Flute; Piano (FLUTE) - difficult SKU: HL.49016721 For Flute & Piano(+)
Flute; Piano (FLUTE) -
difficult
SKU:
HL.49016721
For
Flute & Piano.
Composed by Xiaogang Ye.
This edition: Saddle
stitching. Sheet music.
Il Flauto traverso.
Classical. Composed 2006.
Op. 52. 32 pages.
Duration 11'. Schott
Music #FTR 191. Published
by Schott Music
(HL.49016721).
ISBN
9790001144124.
9.0x12.0x0.11
inches.
Born in
1955, Xiaogang Ye is
regarded as one of the
leading contemporary
Chinese composers. Ye's
oeuvre covers symphonic
works, chamber music for
various instruments,
stage works as well as
film music. December
Chrysanthemum was
composed in 2006. 6
minutes.
2 or more flutes SKU: BR.EB-8500 Urtext. Composed by Friedrich Lud...(+)
2 or more flutes
SKU:
BR.EB-8500
Urtext. Composed
by Friedrich Ludwig
Dulon. Edited by Albrecht
Imbescheid. Solo
instruments; Softcover.
Edition Breitkopf. Dulon,
born in 1769, was a
highly esteemed flute
virtuoso in his time, who
undertook his first
concert tours at the age
of 13. Perhaps he owed
part of his legendary
renown to the fact that
he was blind since his
early childhood.
Classical period. Score.
24 pages. Breitkopf and
Haertel #EB 8500.
Published by Breitkopf
and Haertel (BR.EB-8500).
ISBN 9790004177938. 9
x 12 inches.
Dulon,
born in 1769, was a
highly esteemed flute
virtuoso in his time, who
undertook his first
concert tours at the age
of 13. Perhaps he owed
part of his legendary
renown to the fact that
he was blind since his
early childhood.
2 or more flutes SKU: BR.EB-8499 Urtext. Composed by Friedrich Lud...(+)
2 or more flutes
SKU:
BR.EB-8499
Urtext. Composed
by Friedrich Ludwig
Dulon. Edited by Albrecht
Imbescheid. Solo
instruments; Softcover.
Edition Breitkopf. Dulon,
born in 1769, was a
highly esteemed flute
virtuoso in his time, who
undertook his first
concert tours at the age
of 13. Perhaps he owed
part of his legendary
renown to the fact that
he was blind since his
early childhood.
Classical period. Score.
48 pages. Breitkopf and
Haertel #EB 8499.
Published by Breitkopf
and Haertel (BR.EB-8499).
ISBN 9790004177921. 9
x 12 inches.
Dulon,
born in 1769, was a
highly esteemed flute
virtuoso in his time, who
undertook his first
concert tours at the age
of 13. Perhaps he owed
part of his legendary
renown to the fact that
he was blind since his
early childhood.
2 or more flutes SKU: BR.EB-8498 Urtext. Composed by Friedrich Lud...(+)
2 or more flutes
SKU:
BR.EB-8498
Urtext. Composed
by Friedrich Ludwig
Dulon. Edited by Albrecht
Imbescheid. Solo
instruments; Softcover.
Edition Breitkopf. Dulon,
born in 1769, was a
highly esteemed flute
virtuoso in his time, who
undertook his first
concert tours at the age
of 13. Perhaps he owed
part of his legendary
renown to the fact that
he was blind since his
early childhood.
Classical period. Score.
32 pages. Breitkopf and
Haertel #EB 8498.
Published by Breitkopf
and Haertel (BR.EB-8498).
ISBN 9790004177914. 9
x 12 inches.
Dulon,
born in 1769, was a
highly esteemed flute
virtuoso in his time, who
undertook his first
concert tours at the age
of 13. Perhaps he owed
part of his legendary
renown to the fact that
he was blind since his
early childhood.
By F.H. Graf. Edited by Ingo Fronfeld. For flute (2), basso continuo. The flauti...(+)
By F.H. Graf. Edited by
Ingo Fronfeld. For flute
(2), basso continuo. The
flautist and composer
Friedrich Hartmann Graf
was born in
Rudolstadt,Germany into a
f amily of musicians in
1727 and died in Augsb
urg in 1795. He is one of
a large number of
renowned personalities
who were instrumental in
the formation of German
musical life dur ing the
18th century, and whose
compositions are well
worth a more intensive
investigati on. (set of
parts). Published by
Edition Kunzelmann.
By F.H. Graf. Edited by Ingo Gronefeld. For flute (2), basso continuo. The flaut...(+)
By F.H. Graf. Edited by
Ingo Gronefeld. For flute
(2), basso continuo. The
flautist and composer
Friedrich Hartmann Graf
was born in
Rudolstadt,Germany into a
family of musicians and
died in Augsburg in 1795.
