(TB BR) SKU: HL.49041689 Einfuhrung und Kommentar. Composed by Ric...(+)
(TB BR)
SKU:
HL.49041689
Einfuhrung und
Kommentar. Composed
by Richard Wagner. Edited
by Kurt Pahlen. This
edition: Paperback/Soft
Cover. Paperback. Serie
Musik. This comprehensive
introduction to Wagner's
opera 'Tristan and
Isolde' contains the
complete libretto with
numerous music examples.
Kurt Pahlen comments on
the work with
music-related references
as well explanations on
the external and internal
action. A. Text
book/libretto. 378 pages.
Duration 300'. Schott
Music #SEM 8036.
Published by Schott Music
(HL.49041689).
ISBN
9783254080363.
German.
Tristan und
Isolde ist in der inneren
Dimension schwer zu
messen. Kein anderes der
Musikdramen Wagners ist
so vollig auf ein
einziges Thema
konzentriert, verzichtet
so weitgehend auf
theatralische Handlung
und ist so
ausschliesslich auf den
Ausdruck tiefster Gefuhle
angelegt: die Liebe
zweier Menschen, die bis
in den Tod dauert. Wagner
schuf hier neuartige
Musik, an deren Beginn
ein Akkord ohne tonale
Bindung steht, so dass
von einem der Anfange der
Neuen Musik gesprochen
werden kann. Lange Zeit
musste der Komponist nach
einem
Urauffuhrungstheater fur
dieses Werk suchen, bis
Konig Ludwig II. von
Bayern es 1885 in Munchen
unter Hans von Bulow
urauffuhren liess.
Tristan und Isole wurde
fur alle Zeiten ein
Bekenntnis zur ewigen
Welt der Gefuhle, zum
Sieg des Humanismus uber
den Materialismus.Dieses
Buch enthalt neben dem
Textbuch einfuhrende
Kommentare von Kurt
Pahlen. Er begleitet das
musikalische und das
aussere wie innere
dramatische Geschehen der
Oper mit Hinweisen zu
kompositorischer Struktur
und Sinnzusammenhang.
Eine kurze Inhaltsangabe
und ein Abriss der
Entstehungsgeschichte
stellen das Werk in einen
Zusammenhang mit dem
Gesamtschaffen des
Komponisten und seiner
Biographie und bieten
eine umfassende, reich
illustrierte
Einfuhrung.
This
comprehensive
introduction to Wagner's
opera 'Tristan and
Isolde' contains the
complete libretto with
numerous music examples.
Kurt Pahlen comments on
the work with
music-related references
as well explanations on
the external and internal
action. A summary of the
plot and a brief outline
of the genesis bring
'Tristan and Isolde' into
relation with the
composer's entire oeuvre
and his life, thus
providing comprehensive,
richly illustrated
information on this
opera.
The beautiful harmonies, leitmotifs and chromaticism that runs throughout 'Trist...(+)
The beautiful harmonies,
leitmotifs and
chromaticism that runs
throughout 'Tristan and
Isolde,' makes it one of
Wagner's more
representative pieces. It
was composed between 1857
and 1859 and 'Vorspiel
Und Liebestod' is
arranged here for the
organ
Music Drama in 3
Acts. Composed by
Richard Wagner. Choir;
stapled. Chor-Bibliothek
(Choral Library).
Richard Wagner wrote
Tristan and
Isolde in the years
1857 to 1859. The first
edition was published by
Breitkopf & Hartel in
Leipzig in 1860. The
world premiere took place
in the Konigliches Hof-
und National-Theater in
Munich on 10 June 1865 u.
Opera; Music theatre;
Romantic. Choral score. 8
pages. Breitkopf and
Haertel #ChB 138-02.
Published by Breitkopf
and Haertel
(BR.CHB-138-02).
ISBN
9790004400791. 6 x 8.5
inches.
Translation
s: engl. (H. und F.
Comer), french (A.
