By Mountain. For Guitar. Hal Leonard Guitar Recorded Versions. Hard Rock. Difficulty: medium. Guitar tablature songbook. Guitar tablature, standard notation, vocal melody, lyrics, chord names and guitar notation legend. 72 pages. Published by Hal Leonard

Melody/Lyrics/Chord Symbols/Harmonica Tab Harmonica

SKU: HL.300155

By Various. Harmonica. Blues, Country, Folk, Pop, Rock. Softcover. 336 pages. Published by Hal Leonard (HL.300155).

ISBN 9781540061874. UPC: 888680960902. 9.0x12.0 inches.

Play your favorite harmonica solos and learn new classics with this new collection of songs for 10-hole diatonic C harp! This comprehensive songbook presents an extensive collection of 140 songs spanning diverse genres including blues, rock, country, folk, traditional, gospel, and pop. Curated for harmonica enthusiasts of all levels, each song is meticulously transcribed with harmonica tabs, lyrics, and chord symbols, and skillfully adapted for various harmonica positions. Furthermore, the songbook offers valuable insights for performing each piece in its original key, along with note-for-note transcriptions of intros, licks, and solos by esteemed harp experts and virtuosos from varied musical backgrounds. Add this new songbook to your collection today to unlock the endless possibilities of your harmonica!

By Richard Meyer. Music by Richard Meyer. For Concert Band. Concert Band. Young Symphonic. Patriotic. Level: 2 (Medium Easy) (grade 2). Conductor Score & Parts. 258 pages. Published by Alfred Publishing.

Ukelele

SKU: M7.DUX-330

Arranged by Richard Kleinmaier. Sheet music. 72 pages. Edition Dux Verlag #DUX 330. Published by Edition Dux Verlag (M7.DUX-330).

ISBN 9783868493719.

'60s Hits für Ukulele' ist eine Zusammenstellung von 16 großartigen Evergreens aus den 60er-Jahren. Alle Songs sind für Ukulele bearbeitet, optimiert und in zwei Versionen enthalten: - in Notendarstellung mit Text, Akkordsymbolen und Tabulatur (TAB) - als sehr übersichtliche Textversion mit Akkordsymbolen Die Songs können sowohl gesungen und begleitet, als auch als Solo gespielt werden. Griffbilder, Strummings und die Angabe 'Startton Gesang' sorgen für den richtigen Einstieg und Groove. Mit Klassikern wie Bad Moon Rising, Georgy Girl, Les Champs-Élysées, No Milk Today, Save The Last Dance For Me und vielen weiteren Songs.

Baritone/Bass Book/Online Audio. Edited by Richard Walters and Richard Walter. Vocal Collection. Piece for the NFMC Vocal event with the National Federation of Music Clubs (NFMC) Festivals Bulletin 2008-2009-2010. Musical Theatre, Broadway, Play Along. Softcover Audio Online. 272 pages. Published by Hal Leonard

By Richard Meyer. Music by Richard Meyer. For Concert Band. Concert Band. Young Symphonic. Level: 2 (Medium Easy) (grade 2). Conductor Score. 36 pages. Published by Alfred Publishing.

Written by Joe Bouchard, Sheila Romeo. Instructional book and examples CD for keyboard. 128 pages. Published by Alfred Publishing.

Trombone; Trumpet - advanced

SKU: HL.49007612

Trumpet and Piano. Composed by Wolf Escher. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. 80 pages. Schott Music #ED 7897. Published by Schott Music (HL.49007612).

ISBN 9790001081764. UPC: 073999543940. 9.0x12.0x0.218 inches.

19 original solos by Wolf Escher.

Clarinet, Guitar

SKU: OT.23105

Composed by Daniel Akiva. 42 miniatures for clarinet and guitar inspired by Jewish liturgical music from the Middle East. Classical,Jewish. Performance score. OR-TAV Music Publications #23105. Published by OR-TAV Music Publications (OT.23105).

ISBN 9789655051155. 8.27 x 11.69 inches.

