2-3 Octaves of Handbells Level 1-Dove of Peace is the name of a tune found in the old tune book Southern Harmony. It is set here in simple rhythms with mart-lifts added in for interest and effect. The final section is a good work out on chordal ringing with precision.

3-5 Octaves of Handbells-Great selection for concert. Rhythm keeps ringers and audience awake. Most convincing with 5 octaves.

3-5 Octaves of Handbells Level 3-See how many American folk tunes your audience can identify in this fantasy sub-titled “Melodies of Our Heritage.” Tunes include: America • Turkey in the Straw • Carry Me Back to Old Virginny • YellowRose of Texas • My Old Kentucky Home • I've Been Working on the Railroad • Dinah • Aura Lee • Take Me Out to the Ball Game • Taps • Down By the Old Mill Stream • Old MacDonald • Row RowRow Your Boat • When the Saints Go Marching In. A fun addition to any concert this work is 243 measures and is set in C Major and A-flat Major.

3-5 Octaves of Handbells-A delightful arrangement of this marvelous Christmas piece. The arranger captures the spirit of this gem and even adds a little humor at the end!

3 Octaves of Handbells Level 3-Here is a setting of Gustav Holst's Jupiter Theme from The Planet often referred to as Thaxted. Suitable for concert prelude or offertory.

5 Octaves of Handbells-A sensitive arrangement of O Come O Come Emmanuel ending triumphantly with optional chimes playing Joy to the World.

3-4 Octaves of Handbells Level 3-A fast-tempo fanfare written in 3/4 but taken in one opens this original work. Alternate harmonies full ringing score martellatos accents and festive rhythms mark the first section but give way to a slow gentle section. Acrescendo and accelerando return the music to the opening material and caps it off with a fortissississimo chord.

4-5 Octaves of Handbells-An easy piece for a Garee arrangement! Equal use of all bells no octave used to excess.

Work for Solo Soprano and Tenor Timpani Gongs Handbells and Strings. Commissioned by the St. David's Cathedral Bach Festival.These settings of sixteen Haiku by the Greek poet George Seferis (1900-1971) were written on theGreek island of Aegina between August and November 1983.The solemn and ritualistic character of the music was determined by the Haiku form which may be thought of as a series of self-contained images each with its ownidentity. The Greek texts all of which are separated by and instrumental interlude are shared between the soprano and tenor soloists who sing the last 'verse' together after the sixteenth Haiku.

3-5 Octaves of Handbells-The arranger makes full use of the bells in all octaves. An exciting ending utilizes bells from C3 to B7. Several repeats stretch the length of this piece. Set in g minor this classic Christmas tune will require some work butthe final result will be worth the effort! (Pay special attention to dynamics.)

3-5 Octaves of Handbells Level 2-An optional three full octaves of handchimes are intermingled with the bells in this original work inspired by Christ's prayer in Gethsemane. The chimes are optional but extra effort should be made to include them as they addso much to the contemplative nature of the work. The gamut of Christ's emotions is portrayed through quiet building and strong passages. Finally in the last ten measures one can almost hear Jesus say “Thy will bedone.” 81 measures.

3-5 Octaves of Handbells-A 3-octave piece made playable for 4 & 5 octaves. Dexterity of ringers proven by this composition.

3-5 Octaves of Handbells Level 3-Here is a hauntingly beautiful setting of the Huron Carol. The use of mixed meter and a malleted sixteenth note bass palate create a setting that is uniquely challenging to both ringer and director.