from Grease. Par FARRAR JOHN. / Niveau : 3 / TV, Film, Comédie musicale / Répertoire / Concert Band ou Harmonie

New edition with completion by Christian Alexander of the young composer's first extended work- only the instrumental prelude was performed during Finzi's lifetime. The other three movements are settings of poems by John Masefield, Thomas Hardy and Wilfrid Wilson Gibson.Scored for baritone solo, small chorus (or SATB soli) and chamber orchestra, the wellspring of the Requiem's composition was the death, during active service in 1918, of Finzi's composition teacher, Ernest Farrar. The work may also be viewed as a metaphor - the permanence of the land, and a centuries-old pattern of rural life following the rhythm of the turning seasons, contrasted with the violent havoc and destructive dislocation wrought by war. A reflective and poignant work particularly suitable for performances commemorating the tragedy of World War I. / Baryton, Choeur Mixte Et Orchestre

This organ reduction is intended to use instead of the original orchestral accompaniment- it is compatible with new edition of Requiem da Camera by Christian Alexander (BH 12681). The organ reduction was done by Francis Jackson, doyen of English cathedral organists and titulaire at York Minster for 36 years.Jackson sympathetically recreates the chamber orchestra scoring for a three-manual organ. Ingeniously, the manual couplings (II to III, II and III to I) are unaltered throughout, with pedal coupled to manuals as appropriate. Detailed registrations are not indicated as these are best left to the performer, taking into account the unique circumstances of the particular instrument, size of choir and acoustic setting at each individual performance.The user-friendly landscape score includes at least one principal vocal line cued throughout, and a cappella choral passages are reproduced in full.Requiem da Camera was Finzi's first extended work- only the instrumental prelude was performed during his lifetime. The other three movements are settings of poems by John Masefield, Thomas Hardy and Wilfrid Wilson Gibson. Scored for baritone solo, small chorus (or SATB soli) and chamber orchestra, the wellspring of the Requiem's composition was the death, during active service in 1918, of Finzi's composition teacher, Ernest Farrar. The work may also be viewed as a metaphor - the permanence of the land, and a centuries-old pattern of rural life following the rhythm of the turning seasons, contrasted with the violent havoc and destructive dislocation wrought by war. A reflective and poignant work particularly suitable for performances commemorating the tragedy of World War I. / Baryton, Choeur Mixte Et Orchestre

This incredible saxophone book contains 60 pieces for saxophone, from well-known film themes, classical pieces, jazz and blues standards, to showtunes and popular hits. All of the pieces have been specially arranged for beginner to intermediate Alto Saxophone / Saxophone

This collection of Great Violin Solos contains sixty well known film themes, classical pieces, jazz and blues standards, showtunes and popular hits arranged for beginner to intermediate violinists. / Violon

Partitions pour duo. Jouable pour n'importe quel duo ou pour n'importe quel nombre d'instrument dans un ensemble. Arrangées par Michael Story. Niveau 1 à 4. / Alto

A generous bumper collection of the greatest songs ever to grace the silver screen, all arranged for Piano, Voice and Guitar. It is impossible to imagine Goldfinger without the huge, rich voice of Shirley Bassey, Midnight Cowboy without Nilsson's lilting country whisper, Alfie without the Pop/Jazz of Cilla Black and Sonny Rollins, and Easy Rider just would not be the same without Steppenwolf. The greatest film songs are synonymous with the movies they embellish, capable of lifting a scene from the screen and into our hearts and minds. These songs will forever evoke memories of our favourite characters and situations, long after the film has ended. Learn to play 100 of the greatest film songs ever written with this great-value songbook, packed to the limits with all the laughs, tears, memories and surprises of the movies - a guaranteed hit no matter what the occasion! / Piano/Vocal/Guitare (PVG)

Une collection de 26 popular tunes spécialement aménagé comme pièces courtes pour flûtistes de grades 2 à 3, avec une simple accomaniments de piano. Une occasion rêvée pour construire un répertoire de favoris tandis que toujours dans les premiers stades de l'apprentissage de l'instrument / Flûte Traversière / 72 pages / Partition

The Gig Book: Showtunes is jam packed with 85 classic songs by the biggest names in musical theatre. Presented in gig-friendly melody line arrangements with complete lyrics, chord symbols and Guitar chord boxes. / Mélodie/Vocal/Guitare (MVG)

The Legendary Series: Flute is a luxuriously presented, limited edition book featuring 100 fantastic pieces specially arranged for Flute. Reflecting the instrument's versatility, the music within The Legendary Series: Flute reflects contrasting performers such as Marcel Moyse, Herbie Mann and Ian Anderson and brings together legendary classical themes, jazz standards, show-tunes and timeless pop songs, all carefully arranged to suit the instrument. Alongside the beautifully presented repertoire is a selection of illustrations and commentaries on the lives of many celebrated flautists and composers. It should be noted that the chord symbols above the stave are written for an accompanying concert pitch instrument, i.e. Piano or Guitar. This is to allow the accompanist to read from the same score as the soloist. / Flûte