Daniel Akiva
Sephardic Anthology of Piyutim
for clarinet and guitar
clarinet edited with special fingerings by Guy Yehuda
42 miniatures

Sephardic Anthology of Piyutim for Clarinet and Guitar is a fabric of 42 short pieces based on prayers and piyutim that Daniel collected and researched over many years. He learned the basis of this tradition from his father, the paytan Yitzhak Akiva. Daniel also participated in various projects of the Israel Broadcast Authority in the field of Sephardic (Spanish) Jewish music, served as chazzan (cantor) in his community, and two years ago participated in the Illumination: Early Jewish Italian Spiritual Music project produced by Ayela Seidelman and Bari Moscovitz.
The anthology for clarinet and guitar is part of a large project which includes recordings of the original piyutim on which these compositions are based with various artists and paytanim. The project includes piyutim of the Jerusalem and Haifa Sephardic traditions, medieval Italian tradition, and Moroccan tradition.
Sephardic - Spanish. Jews descended from those expelled from Spain in 1492 and their traditions.
Piyut (pl. piyutim) - liturgical poems
Paytan (pl. paytanim) - a singer or composer of piyutim.

Chamber Music Viola 1, Viola 2, Violin 1, Violin 2, Violoncello

SKU: PR.11441690S

String Quartet No. 3. Composed by Shulamit Ran. Sws. Contemporary. Full score. With Standard notation. Composed March 9 2013. 32 pages. Duration 23 minutes. Theodore Presser Company #114-41690S. Published by Theodore Presser Company (PR.11441690S).

UPC: 680160626021. 9 x 12 inches.

Ran's third string quartet was written for the Pacifica Quartet, who are featuring it in numerous performances from May 2014 through February 2016, across the country and abroad. Their blog page dedicated to the work also features the composer's notes, for more indepth insight. ...impassioned solos emerge from ominous quiet, and high arpeggios in the violins quiver alongside the earthy cello. Ms. Ran skillfully deploys these extremes of color, volume and pitch, yet the overall somewhat chilly impression is one of poise. -- Zachary Woolfe, The New York Times.
My third string quartet was composed at the invitation of the Pacifica Quartet, whose music-making I have come to know closely and admire hugely as resident artists at the University of Chicago.  Already in our early conversations Pacifica proposed that this quartet might, in some manner, refer to the visual arts as a point of germination.  Probing further, I found out that the quartet members had special interest in art created during the earlier part of the 20th century, perhaps between the two world wars.  It was my good fortune to have met, a short while later, while in residence at the American Academy in Rome in the fall of 2011, art conservationist Albert Albano who steered me to the work of Felix Nussbaum (1904-1944), a German-Jewish painter who, like so many others, perished in the Holocaust at a young age, and who left some powerful, deeply moving art that spoke to the life that was unraveling around him. The title of my string quartet takes its inspiration from a major exhibit devoted to art by German artists of the period of the Weimar Republic (1919-1933) titled “Glitter and Doom: German Portraits from the 1920s”, first shown at New York’s Metropolitan Museum of Art in 2006-07.  Nussbaum would have been a bit too young to be included in this exhibit.  His most noteworthy art was created in the last very few years of his short life.  The exhibit’s evocative title, however, suggested to me the idea of “Glitter, Doom, Shards, Memory” as a way of framing a possible musical composition that would be an homage to his life and art, and to that of so many others like him during that era.  Knowing that their days were numbered, yet intent on leaving a mark, a legacy, a memory, their art is triumph of the human spirit over annihilation. Parallel to my wish to compose a string quartet that, typically for this genre, would exist as “pure music”, independent of a narrative, was my desire to effect an awareness in my listener of matters which are, to me, of great human concern.  To my mind there is no contradiction between the two goals.  As in several other works composed since 1969, this is my way of saying ‘do not forget’, something that, I believe, can be done through music with special power and poignancy.    The individual titles of the quartet’s four movements give an indication of some of the emotional strands this work explores. 1) “That which happened” (das was geschah) – is how the poet Paul Celan referred to the Shoah – the Holocaust.  These simple words served for me, in the first movement, as a metaphor for the way in which an “ordinary” life, with its daily flow and its sense of sweet normalcy, was shockingly, inhumanely, inexplicably shattered. 2) “Menace” is a shorter movement, mimicking a Scherzo.  It is also machine-like, incessant, with an occasional, recurring, waltz-like little tune – perhaps the chilling grimace we recognize from the executioner’s guillotine mask.  Like the death machine it alludes to, it gathers momentum as it goes, and is unstoppable. 3) â� ��If I must perish - do not let my paintings die”; these words are by Felix Nussbaum who, knowing what was ahead, nonetheless continued painting till his death in Auschwitz in 1944.  If the heart of the first movement is the shuddering interruption of life as we know it, the third movement tries to capture something of what I can only imagine to be the conflicting states of mind that would have made it possible, and essential, to continue to live and practice one’s art – bearing witness to the events.  Creating must have been, for Nussbaum and for so many others, a way of maintaining sanity, both a struggle and a catharsis – an act of defiance and salvation all at the same time. 4) “Shards, Memory” is a direct reference to my quartet’s title.  Only shards are left.  And memory.  The memory is of things large and small, of unspeakable tragedy, but also of the song and the dance, the smile, the hopes.  All things human.  As we remember, in the face of death’s silence, we restore dignity to those who are gone.—Shulamit Ran .