Ernst/P. Bruck) Place:
Tristan's ship, King
Mark's castle in
Cornwall, Tristan's
castle Characters:
Tristan (tenor) - King
Mark (bass) - Isolde
(soprano) - Kurwenal
(baritone) - Melot
(tenor) - Brangane
(mezzo-soprano) -
Shephard (tenor) - Mate
(baritone) - Voice of a
young sailor (tenor)In
1856 pressing financial
obligations forced Wagner
to interrupt the
composition of the Ring
to work on Tristan und
Isolde. He initially
planned a work that was
modest in its production
and performance demands.
The project was also
given priority not least
because of the prospect
of the royalties which he
would then receive. He
once again turned to
Breitkopf & Hartel for
the performance material:
'Tristan und Isolde' is
scheduled to be given its
first performance at the
end of this year. I still
hope that it will take
place in Karlsruhe under
my guidance. Due to the
celebrity that I have now
acquired, I assume that a
new and easily
performable work of mine
should be able to spread
very quickly across the
German stages in its
first winter season.
Wagner was wrong.
although the publisher
had spent a great deal of
time and money in
producing preliminary
material, Wagner wrote to
Breitkopf & Hartel from
Munich in November 1864:
The squalor of Germany's
opera singers and the
vile condition of its
opera houses have so far
dissuaded me from
allowing a performance of
'Tristan und Isolde'.
What I needed was an
impassioned young monarch
to restore my courage.
Next spring you will hear
about the work's premiere
in Munich, and you will
then hopefully become
more confident about this
publication.
Richa
rd Wagner wrote Tristan
and Isolde in the years
1857 to 1859. The first
edition was published by
Breitkopf & Hartel in
Leipzig in 1860. The
world premiere took place
in the Konigliches Hof-
und National-Theater in
Munich on 10 June 1865
under the direction of
Hans von Bulow.
Composed by Richard Wagner (1813-1883). Edited by Egon Voss. For Voice, Piano Ac...(+)
Composed by Richard
Wagner (1813-1883).
Edited by Egon Voss. For
Voice, Piano
Accompaniment (Vocal
Score). This edition:
Urtext edition. Schott.
Vocal score. 416 pages.
Schott Music #ED20542.
Published by Schott Music
(Arrangement for Piano Solo). By Franz Liszt (1811-1886) and Richard Wagner (181...(+)
(Arrangement for Piano
Solo). By Franz Liszt
(1811-1886) and Richard
Wagner (1813-1883).
Edited by Dominik Rahmer.
For Piano,
Piano/Keyboard. Henle
Music Folios. Softcover.
16 pages. G. Henle
#HN558. Published by G.
Henle
Unaccompanied Tenor Trombone - advanced SKU: CY.CC2925 Composed by Richar...(+)
Unaccompanied Tenor
Trombone - advanced
SKU: CY.CC2925
Composed by Richard
Wagner. Arranged by Ralph
Sauer. German Romantic.
Booklet. 4 pages. Cherry
Classics #2925. Published
by Cherry Classics
(CY.CC2925).
ISBN
9790530057445.
Shep
herd's Song is heard in
the prelude to the
Finale, Act 3 of Wagner's
great opera, Tristan &
Isolde. It is a bleak and
doleful lament played
mostly unaccompanied by a
shepherd boy keeping
watch for Isolde's ship
to arrive. The melody is
later heard throughout
scene 1. Ralph Sauer,
has done a beautiful job
in arranging this music
(originally played
offstage on the English
Horn) for Tenor
Trombone. It is about
2 1/2 minutes in length
and appropriate for
advanced performers.
Trombone Octet - advanced SKU: CY.CC2742 Composed by Richard Wagner. Arra...(+)
Trombone Octet - advanced
SKU: CY.CC2742
Composed by Richard
Wagner. Arranged by
Randall Malmstrom. German
Romantic. Score and
parts. Published by
Cherry Classics
(CY.CC2742).
Liebestod
(German for Love Death)
is the title of the
final, dramatic music
from the 1859 opera
Tristan and Isolde by
Richard Wagner. The music
is actually an aria that
Isolde sings over
Tristan's dead body
before she herself is
consumed in death.
The music is
lush, with rich harmonies
and undulating rhythms as
the agony of death is
also meshed with the
passion of
love.
Randall
Malmstrom has scored this
7-minute work for
Trombone octet of
advanced performers.
Composed by Richard
Wagner. Arranged by Ralph
Sauer. German Romantic
Opera. Booklet. 4 pages.
