Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tristis est anima mea', attributed to Johann Kuhnau. The motet 'Der Gerechte kommt um' comes down to us as part of the Passion cantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. According to the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted – most likely by Bach – with a new text and the addition of instrumental parts. The motet 'Der Gerechte kommt um' comes down to us as part of the Passioncantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. From the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted—most likely by Bach—with a new text and the addition of insturmental parts. / Musique religieuse / Date parution : 1974-07-01/ Répertoire / Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse

Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tristis est anima mea', attributed to Johann Kuhnau. The motet 'Der Gerechte kommt um' comes down to us as part of the Passion cantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. According to the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted – most likely by Bach – with a new text and the addition of instrumental parts. The motet 'Der Gerechte kommt um' comes down to us as part of the Passioncantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. From the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted—most likely by Bach—with a new text and the addition of insturmental parts. / Musique religieuse / Date parution : 1974-07-01/ Répertoire / Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse

Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tristis est anima mea', attributed to Johann Kuhnau. The motet 'Der Gerechte kommt um' comes down to us as part of the Passion cantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. According to the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted – most likely by Bach – with a new text and the addition of instrumental parts. The motet 'Der Gerechte kommt um' comes down to us as part of the Passioncantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. From the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted—most likely by Bach—with a new text and the addition of insturmental parts. / Date parution : 1974-07-01/ Répertoire / Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse

Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tristis est anima mea', attributed to Johann Kuhnau. The motet 'Der Gerechte kommt um' comes down to us as part of the Passion cantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. According to the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted – most likely by Bach – with a new text and the addition of instrumental parts. The motet 'Der Gerechte kommt um' comes down to us as part of the Passioncantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. From the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted—most likely by Bach—with a new text and the addition of insturmental parts. / Date parution : 1974-07-01/ Répertoire / Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse

Tonalité : C-Moll -. Par KUHNAU JOHANN. Zu den wichtigsten Kompositionen Johann Kuhnaus gehört ohne Zweifel die Kantate 'Gott, sei mir gnädig', die auf breite und wirkungsvolle Tutti und Soli aufgebaut ist. / Musique religieuse / Répertoire / Solistes ou AuswahlChoeur SATB, Choeur SATB, 2 Vio

Tonalité : C-Moll -. Par KUHNAU JOHANN. Zu den wichtigsten Kompositionen Johann Kuhnaus gehört ohne Zweifel die Kantate 'Gott, sei mir gnädig', die auf breite und wirkungsvolle Tutti und Soli aufgebaut ist. / Musique religieuse / Répertoire / Solistes ou AuswahlChoeur SATB, Choeur SATB, 2 Vio

Tonalité : C-Moll -. Par KUHNAU JOHANN. Zu den wichtigsten Kompositionen Johann Kuhnaus gehört ohne Zweifel die Kantate 'Gott, sei mir gnädig', die auf breite und wirkungsvolle Tutti und Soli aufgebaut ist. / Musique religieuse / Répertoire / Solistes ou AuswahlChoeur SATB, Choeur SATB, 2 Vio

Tonalité : C-Moll -. Par KUHNAU JOHANN. Zu den wichtigsten Kompositionen Johann Kuhnaus gehört ohne Zweifel die Kantate 'Gott, sei mir gnädig', die auf breite und wirkungsvolle Tutti und Soli aufgebaut ist. / Musique religieuse / Répertoire / Solistes ou AuswahlChoeur SATB, Choeur SATB, 2 Vio

Johann Kuhnau, who preceded Johann Sebastian Bach as Thomas Cantor in Leipzig, left a wealth of works, including pivotal compositions for keyboard instruments. Now for the first time all of these works are appearing in one volume. Peter Wollny, an Early Music specialist, supervised the volume from a scholarly point of view. Ornaments that are no longer usual today have been explained so that especially musicians who are more at home on a modern piano or grand piano lose their fear of this music and can embark on an exciting voyage of discovery. / Clavier

Johann Kuhnau (1660-1720) fait partie des compositeurs dont la célébrité est reliée à une seule oeuvre, en dépit d'une production pourtant abondante : il n'y a probablement pas un organiste qui n'ait joué sa première sonate biblique 'Der Streit zwischen Da / Orgue (Clavecin, Piano) / Partition

aus Bachs Kantatenwerk. Par BACH JOHANN SEBASTIAN / KUHNAU JOHANN. Seidlitz, Günter (Arr. )/ Répertoire / Choeur Mixte

Version Fur Gitarre Solo. Par KUHNAU JOHANN. Langue: English(UK)/Deutsch/Français/Nederlands/ Répertoire / Guitare

Tonalité : F-Moll -. Par KUHNAU JOHANN. Motetten - Verwendung / Kirchenjahr: Fastenzeit und Passion, Karwoche - Langue : Latin/ Répertoire / Choeur SSATB et Basse Continue

Gloria sei dir gesungen. Par BACH JOHANN SEBASTIAN. Gattungen: Kirchenlieder, Sätze - Verwendung / Anlässe: L Hautbois und Dank -/ Répertoire / Choeur Mixte