Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Franz
Beyer. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Classical. Part.
Composed 1780. 12 pages.
Duration 20'. Breitkopf
and Haertel #OB 5329-16.
Published by Breitkopf
and Haertel
(BR.OB-5329-16).
ISBN
9790004333549. 10 x 12.5
inches.
According
to the date inscribed in
Wolfgang Amadeus Mozart's
autograph score, the
present mass was composed
in March 1780. The
instrumental setting
(oboes, trumpets and
timpani add color and
festive splendor to the
work) rightly suggests
that the work was in all
likelihood performed with
the Church Sonata K. 336
at the Easter high mass
in the Salzburg
cathedral. Since
Archbishop Hieronymus
Count Colloredo wanted
the mass text to be
treated as succinctly as
possible, Mozart offered
him a richly orchestrated
Missa solemnis in the
terse form of a Missa
brevis.The brilliant,
festive character of the
Mass K. 337 is abruptly
interrupted by a powerful
Benedictus in a harsh A
minor, the most striking
and revolutionary
movement in all of
Mozart's Masses, in the
strictest contrapuntal
style ... (Alfred
Einstein). What could
have inspired Mozart to
such unexpected rigor?
But there is another
surprise yet: while the
dark drama of the Holy
Week seems to radiate
from this Benedictus, the
following Agnus Dei in
the distant key of E flat
major sounds, with its
soprano solo and
concertante oboe, bassoon
and organ, like a song of
thanksgiving filled with
the warmth and light of
Easter.Other features
worth noting are the
three unisons between the
alto and bass heard at
the Deus pater omnipotens
in the Gloria (bars
22-32), the a cappella
illumination of the words
Jesu Christe found a
little later (bar 62) and
the descending
chromaticism evocative of
death at the Crucifixus
in the Credo.
(Incidentally, Mozart had
initially planned a
different movement for
the Credo of this mass,
superscribed Tempo di
Chiaconna; he wrote out
136 bars but, for some
unknown reason, never
completed it.)While the
Coronation Mass K. 317 of
1779 is one of Mozart's
most well-known mass
settings, its later
composed frllow piece K.
337 - Mozart's last
completed mass before the
great C minor fragment K.
427 (417a) - has been
paid less attention, even
though it is an
outstanding example of
the Mozartian mass type
and contains parallels to
the Coronation Mass in
its disposition and in
the structure of its
various movements. The
score and piano reduction
of this new edition were
prepared on the basis of
the autograph
(Osterreichische
Nationalbibliothek/Vienna
, dass. no. Mus. Hs. 18
97512) and the Salzburg
performance material
(Staats- und
Stadtbibliothek/Augsburg,
dass. no. Hl. Kreuz 9).
We wish to thank both
libraries for putting the
source material at our
disposal.Franz Beyer,
Munich, Spring 1998.
Orchestra (Orchestra) SKU: HL.48184896 Composed by Olivier Messiaen. Ledu...(+)
Orchestra (Orchestra)
SKU: HL.48184896
Composed by Olivier
Messiaen. Leduc.
Classical. Softcover. 162
pages. Alphonse Leduc
#AL28226. Published by
Alphonse Leduc
(HL.48184896).
UPC:
888680859565.
9.5x12.5x0.471
inches.
Olivier
Messiaen (1908-1992) is
known for his unique
composition style.
Incorporating complex
rhythms, harmony,
melodies and his passion
for ornithology, his
Illuminations of the
Beyond for Orchestra is
no exception to the
composer's popular,
distinctive style.
Composed between
1987-1991, Illuminations
of the Beyond was one of
the composer's last
works, with the premiere
occuring six months after
his death. The work
includes Messiaen's
popular compositional
techniques, such as his
modes of limited
transposition, and the
use of birdsong.
Messiaen's piece for
orchestra is divided in
to eleven movements and a
typical performance lasts
about one hour.
Illuminations of the
Beyond is essential to
all advanced orchestras
seeking to expand and
vary their
repertoire..
Compiled by Stephen Rekas. For Guitar (Classical). Solos. Contemporary. Level: I...(+)
Compiled by Stephen
Rekas. For Guitar
(Classical). Solos.
