much darker in conception than those pleasant trifles. Utilizing the full battery of percussion, the carefully notated temporal slowing of the ostinato becomes overwhelmed by a poignant chorale melody before this box is snapped shut.   IV. Barcarolle Oubliee (Forgotten Barcarolle) Marked limpido (still) the final movement begins with the sound of rain produced by a percussion instrument called (appropriately) a rain stick. Halting phrases in the harp coalesce into the accompaniment for a plangent melody heard in the clarinet. The central Adagio of this movement leads to a shattering climax, before the opening phrases return and dissipate into nothingness.

By Benny Goodman With Martha Tilton. Arranged by Myles Collins. For big band with vocal. Swing. Medium Easy. Full score and set of parts. Published by Lush Life