The second volume of a thousand and one all-time hit songs ranging from essential standards to the latest pop hits - a must for all singers and musicians. / Chant Et Guitare

Par BEATLES THE. Pop/Rock / Rép International / Recueil / Piano, Chant et Guitare

A souvenir songbook of your favourite songs from Disneyland and Walt Disney World. Taking you on a magical tour of the parks this new songbook features 25 favourite songs and full-colour photos of 18 Disney theme parkattractions. Songs include 'It's A Small World' 'The Tiki Tiki Tiki Room' 'Yo Ho (A Pirate's Life For Me)' 'Zip-A-Dee-Doo-Dah' 'The Best Time Of Your Life' 'Tomorrow's Child' 'New World Bound' 'Veggie Veggie Fruit Fruit'and more.

Par BEATLES THE. Every song written and recorded by John Lennon, Paul McCartney, George Harrison and Ringo Starr in melody line arrangements with complete lyrics and Guitar chord boxes. Suitable for all melody instruments, vocalists, keyboard players and guitarists. Includes two free Guitar tutorials on DVD of the songs I Saw Her Standing There and Here There And Everywhere . / Niveau : Elémentaire / Rép International / Recueil / Chant et Guitare

The Story of How Peter Became Pan-Based on the Academy Award®-winning film of the same name Finding Neverland is a breathtaking Broadway show that tells the fascinating story of how Peter became Pan. The show follows playwright J. M. Barrie as he summons the courage to become the writer – and the man – he yearns to be. When Barrie meets the beautiful widow Sylvia and her four young sons: Jack George Michael and Peter he finally finds the inspiration he's been searching for. Entertained by the boys' escapades Barrie conjures up the magical world of Neverland and writes a play unlike any the high-society London theatergoers have ever seen. It’s a tremendousrisk but as Barrie himself has discovered— When you believe you can fly. Featuring music and lyrics by Gary Barlow and Eliot Kennedy this magical musical will captivate audiences of all ages. This songbook contains Piano and Vocal selections from all 21 songs from the show.

Celebrating the 100th Anniversary of Disney. What better way to celebrate the 100th anniversary of Disney than with 100 magical songs in a beautiful, collectible hardcover edition' Beginning with a foreword by composer and Disney legend Alan Menken, and a preface by Walt Disney Records Supervising Producer and Music Historian Randy Thornton, and featuring colorful art throughout, Disney 100 Songs will take you on a century-long musical journey through 60 feature films, theme park attractions, and television shows. Each song is presented with melody, lyrics, and chords so everyone will be able to sing and play these beloved favorites. Songs include: Baby Mine · Be Our Guest · Beauty and the Beast · Bella Notte · Bibbidi-Bobbidi-Boo (The Magic Song) · Breaking Free · Can You Feel the Love Tonight · Chim Chim Cher-ee · Do You Want to Build a Snowman' · For the First Time in Forever · Friend like Me · Hakuna Matata · How Far I'll Go · I've Got No Strings · The Incredits · Into the Unknown · Lava · Let It Go · The Place Where Lost Things Go · Reflection · Remember Me (Ernesto de la Cruz) · Seize the Day · Speechless · A Spoonful of Sugar · Supercalifragilisticexpialidocious · That's How You Know · Under the Sea · We Don't Talk About Bruno · We're All in This Together · Who's Afraid of the Big Bad Wolf' · Wild Uncharted Waters · Winnie the Pooh · You'll Be in My Heart (Pop Version)* · You've Got a Friend in Me · and more!

Enter the magical kingdom where elephants fly chimney sweeps dance and every wish comes true! A four-section medley of 21 classic Disney tunes. Available: SATB SAB 2-Part ShowTrax CD.

