A Selection of Choruses for Treble Choir. Par VIVALDI ANTONIO. Gloria In D features Vivaldi's vibrant and imaginative string composition as well as SATB choral composition. Arranged by Doreen Rao, this edition is an abriged version of the Gloria arranged for four-part treble voices. This performance edition may also be used with Kalmus string parts./ Répertoire / Choeur d'Enfants

Includes: 2 Vln Vla Cello Bass Continuo And Full Score. Instrumentation (Hmb190a): 2 Hn 2 Vln Vla Continuo And Full Score. Luigi Boccherini(1743-1805) Was The Product Of An Artistic Family (his father was a cellist his brother a dancer andpoet his sistera ballet dancer) and followed in his fathers footsteps as a cellistin his native town of Lucca Italy. His Gloria may have been composedbetween 1764 and 1766 possibly written under the influence of thecomposers roman teacher Costanzi when in service at the palatinechapel of Lucca. However this work may possibly be along with theKyrie part of the opus 59 mass composed in 1800 (now lost). Thecomposition is divided into six movements:1. Gloria In Excelsis - Chorus2. Laudamus - Soprano And Tenor Duet3. Qui Tollis - Chorus4. Qui Sedes E Quoniam - Bass Aria5. Cum Sancto I - Chorus6. Cum Sancto II - Chorus

Aus: Gloria-The Proclamation: Gloria in Excelsis Deo is the opening movement of Karl Jenkins' popular Gloria arranged for mixed voices and piano. Gloria is a large-scale festival piece commissioned by the Really Big Chorus for performance at London's Royal Albert Hall.Cast in five movements 'Gloria' sets the traditional Latin text 'Gloria in excelsis Deo' and incorporates a setting of Psalm 150 in alternative Hebrew or Latin texts. Between the movements readings from Hinduism Buddhism Taoism and Islam are given in English or any language of choice. 'Gloria' follows 'Te Deum' 'Stabat Mater' and 'Requiem' from the composer of 'Adiemus' and 'The Armed Man: A Mass for Peace'.The complete vocal score of Gloria is available as BH12083.

Ruders writes: 'gl0rIA' is subtitled: 'a relique for large chorus and 12 brass-instruments. At the same time it is an exercise for chorus because only vowels do occur or virtually no consonants are heard. The second part of the Missa Ordinarium the Gloria in Exelcis Deo makes the literary basis of 'g10rIA' but I employ only the vowels which in their full context form a 'non-language' - fragments of a tradition. A less dim vision of the 'severed body' appears in the center of the piece where the Domini Fili-section surfaces in its original shape. 'gl0rIA' is a 20th century composer’s hommage to the innocent faith of bygone days and a fanfare in honour of ClaudioMonteverdi; thus the ever present elaborations of the introduction to the Vespro Della Beate Vergine. Superimposed on the 'torso' of Latin I wedge in a quotation from the Spanish renaissance poet Gonzalo de Berceo’s 'Duelo de la Virgen' a surrealistic Lamento in which the Jews sent by Pilate to stand guard at the tomb of Christ mock and ridicule Maria Jesu mother. Thus a shadow has been cast over the jubilant religious appraisal of the past which today’s knowledge of atrocities and enormities engineered by Mankind has - alas - made so hard to repeat.

Incorporating Gloria-The Angels' Gloria combines the traditional French carol Angels We Have Heard on High with an original melody creating a truly heavenly chorus. Arranged for SATB three-part mixed or two-part treble voices this shiningChristmas octavo is appropriate for any age or skill level.

This opening portion from Donizetti's Gloria is an exuberant somewhat operatic choral. A wonderful masterwork from the Romantic era this dramatic energetic chorus has been made accessible with easy unison and part-writing and a simplified accompaniment.

Commissioned for the 2012 London Olympics this work for treble chorus is primarily wordless apart from the short Latin phrase ?Gloria in Londinium invictus invicta? to symbolize the coming together of athletes and artists from around the world. The effect with innocent young voices is enchanting! Available separately: 3-Part Treble. Score and parts (hn tpt tbn timp cymbal tom-tom bass drum taiko vn vc) available as a digital download.

The verses of this Christmas piece include the lyrics of the much-loved hymn Fairest Lord Jesus. The Gloria chorus is one of those you just love to sing a natural celebration emerging effortlessly. An optional obbligato part is included for flute or violin.

Partitions pour solistes soprano et alto, SATB choeur et orchestre.Edité par Jasmin Cameron / Chant Et Piano / Partition

Based on Gloria-The beginning and ending fanfare sets the tone for an exciting arrangement by Vicki Tucker Courtney of the well-known French carol Gloria. A syncopated accompaniment along with the vocal meter change from 4/4 to 6/8 in the choruscreates energy throughout the music. The original chorus transitions to the familiar chorus building to a triumphant ending. The available brass ensemble parts add power and finesse. Instrumentation includes: Score Trumpet 1 Trumpet 2 Trombone Bass Trombone.

Changing Voices Series-For changed and unchanged TB voices Gloria Alleluia is the perfect concert opener or festival piece for middle school or junior high male choruses. Lots of unison and accessible harmonies combine with a neo-classicalaccompaniment making this an impressive choice for school or church use.

Vocal Score-Vivaldi's classic work arranged for SSA soli SATB chorus and organ/piano accompaniment. This the Schirmer edition includes a piano reduction and is edited by William Herrmann.  Please note that this vocal score features lyrics in English and Latin.

Par SCHUBERT FRANZ. Music Partner CD: Choral Singing - The Easy Way to Learn: Alto Chorus Part/ Accessoire / CD

This offering from Randy Stenson's Male Chorus was premiered at the 2008 ACDA Northwest Division convention. Beginning with a rollicking and rhythmic opener the middle section transforms to tasty punctuations of sound. Returningto the opening theme it drives to a thrilling completion.