| Noel Zancanella Ryan
Tedder: I Lived: Upper
Voices A Cappella: Choral
Score Hal Leonard 11.25 GBP - vendu par Musicroom GB |
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| Noel Zancanella Ryan
Tedder: I Lived: Mixed
Choir A Cappella: Choral
Score Hal Leonard 11.25 GBP - vendu par Musicroom GB |
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| Musics of Memory: Chamber
Ensemble: Score & Parts Lauren Keiser Music Publishing
For Marimba Guitar Harp and Piano-This quartet for piano guitar marimba and ...(+)
For Marimba Guitar Harp and Piano-This quartet for piano guitar marimba and harp was inspired by the writings of neuroscientist Antonio Damasio. In it the piano represents a human being whose lived experiences are mapped in brain areas that are represented by the guitar marimba and harp. Like the piano the other three instruments are polyphonic and so can map harmonic content as well as melodic and rhythmic content expressed by the piano in the first movement Lived Experience. This mapping is not passive but rather involves active contributions from inside the brain. The three remaining movements take the performer and listener alike through the journey of these mapped memories. Movements: I. LivedExperience II. Mapping III. Reassessed Rearranged IV. Recollection. Duration: c. 21 minutes
59.99 GBP - vendu par Musicroom GB |
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| Musics of Memory: Chamber
Ensemble: Score Lauren Keiser Music Publishing
For Marimba Guitar Harp and Piano-This quartet for piano guitar marimba and ...(+)
For Marimba Guitar Harp and Piano-This quartet for piano guitar marimba and harp was inspired by the writings of neuroscientist Antonio Damasio. In it the piano represents a human being whose lived experiences are mapped in brain areas that are represented by the guitar marimba and harp. Like the piano the other three instruments are polyphonic and so can map harmonic content as well as melodic and rhythmic content expressed by the piano in the first movement Lived Experience. This mapping is not passive but rather involves active contributions from inside the brain. The three remaining movements take the performer and listener alike through the journey of these mapped memories. Movements: I. LivedExperience II. Mapping III. Reassessed Rearranged IV. Recollection. Duration: c. 21 minutes
44.99 GBP - vendu par Musicroom GB |
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| Top Hits Of 2015 Piano, Voix et Guitare [Partition] - Intermédiaire Hal Leonard
20 terrific tunes from today's top recording artists are included in this collec...(+)
20 terrific tunes from today's top recording artists are included in this collection for Piano, Voice and Guitar.Includes: Blank Space, Budapest, Cheerleader, Earned It (Fifty Shades of Grey), Heartbeat Song, I Really like You, Lay Me Down, Lips Are Movin, Love Me like You Do, One Last Time, See You Again, Shut up and Dance, Sugar, Thinking Out Loud, Uptown Funk, Want to Want Me and more. / Piano/Vocal/Guitare (PVG)
22.80 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Top Hits Of 2015 - Easy
Piano Songbook Piano Facile [Partition] - Facile Hal Leonard
The 2015's 20 biggest hits arranged at an easier level so even beginning players...(+)
The 2015's 20 biggest hits arranged at an easier level so even beginning players can enjoy them.Includes: Blank Space, Budapest, Cheerleader, Earned It (Fifty Shades of Grey), Heartbeat Song, I Really like You, Lay Me Down, Lips Are Movin, Love Me like You Do, One Last Time, See You Again, Shut up and Dance, Sugar, Thinking Out Loud, Uptown Funk, Want to Want Me and more. / Piano
22.80 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Thomas Simaku: a2 (a):
Viola & Cello: Score :: [Partition] University Of York Music Press
For Viola and Cello.Published 2008.Dedicated to Garth Knox and Rohan de SaramFir...(+)
