Arrangeur: Richard Duckett. The 'Team' series is suitable for use with both individuals or as a group tutor encouraging students to try ensemble playing from the very early stages. All of the books in the series are fully integrated allowing students using 'Team Recorder' to play in ensembles with students using 'Team Woodwind', 'Team brass', 'Team Percussion' and 'Team Strings'. Team Recorder is a flexible and adaptable course ideal for beginner recorder players. The tutor can be tailored to suit the specific needs of each student. Each piece is carefully graded to ensure a logical progression at a sensible pace and students are introduced to a wide variety of musical styles throughout the book.Imaginative piano accompaniments have been provided as well as some untuned percussion accompaniments to add variety in performance. Introduces simple-part playing through the use of rounds, ensemble parts for treble recorder and there are a number of duets that can be expanded into classroom, orchestra or wind band performances with the use of supplementary parts. This volume includes audio downloads of backing tracks designed to add a third dimension to practice sessions or performance when an accompanist is not available. The 'Team' series is suitable for use with both individuals or as a group tutor encouraging students to try ensemble playing from the very early stages. All of the books in the series are fully integrated allowing students using 'Team Recorder' to play in ensembles with students using 'Team Woodwind', 'Team brass', 'Team Percussion' and 'Team Strings'. Team Recorder is a flexible and adaptable course ideal for beginner recorder players. The tutor can be tailored to suit the specific needs of each student. Each piece is carefully graded to ensure a logical progression at a sensible pace and students are introduced to a wide variety of musical styles throughout the book.Imaginative piano accompaniments have been provided as well as some untuned percussion accompaniments to add variety in performance. Introduces simple-part playing through the use of rounds, ensemble parts for treble recorder and there are a number of duets that can be expanded into classroom, orchestra or wind band performances with the use of supplementary parts. This volume includes audio downloads of backing tracks designed to add a third dimension to practice sessions or performance when an accompanist is not available. / Niveau : Facile / Recueil / Flûte à Bec

The solos in this book are all based on melodies composed by women. They are especially well suited to performance on the soprano recorder and they provide excellent material for developing skills in rapid tonguing extendedbreath-control phrasing and the playing of high notes. Although arranged primarily for soprano recorder most of these solos can be played on tenor or alto recorder. (On the alto use ?C? fingerings.) Three of the world?s mostfamous melodies are here: Mildred Hill?s ?Happy Birthday? (originally ?Good Morning to You?) Euphemia Allens? ?Chopsticks? (originally ?The Celebrated Chop Waltz?) and Effie Corckett?s ?Rock-a-Bye Baby.? Less well knowndelights include Faustina Hodges? ?Because I?m Twenty-Five? and Florence Percy?s ?Fly Away ? as well as Amanda Aldridge?s ?Dance of the Warriors?-and the list goes on and on. A separate flute edition is available.

Media Type : Book Level : Intermediate-Advanced Musical Genre : World Music Number of pages : 48 For advanced soprano recorder or intermediate flute: 41 arrangements based on spirituals, folk songs, dance tunes, and melodies by African-American composers, plus five solos composed for this collection. Composers include Basile Barès, A. J. R. Conner, Henry Hart, Francis Johnson, and J. W. Postlewaite. Old favorites include Banyan Tree, Carry Me Back to Old Virginny, Doctor Bird, Down by the Riverside, and Ev'ry Time I Feel the Spirit. Includes fingering chart for high notes, performance notes, and suggestions for use with sound system and/or percussion. Supported by Internet-accessible melody-specific Historical Notes for all the solos.