(Baritone/Bass, Accompaniment CDs). By Various. Edited by Richard Walters. Vocal Collection. 8 pages. Published by Hal Leonard

(Baritone/Bass, 47 Songs). By Various. Edited by Richard Walters. Vocal Collection. Softcover. 296 pages. Published by Hal Leonard

2-part mixed voices, assembly, keyboard accompaniment, C instrument - Beginning

SKU: GI.G-5346

Composed by Bob Moore. Eastertide, Lent 5 A, Lent 5 B, Palm Sunday, Good Friday, Easter PM, Easter 3 A, Easter 3 B, OT 11 C, OT 13 C. Celebration Series. Sacred. Octavo. With guitar chord names. 8 pages. GIA Publications #5346. Published by GIA Publications (GI.G-5346).

UPC: 785147534600. English. Text by Richard Leach. Scripture: Luke 9:57–58, Luke 19:29–40, Luke 23:53, Luke 24:13–35, John 12:1–3.

This ballad-like text traces the journey of Jesus and his followers, a journey that leads to the cross, and then leads on again. Mostly unison with a countermelody for the male voices on the refrain. The verses work well with solo voices or ensemble singing.

This ballad-like text traces the journey of Jesus and his followers.

(Baritone/Bass, Book/Accompaniment CDs). By Various. Edited by Richard Walters. Vocal Collection. Book with CD. 312 pages. Published by Hal Leonard

(Improving Reading and Sight-Reading Skills in the String Classroom or Studio) Edited by Andrew H. Dabczynski, Bob Phillips, Richard Meyer. Instructional book for viola. With instructional text and bowings. Series: Sight-Read It for Strings. 32 pages. Published by Alfred Publishing.

transcribed by Richard Kriehn. For Mandolin. transcribed solos. Sugar Hill Records. Bluegrass and Country. Level: Intermediate. Book. Size 8.75x11.75. 64 pages. Published by Mel Bay Publications, Inc.

(Improving Reading and Sight-Reading Skills in the String Classroom or Studio) Edited by Andrew H. Dabczynski, Bob Phillips, Richard Meyer. Instructional book and conductor's score for string ensemble. With instructional text and bowings. Series: Sight-Read It for Strings. 64 pages. Published by Alfred Publishing.

Composed by Richard Page; Steve George; John Lang. Arranged by Kirby Shaw. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Classic Pop; Secular. Choral Octavo. 16 pages. Alfred Music #00-47106. Published by Alfred Music (AP.47106).

By Richard Gilewitz. For Guitar (Fingerpicking). technique. Acoustic Music. Level: Beginning-Intermediate. Book CD DVD. Size 8.75x11.75. 96 pages. Published by Mel Bay Publications, Inc.

40 Songs from 14 Shows and Films. Composed by Stephen Sondheim (1930-). Edited by Richard Walters. P/V/G Composer Collection. Softcover. 328 pages. Published by Rilting Music, Inc.

Edited by Richard Walters. Vocal Collection. Softcover. 192 pages. Published by Hal Leonard (HL.260627).

(Baritone/Bass (40 Songs)). By Stephen Sondheim (1930-). Edited by Richard Walters. For Baritone, Low Voice, Piano Accompaniment (Baritone/Bass). Vocal Collection. 302 pages. Published by Hal Leonard

(High Voice). Arranged by Richard Walters. For high voice and piano. Vocal Collection. Classical Period, Americana and Vocal Standards. Difficulty: medium. Collection (two copies needed for performance). Vocal melody, lyrics and piano accompaniment. 218 pages. G. Schirmer #ED3851. Published by G. Schirmer

(Improving Reading and Sight-Reading Skills in the String Classroom or Studio) Edited by Andrew H. Dabczynski, Bob Phillips, Richard Meyer. Instructional book for cello. With instructional text and bowings. Series: Sight-Read It for Strings. 32 pages. Published by Alfred Publishing.