String Quartet (Score) SKU: HL.284555 String Quartet. Composed by ...(+)
String Quartet (Score)
SKU: HL.284555
String Quartet.
Composed by John Luther
Adams. Music Sales
America. Classical.
Softcover. Composed 2018.
74 pages. Chester Music
#CH87868. Published by
Chester Music
(HL.284555).
UPC:
888680912901. 9x12
inches.
Composers
note:
I never
imagined I would write a
string quartet. Then I
heard the JACK Quartet,
and I understood how I
might be able to make the
medium my own. The result
was The Wind in High
Places - a twenty-minute
work composed entirely on
natural harmonics and
open strings.
Over
the next few years, two
more quartets followed.
The second quartet,
untouched, is a further
exploration of the
aeolian sound world of
the first. Then, in
Canticles of the Sky, the
musicians finally touch
the fingerboards of their
instruments.
And
now comes Everything That
Rises.
This fourth
quartet is more
expansive, both in time
and in space. It grows
out of Sila: The Breath
of the World - a
performance-length
choral/orchestral work
composed on a rising
series of sixteen
harmonic
clouds.
Everything
That Rises traverses this
same territory, but in a
much more melodic
way.
Each musician
is a soloist, playing
throughout. They surround
the audience. Time
floats.
Over the
course of an hour, the
lines spin out - always
rising - in acoustically
perfect intervals that
grow progressively
smaller as they spiral
upward... until the music
dissolves into the soft
noise of the bows,
sighing.
For Trumpet Trio and Band (Full Score and Parts). By Walter Alan Finlayson. Conc...(+)
For Trumpet Trio and Band
(Full Score and Parts).
By Walter Alan Finlayson.
Concert band/stage band.
For Piccolo, Flute, Oboe,
Clarinet I, Clarinet II,
Clarinet III, Alto
Clarinet, Bass Clarinet,
Bassoon, Alto Saxophone
I, Alto Saxophone II,
Tenor Saxophone, Baritone
Saxophone, Trumpet I,
Trumpet II, Trumpet III,
Cornet I, Cornet II,
Cornet III, Horn, Tenor
I, Tenor II, Tenor III,
Baritone (Bass Clef),
Double Bass, Drums,
Timpani, Bells.
Classical. Score and
parts. 20 pages.
Published by Theodore
Presser Company.
Instruments Sib, Mib et Do [Partition + CD] Jamey Aebersold Jazz
By Jamey Aebersold. For singers, vocalists, drums, bass, guitar, flute, clarinet...(+)
By Jamey Aebersold. For
singers, vocalists,
drums, bass, guitar,
flute, clarinet, violin,
viola, piano, keyboard,
organ, saxophone,
trombone, trumpet,
harmonica. Play-Along
series with accompaniment
CD. One of the greatest
contributers to the Great
American Songbook, Cole
Porter. Play-Along
Categories: Artists,
Standards. Level:
intermediate, advanced.
Book with 2 CDs.
Published by Jamey
Aebersold Jazz.
SKU: GI.G-7647 Foreword by Peter Loel Boonshaft. Composed by Trey ...(+)
SKU: GI.G-7647
Foreword by Peter Loel
Boonshaft. Composed
by Trey Reely. Music
Education. Book. 204
pages. GIA Publications
#7647. Published by GIA
Publications (GI.G-7647).
ISBN 9781579997663.
English.
Roll James
Thurber, Woody Allen, Art
Buchwald, and Dave Barry
into a single person and
make him a band director
in Arkansas, then give
him a regular column in
The Instrumentalist
magazine. The result is
chuckling, chortling, and
out-and-out guffawing as
author Trey Reely present
the trials and rewards of
band directing in his
unique, rambunctious
style. On page after
page, Reely has us
nodding it’s true,
it’s true with
funny, pithy essays like
The Unwritten Rules of
Band (When you make a
mistake, glare at your
neighbor), Top Excuses
for not Practicing (My
reed is cracked and I
don’t have any
money to buy a new one on
account of the iPod I
bought. Or If I get
better than Joey he
won’t let me be
his girlfriend anymore.