Qui n'a pas depuis toujours rêvé de jouer les célèbres mélodies classiques comme soliste sur flûte à bec' Dans ce recueil, vous trouverez les plus beaux morceaux classiques, arrangés pour une ou deux flûtes à bec ainsi qu'un CD d'accompagnement. Au cours d'un voyage musical vous allez découvrir des célèbres compositions telles que Une petite Musique de Nuit, la 9e Symphonie de Beethoven, La Flûte Enchantée et La donna è mobile. Pour avoir encore plus de plaisir à faire de la musique, les arrangements sur le CD ont été enregistrés en deux versions: avec et sans flûtes à bec. A. Vivaldi: Le Printemps (Quatre Saisons) W.A. Mozart: Air de Papageno (La Flûte enchantée) J.S. Bach: O Haupt voll Blut und Wunden (Passion selon Saint-Mathieu) W.A. Mozart: Das klinget so herrlich (La Flûte enchantée) J. Brahms: Berceuse Guten Abend, gut Nacht! M.A. Charpentier: Prélude extrait du Te Deum J. Haydn: Andante extrait de la Symphonie No. 94 L.v. Beethoven: Ode à la Joie (9e Symphonie) C.M.v. Weber: Wir winden dir den Jungfernkranz (Der Freischütz) G. Verdi: La donna è mobile (Rigoletto) J. Haydn: Hymne (Quatuor de L'Empéreur) G.F. Händel: Ombra mai fù (Largo extrait de Xerxes) B. Smetana: La Moldau (Ma Patrie) G. Bizet: Toréador, en garde! (Carmen) J. Offenbach: Barcarole (Contes d'Hoffmann) G. Rossini: Ouverture extrait du Barbier de Séville R. Wagner: Brautchor Treulich geführt (Lohengrin) G. Verdi: Choeur des prisonniers Va, pensiero (Nabucco) W.A. Mozart: Une petite Musique de Nuit P.I. Tschaikowsky: Thème principal (Lac des Cygnes) J. Offenbach: Cancan (L'Orphée aux Enfers)

8 Easy To Intermediate Play-Alongs Of Well-Known Pieces From Ireland, Scotland, Wales, Cornwall And Brittany. Martin Tourish is an accordionist, composer and musicologist from Co. Donegal, now based in Dublin. Celtic music is in his blood, for his ancestors were noted collectors of dance music manuscripts dating back to the 19th century. With many recordings to his credit, he now offers his expertise to performers wishing to explore the rich culture of Irish and other Celtic music on a variety of instruments. 'World Music - Celtic” presents material from the Irish, Scottish, Welsh, Cornish and Breton traditions. It makes no great technical demands on the players, but Tourish points out that notation of this music is often 'skeletal”, hence it is important to gain a knowledge of the individual traditions in question and, naturally, he offers plenty of information on performance practice. The collection spans three centuries, from the blind bardic harpists of the 18th century to the international performers of the present day. Tourish accepts that this volume can only scratch the surface of a multi-faceted genre but hopes you will see it as a stepping stone to delve deeper into recordings, festivals and the very communities whence this music comes. 'World Music - Celtic” is available in eight formats, each with complete recordings and backing tracks on CD: as solo versions for violin, violoncello, flute, clarinet, saxophone, recorder or trumpet (with piano) and in an ensemble version for two melodic instruments (C, Bb or Eb), piano, guitar, bass and bodhrán. In addition to the alto recorder part, this edition also contains a part for soprano or tenor recorder. / Niveau : Facile à Intermédiaire / Recueil / Flûte à Bec Alto

arranged very easy. In addition to the very successful series of Hans and Marianne Magolt, they now publish the first volume in the new series 'The Most Beautiful Spirituals & Gospels'. All melodies are very easy arrangements for beginners and can be played at various occasions at home, at the music school, at primary school or in an ensemble. Optionally, the arrangements can be played with an additional second part. Contents: Down by the Riverside, Glory Hallelujah, Go down Moses, O happy day, Rock my soul, He’s got the whole world in his hands, Nobody knows the trouble I’ve seen, Swing low and many more./ Recueil / 1 ou 2 Flûtes à Bec