For Viola and Cello.Published 2008.Dedicated to Garth Knox and Rohan de SaramFirst performance: Intrasonus Festival Venice 3 May 2008'This music was composed during my DAAD residency in Berlinin October ? November 2007. If I were to describe it in one sentence I would say that it is based on the idea of 'two things seen/heard as one'.'a2 (a due) is a well-known term to musicians; it is often found in orchestralscores indicating a given passage that is to be played by two instruments of the same family. Although violin and cello could well be regarded as 'first cousins' of the string family the literal implementation of the term a2 as a'compositional strategy' would have been too much (!) for a piece of chamber music consisting of no more than two players. Not surprisingly this never happens in this work; in fact the opposite is true: regardless of how itappears on paper (i.e. on one or two staves) the music for each instrument is constantly based on two layers.'This musical 'interpretation' of the title gives an indication as to how the textural format of the piece operates.However this was by no means the only thought that 'preoccupied' my mind whilst composing this music. Berlin made a profound impression on me. The remnants of the wall in Bernauer StraÃ?e and the cobbled two-stone line tracingthe wall across where it once stood ? a clear reminder of what not so long ago there were two different worlds in one city ? provoked a strikingly dramatic effect. Border death-strip killing and escape to freedom had aparticularly evocative resonance especially of the time when I lived for three years in a remote town in Southern Albania right at the border with Greece. There there was a nameless road whose destination the authorities did notwant you to know but the locals called it the 'death-road'.'In no way programmatic in this context the extra-musical dimension of the principal idea is very much part of the piece. Here the musical and extra-musical
13.00 GBP - vendu par Musicroom GB |
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| El Cimarron (HENZE HANS
WERNER) Baryton, Flûte, Guitare et
Percussion [Conducteur] Schott
Par HENZE HANS WERNER. The making of El Cimarrón began in about 1986, with a co...(+)
Par HENZE HANS WERNER. The making of El Cimarrón began in about 1986, with a conversation I had with Hans Magnus Enzensberger about the difficulties of writing political songs today that would go beyond the achievements of Eisler, Weill and Dessau in this field. It seemed to me that I might try to tackle the problem by writing a cycle with a variety of musical materials out of which perhaps something novel might emerge in a new and different context, almost by chance. Enzensberger told me of the recent publication of a biography by Estéban Montejo, an old Afrocuban who lived in Havana and who recalled his adolescence as a slave, and suggested that I should set episodes from this book that he, Enzensberger, would select for my experimentation.
El Cimarrón, however, did not turn into a cycle of songs and was, indeed, not even intended as such - what came out of the work is a new form of theatrical music making.
Singer, flautist and guitarist are occasionally required to play percussion instruments.
- Hans Werner Henze/ Répertoire / Baryton, Flûte, Guitare et Percussion
42.40 EUR - vendu par LMI-partitions Délais: Sur commande |
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| OneRepublic: OneRepublic
- Native: Piano Vocal
and Guitar: Album
Songbook Piano, Voix et Guitare [Partition] Hal Leonard
Mega-hit singles ?Counting Stars? and ?Love Runs Out? are both included in this ...(+)
Mega-hit singles ?Counting Stars? and ?Love Runs Out? are both included in this Piano Vocal and Guitar collection matching the 2013 album release by this popular band from Colorado. The album reached #4 on the Billboard® 200 album charts and also includes the songs: Burning Bridges Can't Stop Don't Look Down Feel Again I Lived If I Lose Myself Light It Up Preacher Something I Need What You Wanted and more.
16.99 GBP - vendu par Musicroom GB |
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| Joel M. Hardyk: I Never
Saw Another Butterfly:
2-Part Choir: Vocal Score Chorale 2 parties [Vocal Score] Schirmer
In Czechoslovakia there is a strange walled-in fortress called Terezin. During ...(+)
In Czechoslovakia there is a strange walled-in fortress called Terezin. During World War II it was used as a concentration camp for Jews from all over Europe. Fifteen thousand of these children passed through the Terezin camp between 1942 and 1944; of these only about 100 lived to tell about it.The poems selected for this suite are representative of the poetry written by the children during their stay in Terezin. They reveal the children's horror and disbelief at living conditions in the ghetto their longing to leave their childish humour beauty not seen by adults and conviction of survival.I. At Terezin (poem by Teddy)II. I'd Like to Go Alone (poemby Alena Synkova)III. The Little Mouse (poem by Miroslav Kosek Hanus Lowy and Bachner)IV. The Garden (poem by Franta Bass)V. The Butterfly (poem by Pavel Friedmann)Translated into English by Jeanne Nemcova.