Cherry Classics #2927.
Published by Cherry
Classics (CY.CC2927).
ISBN
9790530057469.
Shep
herd's Song is heard in
the prelude to the
Finale, Act 3 of Wagner's
great opera, Tristan &
Isolde. It is a bleak and
doleful lament played
mostly unaccompanied by a
shepherd boy keeping
watch for Isolde's ship
to arrive. The melody is
later heard throughout
scene 1. Ralph Sauer,
has done a beautiful job
in arranging this music
(originally played
offstage on the English
Horn) for Tuba or Bass
Trombone It is about
2 1/2 minutes in length
and appropriate for
advanced performers.
Composed by Richard Wagner (1813-1883). Arranged by Ralph Sauer. German Romantic...(+)
Composed by Richard
Wagner (1813-1883).
Arranged by Ralph Sauer.
German Romantic Opera.
Booklet. 4 pages. Cherry
Classics #2929. Published
by Cherry Classics
(CY.CC2929).
(Opera: Tristan und Isolde). By Richard Wagner (1813-1883). For Mezzo-Soprano so...(+)
(Opera: Tristan und
Isolde). By Richard
Wagner (1813-1883). For
Mezzo-Soprano solo voice
(Mezzo-Soprano
dramatico). Role:
Brangane. Opera,
Classical. CD. Text
language: German.
Published by Pocket Coach
Publications
Piano, English Horn - Difficulty: medium to medium-difficult SKU: HL.50333080...(+)
Piano, English Horn -
Difficulty: medium to
medium-difficult
SKU:
HL.50333080
English Horn and
Piano. Composed by
Various. Edited by P.
Thomas. Woodwind.
Classical. Book only.
With solo part, standard
notation and piano
accompaniment. 64 pages.
G. Schirmer #ED2988.
Published by G. Schirmer
(HL.50333080).
ISBN
9780793508723. UPC:
073999330809. 9x12
inches.
Stacy/Thomas.
SKU: BA.BVK02270 Autograph: National Archive from the Richard-Wagner-S...(+)
SKU: BA.BVK02270
Autograph: National
Archive from the
Richard-Wagner-Stiftung
Bayreuth. Composed by
Richard Wagner. Edited by
Ulrich Konrad. This
edition: facsimile.
Half-leather binding.
Documenta musicologica.
II/45 / Barenreiter
Facsimile. Facsimile. WWV
90. 405 pages.
Baerenreiter Verlag
#BVK02270_00. Published
by Baerenreiter Verlag
(BA.BVK02270).
ISBN
9783761822708. 41.7 x 30
cm inches. Text Language:
English,
German.
This
Tristan will be something
formidable! This last
act!
I fear the
opera will be banned - if
the whole work is not
parodied through bad
performance: only
mediocre performances can
save me! Thoroughly good
ones will surely drive
people crazy. Richard
Wagner
While
working on the score
toTristan und Isolde,
Richard Wagner expressed
his excitement and
elation about his new
musical drama. Indeed,
the radical originality
of the work proved to be
both unique and
forward-looking: Over 150
years ago it signified
thedawnof the modern era
and to this day it has
not lost any of its
fascination. Throughout
his life, Richard Wagner
was proud of his even
handwriting.
He
constantly strove to
produce manuscripts of a
high calligraphic
standard. The Tristan
manuscript is also
clearly written. More so
than in his other scores
however, traces of his
working process are
evident. It is precisely
this aspect of the
autograph that makes it
fascinating. Reading it,
one is witness to
Wagner's
highlyconcentrated,
powerful and relentless
writing. This manuscript
is in every possible way
unparalleled reflecting
individuality and
uniqueness.
In
time for the 200th
anniversary of Wagner's
birth in 2013, this great
work is published as a
BARENREITER FACSIMILE in
cooperation with the
National Archive of the
Richard-Wagner-Stiftung
Bayreuth. In addition to
the complete score, the
edition includes the
autograph concert ending
of the Vorspiel as well
as three pages that
Wagner rejected while
composing and later used
for
sketches.
Ulrich
Konrad, the renowned
musicologist describes
the genesis and
performance history of
the work in his
comprehensive commentary.
