Hot Fiddle Tunes and Rags-The study of fiddle tunes and rags offers the fingerstyle guitarist an array of styles and techniques with which to embellish and enrich their playing. The DVD features five hot instrumentals that combine alternating basstechniques counterpoint lines single string runs complex chord fingerings and rhythmic licks. Wonderfully presented this fantastic DVD lesson is taught by guitar tutor and player extraordinaire Stefan Grossman. Themulti-sectioned arrangements illustrate just how American fiddle tunes and ragtime compositions can be adapted arranged and transcribed for fingerstyle guitar. With a DVD including a 32 page PDF music/tab booklet this lessonwill help you to improve you general guitar skills and progress through the advanced fingerpicking techniques.

Contient des solos qui mettront au défi les guitaristes fingerstyle intermédiaire et avancé. Ces arrangements montrent les textures musicales larges, fingerstyle techniques et styles disponibles aux guitaristes fingerstyle. Main droite rythmiques, lignes de contrepoint, single-chaîne s'exécute et alternance techniques bass sont utilisées dans les arrangements. Bon nombre des airs compositions originales de Stefan, toutefois, les arrangements de musique par Big Bill Broonzy, Reverend Gary Davis et autres gourous de guitare fingerstyle sont présentés. Tous ces arrangements sont présentés dans l'onglet et notation standard. Une explication approfondie sur la façon de lire l'onglet est incluse dans ce texte. Un essai de Dale Miller en rôle colossal de Stefan Grossman dans le monde de la guitare fingerstyle est inclus dans ce texte. Cet ouvrage est livré avec trois CD qui contiennent des représentations de ces arrangements. Les guitaristes fingerstyle profiteront jouer et écouter ces difficiles, mais réalisables, arrangements. / Guitare (Fingerpick) / 72 pages / niveau : Débutant/Intermédiaire / Partition/3-Cd Set - Format: 11,75 X 8,75

Traces la carrière de Stefan Grossman forment 1971-1988 pendant les vingt ans qu'il a vécu en Europe et en tournée dans le monde. / Guitare

Arrangements In Vestapol Tuning-'The Open D Tuning (D A D F# A D) also referred to as the Vestapol tuning is a powerful and evocative tuning that was widely used by guitarists in the 1920s to play country blues ballads rags and folk tunes. In this lesson I focus on arranging five of my favorite blues melodies in Vestapol plus an original instrumental.The religious tune When I Lay My Burden Down was in the repertoire of both Black and White traditional guitarists. I have arranged it in an Elizabeth Cotten/Mississippi John Hurt style. The beautiful blues Goin' To Germany was recorded by the Cannon's Jug Stompers in the 1920s. I have always wanted to find the right setting for this melodic countryblues and the Vestapol tuning gave me the feel and textures that I was looking for. Sam McGee played guitar behind Uncle Dave Macon when he recorded I've Got The Morning Blues in Vestapol. This is a fun tune to play and leads nicely in to Hesitation Blues a song recorded by many artists. My arrangement tries to combine a sliding jug sound with some funky blues licks. Peg Leg Howell's Skin Game Blues is a rare example of an early blues song with three distinct sections. Peg Leg played this with a bottleneck but for our arrangement we will rely on our fingers to make the notes sing out.We finish the lesson with Innocence Abroard. An original instrumental that ties together the right and left hand techniques we have studied.A detailed tab/music booklet is included as a PDF file on the DVD. Each tune is taught phrase by phrase and played slowly on a split-screen. Bonus audio tracks of the original 1920s recordings are included. These are the records I first heard that influenced me to rearrange the melodies to the Vestapol tuning.' Stefan Grossman

Dans le cadre de guitare atelier Audio série Stefan Grossman cette collection complète et approfondie des leçons de guitare de fingerpicking contient des conseils précieuses et instruction mis en oeuvre dans l'ensemble les arrangements dans ce livre. Les trois CD audio donnent 3 heures complets d'enseignement note par note, phrase par phrase. Une leçon: G Open tuning, techniques de goulot d'étranglement/diaporama, ouvrez d tuning, licks dans les ajustements apportés ouvertes. Chansons: ' Banty Rooster ', un Favor aimable' et 'réveiller Mama'. La leçon deux : chansons comprennent: ' vous Got pour déplacer ', ' Dieu se déplace sur l'eau' et 'Good Morning Little School Girl'. La leçon trois : chansons: ' Je ne peux pas être satisfait ', ' un jour pour bébé ', et ' Roll et Tumble Blues'. / Guitare (Slide Ou Bottleneck) / 24 pages / niveau : Débutant/Intermédiaire / Partition/3-Cd Set - Format: 11,75 X 8,75

In this 71 minute CD rare recordings of a young Rory Block and Stefan Grossman are featured. As well the original landmark 1964 Elektra release of their How To Play Blues Guitar is presented. This is an enhanced CD and features a PDF file of tab/music for all the tunes from How To Play Blues Guitar. After these tracks were recorded Rory went on to record solo albums and became the Winner of five WC Handy Blues Music Awards. Stefan went on to record solo albums as well as the highly acclaimed duet albums with John Renbourn.

