The completion of a Lesson Book and graduating to the next level is a very important step in the growth of a piano student. At times, it is beneficial to take a short break to play some new pieces that use the skills recently perfected. The Graduation Books contain captivating solos that students can perform without having to learn something new. Because the students will know everything needed to play any piece in their level, they may play them in any order they wish. / Piano

Par BAEYENS AUGUST. August Louis Baeyens received his musical training at the Royal Flemish Music Conservatory in Antwerp, studying solfège, viola, and harmony. As a composer, Baeyens developed chiefly through the study of composers such as Debussy, Wagner and Strauss - this interest gave him the reputation of a revolutionary within the confines of the very traditionalist conservatory. However, this was not where Baeyens' exploration of musical language was to end. The 1956 Piranesi Suite for flute and cello, written three decades after Baeyens' graduation from the Flemish Conservatory, marks an intriguing phase of his composition. Baeyens tended towards older forms - the Suite, for example, is afive-movement work, though each movement is drawn through a more modern glass - it's hardly usual to hear a Sinfonia, Toccata, Moto Perpetuo, Aria, and Corrente together. The resemblance towards older forms breaks down as the music is further examined - the Sinfonia is full of transposed, repetitive melodies that play off each other with sly rhythmic twists (much in the manner of Stravinsky), the Toccata is a powerful solo cello showpiece, and the Aria is a delicate flute melody winding above bitonal cello pizzicato. The final Corrente, belying its name, brings the piece to a close with an accelerating back-and-forth of melody and accompaniment. August Louis Baeyens received his musical training at the Royal Flemish Music Conservatory in Antwerp, studying solfège, viola, and harmony. As a composer, Baeyens developed chiefly through the study of composers such as Debussy, Wagner and Strauss - this interest gave him the reputation of a revolutionary within the confines of the very traditionalist conservatory. However, this was not where Baeyens' exploration of musical language was to end. The 1956 Piranesi Suite for flute and cello, written three decades after Baeyens' graduation from the Flemish Conservatory, marks an intriguing phase of his composition. Baeyens tended towards older forms - the Suite, for example, is afive-movement work, though each movement is drawn through a more modern glass - it's hardly usual to hear a Sinfonia, Toccata, Moto Perpetuo, Aria, and Corrente together. The resemblance towards older forms breaks down as the music is further examined - the Sinfonia is full of transposed, repetitive melodies that play off each other with sly rhythmic twists (much in the manner of Stravinsky), the Toccata is a powerful solo cello showpiece, and the Aria is a delicate flute melody winding above bitonal cello pizzicato. The final Corrente, belying its name, brings the piece to a close with an accelerating back-and-forth of melody and accompaniment./ Répertoire / Flûte Traversière et Violoncelle

(I do it for you). The 1991 pop hit by Bryan Adams makes a spectacular band feature with its rich harmonies and expansive melodies. Ideal for Valentine's Day concerts, graduation or a special dedication any time of the year! / Niveau : 2 / Pop and rock / Recueil / Concert Band ou Harmonie ou Fanfare

Par HOSAY JAMES L.. This regal and stately fanfare-opener is a sterling new offering for band. Sixteen opening bars of thrilling fanfare lead inexorably to a theme expressing dignified momentum. Frequent but simple meter changes help to make this an interesting and educational piece that both the band and the audience will enjoy. A recap of the opening fanfare brings the piece to an exciting finish that will set a noble yet festive tone for your concert or special event. It even makes a great graduation recessional. Let FANFARE BRITANNICA be the crown jewel of your next performance! / Niveau : 2.5 / Ouverture / Répertoire / Concert Band

Overturte for Band. Par JOHNSON TIMOTHY. Heroic themes imbue this fine new overture with an inspirationalquality. The valiant nature of CONQUERORS secures it a place in almost any venue, from concert opener to graduation piece. Minor and major keys with plenty of articulation and dynamic considerations make it an ideal overture for your young band’s festival participation. Timothy Johnson demonstrates his great understanding of young bands through his careful and appropriate orchestration. The overture is accessible to young bands but never loses momentum and has enough challenge to keep everyone focused. You’ll want to add this spirited piece to your basic music library. / Niveau : 1.5 / Ouverture / Répertoire / Concert Band

