Sept pièces merveilleuses du grand compositeur anglais, Henry Purcell. / Orgue / Partition

Par PURCELL HENRY. This short setting of the sacred text Miserere Mei is a four part canon for SATB chorus and organ by Henry Purcell (1659-1695) written in 1687 during the reign of the catholic monarch, James II. It is presented separately for the first time in an edition prepared by Anthony Lewis and Nigel Fortune. / Niveau : Assez Facile / Rép Classique / Répertoire / Orgue

This is the incidental music for Strings to the tragic play Abdelazer (or The Moor's Revenge) as composed by Henry Purcell (1659-1695). This is the score.

Henry Purcell (1659-1695) held numerous appointments at the Royal Court and Westminster Abbey and is considered by many to be the greatest ever English-born composer. His prolific work covered all fields: orchestral ecclesiastical operatic theatrical incidental and chamber music were all enriched by his output. The Opera Ottone was written in 1723 for the Royal Academy of Music. The aria La Speranza e Guinta waschosen from it by Arthur Somervell as one of ten arias he arranged for Piano and Voice. It was re-titled Spring with new English lyrics that bear no resemblance to the translation.It is printed here in twodifferent keys: in D for Low Voice and E for High Voice.

Mixed Bag No. 3-The highly acclaimed Mixed Bag series provides a great opportunity for woodwind players of mixed ability to play together and make a perfect recital item for young musicians who are getting used to playing withothers. Each arrangement will work with just three main parts. Part 1 is quite demanding but Parts 2 and 3 are easier. These parts can be played by just one or several players - it’s up to you! Optional ‘filler’ parts are alsoincluded for beginners. Henry Purcell (1659-1695) held numerous appointments at the Royal court and Westminster Abbey and is considered by many to be the greatest ever English-born composer. His prolific workcovered all fields: orchestral ecclesiastical operatic theatrical incidental and chamber music were all enriched by his output. Three of his most popular works have been arranged here by Graham Lyons.

1 T. Susato (1500-1561/64): Gagliarda 'La Gamba'2 T. Susato (1500-1561/64): Rondo3 H. Purcell (1659-1695): Air4 E. Ph. Chédeville (1696-1762): Menuet I E. Ph. Chédeville (1696-1762): Menuet II5 G. Ph. Telemann (1681-1767): Pastourelle6 Trad. Ireland: Ballincollig in the morning

5 Easy Pieces for Descant (Soprano) Recorder and Basso Continuo-Marco F. Caroso (1527(35)-1605): 'Rosa felice'Marco F. Caroso (1527(35)-1605): 'Ballo delle fiori'J. S. Bach (1685-1750): '2 Menuette'A. Vivaldi (1678-1741): 'The Spring'H. Purcell (ca. 1659 - 1695): 'Rondeau and Hornpipe'

Purcell Society Volume 22B (Hardback)-Duets Dialogues And Trios (Vol. 22B) is the complete and authoritative collection of all the duets dialogues and trios for Voice written by Purcell. It has been re-edited by Ian Spink (1932-2011) a noted musicologist and academic in the field of 17th Century English music. Henry Purcell (1659-1695) held numerous appointments at the Royal court and Westminster Abbey and is considered by many to be the greatest ever English-born composer. His prolific work covered all fields: orchestral ecclesiastical operatic theatrical incidental and chamber music were all enriched by his output. This hardback edition is one of aseries of volumes published by the Henry Purcell Society that cover the complete works of the composer.

Henry Purcell (1659-1695) held numerous appointments at the Royal Court and Westminster Abbey and is considered by many to be the greatest ever English-born composer. His prolific work covered all fields: orchestral ecclesiastical operatic theatrical incidental and chamber music were all enriched by his output. Lord How Long Wilt Thou Be Angry? (Z 25) was one of Purcell's earlier works. It was written soon after his appointment as Organist of Westminster Abbey in 1679 and was undoubtedly used there many times during his tenure. It takes extracts from Psalm 79 for the text. The music has influences of Byrd and Gibbons but also shows howPurcell was beginning to develop his own distinctive style.

This setting of the Te Deum was written for St Cecilia’s day in 1694 almost exactly a year before the composer’s death. Composed in a highly flamboyant style it was originally scored for adult and boy choirs soloists strings bass and trumpets but has been scored here for SSAATB soli SSATB chorus and Piano accompaniment. It was edited by the organist of Westminster Abbey J. F. Bridge for a bicentennial commemoration in 1895 at which time the 18th century changes were replaced and the original version restored. The Latin text was provided by the musicologist R. R. Terry.Henry Purcell (1659-1695) held numerousappointments at the Royal court and Westminster Abbey and is considered by many to be the greatest ever English-born composer. His prolific work covered all fields: orchestral ecclesiastical operatic theatrical incidental and chamber music were all enriched by his output.

12 Easy Pieces for Clarinet in Bb and Piano-Wolfgang Amadeus Mozart (1756-1791): AllegrettoLudwig van Beethoven (1770-1827): AndantinoJean-Baptiste Lully (1632-1687): ModeratoTraditional: VivoJoseph Haydn (1732-1809): ModeratoTraditional: Down in the ValleyJohann Strauss (1825-1899): Theme from 'Roses from the South'Henry Purcell (1659-1695): From the Opera 'King Arthur'Wolfgang Amadeus Mozart (1756-1791): AllegrettoWolfgang Amadeus Mozart (1756-1791): AndantinoRobert Schumann (1810-1856): MelodieSpiritual: When the Saints Go Marching in

50 kleine Klavierstücke. La collection Mini Maestro en trois volumes présente de petites pièces pour piano de difficulté progressive de très facile à moyenne, datant de cinq siècles, par ordre chronologique, de la musique baroque, classique, romantique, moderne au jazz, à la pop et à la musique minimale. A la fin de chaque volume se trouvent trois pièces bonus à quatre mains - sous la devise ' Plus de plaisir à deux '. Faciles à apprendre, toutes les pièces offrent un répertoire varié qui constitue un complément idéal à toute méthode de piano et convient à des concerts, leçons, examens et concours. Le volume 1 contient des morceaux dans la gamme pentatonique / dans des gammes pentatoniques changeantes, suivis de morceaux dans l'ambitus d'une octave avec un rythme simple et un jeu d'accords facile. D'autres critères sont la différente articulation, la mélodie à la main gauche, les signes d'octave et les pièces en majeur/mineur jusqu'une armure à un dièse/bémol. Le volume 2 contient des pièces dans l'ambitus étendu de deux octaves et avec un jeu des accords à trois ou quatre voix et des renversements. Les autres critères sont le jeu de pédale, des ornements élémentaires, la polyphonie simple, la différenciation de la mélodie et de l'accompagnement et les pièces en majeur/mineur jusqu'une armure à deux dièses/bémols. Le volume 3 contient des pièces avec un ambitus allant jusqu'à quatre octaves, avec un rythme et une vélocité plus exigeants. D'autres critères sont la différenciation subtile des tons, le jeu expressif, la polyphonie dans une main, la polyphonie avancée et les pièces en majeur/mineur jusqu'une armure à trois dièses/bémols. / Niveau : 2-3 / Classique / Recueil / Piano