He also details the
physical appearance and
condition of the
autograph as well as
giving an insight into
the musical language of
Wagner.
Piano SKU: BT.EMBZ8526 Einleitung. By Zoltan Kocsis. By Richard Wa...(+)
Piano
SKU:
BT.EMBZ8526
Einleitung. By
Zoltan Kocsis. By Richard
Wagner. Book Only.
Composed 1978. 8 pages.
Editio Musica Budapest
#EMBZ8526. Published by
Editio Musica Budapest
(BT.EMBZ8526).
German.
Zoltá
n Kocsis (1952-2016) left
a lasting mark not only
as a phenomenal pianist,
but as a musical
polymath: his genius
combined the composer,
conductor, editor,
instrumentalist, and
orchestrator. With his
transcriptions he
enriched the symphonic,
chamber, song, and piano
repertoires with a
hundred and fifty
works.This publication
contains a transcription
by Kocsis of the prelude
to Wagner's Tristan und
Isolde. In 1982 the work
was recorded played by
Kocsis, and today we
regularly find it in
pianists' programmes.
This publication is
printed on high quality,
durable paper made from
renewable raw materials
in an environmentally
friendly way.
Composed by Richard Wagner (1813-1883). Edited by Egon Voss, Isolde Vetter, John...(+)
Composed by Richard
Wagner (1813-1883).
Edited by Egon Voss,
Isolde Vetter, John
Deathridge, Klaus Doege,
and Reinhard Strohm. For
Orchestra (Study Score).
Eulenberg Audio plus
Score. Softcover with CD.
112 pages. Eulenburg
Edition #EAS180.
Published by Eulenburg
Edition
(Score) SKU: HL.49003135 An Anthology of Listening Material for GCSE M...(+)
(Score)
SKU:
HL.49003135
An
Anthology of Listening
Material for GCSE
Music. Composed by
Bruce Cole and David
Bowman. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical,
Collection. Score. 200
pages. Schott Music
#ED12351. Published by
Schott Music
(HL.49003135).
ISBN
9780946535132. UPC:
884088991623.
8.25x11.75x0.436 inches.
English.
This
anthology of 72 music
examples, consisting of
the Teacher's Manual,
Pupil's Questions, Music
Book and two recordings
on CD or cassettes, is
intended to provide
comprehensive resource
materials for the
listening component of
the GCSE music
syllabuses. The extracts
have been selected
especially to illustrate
the periods, styles and
rudiments of music
encompassed within the
syllabuses, and the four
components of the
publication produced to
ensure maximum assistance
to the teacher in the
classroom. Selected
contents: MUSIC IN THE
LATE RENAISSANCE O quam
gloriosum est regnum * T.
Morley: MUSIC IN THE
BAROQUE ERA: H. Purcell:
Hark, each tree (from Ode
for St Cecilia's Day) *
A. Vivaldi: Second
Allegro (from Op. 3 No.
11) * G.F. Handel: Lascia
ch'io * J.S. Bach:
Erschienen ist der
herrliche Tag (BWV 629) *
F. Couperin: Le
Petit-Rein MUSIC IN THE
ROMANTIC PERIOD: F.
Schubert: Am Meer (from
Schwanengesang) * H.
Berlioz: Un Bal (from
Symphonie fantastique) *
F. Chopin: Mazurka (Op. 7
No. 5) * R. Schumann:
Fantasiestuck (Op. 73 No.
1) * R. Wagner: Prelude
(to Tristan and Isolde) *
R. Strauss: Epilog (from
Till Eulenspiegels
lustige Streiche) * MUSIC
IN THE TWENTIETH CENTURY:
B. Bartok: Third movement
(from Sonata for two
Pianos and Percussion) *
K. Stockhausen: Zyklus *
C. Berberian: Stripsody *
JAZZ AND POP: F. Molton:
Peace in the Valley * Bix
Beiderbecke and his Gang:
Jazz Me Blues * The
Platters: Only You * E.
Fitzgerald: Mack the
Knife * S. Getz and A.
Gilberto: The Girl From
Ipanema and more.