Or I do better if I
don’t practice.),
Band Directors Are from
Mars, Football Coaches
Are from Venus, and
plenty of instructional,
conceptual, conducting,
and rehearsal tips. More
than 37 illustrated
articles chock full of
laughter and wisdom await
you from the author of
Mr. Holland on the Edge.
Trey Reely is Director of
Bands at Paragould High
School in Paragould,
Arkansas. He has a
regular column in The
Instrumentalist
magazine.
Performed by The White Stripes. Play It Like It Is (Authentic note-for-note tran...(+)
Performed by The White
Stripes. Play It Like It
Is (Authentic
note-for-note
transcriptions). With
notes and tablature. Size
9x12 inches. 56 pages.
Published by Cherry Lane
Music.
Oboe SKU: SU.94010762 For Oboe. Composed by James Lee III. Woodwin...(+)
Oboe
SKU:
SU.94010762
For
Oboe. Composed by
James Lee III. Woodwinds,
Oboe/Piccolo. Score.
Subito Music Corporation
#94010762. Published by
Subito Music Corporation
(SU.94010762).
Dedicated to
Titus Underwood,
Principal Oboe, Nashville
Symphony OrchestraOboe
Duration: 5' Composed:
2020 Published by: Subito
Music Publishing PROGRAM
NOTE: The year 2020
has definitely been a
very challenging year
with many upheavals.
During this time of the
COVID-19 health crisis,
wearing masks, and high
racial tensions, I
decided to compose four
short solo woodwind works
for flute, oboe,
clarinet, and bassoon,
which represent the core
woodwind section in an
orchestra. I was inspired
to compose these short
pieces after I first
heard Igor Stravinsky's
three short pieces for
clarinet, which totals a
little more than four
minutes in duration. I
thought that it would be
nice to highlight and
honor my African-American
male colleagues in the
orchestral music world. I
wanted to celebrate the
fact that they are the
principal player in the
section of their
respective orchestras.
The short pieces are as
follows: Principal
Brother No. 1 for flute
solo for Demarre McGill,
Principal Flute of the
Seattle Symphony
Orchestra, Principal
Brother No. 2 for oboe
solo for Titus Underwood,
Principal Oboe of the
Nashville Symphony
Orchestra, Principal
Brother No. 3 for
clarinet solo for Anthony
McGill, Principal
Clarinet of the New York
Philharmonic, and
Principal Brother No. 4
for bassoon solo for
Bryan Young, Principal
Bassoon of the Baltimore
Chamber Orchestra. These
works all begin with
notes that are
representative of their
name; D for Demarre, B
for Titus (ti in
solfège starting on
C), A for Anthony, and Bb
for Bryan. There is also
a rhythmic figure in the
opening measures of each
piece, which represent
the utterance of their
names. All four of these
works are rhapsodic in
nature with elements of
improvisation. - James
Lee III.
Quintagon Orchestre d'harmonie [Conducteur et Parties séparées] Theodore Presser Co.
(5 Pieces for Band - Full Score and Parts). By Arthur Frackenpohl (1923-). Conce...(+)
(5 Pieces for Band - Full
Score and Parts). By
Arthur Frackenpohl
(1923-). Concert Band.
For Flute, Oboe, Clarinet
I, Clarinet II, Clarinet
III, Alto Clarinet, Bass
Clarinet, Bassoon, Alto
Saxophone I, Alto
Saxophone II, Tenor
Saxophone, Baritone
Saxophone, Cornet I,
Cornet II, Cornet III,
Horn I, Horn II, Horn
III, Horn IV, Tenor I,
Tenor II, Te. Score and
Set of Parts. Standard
notation. 14 pages.
Duration 8 minutes.
Published by Theodore
Presser Company
Music
for Orchestra with String
Quartet. Composed by
Helmut Lachenmann.