He is one of a large
number of renowne d
personalities who were
instrumental in the
formation of German
musical life during the
18th cenntury, and whose
compositions are w ell
worth a more intensive
investigation.(se t of
parts). Published by
Edition Kunzelmann.
Full Score. Composed by Ernesto Lecuona (1895-1963). Arranged by James Ba...(+)
Full Score.
Composed by Ernesto
Lecuona (1895-1963).
Arranged by James Barnes.
Southern Music.
Softcover. 36 pages.
Southern Music Company
#S966FS. Published by
Southern Music Company
(HL.236112).
Emigrating Quatuor de Flûtes : 4 flûtes Zimmermann
FdQ Jahresgabe 2016. Composed by Juan Maeia Solare. Score and part(s). With ...(+)
FdQ Jahresgabe 2016.
Composed
by Juan Maeia Solare.
Score
and part(s). With
Standard
notation. 56 pages.
Zimmermann #ZZM 36230.
Published by Zimmermann
Urtext. Composed
by Camille Saint-Saens.
Edited by Christiane
Strucken-Paland. Stapled.
Partitur-Bibliothek
(Score Library). In
Cooperation with G. Henle
Verlag. Solo concerto;
Romantic; Late-romantic.
Study Score. 36 pages.
Breitkopf and Haertel #PB
15137-07. Published by
Breitkopf and Haertel
(BR.PB-15137-07).
ISBN
9790004214732. 6.5 x 9
inches.
The
Havanaise possibly has
its roots in the
friendship of the
composer with the
Cuban-born violinist
Rafael Diaz Albertini. It
is thus perfectly
plausible that
Saint-Saens borrowed the
Cuban syncopated slow
dance Habanera out of
kindness towards his
performance partner when
he was getting ready to
write a work for Diaz
Albertini in 1887.
Saint-Saens originally
wrote a version for
violin and piano, which
was later followed by the
orchestral version that
the publisher Durand had
urged him to write. Diaz
Albertini, to whom the
work was dedicated, gave
its world premiere before
other virtuosos adopted
it for themselves and
spread its fame
throughout the world. The
basis of this first
Urtext edition of the
piece is the first
edition, which was
presumably personally
overseen by
Saint-Saens.
Fantasia on the Rondo
from the Piano Sonata in
A major K. 331 by.
Composed by Fazil Say.
Edited by Selin
Sekeranber and Yudum
Centiner. Piano Duet.
Classical. Softcover. 16
pages. Duration 90
seconds. Schott Music
#ED23613. Published by
Schott Music
(HL.49047113).
ISBN
9781705189269. UPC:
842819117520. 0.096
inches.
The final
movement of the Sonata in
A major K. 331 by
Wolfgang Amadeus Mozart,
the Rondo Alla Turca, is
one of the most famous
pianopieces of all. Once
reserved for all music
connoisseurs, later
played by every piano
student, its opening
melody, alienated like a
sine tone, is now
omnipresent even as a
mobile phone ringtone.
The arrangement by Fazil
Say, created as an
effective encore, builds
on this popularity.
Mounted on the still
recognizable classic
basic level, typical jazz
elements such as
syncopation of the top
tones and embellishment
with chromatic blue
notes, embedded in
sometimes frenzied chains
of sixteenth notes, are
found - after the first
eight bars have been
presented originally. In
accordance with the
improvisational
character, Say himself
likes to perform his Alla
Turca Jazz in other
combinations, for example
with the accompaniment of
jazz singers or with an
orchestra. Perhaps it is
surprising that Fazil
Say, who was born in
Turkey and lives there
when not on tour, does
not trace Mozart's
adaptation of genuinely
Turkish music closer to
its origins, since many
of his compositions such
as Black Earth or the
Violin Sonata are
characterized by a subtle
touch Combination of
classic-romantic
tradition, Turkish folk
music and jazz elements.
In another Mozart
arrangement, the ballet
music Patara, which
premiered in Vienna in
2006, but now composed on
the rococo-esque (and
almost equally popular)
theme from the first
movement of the same A
major sonata, Say still
has the connection denied
to the Alla Turca, albeit
inthe opposite direction.
In distinctive chamber
music instrumentation,
the piano stands for
Western culture, the ney
flute for that of the
Orient, atmospherically
conveyed by sparse
percussion and vocalises
by a soprano.
Alto Saxophone; Piano Accompaniment (Score and Solo Part) SKU: HL.50601598(+)
Alto Saxophone; Piano
Accompaniment (Score and
Solo Part)
SKU:
HL.50601598
Alto
Saxophone and Piano
Reduction Exempla Nova
680. Composed by
Edison Denisov. Woodwind
Solo. Classical.
Softcover. 121 pages.
Sikorski #SIK8880.