Piano Accompaniment; Violin (Violin/Piano) SKU: HL.49047324 Prelude an...(+)
Piano Accompaniment;
Violin (Violin/Piano)
SKU: HL.49047324
Prelude and Isoldens
Liebestod Violin and
Piano. Composed by
Richard Wagner. Edited by
Fazil Say. String Solo.
Classical. Softcover.
Duration 840 seconds.
Schott Music #ED23644.
Published by Schott Music
(HL.49047324).
Isoldes Liebestod [Conducteur et Parties séparées] Music Distribution Services
3 clarinets SKU: M7.DOHR-20220 From Tristan and Isolde. Composed b...(+)
3 clarinets
SKU:
M7.DOHR-20220
From
Tristan and Isolde.
Composed by Richard
Wagner. Arranged by
Raimund Ritz. Sheet
music. Score and parts.
MDS (Music Distribution
Services) #DOHR 20220.
Published by MDS (Music
Distribution Services)
(M7.DOHR-20220).
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical
Themes and Melodies in
the Original Keys) For C
instrument. Format:
fakebook (spiral bound).
With vocal melody
(excerpts) and chord
names. Lassical. Series:
Hal Leonard Fake Books.
646 pages. 9x12 inches.
Published by Hal Leonard.
Composed by Derek
Bourgeois. Arranged by
Mikkelson. Score only.
Duration 15:00. Published
by G & M Brand Music
Publishers (CN.S11307).
Sea Dreams was
written in memory of the
composer's wife, Jean.
After an introduction,
which is not heard again
until the end of the
piece, the music becomes
a rondo allegro, and
gradually builds to a big
climax. At the very end
there is an oblique
reference to the
Liebestod of Wagner's
Tristan and
Isolde.
Sea Dreams
was originally a
commission, in 2007, from
an American University
who wanted me to write a
piece in memory of my
first wife, Jean, who
died in 2006. I set about
writing the music and
quickly completed the
score early in 2008, but,
unfortunately, because of
the sudden collapse in
the worldwide financial
markets the commission
itself fell through. The
music draws on three of
the pieces that I had
written for Jean in the
early days before we were
married, namely two
violin sonatas (she was a
violinist) and the
'Serenade' Opus 22 one of
my most popular pieces.
However the bulk of the
music is new, and the
quotes from these early
pieces are subtle and
merely passing
references, not at all
like the originals. After
an introduction, which is
not heard again until the
end of the piece, the
music becomes a rondo
allegro, and gradually
builds to a big climax.
At the very end there is
an oblique reference to
the Liebestod of Wagner's
Tristan and Isolde. Sea
Dreams was premiered by
Birmingham Symphonic
Winds, conducted by Keith
Allen, on Saturday March
20th 2010 at the CBSO
Centre, Birmingham,
England.
2 Pianos SKU: M7.DOHR-98550 Composed by Richard Wagner. Edited by Juergen...(+)
2 Pianos
SKU:
M7.DOHR-98550
Composed by Richard
Wagner. Edited by Juergen
Schaarwaechter. Arranged
by Max Reger. Sheet
music. Score. 22 pages.
MDS (Music Distribution
Services) #DOHR 98550.
Published by MDS (Music
Distribution Services)
(M7.DOHR-98550).
ISBN
9790202005507.
Max
Regers Auseinandersetzung
mit der Musik Richard
Wagners geht bis in seine
frühe Jugend
zurück. 1888 erlebte
er in Bayreuth
Aufführungen von Die
Meistersinger von
Nürnberg unter Hans
Richter und Parsifal
unter Felix Mottl. Bis an
sein Lebensende blieb
Wagner für Reger einer
der größten
Komponisten, häufig
dirigierte er dessen
Vorspiele in Konzerten.
1909 trat Regers Verleger
mit Blick auf das
kommende Wagnerjahr 1913
erstmals an den
Komponisten heran und bat
ihn, Orchesterstücke
Wagners für Klavier
einzurichten. Wegen
verschiedener
Verpflichtungen und
gesundheitlicher Probleme
konnte Reger die
Bearbeitungen erst 1913
bzw. 1914 fertigstellen.
Die Bearbeitungen wurden,
bedingt durch die
Besetzung mit zwei
Klavieren, eher für
den Konzertgebrauch
konzipiert.
