17 Choruses for mixed voices from Handel's sacred works. Selected with introductory notes by Brian Kay. Rarely brought together, these diverse choruses demonstrate the enduring vitality of Handel's writing. / Chant Et Piano

Organ Accompaniments. Par RUTTER JOHN. This companion volume provides organists with new, dedicated three-stave accompaniments to twenty-four of the twenty-eight choruses in the main Sacred Choruses volume. In every case, these organ transcriptions, made by John Rutter, are based directly on the original orchestral versions and willfacilitate church performances without orchestra. / Musique religieuse / Répertoire / Orgue

Partitions pour solistes soprano et alto, SATB choeur et orchestre.Edité par Jasmin Cameron / Chant Et Piano / Partition

Par SCHUBERT FRANZ. Music Partner CD: Choral Singing - The Easy Way to Learn: Alto Chorus Part/ Accessoire / CD

Ed. Marte. Par VIVALDI ANTONIO. Vivaldi's classic work, arranged for Solo Voices, mixed chorus and orchestra. Edited by Mason Martens. Lost soon after the composer's death, little if anything was known of this spectacular choral setting until it's rediscovery in 1920, with the first modern performance finally happening in the autumn of 1939. Since then the work has become a proven favourite with choral societies, choirs and gala performances across the world. This vocal score includes a full Piano reduction of the orchestral material. / Niveau : Elémentaire / Répertoire / Chorale

Par BUCHENBERG WOLFRAM. An absolutely thrilling setting of the mass, influenced by Latin jazz, for large chorus, big band, and baritone. The composer takes as his theme people?s deep-seated fear and its overcoming through faith. Suitable for concert or equally for liturgical performance / Date parution : 2022-05-03/ Répertoire / Baryton, SATB et Piano

Music Partner CD: Choral Singing - The Easy Way to Learn: Soprano Chorus Part / CD

This little piece was commissioned by King's College, Cambridge in 2002 as the then-latest in their celebrated annual Christmastide service of Nine Lessons and Carols for their unique Chapel - it is dedicated to the choir and its director Stephen Cleobury. 'Little', but already a mini-cantata telling the start of the familiar story - Gabriel's Annunciation - praise to the Virgin before she too sings 'my soul doth magnify the Lord': the shepherds a-watching their flocks by night - the angelic chorus in the sky - the fusion of celestial and earthy around the crib holding the baby who is also 'lord of Time and Space'. Here we stop, for now. In fact this is only the first panel of a Christmas Sequence that continues and concludes the whole tale. Seeking out unhackneyed texts, I found such attractive material in the byways that I couldn't resist weaving together from it a composite tapestry, then setting the lot! The words of this section are from the Gospel account, anonymous carols of the 15th, 16th and 17th centuries, Edmund Bolton (1611, 'Sweet music, sweeter far...'), the Gloria from the Mass, a couple of lines from well-loved Anglican Christmas hymns - with neutral link-lines of my own. The music, also, has elements of such wider referencing, which will surely not be lost on the attentive hearer! / Choeur Mixte (SATB) Et Orgue

For soprano or mezzo-soprano solo, SATB chorus and either orchestra or chamber ensemble. Minimum recommended string forces for the chamber ensemble are 2.2.2.1.1.
Full scores, vocal scores, and instrumental parts are available on hire.
Forces or Category
SATB and full orchestra/chamber orchestra
Magnificat anima mea
Of a Rose, a lovely Rose
Quia fecit mihi magna
Et misericordia
Fecit potentiam
Esurientes
Gloria Patri

Par DONIZETTI GAETANO. Through works such as Verdi’s Requiem or Puccini’s Messa di Gloria, we know that the great composers of Italian bel canto opera also wrote marvelous sacred music. Yet most of these pieces are rarely performed. This is also true of Gaetano Donizetti’s Messa di Requiem, which he composed as an expression of grief at the early death of Vincenzo Bellini in 1835. Neither performed nor printed during Donizetti’s lifetime, the Requiem is ripe for rediscovery. A rich and highly intense work, it features dramatic choruses with full orchestra, fugues, and a cappella passages that alternate with lengthy cantilenas for the soloists. The solo numbers are often scored for three male voices accompanied by low winds to create a dark timbre. The soprano and alto soloists do not themselves sing any solo arias, instead remaining part of the solo ensemble. Carus is offering a critical edition of this editorially challenging work complete with vocal score, choral score, and all orchestral parts. / Date parution : 2023-07-31/ Répertoire / Solistes, SATB et Orchestre