19.95 GBP - vendu par Musicroom GB |
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| Karl Jenkins: Ryers Down:
Flute & Harp:
Instrumental Work Harpe, Flûte (duo) Boosey and Hawkes
Composed for Emma Halnan winner of The Arts Club ? Sir Karl Jenkins Music Award...(+)
Composed for Emma Halnan winner of The Arts Club ? Sir Karl Jenkins Music Award 2016.The composer comments that ?for the first ten years of this century I lived and composed on the Gower Peninsula an area of sandy beaches and dramatic cliff scenery with coastal caves; the first area in the UK to be officially designated as one of outstanding natural beauty. Living in an old mill alongside the Bury Pill stream I wrote from a stable block enjoying a vista across Cheriton Valley and the river to Ryers Down. This work is a musical reflection of time spent there.?Originally scored for Flute and Piano this publication comprises the Harp adaptationby Heather Wrighton. It doesn't include the Flute part as a single part. Flautists should purchase the Flute and Piano edition.
10.99 GBP - vendu par Musicroom GB |
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| Karl Jenkins: Ryers Down:
Flute: Instrumental Work Flûte traversière et
Piano [Partition] Boosey and Hawkes
Composed for Emma Halnan winner of The Arts Club – Sir Karl Jenkins Music...(+)
Composed for Emma Halnan winner of The Arts Club – Sir Karl Jenkins Music Award 2016. The composer comments that “for the first ten years of this century I lived and composed on the Gower Peninsula an area of sandy beaches and dramatic cliff scenery with coastal caves; the first area in the UK to be officially designated as one of outstanding natural beauty. Living in an old mill alongside the Bury Pill stream I wrote from a stable block enjoying a vista across Cheriton Valley and the river to Ryers Down. This work is a musical reflection of time spent there.”
12.50 GBP - vendu par Musicroom GB |
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| Lennox Berkeley: I Sing
Of A Maiden: SATB: Vocal
Score Chorale SATB SATB A Cappella [Vocal Score] Chester
The poem I Sing Of A Maiden is one of the best known of the anonymous medieval h...(+)
The poem I Sing Of A Maiden is one of the best known of the anonymous medieval hymns deceptive in its simplicity and full of grace and faith. The setting by Lennox Berkeley also has a deceptivesimplicity but reveals on repeated listenings or performances a harmonic integrity and subtlely that has made it a work that will continue to be performed and enjoyed for a long time to come. Lennox Berkeley wascomposing and having his works performed before he finished school then upon meeting Ravel was introduced to legendary teacher Nadia Boulanger in Paris with whom he studied. He mixed with the great artistic and musicalnames of prewar Paris before returning to Britain where he later met and lived with Benjamin Britten before the arrival of Peter Pears in Britten’s life. Berkeley was professor of composition at the Royal Academy of Musicand himself composed more than two hundred works of music many of them of enduring value.
1.50 GBP - vendu par Musicroom GB |
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| Heather Sorenson: I Have
Loved the Stars Too
Fondly: SATB: Vocal Score Chorale SATB [Vocal Score] Shawnee Press
Inspired by Sarah Williams' poem The Old Astronomer this new concert work tell...(+)
Inspired by Sarah Williams' poem The Old Astronomer this new concert work tells of the irony of life's moments of a life long lived through joy sadness longing endurance love and so many other lessons rolled into a vessel of musical inspiration. The shadows give perspective on things already known and the light although familiar was only mine on loan. I have loved the stars too fondly to be fearful of the night. Optional cello included this work is outstanding in text and music.
