Guitariste, compositeur et journaliste Jeffrey Pepper Rodgers connaît le canon Grateful Dead intimement. Comme suite à son coup précédent DVD, Jeff a créé solo de guitare acoustique versions de chansons qui capturent le sentiment et l'esprit de la bande, ce qui les rend accessibles à tous les joueurs de niveau intermédiaire.Ses arrangements de chansons préférées mortes comprennent: la bande oncle John - Touch of Gray, Jones - - Casey et plus encore!2 Heuresniveau 3Inclut la musique + TAB / Gutiare

Par GRATEFUL DEAD. Le livre de partitions correspondant à la compilation contenant parmi les meilleures chansons de ce groupe, arrangées pour tablature de guitare avec solos complets. Inclus des pages de photos couleur contenant les Grateful Dead en action et quelques phrases chocs couvrant plus de 20 ans de leur carrière. / Rép International / Tablatures / Guitare Tablatures

Par GRATEFUL DEAD. Authentiques transcriptions guitare (notations standards et tablatures) de l'album 'Workingman's Dead' de Grateful Dead. / Rép International / Tablatures / Guitare Tablatures

20 of the very best from the Grateful Dead in 382 pages of note-for-note guitar transcriptions, including: Althea Bertha Box Of Rain Casey Jones China Cat Sunflower Dire Wolf Eyes Of The World Fire On The Mountain Franklin's Tower Friend Of The Devil I Know You Rider Ramble On Rose Ripple St. Stephen Shakedown Street Sugar Magnolia Sugaree Touch Of Grey Truckin' Uncle John's Band / Guitare tablatures / Hal Leonard

Recorded by Rita Ora, this moving Academy Award Best Song nominee reminds us that even in the storm the sun is shining somewhere---we should count our blessings with a grateful heart. / Choeur Mixte (SATB)

The perfect little songbook to pack for your next road trip! Just the basics you need to play 30 Grateful Dead favorites: lyrics and chords! Althea Bird Song Black Peter Box Of Rain Brokedown Palace Brown-Eyed Women Candyman Casey Jones Dire Wolf Estimated Prophet Eyes Of The World Fire On The Mountain Franklin's Tower Friend Of The Devil The Golden Road He's Gone High Time I Know You Rider (Walk Me Out In The) Morning Dew New Speedway Boogie Ramble On Rose Ripple Rosemary Scarlet Begonias Ship Of Fools Sugar Magnolia Tennessee Jed Touch Of Grey Truckin' Uncle John's Band / Guitare tablatures / Hal Leonard

Learn the guitar styles and techniques of the Grateful Dead. Each guitar part is played up to speed, then broken down note by note. This DVD features in-depth analysis of seven songs: Bertha · Eyes of the World · One More Saturday Night · Playing in the Band · Scarlet Begonias · St. Stephen · U.S. Blues. 2 hours, 13 minutes. 1. St. Stephen 2. Bertha 3. Playing In The Band 4. One More Saturday Night 5. Eyes Of The World 6. Scarlet Begonias 7. U.S. Blues / Guitare tablatures / Hal Leonard

Par CURNOW JAMES. Commissioned by the Glenbard East High School Music Department of Lombard, Illinois in grateful appreciation for the 34 year teaching career of Ross Kellan and his tireless commitment to excellence in music education, where he led by example each and every day. A scintillating opener! The joyful spirit will light up your concert hall like fireworks as you set your next performance in motion with James Curnow’s striking new piece titled Tempus Fugit. Brass fanfares, Woodwind flourishes, and Percussive flamboyance commence as the house lights go down and the curtains part. Artistic variation is the hallmark of this enthusiastic work and many delights are in store foryour group as you carefully rehearse this outstanding new piece. Carpe diem! / Niveau : 4 / Pièce de concert / Répertoire / Concert Band ou Harmonie

Johann Gottlieb Graun (1702/3-1771)Concerto in C major for viola da gamba, two violins, viola, and basso continuoGraunWV A:XIII:2While this concerto contains the excitement and virtuosity which is the soul of the concerto, it is perhaps less demanding than some of Graun?s other gamba concertos. We are indeed fortunate that it has recently come to light again after the chaos of the war years and the darkness of the following Cold War. At the time of its disappearance in the 1940s it would have been dismissed as an unplayable curiosity, but now there are surely many who can bring it to life, as Ludwig Christian Hesse did in the eighteenth century. We are grateful to the Berlin Sing-Akademie for permission to produce this first edition. / Viole de gambe / Guntersberg

for soprano and piano. Par CASKEN JOHN. Chansons de Verlaine were completed in 2006. The third song, Colloque sentimental, was written in 2003 for Alison Smart and Katharine Durran’s New French Song project. It was as a result of having written one short song to words by Verlaine that I subsequently decided to set two further poems to make a group of three. All three were also set by Debussy: L’ombre des arbres and Chevaux de bois appear in Ariettes Oubliées, while Colloque sentimental belongs to Debussy’s second set of Fêtes Galantes. The poems I have grouped together are linked by the idea of three different landscapes. In the first, Verlaine precedes the words of his own sad, pale landscape with words from Cyrano de Bergerac about a nightingale who fears himself about to fall into a river and drown. In the second poem the landscape has been occupied by a fairground where men, women and children watch as the hobby-horses go round and round before night falls and the church tolls a passing-bell. The third poem takes us into an old park where two ghosts recall their past. The one wonders if the other remembers the happy days of their past lives, but the other doesn’t want to remember, barely acknowledging the closeness they once shared, seeing only that ‘hope has fled, defeated, towards the dark sky.’ I am very grateful to Roger Nichols and Dominique Mols for their advice with the setting of the French texts and with the translations. John Casken Colloque sentimental was first performed by Alison Smart and Katherine Durran at the Purcell Room in London on 13 July 2004/ Répertoire / Soprano et Piano

Par CURNOW JAMES. Commissioned by the Glenbard East High School Music Department of Lombard, Illinois in grateful appreciation for the 34 year teaching career of Ross Kellan and his tireless commitment to excellence in music education, where he led by example each and every day. A scintillating opener! The joyful spirit will light up your concert hall like fireworks as you set your next performance in motion with James Curnow’s striking new piece titled Tempus Fugit. Brass fanfares, Woodwind flourishes, and Percussive flamboyance commence as the house lights go down and the curtains part. Artistic variation is the hallmark of this enthusiastic work and many delights are in store foryour group as you carefully rehearse this outstanding new piece. Carpe diem! / Niveau : 4 / Répertoire / Concert Band ou Harmonie

Par KELTERBORN RUDOLF. To quote the composer: ?This work was commissioned by the violist Nicolas Corti and the guitarist Hans Jonkers, to whom I am grateful for our close collaboration in elaborating the guitar part. The duet is one of my pieces whose form is comparable to a walk through a rich landscape from point A to point B. ? (Rudolf Kelterborn). Challenging duet Unusual combination of instruments Interesting expansion of the repertoire/ Répertoire / Alto et Guitare

from Symphony No 6. Par SPARKE PHILIP. This beautiful melody is taken from the final movement of Beethoven's sixth symphony, which has the title, Shepherds' Song: grateful feelings towards God after the storm. Bring the classic period alive with this great arrangement by Philip Sparke. / Niveau : 1 / Musique pour célébration / Répertoire / Concert Band ou Harmonie