Par BEATLES THE. Easy arrangements for recorder by Robin De Smet of famous Beatles songs. Thirty tunes with chord symbols, including 'Lady Madonna', 'She Loves You', 'When I'm Sixty-Four' and 'Yesterday'. / Rép International / Recueil / Flûte à Bec

Band I Sonaten 1 Und 2. Par CORELLI ARCANGELO. / Répertoire / Flûte à Bec Alto et Basse Continue

Dawn’s Dove for solo recorder was composed in 1994. It was first performed by John Turner who commissioned it at a concert in honour of the sixtieth birthday of the composer Anthony Gilbert to whom the piece is dedicated.It is not a literal birdsong but I hope it captures the spirit of jubilant dawn chorus - as well as the softer sounds of a dove which does not get up as early as other birds! I wrote it while I was writing my opera 'The Wildman' and the epilogue of that opera is introduced by a piccolo solo which is very like Dawn's Dove - they share material. In the opera it signifies early morning.Part way through Dawn’s Dove the tempo becomes steadier and Iquote from a beautiful work of Anthony Gilbert his 'Towards Asavari’ for piano and ensemble. At the end of that work there is a trumpet solo which outlines the Indian raga on which the piece is based. My quote alludes to that.The unfolding melodic line of Dawn’s Dove is sometimes inflected by microtones; the piece lasts between two and three minutes.

The Chinese Pictures for solo flute (s) (1993) were composed for the premiere played by the solo flutist Walter van Hauwe but Yun also wished for a performance by German flutes. The four pieces which Yun composed in June 1993 in Hohegeiß/ Harz are characterised by the reduced structural capacity of his style the memories of far eastern flute-idioms - with the exceprion of the third piece Der Affenspieler - and a Buddhist pattern. Yun consistently limits his work: all pieces come from techniques of the evolved variations and contrastive adaptions from (repsectively different) two- or three-toned themes. The first two pieces have the contemplative tenor as well as the spiraldramaturgy of the upward auched semi-circle the archetypal symbol for heaven in common. However the themes are conflictive: Bigger intervals abound the single tone in I. Der Besucher der Idylle whereas the tight coupling with the 'main tone' through smaller intervals in II. Der Eremit am Wasser evoke a softer sound. This clearly mirrors the impression of the single tone as a brush mark. Both pieces are - just like IV. Die Hirtenflöte - inspired by various variations of the story of the shepherd and his ox which in east Asia is used to name the 'inner child' of a human. The title if the first piece in the autograph is Der Besucher der Eremitage and refers to Buddhist hermitage. The visitor of this idyll is the farmer who leads his ox to the water for him to drink. The continuation of this parable is expressed by the second piece Der Eremit am Wasser. Together with the farmer the hermit comes to the water and rinses his ears. The farmer asks him why he would do that and the hermit responds: 'I was in town at the royal palace. I was to be empoloyed as sergeant and got offered a good payment. But when I asked what I had to do I heard terrible things. That is why I have to rinse my ears. ' The farmer however is disgusted by the contamination of the water; he leaves the fountain without letting his ox drink. The title of the third piece

with Easy Instructions and Fingering Chart-Learn to play eight hits by the 'Fab Four' on the Recorder. The Beatles: Recorder Fun! features E-Z Play® Today notation for the songs All My Loving Get Back I Feel Fine Lady Madonna Nowhere Man She Loves You Yellow Submarine and Yesterday. This book includes easy instructions as well as a fingering chart to get even absolute beginners playing.