Softcover.
Partitur-Bibliothek
(Score Library). Solo
concerto; Dances/marches;
Music post-1945. Sheet
Music. Composed 1979/80.
176 pages. Duration 36'.
Breitkopf and Haertel #PB
5714. Published by
Breitkopf and Haertel
(BR.PB-5714).
ISBN
9790004216514. 10.5 x 14
inches.
More than
my earlier works, this
one is interspersed with
metrically bound rhythms
and musicianly characters
that constantly
recrystallize and drift
towards or away from
familiar situations.The
familiar: These are
dance-like figures and
music-making formulas,
but also songs and, in
two cases fragments of
Bach's music - playfully
collected memories of
impressions in which -
consciously and
unconsciously - I am
embodied with that
collective comfort in
whose protection
bourgeois thinking and
feeling, magically
protected, grow up and
emerge apart.(It is well
known that such security
has its fetishes from the
childlike to the adult
stage: Home, religious
bond, holidays,
tradition, longing for
childhood - the
superficiality may have
little idea of the depth
that opens up underneath.
There is also no question
that we are still marked
by such security even
when the contradictions
and alienation of
existence force us to
step out of their
protection, to recognize
and act upon reality, and
to oppose the domination
of such inner bonds where
their original truth has
become the fatal untruth
of comfortable illusion,
stubbornly and fearfully
conjured idyll and
reactionary
narrow-mindedness.My
music feeds on figures in
which such memories are
encapsulated. It deals
with them not much
differently than in other
pieces with the elements
of the traditional
musical concept of
material, having already
always reflected
compositionally as a
product of sociality and
anticipation of musical
expression, i.e. it moved
into a structurally
expanded context and
expressively redefined
from there.Such an
approach aims at
overcoming lack of
freedom: grasping as part
of conceiving, i.e. not
philosophical reflection,
but rather an
artistically gripping
reflex by intervening in
the physical immediacy of
such predetermined
elements. These penetrate
and infect the structural
events, inducing a
musicianship that cannot
be relied upon; the music
jumps onto rhythms like
onto moving vehicles,
allows for being carried
by them until they deform
or disintegrate. This
creates an incline of
rhythmically shaped
situations: sequence and
interweaving of dances
and structures.The role
of the solo string
quartet is versatile,
obbligato and
concertante, leading and
accompanying in a
changing sense. Set as a
chamber music apparatus
in an orchestral
landscape, it repeatedly
forces its own sound
dimensions onto the
orchestra, it must accept
being drowned out at
times, it nests in the
holes of tutti fields, it
acts as a louse in the
fur, forcing one to
listen in and out.The
Tanzsuite with
Deutschlandlied is
structured as follows:I.
Section. 1. Introduction
- 2. Waltz - 3. March -
4. Bridge -II. Section.
5. Siciliano - 6.
Capriccio - 7. Valse
lente -III. Section. 8.
Bridge - 9. Gigue - 10.
Tarantelle - 11. Bridge
-IV. Section. 12 Aria I -
13 Polka - 14 Aria IIV.
Section. 15. Introduction
- 16 Gallop - 17 Coda
(Aria III)All 17 parts
merge into one
another.(Helmut
Lachenmann,
1980)CDs/LP/DVD:Arditti-Q
uartett, Deutsches
Symphonie-Orchester
Berlin, cond. Olaf
HenzoldCD Montaigne
Auvidis MO 782019Berner
Streichquartett,
Sinfonieorchester des
SWF, cond. Sylvain
Cambreling (Excerpt)CD
BMG/RCA 74321 73510 2
(Musik in Deutschland
1950-2000)Berner
Streichquartett,
Sinfonieorchester des
SWF, cond. Sylvain
CambrelingLP DMR
1028-30Arditti Quartet,
SWR Sinfonieorchester
Baden-Baden und Freiburg,
cond. Hans Zender Excerpt
on CD ,,Auswahl von zehn
Urauffuhrungen aus 70
Jahren, SWR
Sinfonieorchester
Baden-Baden und Freiburg
Arditti Quartet,
Staatsorchester
Stuttgart, cond. Sylvain
Cambreling DVD
,,Lachenmann-Perspektiven
6 (Breitkopf & Hartel,
BHM 7816)
Bibliography:Cavalotti,
Pietro: Differenzen.
