Par HENRY VIII. Thirty-Five Compositions By King Henry VIII is a unique collection, containing King Henry VIII’s complete secular works. These works consist of part-songs and instrumental consorts, and have been transcribed and edited by John Stevens. The collection is a mixture of instrumental pieces and pieces for vocal ensemble, mostly in three parts, with about half-a-dozen in four. Seventeen of the pieces are instrumental, though it is perfectly possible (and historically accurate) to play the vocal pieces on instruments if preferred. In the instrumental pieces no instruments are stipulated. The top staff is treble, the second is written in the trebleclef but sounds an octave lower, as for vocal tenor, and the lowest line is a for a bass clef melody instrument. Either flute or recorder would work well for the top line in most of these pieces, which usually go no lower than around middle C. The bassoon could play either the second or third line. And the line left over could be played on keyboard. This is not harmonic music however. There are no chords, nor would it be easy of idiomatic for the keyboard player to vamp or otherwise extemporise harmonies. The pieces are printed in score, so two players might share one copy, but two copies would be ideal if the keyboard player is also taking part, and three of course if the players want to practise separately./ Recueil / Piano

Y compris ' The champs de Athenry ', ' Le vol des comtes ', ' The Green Island ', ' Le vieux Refrain ', ' The Rose de Allendale ' plus 15 ballades beaucoup plus. / Piano/Vocal/Guitare (PVG) / 64 pages / Partition

Arrangeur: Ralf Bienioschek. Par MANCINI HENRY. Henry Mancini's theme for 'The Pink Panther', as heard in the famous films and animated series, is without doubt one of the most famous melodies in the world. This arrangement was made by the renowned German recorder soloist and teacher Ralf Bienioschek for his special 'Ralf Bienioschek Signature Edition' series. The arrangement is for a standard quartet of Soprano, Alto, Tenor and Great Bass Recorder, with additional parts provided for Bass Recorder and Sub Bass Recorder. Optional parts for Piano, Cajon (set and score) and Electric Guitar (does not appear in score) are also included. / Niveau : Intermédiaire / Recueil / 4 Flûtes à Bec

Arrgt: Eric Vireton. Par PURCELL HENRY. Formation : Musique de Chambre, Solo - Instrumentation : 1 Saxophone Alto Solo - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 2 mn 20 s - Style Musical : Classique, Pédagogique - Catégorie : Arrangement, Incontournable Réédité - Compositeur : Henry PURCELL - Arrangeur : Eric VIRETON / Niveau : Intermédiaire / Classique, Pédagogique / Répertoire / Saxophone Alto Solo

Arrgt: Eric Vireton. Par PURCELL HENRY. Formation : Musique de Chambre, Quatuor - Instrumentation :Quatuor à Cordes : 2 Violons 1 Alto 1 Violoncelle - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 1 mn 30 - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Henry PURCELL - Arrangeur : Eric VIRETON / Niveau : Intermédiaire / Classique / Répertoire / 2 Violons, Alto et Violoncelle

Arr. Philip Sparke. Par HENRY VIII. The English king, Henry VIII (1491-1547), is mainly remembered for disposing of his wives on a regular basis and breaking with the Catholic Church when the Pope Clement VII refused to grant him a divorce so he could marry Anne Boleyn. He was, however, a gifted athlete, dancer and composer, writing many songs, poems and consort pieces (though not Greensleeves, as is often believed). Pastime with Good Company is undoubtedly the best-known of these, written in the first years of the 16th century while he was still a handsome prince, newly married to Catherine of Aragon and the envy of Europe. The lyrics tell of the joys of hunting, dancing and singing and would have been sungas part of the court entertainment. / Niveau : 3 / Répertoire / Brass Band

Par PURCELL HENRY. This short setting of the sacred text Miserere Mei is a four part canon for SATB chorus and organ by Henry Purcell (1659-1695) written in 1687 during the reign of the catholic monarch, James II. It is presented separately for the first time in an edition prepared by Anthony Lewis and Nigel Fortune. / Niveau : Assez Facile / Rép Classique / Répertoire / Orgue

Par PURCELL HENRY. Purcell Dido and Aeneas (Full Score, paperback) The opera ?Dido and Aeneas?, a recount of the well-known story from Book IV of Virgil's Aeneid, has established itself as a favourite with the public. This is due to the skill of composer Henry Purcell and his librettist Nahum Tate, who combined an overriding tragic theme with masterfully inserted comic episodes. Long believed to have been conceived in 1689 for a performance at a ?School for Young Gentlewomen?, scholars have debated the origins of ?Dido? in recent decades, a process hampered by the lack of early musical sources. This edition addresses these challenges and evaluates the earliest sources that reproduce the opera in its surviving form. Surprisingly, these date from the 1770s and 80s, some ninety years after the work was written. Three key manuscripts ? now held at the Bodleian Library in Oxford (UK), at Tatton Park Library which is a National Trust property near Manchester (UK), and at the Wakayama Prefectural Library (Japan) - were all copied from the same original, most likely a handwritten score from 1704 which reappeared in the early 1770s, only to disappear again. This is the first 'Dido' edition based on the Tatton Park manuscript as the main source. It was produced during the second half of the 18th century by Philip Hayes, one of England's most prominent musicians. He was known in musicology for his meticulous copies of Purcell's music, often from the autograph manuscripts. The Bodleian and Wakayama manuscripts are presented in a new light and their role in this edition has been reassessed accordingly. - Urtext edition based for the first time on the Tatton Park manuscript as the main source - Informative Foreword (Eng/Ger) on the genesis, transmission, reception and performance practice - Complete facsimile reproduction of the Chelsea libretto / Date parution : 2023-06-01/ Répertoire / Solistes, Choeur Mixte et Orchestre

Par PURCELL HENRY / KING. Famous English composer, Henry Purcell (1659-1695) was a significant contributor to the Baroque music era. Perhaps his most famous and frequently performed work remains his Music For Queen Mary II. Arranged for Four-Part Brass Choir by Robert King, Purcell 's Music For Queen Mary II is made accessible and versatile. The work was originally composed for Orchestra and Choir for the funeral of Queen Mary II in 1695. The work comprises a March, Anthem and Canzona. For all aspiring Brass Ensembles, King's sublime arrangement of Purcell 's Music For QueenMary II cannot be missed./ Répertoire / Quatuor de Cuivres

Arrgt: Eric Vireton. Par PURCELL HENRY. Formation : Musique de Chambre, Quatuor - Instrumentation : 1 Saxophone Soprano 1 Saxophone Alto 1 Saxophone Ténor 1 Saxophone Baryton - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 1 mn 30 - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Henry PURCELL - Arrangeur : Eric VIRETON / Niveau : Intermédiaire / Classique / Répertoire / Saxophone Soprano, Saxophone Alto, Saxophone Ténor

Arrgt: Eric Vireton. Par PURCELL HENRY. Formation : Musique de Chambre, Solo - Instrumentation : 1 Hautbois Solo - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 2 mn 20 s - Style Musical : Classique, Pédagogique - Catégorie : Arrangement, Incontournable Réédité - Compositeur : Henry PURCELL - Arrangeur : Eric VIRETON / Niveau : Intermédiaire / Classique, Pédagogique / Répertoire / Hautbois Solo

Description Henry Purcell: The Fairy Queen Reproduced from an early authoritative score, this version of Henry Purcell's The Fairy Queen includes O let me weep , a series of songs about the seasons, and Next winter comes slowly .