The guitar styles and techniques of Blind Blake Big Bill Broonzy and Rev. Gary Davis combine blues and ragtime techniques into a style that can be best described as raggin' the blues. This exciting and challenging approach tofingerstyle playing combines complex right hand picking with intricate left hand fingerings single string runs and rhythmic licks. In this lesson Stefan Grossman illustrates and explains seven famous ragtime blues instrumentals.A detailed 44-page tab/music PDF booklet is included.

Featuring Sam Mitchell Duck Baker and Jo Ann Kelly.'I spent 20 years living in Europe traveling between homes in London and Rome. I made many friends and did countless concerts. These recordings were done between 1977 and 1978. They present my playing with Sam Mitchell Duck Baker and Jo Ann Kelly. The Country Blues were popular in Britain as well as throughout Europe Australia and the USA. It was a very special time.' - Stefan Grossman.

Optimistes solos pour percer les ensembles flexibles. Polyvalent et convenant à presque n'importe quelle combinaison d'instruments. Comprend ' Summertime ' (de ' Porgy and Bess ' de Gershwin), 'Fascinant Rhythm' (à partir de 'Lady be Good' de Gershwin) et 'Souvenirs' (à partir de 'chat' par Lloyd Webber). Livres de vent, les cuivres et les cordes sont disponibles dans la série. / Violoncelle (Cordes-Ensemble) Et Piano Ad Libitum

Le livre jeu contient une collection variée de pièces de jeu et des chansons pour l'enseignement et les concerts d'étudiants. Le plaisir de jouer ensemble - que ce soit avec clarinette et piano ou deux clarinettes - vient au premier plan. Le livre de jeu est en train d'apprendre le contenu de la 3e La fanfare de l'école, 'jouer de la clarinette - Mon passe-temps favori', a convenu. D'après le contenu: Habanera de l'opéra 'Carmen' (Bizet), As Time Goes By (Hupfeld), A Foggy Day (Gershwin), Stranger sur la Rive-(Bilk), The Easy Winners (Joplin), la prière du soir (Humperdinck) en prière (Fauré), Nessun Dorma (Puccini), le cône Duets (Mozart) et plus encore. Un trésor de leçons et des concerts. / Clarinette / 100 pages / niveau : Facile / Intermédiaire / Partition Cd

For Saxophone Choir-There’s a Boat Dat’s Leavin’ Soon for New York/It Ain’t Necessarily So/Summertime/I Got Plenty o' Nuttin’ is a song from the American opera Porgy and Bess composed in 1935 by George Gershwin (1898-1937) to a libretto by DuBose Heyward and his brother Ira Gershwin after Heyward’s novel Porgy - a story about the love between the crippled negro beggar Porgy and the girl Bess in the city of Charleston in South Carolina. The première - not a huge success - took place on 10 October 1935 in New York.With his opera Gershwin wanted to gain recognition as a composer of classical music. Incidentally he demanded that all parts were sung by black performers; only a few unimportant parts without sung lyrics were allowed to be performed by white actors. This rule still applies: Gershwin has stated in the terms of his will that only black people were allowed stage the opera.Porgy & Bess has become popular only after Gershwin’s death. In 1959 a wonderful film was made; the soundtrack won a Grammy Award. The work is not very often performed possibly because of the difficulty of finding a whole cast of black opera singers. However various pieces from the opera are still regularly performed in numerous arrangements.

The famous opera by George and Ira Gershwin from the novel 'Porgy' by DuBose Heyward. George and Ira Gershwin joined DuBose Heyward in Charleston to write the opera which had been germinating in George's imagination for several years. Porgy and Bess was George Gershwin's longest and most ambitious creation but it was not truly successful during his lifetime. Some of the songs had achieved popularity before Gershwin's death in 1937 but the work earned real approval and favor only after the 1940 Theater Guild presentation of a slightly revised version. For years it was performed more frequently in Europe where it was considered a true American opera. Arranged for viola andpiano by Alan Arnold.

Par GERSHWIN GEORGE. One of Gershwin?s most popular compositions, Rhapsody in Blue was commissioned in 1924 for solo piano and jazz band, combining elements of classical music with jazz from the era. The piece premiered in the concert ?An Experiment in Modern Music? and established Gershwin?s reputation as a serious composer, and has since become a standard of all American concert works. Available for the first time in Dover?s music catalog, this affordable edition of the Gershwin classic is a must-have for any pianist. / Date parution : 2022-11-04/ Répertoire / Piano