Perfect for the student of Jazz. --Michael Brecker 'I encourage the jazz guitar students at the University of North Texas to emulate tenor saxophonists. Greg Fishman's book, Jazz Guitar Etudes, contains idiomatic bebop lines and will be a great tool for any guitar teacher with aspiring jazz guitarists. Thanks, Greg!' Fred Hamilton, professor of jazz guitar, University of North Texas 'These are great solos and etudes! I'm always telling my guitar students to learn lines and phrasing from horn players, and Greg Fishman's book is perfect for this approach. The book is nicely done and very well laid out.' Corey Christiansen Professor of Guitar, Utah State University, Visiting Professor, Indiana University This book is very well put together and very thorough. It gives guitar students the information necessary to obtain a vocabulary based on the bebop tradition, yet ultimately encourages them to improvise on these structures, creating their own lines and ideas. I commend you on meeting this challenge head-on, and for effectively clarifying these concepts in your liner notes. --Steve Cardenas Professor of Guitar, The New School, New York City, member of the Paul Motian Band and Charlie Haden Liberation Music Orchesra. The lines are great, the rhythm section is terrific, and I really love the fact that the student guitarist working out of this book gets to play along with both the guitarist on the CD and with your tenor. This book is incredibly well thought out. Congratulations on a fantastic book! --Jack Peterson, legendary jazz guitar professor (retired) from Berklee and North Texas State Just Jazz Guitar's rave review of Jazz Guitar Etudes by Greg Fishman: Jazz Guitar Etudes is an excellent resource for all guitarists and teachers. After releasing a very popular etudes book for jazz saxophone, Greg Fishman collaborated with guitarist Mike Allemena to do a guitar version of the book. The book includes standard notation and tablature. The studies in the book are great written improvised solos over familiar chord progressions such as the blues, rhythm changes, and standards. The book comes with a CD that features a guitar version, a saxophone version, and a rhythm section version of each etude. In addition, Fishman begins the book with concepts in developing jazz lines such as proper voice leading and sequences. The melodic lines are very well designed phrases using the the bebop language. Guitarists can gain so much by playing and analyzing these etudes --Just Jazz Guitar Magazine Endorsed by Michael Brecker, Dave Liebman, Phil Woods, James Moody, Plas Johnson, Mark Colby, Bob Sheppard, Jerry Coker, Gary Campbell, Tim Price, Gary Keller, Chip McNeil and many other teachers and players around the world, this series of saxophone etude and duet books will immediately help you take your playing to the next level. Click a cover and hear a sample... New book release for Jazz Guitar: Jazz Guitar Etudes book and CD Play-along set is now in stock and shipping! This book features master jazz guitarist Mike Allemana playing twelve bebop style etudes. Also includes Greg Fishman playing each etude on tenor saxophone. This allows the guitarist the choice of playing with Mike (guitar) or Greg (tenor). Book also features tablature with Mike's own fingerings! 52 pages, 8.5 x 11 format, ISBN 978-0-9766153-7-8

Pendant plus de quarante ans Jimmy Webb (1946) a composé des chansons à succès pour divers artistes tels que Glen Campbell Art Garfunkel Frank Sinatra Willie Nelson Johnny Cash et Linda Ronstadt. En 1968 il écrit MacArthur Park une chanson complètement novatrice. D?une durée de plus de sept minutes elle est deux à trois fois plus longue que la plupart des succès pop et contient un grand interlude orchestral. La version d?anthologie de MacArthur Park interprétée et enregistrée par Richard Harris s?est classée en tête des hit-parades européens et numéro 2 aux États-Unis.

Une collection de poche de plus de 70 Great Hits All-Time présentés en format songbook d'accord, disposés dans les mêmes touches que les enregistrements originaux avec les symboles d'accord, les boîtes d'accord de guitare et paroles complètes. / Paroles Et Accords

L?excentrique anglais Elton John est un artiste exceptionnel dans le monde de la musique pop. Auteur compositeur et interprète depuis plus d?une quarantaine d?années ses chansons restent des tubes incontournables. Le medley réalisé par Don Campbell combine trois célèbres tubes de Sir Elton : Nikita Blue Eyes et Don?t Go Breaking My Heart.

Livre de poche qui regroupe tous les plus grands tubes des années 60 de `Good Vibrations` des Beach Boys en passant par `Respect` d'Aretha Franklin et `Hit the Road Jack` de Ray Charles. Partitions pour guitare (symboles et grilles d'accords) avec les paroles complètes. / Variétés Internationales / Partition /

L?excentrique anglais Elton John est un artiste exceptionnel dans le monde de la musique pop. Auteur compositeur et interprète depuis plus d?une quarantaine d?années ses chansons restent des tubes incontournables. Le medley réalisé par Don Campbell combine trois célèbres tubes de Sir Elton : Nikita Blue Eyes et Don?t Go Breaking My Heart.