11.25 GBP - vendu par Musicroom GB |
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| Live At The Regal -
Guitar Recorded Versions Guitare notes et tablatures - Intermédiaire Hal Leonard
One of the greatest blues albums ever recorded by one of the greatest guitarists...(+)
One of the greatest blues albums ever recorded by one of the greatest guitarists ever to have lived, every note of Live At The Regal by B. B. King is presented here in staff notation and Guitar tablature so that now you can learn all the details of this legendary performance.Recorded in 1964 at the Regal theatre in Chicago, guitarist B. B. King and his Guitar, Lucille, took to the stage and unleashed one of the most powerful performances in living memory. Blasting through a set of original compositions like Please Love Me and You Upset Me Baby, mixed in with covers of blues standards like Every Day I Have The Blues, King brought his uniquely expressive way of playing to the masses. Now, with this edition of Live At The Regal, you can learn from the greatest, following every sublime lick and expert bend until you've nailed the entire performance.Featuring staff notation and tablature, this book is ideal for the blues-loving guitarist who already knows the basics and wants to sharpen their lead-playing, and what better example to learn from than the King of Blues? The detailed instructions tell you every nuanced technique, such as every time King employs vibrato and sometimes even which pickup to use. At the back of the book there is a useful chart to explain the tablature notation for specific techniques that are used throughout the songbook. To view the complete list of songs included here, please scroll down to the song list.Guitarists like Eric Clapton and John Mayer say that they often listen to this record before their own performances, so if you're looking to follow in the footsteps of the King, don't Worry, Worry, check out Live At The Regal and learn how to get the blues. / Guitare
27.10 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Spotlight Piano Solo
Collection Book 1:
Piano: Instrumental Album Piano seul [Partition] - Débutant FJH
Contents include: Morning Has Broken (Massoud); My First Halloween at the Piano...(+)
Contents include: Morning Has Broken (Massoud); My First Halloween at the Piano (Scherk); Parade of the Ants (Greenleaf); Locomotive Boogie (Greenleaf); Squeaky Sneakers (Greenleaf); Buglers at Sunrise (Holmes); Chihuahua Cha-Cha (Greenleaf); The Great Bike Race (Greenleaf); If I Lived Under the Sea (Matz).
3.95 GBP - vendu par Musicroom GB |
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| Jimmy McHugh Harold
Adamson: I Just Found out
About Love: Upper Voices
a Chorale SSAA [Partition] Barbershop Harmony Society
Written for an obscure short-lived musical that never made it to Broadway this...(+)
Written for an obscure short-lived musical that never made it to Broadway this song caught the ear of Nat King Cole who promptly recorded it in 1956 and it became a lesser-known standard in the great American songbook. It has since been recorded by artists such as Johnny Mathis Dinah Washington Diane Schuur and Diana Krall. Accessible and hard-swinging this is a perfect addition to any male or female quartet or chorus repertoire!
17.50 GBP - vendu par Musicroom GB |
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| Lili'Uokalani: Ku'u Pua I
Paoakalani: Mixed Choir a
Cappella: Vocal Score Chorale 2 parties [Vocal Score] Hal Leonard
(My Flower in Paokalani)-In 1895 Queen Lili'uokalani lived under house arrest i...(+)
(My Flower in Paokalani)-In 1895 Queen Lili'uokalani lived under house arrest in her Iolani Palace for eight months. Not being allowed to communicate with anyone nor to receive visitors the Queen was able to receive a bouquet of flowers brought to her each day. This song is a treasured favorite from the deep cultural heritage of Hawaii.