Poststrukturalistische
Aspekte in der Musik der
1980er Jahre am Beispiel
von Helmut Lachenmann,
Brian Ferneyhough und
Gerard Grisey (= Sonus.
Schriften zur Musik,
hrsg. von Andreas
Ballsteadt, Band 8),
Schliengen: Argus 2006,
pp. 79-128.Das sind doch
alles Deutschlandlieder!
Helmut Lachenmann im
Gesprach mit Michael
Rebhahn, in: Der
Taktgeber. Das Magazin
der Jungen Deutschen
Philharmonie, Heft 40
(Sommer 2019), S.
6f.Stawowy, Milena:
Fluchtversuche in die
Hohle des Lowen. Helmut
Lachenmanns Tanzsuite mit
Deutschlandlied, in:
MusikTexte 67/68 (1997),
pp. 77-90.Toop, Richard:
Concept and Context: A
Historiographic
Consideration of
Lachenmanns Orchestral
Works, in: Helmut
Lachenmann Inward Beauty,
hrsg. von Dan Albertson,
Contemporary Music Review
23 (2004), Heft 3/4, pp.
125-144.
World
premiere: Donaueschingen
(Donaueschinger
Musiktage), October 18,
1980.
Score and Parts Piano Trio (Score & Parts) SKU: HL.48025073 For Piano ...(+)
Score and Parts Piano
Trio (Score & Parts)
SKU: HL.48025073
For Piano Trio Score
and Parts. Composed
by Elena Kats-Chernin.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. 20 pages.
Duration 180 seconds.
Bote & Bock #M202536155.
Published by Bote & Bock
(HL.48025073).
ISBN
9783793143123. UPC:
196288059714.
9.0x12.0x0.079
inches.
Composer's
note: In 2000 I wrote a
piece called Sand Waltz
for the Canberra Wind
Players. In the middle of
it I wrote a four-chord
progression. WhenI
started working on the
ballet Wild Swans (2003)
I came back to this
material and it became
something that I grew to
rather like. Eventually
it became the basis for
the overture to the whole
ballet. It had somewhat
dreamy quality but also a
sense of anticipationand
mystery. Later, when
writing this as the first
movement of the Concert
Suite Wild Swans I gave
it a title Green Leaf as
it refected the way the
princess Eliza was making
a hole in a green leaf to
look through it,
imagining far-away exotic
lands and birds..
Piano (Piano) - very easy SKU: HL.49015170 33 Christmas Songs (very ea...(+)
Piano (Piano) - very easy
SKU: HL.49015170
33 Christmas Songs
(very easy). Composed
by Draths. Arranged by
Marianne Magolt and Willi
Draths. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Fur Klavier (sehr
leicht). Classical. 32
pages. Schott Music #ED
5325. Published by Schott
Music (HL.49015170).
ISBN 9783795716868.
German. Wilfried
Blecher.
Die
bekanntesten
Weihnachtslieder in
leichten Satzen fur
Unterricht und Hausmusik,
mit Illustrationen von
Wilfried Blecher. In der
Kombination mit parallel
erschienenen Heften
ergeben sich vielfaltige
Besetzungs- und
Auffuhrungsmoglichkeiten.
Zusatzliche
Harmonie-Symbole
ermoglichen auch eine
Begleitung mit Gitarre
(ad lib.). Folgende
Besetzungsmoglichkeiten
sind moglich: 1. Stimme
(Melodie): Querflote I,
Sopranblockflote I,
Violine I, Viola I,
Violoncello I, Gesang -
2. Stimme: Querflote II,
Sopranblockflote II,
Violine II, Viola II,
Violoncello II - dazu:
Klavier, Gitarre ad
lib.