Contemporary. Level:
Intermediate. Book/CD
Set. Size 8.75x11.75. 200
pages. Published by Mel
Bay Publications, Inc.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Franz
Beyer. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Classical. Part.
Composed 1780. 8 pages.
Duration 20'. Breitkopf
and Haertel #OB 5329-26.
Published by Breitkopf
and Haertel
(BR.OB-5329-26).
ISBN
9790004333556. 10 x 12.5
inches.
According
to the date inscribed in
Wolfgang Amadeus Mozart's
autograph score, the
present mass was composed
in March 1780. The
instrumental setting
(oboes, trumpets and
timpani add color and
festive splendor to the
work) rightly suggests
that the work was in all
likelihood performed with
the Church Sonata K. 336
at the Easter high mass
in the Salzburg
cathedral. Since
Archbishop Hieronymus
Count Colloredo wanted
the mass text to be
treated as succinctly as
possible, Mozart offered
him a richly orchestrated
Missa solemnis in the
terse form of a Missa
brevis.The brilliant,
festive character of the
Mass K. 337 is abruptly
interrupted by a powerful
Benedictus in a harsh A
minor, the most striking
and revolutionary
movement in all of
Mozart's Masses, in the
strictest contrapuntal
style ... (Alfred
Einstein). What could
have inspired Mozart to
such unexpected rigor?
But there is another
surprise yet: while the
dark drama of the Holy
Week seems to radiate
from this Benedictus, the
following Agnus Dei in
the distant key of E flat
major sounds, with its
soprano solo and
concertante oboe, bassoon
and organ, like a song of
thanksgiving filled with
the warmth and light of
Easter.Other features
worth noting are the
three unisons between the
alto and bass heard at
the Deus pater omnipotens
in the Gloria (bars
22-32), the a cappella
illumination of the words
Jesu Christe found a
little later (bar 62) and
the descending
chromaticism evocative of
death at the Crucifixus
in the Credo.
(Incidentally, Mozart had
initially planned a
different movement for
the Credo of this mass,
superscribed Tempo di
Chiaconna; he wrote out
136 bars but, for some
unknown reason, never
completed it.)While the
Coronation Mass K. 317 of
1779 is one of Mozart's
most well-known mass
settings, its later
composed frllow piece K.
337 - Mozart's last
completed mass before the
great C minor fragment K.
427 (417a) - has been
paid less attention, even
though it is an
outstanding example of
the Mozartian mass type
and contains parallels to
the Coronation Mass in
its disposition and in
the structure of its
various movements. The
score and piano reduction
of this new edition were
prepared on the basis of
the autograph
(Osterreichische
Nationalbibliothek/Vienna
, dass. no. Mus. Hs. 18
97512) and the Salzburg
performance material
(Staats- und
Stadtbibliothek/Augsburg,
dass. no. Hl. Kreuz 9).
We wish to thank both
libraries for putting the
source material at our
disposal.Franz Beyer,
Munich, Spring 1998.
Piccolo SKU: SU.21000421 For Piccolo. Composed by Chan Ji Kim. Woo...(+)
Piccolo
SKU:
SU.21000421
For
Piccolo. Composed by
Chan Ji Kim. Woodwinds,
Flute/Piccolo. Score.
Calabrese Brothers Music,
LLC #21000421. Published
by Calabrese Brothers
Music, LLC (SU.21000421).
Lunar Dance for
solo Piccolo is a
one-movement work, which
depicts the illumination
of the moon. The formal
outline of the piece is
A-B-C-B-A. Each section
depicts different phases
of the moon starting with
a new moon, crescent,
full, crescent and new
again. Just like the
different phases of the
moon there is a new
character in each of the
sections in the
piece.Piccolo Duration:
7'30 Composed: 2007
Published by: Calabrese
Brothers Music.
SKU: SU.47000330 Composed by Stanley Silverman. Chamber Music, Larger Cha...(+)
SKU: SU.47000330
Composed by Stanley
Silverman. Chamber Music,
Larger Chamber Ensemble.
Rock Band. Study Score.