11.25 GBP - vendu par Musicroom GB |
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| Keyboard And Organ Works
From Copied Sources:
Polyphonic Works Orgue Barenreiter
Johann Jacob Froberger, who lived from 1617 to 1667, developed a style of compos...(+)
Johann Jacob Froberger, who lived from 1617 to 1667, developed a style of composition representing a synthesis of Italian, French and English influences, thereby setting new standards at that time. Only Jan Peterszoon Sweelinck can match Froberger in terms of significance for 17th century keyboard music.The text to each volume of the complete edition of Froberger's organ and keyboard music is published in German and English comprising a critical commentary as well as a detailed foreword explaining the scope and subdivision of the edition and the editorial techniques. Also, information on performance practice, on instruments of the time and on ornamentation is included, as well as details on Froberger's biography.Volume V.2, like the previously published volume V.1, contains the musical text from an anonymous 17th century copy which was returned to the Berlin Singakademie from Kiev in 2001. It is divided into works of definitive authenticity, new readings and two appendices containing works of doubtful authenticity and spurious arrangements.- Definitive complete Urtext edition- At the cutting edge of scholarship- Detailed explanatory notes / Orgue Ou Piano
76.90 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Peter Rose Anne: Lord I
Give My Life To You:
Mixed Choir: Vocal Album Rose Conlon Music
Sung during the Communion of the Papal Mass in Glasgow this hymn reflects the s...(+)
Sung during the Communion of the Papal Mass in Glasgow this hymn reflects the spirituality of Australia's first saint - St Mary of the Cross MacKillop whose mother and father originally lived in Lochaber in the Scottish Highlands. From our series 'Hymns for a Changing World'. Optional harmony part in the chorus.
1.20 GBP - vendu par Musicroom GB |
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| Jimmy McHugh Harold
Adamson: I Just Found out
About Love: Mixed Choir a Chorale SATB [Vocal Score] Barbershop Harmony Society
Written for an obscure short-lived musical that never made it to Broadway this...(+)
Written for an obscure short-lived musical that never made it to Broadway this song caught the ear of Nat King Cole who promptly recorded it in 1956 and it became a lesser-known standard in the great American songbook. It has since been recorded by artists such as Johnny Mathis Dinah Washington Diane Schuur and Diana Krall. Accessible and hard-swinging this is a perfect addition to any male or female quartet or chorus repertoire!
17.50 GBP - vendu par Musicroom GB Délais: En Stock |
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| Jimmy McHugh Harold
Adamson: I Just Found out
About Love: Lower Voices
a Chorale 3 parties TTB/TBB [Vocal Score] Barbershop Harmony Society
Written for an obscure short-lived musical that never made it to Broadway this...(+)
Written for an obscure short-lived musical that never made it to Broadway this song caught the ear of Nat King Cole who promptly recorded it in 1956 and it became a lesser-known standard in the great American songbook. It has since been recorded by artists such as Johnny Mathis Dinah Washington Diane Schuur and Diana Krall. Accessible and hard-swinging this is a perfect addition to any male or female quartet or chorus repertoire!
17.50 GBP - vendu par Musicroom GB Délais: En Stock |
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| Francis Pott: At First
Light: Voice and Cello:
Score Peters
At First Light was commissioned by Eric Bruskin a resident of Philadelphia USA...(+)
At First Light was commissioned by Eric Bruskin a resident of Philadelphia USA in memory of his mother. Eric had a longstanding enthusiasm for my work and I was touched to be the person he approached for a task which is both a privilege and a daunting responsibility. In a sense no music can ever measure up to the weight of love or the hope of consolation vested in it under such circumstances – but in memory I carry the deaths of both my own parents and I was able to draw upon that. Eric’s fondness for my Cello Sonata (itself written in memoriam) led him to ask that I include a solo ‘cello part in the new work – but his attachment also to my polyphonic sacred choral writing meant that he wanted a centrepiece which would be both a showcase of that approach and the celebration of a life well lived. Therefore the seven movements of At First Light arrange themselves as a series of slow meditations surrounding an exuberant 9-minute motet in which the lamenting