Published by Sikorski
(HL.50601598).
8.0x11.75
inches.
The
catalogue of Edison
Denisov's works includes
16 concertos. It was a
genre to which he
returned time and again
throughout his life, from
the Concerto for Cello
and Orchestra of 1972 to
the Double Concerto for
Flute, Clarinet and
Orchestra of 1996.In
Denisov's music the role
of the soloist, or rather
the protagonist, is
extraordinarily
important, not so much
for its virtuosity as for
its confessional
character. The solo part
is a monologue
distinguished by poetic
diction and a very
personal message from
thecomposer. The
dramaturgical conception
of the Concerto for
Saxophone and Orchestra,
a reworking of the Viola
Concerto of 1986, draws
on traditional sonata
form, thereby reaffirming
the ubiquitous classicism
in Denisov's thought. In
this late work, we find
all the typical features
of his style: sinuous
melodic lines layered
into dense contrapuntal
textures, and an
interplay of orchestral
colours, with pure
sonorities contrasting
with complex mixtures of
sounds. It is a perfect
dramaturgy that governs
the evolution of the
music to the very end.
The first movement
assumes the role of a
sonata-allegro, with the
standard formal sections
of exposition,
development,recapitulatio
n and coda. The second
movement is an Adagio for
strings. The third takes
the form of a little
contrasting intermezzo
that introduces both new
thematic material and a
new range of colours.
Here tunefulness gives
way to pointillism
enriched with
soniceffects. The only
movement with a virtuosic
solo part, its
nervousness and inner
tension set it worlds
apart from the second and
fourth movements that
surround it. The fourth
movement assumes the
traditional form of a
final set of variations.
It is the dramaturgical
and semantic heart of the
concerto. The theme of
the variations is Franz
Schubert's Impromptu in
B-flat major, op. 142,
which in this case is
'born' from the celesta
as the product of a
dodecaphonic string
cluster. This finale
represents Denisov's
homage to his great
mentor, Schubert's music
being for him a symbol of
eternal and universal
beauty. 'The attentive
listener', Denisov
stressed, 'will recognise
that the Impromptu theme
is already suggested very
slowly in the course of
the three preceding
movements, not only
thematically, but also
psychologically. That's
what makes the appearance
of the Schubert theme
sound so natural.' The
variations relate to the
variation genre less in
their form than in their
spiritual and conceptual
metamorphoses. It is, one
might say, 'music round
about Schubert'.
(Ekaterina
Kouprovskaia-Denisova).
By Robert A. Hobby (1962-). For Two-Part Mixed Voices or SATB, Soprano Solo, opt...(+)
By Robert A. Hobby
(1962-). For Two-Part
Mixed Voices or SATB,
Soprano Solo, opt.
Congregation, opt.
Children's Choir or
Treble Solo with Organ,
Piano, Brass Quintet,
Percussion, Handbells or
Full Orchestra. Choral.
Christmas, Advent. Medium
to Moderately Difficult.
Published by MorningStar
Music Publishers
Full orchestra SKU: LO.30-2156LA Composed by Mark Shepperd. Choral. Sacre...(+)
Full orchestra
SKU:
LO.30-2156LA
Composed
by Mark Shepperd. Choral.
Sacred Anthem, Christmas.
Orchestral score and
parts. Laurel Press
#30/2156LA. Published by
Laurel Press
(LO.30-2156LA).
Composed by Shirley McRae. For SATB choir, unison (with optional organ, flute, O...(+)
Composed by Shirley
McRae. For SATB choir,
unison (with optional
organ, flute, Orff
instrument, small
percussion). Sacred
Anthem, Christmas.
Octavo. Published by
Chorister's Guild
(Sephardic Songs). By Roberto Sierra. For Voice, Flute, Clarinet, Piano, Violin ...(+)
(Sephardic Songs). By
Roberto Sierra. For
Voice, Flute, Clarinet,
Piano, Violin & Cello.
Score & Part(s). Composed
1999. Duration 16'.
Published by Subito Music
Corporation
Percussion, flute SKU: GI.G-10344INST The Question Carol. Arranged...(+)
Percussion, flute
SKU:
GI.G-10344INST
The
Question Carol.
Arranged by Sally Ann
Morris. Tune Name: Skye
Boat Song. Sacred.
Instrumental part(s). 2
pages. GIA Publications
#10344INST. Published by
GIA Publications
(GI.G-10344INST).
SATB choir, assembly, keyboard accompaniment, flute, percussion - Early intermed...(+)
SATB choir, assembly,
keyboard accompaniment,
flute, percussion - Early
intermediate
SKU:
GI.G-10344
The
Question Carol.
Arranged by Sally Ann
Morris. Christmastide,
Christmas Dawn, Christmas
Day. Christmas. Tune
Name: Skye Boat Song.