Subito Music Corporation
#47000330. Published by
Subito Music Corporation
(SU.47000330).
ELEPHANT STEPS
has been described as
mixed-means theater,
where music and language,
sound and light, images
and movement, graphics
and films, incense and
machinery, props and
performers are
incorporated into a
spectacular mix. The
action of the opera
according to Richard
Foreman, who wrote the
libretto, concerns a
quest. Hartman, who is
ill, is warned he must
free himself from the
spiritual influence of a
mysterious guru by the
name of Reinhardt.
Sneaking off to
Reinhardt’s house, he
faints upon finding the
front door locked. After
visiting Night-town, he
is abducted and grilled
in a radio station by his
enemies. They try to
broadcast his public
confession over the
radio. Back home, safe in
his kitchen, Hartman
dreams of Reinhardt, as
Elephant-Angels appear
and lead him into the
street, up a ladder to
Reinhardt’s second
floor window. The window
quivers with light, and
what he sees brings him
illumination. 2(2) 0 2(2)
1(1); 1111; 3 perc, hp,
cel, pno, gtr; stgs; rock
band Duration: Full
Evening Composed: 1968
Published by: Ben Rena
Music Performance
materials available on
rental only:.
Mixed Choir [SATB], Chamber Orchestra or Organ SKU: BT.PMC3367 For Cho...(+)
Mixed Choir [SATB],
Chamber Orchestra or
Organ
SKU:
BT.PMC3367
For
Chorus and Chamber
Orchestra or Organ- Organ
Score. Composed by
Morten Lauridsen. Vocal
Score. Composed 1997. 56
pages. Peermusic
Classical #PMC3367.
Published by Peermusic
Classical (BT.PMC3367).
Each of the
five connected movements
in this choral cycle
contains references to
'Light,' assembled from
various sacred Latin
texts. I composed Lux
Aeterna in response to my
mother's final illness
and found great personal
comfortand solace in
setting to music these
timeless and wondrous
words about Light, a
universal symbol of
illumination at all
levels - spiritual,
artistic and
intellectual. The work
opens and closes with the
beginning and ending of
theRequiem Mass, with the
central three movements
drawn respectively from
the Te Deum, O Nata Lux
and Veni, Sancte
Spiritus. The opening
Introitus introduces
several themes that recur
later in the work and
includes an extended
canonon et lux perpetua.
In Te, Domine, Speravi
contains, among other
musical elements, the
cantus firmus
Herzliebster Jesu (from
the Nuremburg Songbook,
1677) and a lengthy
inverted canon on fiat
misericordia. O Nata Lux
and Veni,Sancte Spiritus
are paired songs, the
former an a cappella
motet at the center of
the work and the latter a
spirited, jubilant
canticle. A quiet setting
of the Agnus Dei precedes
the final Lux Aeterna,
which reprises the
openingsection of the
Introitus and concludes
with a joyful celebratory
Alleluia. --Morten
Lauridsen.
Illumination Orchestre à Cordes [Conducteur et Parties séparées] - Facile Grand Mesa Music
Composed by Bob Lipton. Edited by J. Cameron Law. For string orchestra. Grad...(+)
Composed by Bob Lipton.
Edited
by J. Cameron Law. For
string
orchestra. Grade 3. Score
and
set of parts. Duration 3
minutes, 45 seconds.
Published
by Grand Mesa Music
(A Cantata for Christmas). Composed by Joseph M. Martin. For Choral (ORCHESTRATI...(+)
(A Cantata for
Christmas). Composed by
Joseph M. Martin. For
Choral (ORCHESTRATION ON
CD-ROM). Harold Flammer
Christmas. CD-ROM.
Published by Shawnee
Press
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Franz
Beyer. Folder.
Orchester-Bibliothek
(Orchestral Library).
Mass; Classical. Set of
parts. Composed 1780. 56
pages. Duration 20'.
Breitkopf and Haertel #OB
5329-30. Published by
Breitkopf and Haertel
(BR.OB-5329-30).
ISBN
9790004333563. 10 x 12.5
inches.