cello falls temporarily silent. Eric’s Jewish faith meant that approaching an agnostic humanist brought up within the Anglican tradition was hardly free of problems! Gradually though I was able to win his approval for a collated mosaic of texts. This embraces some liturgical Latin (necessary for the motet) as the shared preserve of broad western culture in general but balances it with a secular approach to loss celebration remembrance and the many shades of our mourning those whom we see no longer. Eric was adamant that he did not want the title Requiem; but what has emerged is still a form of semi-secular Requiem in all but name taking its title instead from a phrase in the poem by Thomas Blackburn set as the third movement. This seemed to suggest succinctly how the loss of one very close to us is an awakening into an unfamiliar world where everything is changed. Following the exuberant central movement the texts by the Lebanese-born Kahlil Gibran and the US Kentuckian poet Wendell Berry first address the departed loved one directly then place us within an imaginary funeral cortège where the perennial and universal in human experience become personal without subscribing explicitly to any particular faith (or lack of it). The final text of all is a translation of a Hebraic prayer requested and provided by Eric Bruskin which serves to mirror its Latin counterpart heard at the outset. Throughout the lamenting cello represents a commentary on the experience articulated in the text. It evokes and in a sense tries to embrace and sanctify the individual existential journeys of the bereft as they in turn seek to make their own sense of what the short-lived Second World War poet Alun Lewis called ‘the unbearable beauty of the dead’ (movement 5). In a modern world hostage to ever greater menace displacement bloodshed and anguish I hope fervently that this music not only brings a measure of solace to the person who commissioned it but also makes its own small contribu
17.95 GBP - vendu par Musicroom GB |
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| Lennox Berkeley:
Introduzione and Allegro:
Double Bass: Instrumental
Album Contre Basse [Partition] - Avancé Yorke Edition
Good work for examinations and recitals by an important British composer. Durati...(+)
Good work for examinations and recitals by an important British composer. Duration c.6'. AMEB (Australian Syllabus) 2004. Programme notes as follows:Lennox Berkeley was born in 1903 and died in 1989. After reading modern languages at Oxford he had no intention of becoming a composer until he met Ravel in 1926 who encouraged him to study in Paris with Nadia Boulanger. He stayed in Paris until 1932 developing his own musical language. In 1936 after the death of his mother he went to Barcelona for the International Society for Contemporary Music festival where he met Benjamin Britten. The two lived together at Snape in Suffolk for a while until the outbreak ofwar before Berkeley moved back to London to work for the BBC. Here he met his future wife Freda Bernstein. He taught at the Royal Academy of Music in London from 1946 until 1968 where his pupils included Richard Rodney Bennett Nicholas Maw and John Tavener among others. He was knighted in 1974. In early February 1971 I was playing in a concert at St. John's Smith Square London then only relatively recently restored as a superb venue for music. The programme which I believe was being broadcast included Berkeley's Serenade Op.12. It was a work I had always enjoyed playing and was standard string orchestra repertoire at the time. There was initially no platform at St. John's and so the audience sat virtually on top of the performers. So close were they on this occasion that I had to ask for a little more room in order to play. At the end of the piece the orchestra acknowledged the applause and the gentleman who I had all but practically decapitated with my over-enthusiastic playing stood up and took a bow. I had been almost playing in Lennox Berkeley's lap! The opportunity was too good to miss and I wasted little time in introducing myself. Mr Berkeley said that he had been fascinated by my playing and asked me to write to him about a possible commission.This I did on 6 February mentioning that
9.50 GBP - vendu par Musicroom GB |
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| Mark Tanner: French
Baguettelles: Cello:
Instrumental Album Violoncelle - Facile Spartan Press
Favourtie French Melodies-In creating these dozen arrangements I am unashamedly ...(+)