La colegiata - Djamballa - Supercalifragilisticexpialidolius - Love is song - Mickey mouse march - Isn't she lovely - Baby i hold you - Happy xmax - Killing me softly - Diana - You are my desteny - Funiculi funiculà - Santa Lucia - Mas que nadà - Granada - Cachito - Brazil - Hey jude - Like a virgin - In the summertime - Gloria _ Stairway to heaven - Hot stuff

Enregistreur Express est la voie pour devenir un joueur de grande enregistreur et s'amuser ! Plus de 120 chansons folkloriques, pop et originales et exercices sont inclus ainsi que des conseils technique et de la théorie de la musique début. Les niveaux 1 et 2 sont combinées dans cette un édition ! Notes sont enseignées dans cet ordre : faible de B, A, G, C, D, E, D faible, F #, C, F, faible élevé e. Cette méthode a été bien conçue et testée soigneusement par maître professeur clinicien et lecteur enregistreur professionnel Artie Almeida. Un CD-ROM distinct est disponibles 99 pistes branches. La plupart des pistes sont accompagnement seulement, mais certains en vedette un lecteur enregistreur professionnel afin que les étudiants peuvent s'efforcer de correspondre son ton beau et la musicalité. / Flûte A Bec / 48 pages / Partition

INSTRUMENTATION : 1-2 SOPRANO RECORDERS VERSION : EDITION WITH CD DESCRIPTION : HASN'T EVERY RECORDER PLAYER DREAMED OF PLAYING THE MOST CELEBRATED CLASSICAL MELODIES AS A SOLOIST' HERE YOU WILL FIND THE FINEST PIECES IN ARRANGEMENTS FOR ONE OR TWO DESCANT RECORDERS, WITH A CD TO PLAY ALONG WITH. ON A MUSICAL JOURNEY OF DISCOVERY YOU WILL ENCOUNTER MANY FAMOUS COMPOSITIONS, FROM EINE KLEINE NACHTMUSIK AND BEETHOVEN'S ODE TO JOY TO THE BIRDCATCHER'S SONG FROM THE MAGIC FLUTE AND LA DONNA È MOBILE FROM VERDI'S RIGOLETTO . SO THAT YOU CAN REALLY ENJOY MAKING MUSIC THE ARRANGEMENTS HAVE BEEN RECORDED IN TWO VERSIONS ON THE CD: WITH AND WITHOUT RECORDERS. CONTENU : A. VIVALDI: SPRING (THE FOUR SEASONS) - W.A. MOZART: THE BIRDCATHER'S SONG (THE MAGIC FLUTE) - J.S. BACH: O HAUPT VOLL BLUT UND WUNDEN (ST. MATTHEW PASSION) - W.A. MOZART: DAS KLINGET SO HERRLICH (THE MAGIC FLUTE) - J. BRAHMS: CRADLE SONG GUTEN ABEND, GUT NACHT - M.A. CHARPENTIER: PRÉLUDE FROM TE DEUM - J. HAYDN: ANDANTE FROM THE SYMPHONY NO. 94 THE SURPRISE - L.V. BEETHOVEN: ODE TO JOY (9. SINFONIE) - C.M.V. WEBER: WIR WINDEN DIR DEN JUNGFERNKRANZ (DER FREISCHÜTZ) - G. VERDI: LA DONNA È MOBILE (RIGOLETTO) - J. HAYDN: IMPERIAL ANTHEM (EMPEROR QUARTET) - G.F. HÄNDEL: OMBRA MAI FÙ (LARGO FROM XERXES) - B. SMETANA: THE MOLDAU (MY HOMELAND) - G. BIZET: TORÉADOR, EN GARDE! (CARMEN) - J. OFFENBACH: BARCAROLE (TALES OF HOFFMANN) - G. ROSSINI: OVERTURE TO THE BARBER OF SEVILLA - R. WAGNER: WEDDING CHORUS TREULICH GEFÜHRT (LOHENGRIN) - G. VERDI: GEFANGENENCHOR VA, PENSIERO (NABUCCO) - W.A. MOZART: EINE KLEINE NACHTMUSIK - P.I. TSCHAIKOWSKY: MAIN THEME (SCHWANENSEE) - J. OFFENBACH: CANCAN (ORPHEUS IN THE UNDERWORLD) DATE DE PARUTION : 17/02/2003 NOMBRE DE PAGES : 24 LANGUE : ENGLISH FORMAT : PARISIEN PORTRAIT