Kammeroper Nr. 2. Par RIHM WOLFGANG. Chamber opera does not mean “little opera.” On the same scale as chamber music is to the symphony, it is rather the other way of talking onstage. The movable apparatus permits sophisticated voice-leading. A large ensemble demands simple conception to achieve the complexity it perhaps intends; this can be formulated more sharply and nuanced in a chamber ensemble. Therefore it is the subject which this type of presentation must sustain – or, better, provoke. Büchner’s Lenz is a description of the conditions within a process of collapse, moments of destruction already occurred but not yet accepted, evident in the points of contact with the environment. And it was those points of contact which Michael Fröhling attempted to reconstruct onstage. Lenz’s distraught state is always the same; only the proximity of the environment to that distraught state grows and ebbs. The musical consequence An hour of extreme chamber music results from this description: always bound for the main character – actually, not a commentary, but the main character himself as a multilayered level of action. Although Lenz acts on many levels – or tries to or believes he is – he has no room to manoeuvre. That is why he is also tightly interwoven in his sonic surroundings; the voices which only he hears are just as much himself as the two men with whom he foregathers (the liberal pragmatist Oberlin and the alert merchant who always “does the right thing” in every situation) – they evoke responses which he deeply desires. Omnipresent Friederike is just as much his inner world as Nature is – Nature, which he can no longer perceive unless it is personified, enlivened or dead. Therefore, the music’s task is both to motivate the “situation” (atmospherically) and to be the psychological constant (via a network of entangled references per se) in an action as it is played out. The compositional process December 1977 to June 1978 – a period identical to the stepwise understanding of an existence as that of Jakob Lenz. Yet the more the historical figure became precisely attendant in my intellect in terms of data and atmosphere, the more it retreated in favour of a cipher of disturbance as I began to understand Lenz. Thence the explanation for the failure of the attempts to approach him – including my attempt to interpret him via musical representation – because, essentially, Lenz himself is the failure. Only the naked stages of that failure remain portrayable, i.e. including the failure of those who wish to “help” Lenz, for example, while Lenz himself is already trapped inextricably in a state of complete destruction. I tried to compose my way into that situation as far as possible; the insistence of several rhythmic and harmonic configurations is the palpable expression of the main character’s ever-recurring rigidity. One sound pervades the entire work. The musical stage For me, this is a place where very magical and very human things take place. In Jakob Lenz, the human aspects often switch to magical ones, since the realism of a self-suasive, unhinged soul takes on surreal traits – or we simply cannot understand that otherwise except as not being real. A character like Jakob Lenz on the stage is complex due to the fact alone that it harbours many stages within itself, and music must represent those constantly present stages. I have tried to do so in the most direct way – by not cleanly separating the musical layers, but keeping them constantly in evidence until they must break forth, each in accord with its own dramaturgy. In an overview, the large form takes on aspects of a rondo, performed in overlapping layers – a type of rondo relief, since perspectives of psychological proximity and distance are indeed formulated musically as atmospheric relations. Above all: the thread on which Jakob Lenz hangs is the current onto the listeners’ hearts. Wolfgang Rihm (January 1979)/ Répertoire / Chant et Piano

From the First Five Years at Hogwarts-For the first time ever musical selections from the first five Harry Potter movies are available in one jam-packed collection. These all-time favorite themes have been arranged in traditional five-finger style with the melody split between the hands and without key signatures in the student part.Starting hand positions are illustrated above each piece. Fingerings that are outside the noted five-finger positions and those indicating a shift in hand position are circled for easy identification. Dotted quarter notes triplets and sixteenth notes have been avoided. All of the pieces have optional duet accompaniments created to achieve a fuller richermusical experience. Elementary-level pianists will love playing these arrangements which faithfully render the magical music of John Williams Patrick Doyle and Nicholas Hooper.Full color art pages from each movie are included. Titles include Double Trouble Dumbledore's Army Fireworks Hagrid the Professor Harry in Winter Harry's Wondrous World Hedwig's Theme Hogwarts Forever! Hogwarts' Hymn Hogwarts' March Neville's Waltz Nimbus 2000 Potter Waltz The Quidditch World Cup (The Irish) Voldemort.

A curious child climbs up to the attic and discovers a jumble of boxes, trunks, old clothes, and dusty junk. There, a black leather case catches her eye. She pries it open and finds inside an old Trombone - her grandmother's from high school. Sitting on the floor, she works the tarnished slide free and twists the mouthpiece. As she blows through it, the Trombone becomes alive with music. To her delight, she discovers more and more treasures in the attic. Staccato rain plays on the roof just above where she looks through her trove of riches, playing a new melody with each discovery...John Walker has composed a new series of short recital and study pieces set in a magical world. Specially designed for the intermediate-level musician, these 20 works evoke the spirit of musical discovery while helping students learn new phrasing, fingerings and articulations. A welcome addition to every student's library, this musical adventure will both teach and entertain. / Trombone

A curious child climbs up to the attic and discovers a jumble of boxes, trunks, old clothes, and dusty junk. There, a black leather case catches her eye. She pries it open and finds inside an old Violin - her grandmother's from high school. Sitting on the floor, she tunes the strings and tightens the bow. As she draws the bow across the strings, the Violin becomes alive with music. To her delight, she discovers more and more treasures in the attic. Staccato rain plays on the roof just above where she looks through her trove of riches, playing a new melody with each discovery...John Walker has composed a new series of short recital and study pieces set in a magical world. Specially designed for the intermediate-level musician, these 20 works evoke the spirit of musical discovery while helping students learn new phrasing, fingerings and articulations. A welcome addition to every student's library, this musical adventure will both teach and entertain. / Violon