According
to the date inscribed in
Wolfgang Amadeus Mozart's
autograph score, the
present mass was composed
in March 1780. The
instrumental setting
(oboes, trumpets and
timpani add color and
festive splendor to the
work) rightly suggests
that the work was in all
likelihood performed with
the Church Sonata K. 336
at the Easter high mass
in the Salzburg
cathedral. Since
Archbishop Hieronymus
Count Colloredo wanted
the mass text to be
treated as succinctly as
possible, Mozart offered
him a richly orchestrated
Missa solemnis in the
terse form of a Missa
brevis.The brilliant,
festive character of the
Mass K. 337 is abruptly
interrupted by a powerful
Benedictus in a harsh A
minor, the most striking
and revolutionary
movement in all of
Mozart's Masses, in the
strictest contrapuntal
style ... (Alfred
Einstein). What could
have inspired Mozart to
such unexpected rigor?
But there is another
surprise yet: while the
dark drama of the Holy
Week seems to radiate
from this Benedictus, the
following Agnus Dei in
the distant key of E flat
major sounds, with its
soprano solo and
concertante oboe, bassoon
and organ, like a song of
thanksgiving filled with
the warmth and light of
Easter.Other features
worth noting are the
three unisons between the
alto and bass heard at
the Deus pater omnipotens
in the Gloria (bars
22-32), the a cappella
illumination of the words
Jesu Christe found a
little later (bar 62) and
the descending
chromaticism evocative of
death at the Crucifixus
in the Credo.
(Incidentally, Mozart had
initially planned a
different movement for
the Credo of this mass,
superscribed Tempo di
Chiaconna; he wrote out
136 bars but, for some
unknown reason, never
completed it.)While the
Coronation Mass K. 317 of
1779 is one of Mozart's
most well-known mass
settings, its later
composed frllow piece K.
337 - Mozart's last
completed mass before the
great C minor fragment K.
427 (417a) - has been
paid less attention, even
though it is an
outstanding example of
the Mozartian mass type
and contains parallels to
the Coronation Mass in
its disposition and in
the structure of its
various movements. The
score and piano reduction
of this new edition were
prepared on the basis of
the autograph
(Osterreichische
Nationalbibliothek/Vienna
, dass. no. Mus. Hs. 18
97512) and the Salzburg
performance material
(Staats- und
Stadtbibliothek/Augsburg,
dass. no. Hl. Kreuz 9).
We wish to thank both
libraries for putting the
source material at our
disposal.Franz Beyer,
Munich, Spring 1998.
(A Cantata for Christmas). Composed by Joseph M. Martin. For Choral (CHAMBER ORC...(+)
(A Cantata for
Christmas). Composed by
Joseph M. Martin. For
Choral (CHAMBER ORCHESTRA
ACCOMP). Harold Flammer
Christmas. CD-ROM.
Published by Shawnee
Press
Choral (Orchestra Accompaniment) SKU: HL.35028413 Composed by Joseph M. M...(+)
Choral (Orchestra
Accompaniment)
SKU:
HL.35028413
Composed
by Joseph M. Martin.
Harold Flammer Christmas.
Christmas Sacred,
Epiphany. CD-ROM, Score
and Parts. Published by
Shawnee Press
(HL.35028413).
UPC:
884088653583. 4.75x5
inches.
Uses:
Epiphany
Script
ure: Matthew
2:1-12
This up
tempo anthem is a
stimulating admonition to
seek the light of Christ
and His illumination.
Well suited for Epiphany,
this rousing theme has
touches of sadness
suggesting the shadows
that surround the young
Messiah in the days and
years following His
birth. Using a well-known
carol tune helps draw the
listener close and aids
the learning process. A
crisp approach to diction
and articulation will
yield success in your
presentation. Available
separately: SATB,
StudioTrax CD,
Orchestration CD-rom
(Score & parts for Flute
1&2, Oboe, Clarinet 1&2,
Bassoon, Horn 1&2,
Trumpet 1, Trumpet 2&3,
Trombone 1&2, Bass
Trombone/Tuba, Timp, Perc
1&2, Harp, Piano, Violin
1, Violin 2, Viola,
Cello, Double Bass).
Duration: ca. 3:11.