I Wonder As I Wander by John Jacob Niles arranged by Keith Christopher for SAB chorus with Piano accompaniment and optional Flute.This Christian folk hymn was inspired by a song heardby Niles at a fundraising meeting for evangelicals which he attended in Murphy North Carolina. Niles wrote of the moment he first heard the tune:'A girl had stepped out to the edge of the littleplatform attached to the automobile. She began to sing. Her clothes were unbelievable dirty and ragged and she too was unwashed. Her ash-blond hair hung down in long skeins.... But best of all she was beautiful and in heruntutored way she could sing. She smiled as she sang smiled rather sadly and sang only a single line of a song'.Niles requested that the girl repeat the fragment seven times paying her a quarter perperformance and left with 'three lines of verse a garbled fragment of melodic material—and a magnificent idea'. He completed his composition on October 4 1933 and I Wonder As I Wander was firstperformed on December 19 1933 at the John C. Campbell Folk School in Brasstown North Carolina.

100 Hits In C-Dur is the second volume of the songbook for solo performers, featuring 100 timeless classics arranged for Piano, Vocal and Guitar.This songbook is comprised of 100 well-known pop tunes, old classics and timeless favourites to learn. All songs are arranged simply, in the key of C, with chords and full lyrics. Tunes like Rock Around The Clock, Itsy Bitsy Teenie Weenie, Rhinestone Cowboy and Que Sera are featured to get you singing and playing in no time at all. / Piano/Vocal/Guitare (PVG)

Edition c. La popularité de la musique celtique a explosé au cours des dix dernières années en raison de la recrudescence des instruments folk, danse celtique et la culture irlandaise globale. Cette étonnante collection réunit plus de 400 chansons d'Irlande, Ecosse et du pays de Galles - complet, avec des paroles gaéliques, le cas échéant - et un guide de prononciation. Titres comprennent: à travers l'ouest de l'océan o avec mon amour, j'irai o autel Isle o ' la mer o Auld Lang Syne o Avondale o The Band Played On o o Barbara Allen bénédiction de la route o o The Blue Bells of Scotland The Lass Bonniest o o A Bunch of thym The Chanty que captif le o de la sorcière Colomb était un irlandais o o Danny Boy de Duffy bourdes o Erin ! OH Erin ! o o de sillage du père Murphy o Finnegan Galway Piper o la fille j'ai laissé derrière moi o a quelqu'un ici vu Kelly o je sais où je suis Irish Rover Goin ' o o Loch Lomond o o Molly Malone My Bonnie trouve au-dessus de l'océan o mon o Rose irlandais sauvage les rives du Amerikay o The Sons of Liberty o qui est un o berceuse irlandais lorsque irlandais Ey... / Instruments En C / 256 pages / Partition

Forty-four folk favourites including 'The Foggy, Foggy Dew', 'John Peel', 'Lincolnshire Poacher', 'The Blue Bells Of Scotland' and 'Loch Lomond'.Forty-four folk favourites, all in simple arrangements for piano, organ or electronic keybord. Includes The Foggy, Foggy Dew, John Peel, Lincolnshire Poacher, The Blue Bells Of Scotland and Loch Lomond. / Chant Et Guitare / 88 pages / Partition

Transcriptions from Buckley's Banjo Guide of 1868. Par TWISS TIM. Early American Banjo by Tim Twiss provides complete banjo tablature transcriptions of the instrumental solos that first appeared in standard notation in Buckley's Banjo Guide of 1868. This modern tablature edition of over 100 mid-19th century jigs, waltzes, polkas, hornpipes and reels provides insight to the transition between the African down-stroke technique, which preceded claw-hammer style and the newer, more refined plucking technique. James Buckley (1803 â' 1872), sometimes referred to as the 'Father of the Classical Banjo,â? was one of the most prolific transcribers of early banjo music. His compositions and arrangements were performed on the minstrel stage, andhis scholarly discipline produced a lasting record of banjo music of his era. This repertoire collection includes easy tunes as well as more complex pieces suited for the concert stage. The player will delight in discovering how fresh and unusual some of this music sounds, even todayâ'all in modern banjo tab. While best experienced on a period reproduction, gut-string fretless banjo in a lower tuning, any 5-string banjo in C tuning (gCGBD) may be used to interpret this collection. Includes access to online audio. Early American Banjo by Tim Twiss provides complete banjo tablature transcriptions of the instrumental solos that first appeared in standard notation in Buckley's Banjo Guide of 1868. Thismodern tablature edition of over 100 mid-19th century jigs, waltzes, polkas, hornpipes and reels provides insight to the transition between the African down-stroke technique, which preceded claw-hammer style and the newer, morerefined plucking technique. James Buckley (1803 and ndash - 1872), sometimes referred to as the and ldquo - Father of the Classical Banjo, and rdquo - was one of the most prolific transcribers of early banjo music. His compositions andarrangements were performed on the minstrel stage, and his scholarly discipline produced a lasting record of banjo music of his era. This repertoire collection includes easy tunes as well as more complex pieces suited for theconcert stage. The player will delight in discovering how fresh and unusual some of this music sounds, even today and ndash - all in modern banjo tab. While best experienced on a period reproduction, gut-string fretless banjo ina lower tuning, any 5-string banjo in C tuning (gCGBD) may be used to interpret this collection. Includes access to online audio. / Niveau : Intermédiaire à Avancé / Musique traditionnelle d'Amérique du Nord / Date parution : 2018-05-04/ Recueil / 5-String Banjo