Sacred. Octavo. 12 pages.
GIA Publications #10344.
Published by GIA
Publications
(GI.G-10344).
UPC:
785147034414. English.
Text by Mary Louise
Bringle.
Composed
by Carl Maria von Weber.
Edited by Frank Ziegler
and Johannes Kepper. This
edition: Full-cloth
binding. Sheet music.
Edition Schott. Score and
critical commentary,
complete edition. 306
pages. Schott Music
#WGA1021. Published by
Schott Music
(HL.49042434).
ISBN
9783795794491.
10.25x13.5x1.141 inches.
German.
Carl Maria
von Weber's fame rests
mainly on 'Der
Freischutz'. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as 'Preciosa',
'Oberon', and
'Euryanthe', the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume.Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was not conducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Weber's work in context,
and not to separate his
musical output from his
influential work as a
writer, critic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities.Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in 10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (6-8 vols.)
are edited in Berlin and
the letters (8-10 vols.)
and other writings (2
vols.) in Detmold. This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Weber's
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based on
all available authentic
sources, accompanied by a
detailed documentation of
the genesis and a list of
variants for each work.
The musicological
importance of the works
will be evaluated by
placing them in their
historical context, the
presentation of their
genesis, history and
Critical Commentaries.
The letters, writings and
diaries will be treated
as inter-related and
relevant to each other in
the commentaries,
therefore readers should
benefit from a wealth of
concise information and
cross-references.
Piano Duet (Piano For 2 Players) SKU: HL.49046797 Fantasia on the Rond...(+)
Piano Duet (Piano For 2
Players)
SKU:
HL.49046797
Fantasia on the Rondo
from the Piano Sonata in
A Major, K. 331 Ve.
Composed by Fazil Say.
Edited by Selin
Sekeranber and Yudum
Centiner. Piano Duet.
Classical. Softcover. 12
pages. Duration 90
seconds. Schott Music
#ED23518. Published by
Schott Music
(HL.49046797).
UPC:
842819115670.
9.0x12.0x0.099
inches.
The final
movement of the Sonata in
A major KV 331 by
Wolfgang Amadeus Mozart,
the Rondo Alla Turca, is
one of the most famous
pianopieces of all time.
Once only familiar to
musical experts, later a
universal piece for all
piano pupils, its opening
melody is now even
omnipresent as an
alienated sinus tone-like
mobile phone ring tone.
Fazil Say's arrangement,
originally created as an
effective encore, follows
on from this popularity.
After the first eight
bars havebeen presented
in original form, typical
elements of jazz
superimposed on the still
recognisable classical
foundations can be
discovered, such as
syncopation of the top
notes and ornamentation
through chromatic blue
notes, embedded in the at
times frenzied chains of
semiquavers. In the
spirit of the work's
improvisatory character,
Say likes to perfom his
Alla Turca Jazz in
different combinations,
for example accompanied
by jazz singers of with
orchestra. It may appear
strange that Fazil Say,
who was born in Turkey
and - when not on tour -
is still resident in that
country, does not bring
back Mozart's
interpretation of genuine
Turkish music closer to
its own roots,
particularly as many of
his compositions such as
Black Earth or the Violin
Sonata are characterised
by a subtle amalgamation
of the Classical-Romantic
tradition, Turkish folk
music and elements of
jazz. In a further Mozart
arrangement, the ballet
music Patara premiered in
Vienna in 2006, composed
on the basis of the
Rococo-like theme from
the first movement of the
same A-major Sonata (wich
enjoys almost as great
popularity as the Alla
Turca theme), Say
utilised the connection
which was absent in Alla
Turca, albeit in the
opposite direction. In
the ballet music, the
piano symbolises Western
culture and the Ney flute
Oriental culture,
communcated
atmosperically by austere
percussion
instrumentation and
soprano vocalisation.
Recorder - intermediate SKU: HL.49017026 For Recorder (or Flute) Solo<...(+)
Recorder - intermediate
SKU: HL.49017026
For Recorder (or
Flute) Solo. Composed
by Violete Dinescu. This
edition: Saddle
stitching. Sheet music.
Woodwind Solo. Classical.
3 pages. Duration 5'.
Schott Music #OFB 207.
Published by Schott Music
(HL.49017026).
ISBN
9790001150729.
9.25x12.0x0.04
inches.
The
Romanian pianist and
composer Violeta Dinescu
was born in Bucharest on
13 July 1953. There she
studied at the C.
Porumbescu Conservatoire
and took a degree in
composition, piano and
education, passing with
distinction. After a
teaching assignment at
the George Enescu Music
School she moved to
Germany in 1982. Since
1996 she has been
professor of applied
composition at the
University of
Oldenburg.