Par SPARKE PHILIP. Philip Sparke composed Processional as a wedding present for two of his friends. It is an extremely versatile piece as it can be played simply as a concert piece but has been designed specifically for occasions such as weddings or graduation ceremonies, where its duration can be altered according to your needs. A must for any ceremonial occasion. / Niveau : 3 / Musique pour célébration / Répertoire / Concert Band ou Harmonie

Par HOSAY JAMES L.. Bright and festive, SPRING FESTIVAL OVERTURE is perfect for your Spring concert or music festival and also works beautifully as a preliminary overture for the graduation ceremony. With thrilling fanfares and heart lifting themes, this triumphant overture is a real jewel. This piece on your Spring concert will nicely counterbalance any “heavier” piece you may choose to programme. SPRING FESTIVAL OVERTURE makes people feel good, and what can be wrong with that? / Niveau : 2 / Pièce de concert / Répertoire / Concert Band ou Harmonie

Par CURNOW JAMES. This dynamic new beginning band overture has James Curnow’s own intriguing harmonic signature. It’s perfect for concert, festival, or even graduation. Imagine a great ceremony, including a parade, grand stands, dignitaries, military banners, and guests from far and wide. The music has a noble and uplifting quality that makes it a perfect expression for your band, while always remaining accessible and grade-level appropriate. This one will find a permanent home in your music library. Excellent! / Niveau : 1 / Pièce de concert / Répertoire / Concert Band ou Harmonie

Par JOHNSON TIMOTHY. This dignified and entertaining piece will be perfect for a kindergarten or elementary school graduation, as well as any occasion that requires a sense of pageantry. Optional advanced percussion parts are provided for added challenge and color. / Niveau : 0.5 / Musique légère originale / Répertoire / Concert Band

Chanteur pop/New Age Enya est bien connu pour son style vocal multicouche. Cette dernière se traduit exceptionnellement bien pour les chorales et est monté en flèche vers le haut de l'adulte contemporain et Hot 100 graphiques. Une caractéristique de concert excellent graduation/printemps ! / Choeur (Unisson), Voix Hautes Et Voix Egales

Par CURNOW JAMES. Accessible even to particularly advanced Jr. High bands or honor groups, James Curnow’s brilliant fanfare and treatment of Renaissance composer Tylman Susato’s RONDO is truly a jubilant musical expression. What a terrific way to energize a concert or conclude a graduation ceremony!FANFARE AND JUBILOSO is dedicated to Harry Begian, the world renowned and highly respected American music educator and conductor, and is a creative exploration of joyous energy. Investigating those intriguing Renaissance harmonic concepts, this celebratory offering will be a fresh and vigorous addition to your concert repertoire! / Niveau : 4 / Ouverture / Répertoire / Concert Band

Par HYUNG-KI JOO RICHARD. Hyung-ki Joo composed his first string quartet for the graduation concert during his last term at the Yehudi Menuhin School in 1990. In it, he pays tribute to six different artists from music, painting and literature: Henry Purcell, Samuel Beckett, Ludwig van Beethoven, Edvard Munch, Johann Sebastian Bach and Arnold Schönberg. This edition is the study score. For the set of parts please click here: UE36967/ Répertoire / Quatuor à Cordes

Par WEBER ALAIN. French composer, Alain Weber (b. 1930) writes 15 Rhythmic And Melodic Studies for Double Bass with much experience and expertise in the field of pedagogy. Following graduation from the Paris Conservatoire, Weber spent time in Italy to develop his own musical style. However, he soon returned to the institution as a professor of theory and counterpoint. 15 Rhythmic And Melodic Studies addresses a range of advanced techniques, including chromaticism, complex rhythms, varying time signatures, articulation, bowings and double stops, amongst other aspects. Weber is a significant contributor to importantteaching materials and 15 Rhythmic And Melodic Studies is no exception./ Etude / Contrebasse