Chamber Music Horn, Trombone, Trumpet SKU: PR.114417460 Music for Bras...(+)
Chamber Music Horn,
Trombone, Trumpet
SKU:
PR.114417460
Music
for Brass Trio.
Composed by Adolphus
Hailstork. Set of Score
and Parts. With Standard
notation. 32+12+12+12
pages. Duration 18
minutes. Theodore Presser
Company #114-41746.
Published by Theodore
Presser Company
(PR.114417460).
UPC:
680160634019. 9 x 12
inches.
Premiered
by the Eastern Virginia
Brass in April 2014 at
the Virginia Arts
Festival, Ghosts in Grey
and Blue is a deep
consideration of the cost
of the Civil War 150
years before. Hornist
Marlene Ford confessed,
Every time we went from
the Fanfare movement to
the Epilogue, I was
tearful. I don?t know why
but I felt such sadness
that I am glad my notes
weren?t difficult so I
could just sit with the
feeling. (John Campbell,
Artsong Update).
(25 Songs in English for Classical Voice With a CD of Piano Accomp). Edited by R...(+)
(25 Songs in English for
Classical Voice With a CD
of Piano Accomp). Edited
by Richard Walters. Vocal
Collection. Softcover
with CD. 72 pages.
Published by Hal Leonard
Choral SATB choir, piano SKU: PR.312419280 From Terra Nostra. Comp...(+)
Choral SATB choir, piano
SKU: PR.312419280
From Terra Nostra.
Composed by Stacy Garrop.
Performance Score. 12
pages. Duration 5:30.
Theodore Presser Company
#312-41928. Published by
Theodore Presser Company
(PR.312419280).
ISBN
9781491137925. UPC:
680160692613.
Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s World” by
Edna St. Vincent Millay,
which describes the world
in exuberant and vivid
detail. Percy Bysshe
Shelley’s “On thine
own child” praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O voluptuous
cool-breathed earth!”
Part I ends with “A
Blade of Grass” in
which Whitman muses how
our planet has been
spinning in the heavens
for a very long time.Part
II: The Rise of Humanity
examines the achievements
of mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley Hall” sets
an auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s “Railways
1846,” William Ernest
Henley’s “A Song of
Speed,” and John
Gillespie Magee, Jr.’s
“High Flight,” each
of which celebrates a new
milestone in
technological
achievement. In “Binsey
Poplars,” Gerard Manley
Hopkins takes note of the
effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A Dirge”
concludes Part II with a
warning that the planet
is beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s plight,
re-establish a deeper
connection to it, and
find a balance for living
within our planet’s
resources. Three texts
continue the earth’s
plea that ended the
previous section: Lord
Byron’s “Darkness”
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s “Earth
Screaming” gives voice
to the modern issues of
our changing climate; and
William Wordsworth’s
“The World Is Too Much
With Us” warns us that
we are almost out of time
to change our course.
Contemporary/agrarian
poet Wendell Berry’s
“The Want of Peace”
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts (“A
Child said, What is the
grass?” and “There
was a child went forth
every day”) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s “A Blade
of Grass” from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states, “I
bequeath myself to the
dirt to grow from the
grass I love…”My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her?
The Vocal Library Low Voice. Composed by Various. Edited by Richard Walters. Voc...(+)
The Vocal Library Low
Voice. Composed by
Various. Edited by
Richard Walters. Vocal
Collection. Play Along.
Softcover Audio Online.
56 pages. Published by
Hal Leonard
For Piano. Composed by Vincent Persichetti (1915- 1987). Contemporary. Solo Pa...(+)
For Piano. Composed by
Vincent Persichetti
(1915-
1987). Contemporary. Solo
Part. With Standard
Notation. Composed 1926.
8
pages. Duration 2
minutes,
30 seconds. Theodore
Presser
Company #160-00224.
Published by Theodore
Presser Company