Piano - Grade 4 SKU: FA.MFCD007PN By Nicolas Horvath. By Claude Debussy a...(+)
Piano - Grade 4
SKU:
FA.MFCD007PN
By
Nicolas Horvath. By
Claude Debussy and Robert
Orledge. Rediscoverd
Debussy. Classical,
Impressionistic. Score.
Musik Fabrik #MFCD007PN.
Published by Musik Fabrik
(FA.MFCD007PN).
8.27 x
11.69
inches.
Debussy's
friendship with the
versatile poet and
playwright Gabriel Mourey
began in 1899, and in
July 1907 Mourey offered
Debussy a libretto based
on Le roman de Tristan -
Joseph Bedier's
adaptation of a
twelfth-century Breton
romance by the
Anglo-Norman poet known
as Thomas - which had
recently been published
in Paris. Debussy
enthusiastically outlined
the four-act plot to
Victor Segalen that
October, and the main
differences from Wagner's
Tristan und Isolde are
that none of the action
takes place in Cornwall
and that Isolde of the
White Hands is found
guilty of cuckolding King
Marc with Tristan, who
has to rescue her from
the leper colony in which
she is abandoned in Act
1. She also betrays him
when he goes mad at the
end.
The idea of a
Tristan that restored its
'legendary character' and
had no connections with
Wagner, appealed to
Debussy, who was
extremely moved by the
circumstances of
Tristan's death. Even if
he thought that Mourey's
poetry was 'not very
lyrical and many passages
do not exactly invite
music', he did work on
the libretto and the
music that summer and
sent his publisher,
Jacques Durand, 'one of
the 363 themes for the
Roman de Tristan' in a
letter sent from
Pourville on 23 August,
1907. The present prelude
grows from this theme,
together with the
poignant Breton folksong
Le Faucon. After a short
atmospheric introduction,
Debussy's dance-like
theme (which is
definitely not a
leitmotif) gradually
gains momentum and after
it reaches its ecstatic
climax, representing the
transient happiness of
the lovers, it dissolves
into an expressive coda
and an elegiac close (all
growing from Debussy's
opening, off-stage
trumpet calls), leaving
us with the ultimate
tragedy of their
ill-fated
affair.
Unfortunat
ely, Mourey's actual
libretto has been lost
and the project
eventually foundered
because Bedier's cousin,
Louis Artus, wanted
Debussy to use the
scenario he had prepared
and copyrighted for the
stage, and would not
allow him to proceed with
Mourey's version.
Debussy, it need hardly
be said, would never have
dreamed of collaborating
with the author of the
vaudeville hit La culotte
(The pants)!
Composed by Derek
Bourgeois. Arranged by
Mikkelson. Score and
parts. Duration 15:00.
Published by G & M Brand
Music Publishers
(CN.R10307).
Sea Dreams was
written in memory of the
composer's wife, Jean.
After an introduction,
which is not heard again
until the end of the
piece, the music becomes
a rondo allegro, and
gradually builds to a big
climax. At the very end
there is an oblique
reference to the
Liebestod of Wagner's
Tristan and Isolde.
Sea Dreams was
originally a commission,
in 2007, from an American
University who wanted me
to write a piece in
memory of my first wife,
Jean, who died in 2006. I
set about writing the
music and quickly
completed the score early
in 2008, but,
unfortunately, because of
the sudden collapse in
the worldwide financial
markets the commission
itself fell through. The
music draws on three of
the pieces that I had
written for Jean in the
early days before we were
married, namely two
violin sonatas (she was a
violinist) and the
'Serenade' Opus 22 one of
my most popular pieces.
However the bulk of the
music is new, and the
quotes from these early
pieces are subtle and
merely passing
references, not at all
like the originals. After
an introduction, which is
not heard again until the
end of the piece, the
music becomes a rondo
allegro, and gradually
builds to a big climax.
At the very end there is
an oblique reference to
the Liebestod of Wagner's
Tristan and Isolde. Sea
Dreams was premiered by
Birmingham Symphonic
Winds, conducted by Keith
Allen, on Saturday March
20th 2010 at the CBSO
Centre, Birmingham,
England.