Favourtie French Melodies-In creating these dozen arrangements I am unashamedly cherry-picking from a long and rich seam of French music. I feel confident that younger players and those relatively new to the cello will enjoy my selection. Forgive my tongue-in-cheek title for the book French Baguettelles (I'm half French so I don't feel too guilty!) for the music herein has more than a hint of garlic about it. Although there are certainly serious overtones to one or two pieces there is a healthy dollop of silliness to lighten the mood. Apart from Sur la Pont d'Avignon which was reportedly written in the 15th century Frère Jacques which was a popular 18th century song and Tambourin which wasin all probability also written in the 18th century (Gossec did however live well into the 19th century) all of the pieces come from composers who lived in the Romantic period. Ravel and Debussy were of course known for their impressionistic colours though for the most part it is the accompaniments which reveal this characteristic most fully. I have endeavoured to keep the piano parts playable by mere mortals conscious of the fact that cello teachers may not possess a virtuosic piano facility but may nevertheless wish to turn their hand to accompanying pupils for concerts festivals exams etc. Many of the pieces were originally written for the piano either in its solo capacity (Ravel's Pavane Pour une Infante Défunte Chabrier's Idylle Satie's Gymnopedie 1 Debussy's La Fille aux Cheveux de Lin) or in duet form (Fauré's Berceuse from 'Dolly Suite'). Three orchestral pieces Bizet's L'Arlésienne Offenbach's Can-Can and Saint-Saëns's Danse Macabre lend a welcome dramatic overtone to the book while Franck's exquisite Panis Angelicus originally conceived as a choral piece rounds off the selection admirably. In the main it is the cello's capacity for lyricism that has steered my choice of music so really open up your sound and enjoy yourself with these ageless melodies.I wish you bonne chance!Baguette: a thin loaf of
12.95 GBP - vendu par Musicroom GB |
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| TAYLOR SWIFT - THE
TORTURED POETS
DEPARTMENT- PVG Piano, Voix et Guitare Hal Leonard
You've memorized all the songs from the double album, now it's time to play them...(+)
You've memorized all the songs from the double album, now it's time to play them for yourself! Our matching folio to The Tortured Poets Department: The Anthology features all 31 tracks meticulously arranged for piano and voice with guitar chord frames. Dive into the emotional depth of Swift's music and play along with your favorite tracks from “Fortnight” to “The Manuscript,” to “So Long, London” to “So High School,” and all the others. Immerse yourself in the storytelling prowess of Taylor Swift and bring her songs to life with your own unique voice and talent! The Albatross The Alchemy The Black Dog The Bolter But Daddy I Love Him Cassandra Chloe Or Sam Or Sophia Or Marcus Clara Bow Down Bad Florida!!! Fortnight Fresh Out The Slammer Guilty as Sin? How Did It End? I Can Do It with a Broken Heart I Can Fix Him (No Really I Can) I Hate It Here I Look in People's Windows Imgonnagetyouback Loml The Manuscript My Boy Only Breaks His Favorite Toys Peter The Prophecy Robin The Smallest Man Who Ever Lived So High School So Long, London Thank You Aimee The Tortured Poets Department Who's Afraid of Little Old Me? / Piano voix guitare / Hal Leonard
46.72 EUR - vendu par Woodbrass Délais: En Stock |
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| Amanti Lucio Franco -
Jazz Suite - Cello Violoncelle Schott
'The idea of writing a 'Jazz Suite for cello solo' came out when I tried to imag...(+)
'The idea of writing a 'Jazz Suite for cello solo' came out when I tried to imagine how it would have sounded like if one of the baroque masters (Gabrielli, Buxtehude, Bach) had lived in our time and wanted to write a suite of dances. I thought it would probably still keep some of the conventions of the traditional form, like maybe the use of a Prelude to establish the key and the alternation of slow with fast movements. But some things would have definitely been different: the harmonies, for example would probably have been more complex and not always tonal. Also the popular dances used as a workbench for the suite would have been not gigues or Bourees but perhaps latin american or Jazz standards.
Well, since the great masters are unfortunately not able at the moment to accept my challenge, I had to write it myself. I hope you will enjoy it. The famous cello player Janos Starker says: "Lucio Amanti is a very fine cellist and imaginative composer. His Jazz Suite is an enjoyable mix of jazz and classicism. I much appreciate his work.' (Janos Starker)
18.50 EUR - vendu par Woodbrass Délais: Sur commande |
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