Par HAYDN FRANZ JOSEF. serie šEl Saxofón en los Clásicos› para la clase colectiva de conjunto instrumental.Transcripción y adaptación : Manuel Miján El objetivo de esta colección es dotar a los saxofonistas en general, y a los estudiante de saxofón en particular, de un material selecto que permita la comprensión y posterior profundización didáctica en los distintos estilos musicales con la particades propias e inherentes a cada uno de ellos./ Répertoire / Saxophone

Par CASTLE JOSEPH. Joseph Castle has compiled and edited 76 time-honored classic guitar solos, reflecting his comprehensive knowledge of the guitar and of music in general. Selections range in time from 1500 through the Romantic period. Composers include Mozart, Carcassi, Beethoven, Gluck, and many others. Standard notation only. / Niveau : Débutant à Intermédiaire / Classic - Solos / Recueil / Guitare Classique

for String Quartet op. 35a. Par SUK JOSEF. Josef Suk played second violin in the Bohemian String Quartet. Since 1914 the ensemble was obliged to perform the Austrian national anthem at the opening of every concert. Suk decided to supplement this obligatory piece with a work inspired by the ancient sacred Bohemian 'St. Wenceslas” hymn. The hymn's message - a plea for the well-being of the Czech people, directed at their patron saint - was immediately understood by the audience. The Bohemian String Quartet performed this single-movement Meditation for the first time on 27 September 1914 - the premiere of the version for string orchestra followed on 22 November 1914, played by the Czech Philharmonic. That same year the piece was published by Fr. A. Urbánek together with arrangements for piano and organ. This first Urtext edition, prepared by the Suk scholar Zdenek Nouza, is published in two scorings, one for string quartet (BA 9583 - study score TP 583) and another for string orchestra (BA 9584). The orchestral version differs in some details and has an added part for double bass. - First Urtext edition/ Répertoire / Quatuor à Cordes

Marchons, Marchons Gaiement, Joseph Tu Es Bien Joyeux. Par NICOLAS BERNADETTE. Deux titres de J-F Dandrieu (1682-1738) / Niveau : 1er Cycle / Répertoire / 3 Guitares

Following the composition of Harold En Italie for Viola and orchestra in 1834, Berlioz began work on the opera Benvenuto Cellini , which subsequently failed on its first performances at the Paris Opera in 1838. Berlioz withdrew the opera for substantial revision, and from some of the discharged material he later fashioned this Reverie Et Caprice (in versions both for Violin and orchestra and Violin and Piano). Dedicated to Berlioz's violinist friend Alexandre-Joseph Artot, the piece was quickly taken up by several celebrated violinists of the time, including David, Joachim and Wieniawski, and was played all over Europe. This new edition for Violin and Piano, by the musicologist and performer Neil Heyde, is based on the first edition of the score.

Arrangeur: Victor Lopez. Par DIAZ JOSE FERNANDEZ. Par Jose Diaz. Arrangé par Victor LopezJazz Expressions série - Grade II c'est un moyen idéal pour les étudiants à apprendre le style Latin cha-cha. Composition de Jose Diaz est basée sur la musique Afro-Cuban et arrangement de Victor Lopez illustre la clave de 2-3, le Latin cha cha et improvisation basée sur la progression.r de corde ii-V comprend des rythmes faciles, beaucoup d'ensemble et tuttis de section rythmique, plages accessibles et une section solo pour tous du vent et acteurs de la chaîne. Attendez, il y a plus... facultatives pour les flûte, clarinette, cor, Cor baryton et tuba. Même plus... de chaîne par violon (2), alto et violoncelle./ Recueil / Ensemble de Jazz (Conducteur et parties)

Par LEGAZA JOSE MARIA. Lettres de plusieurs auteurs une collection de oeuvres du compositeur prolifique de chanson Granada Jose Maria Legaza, tous présentés pour voix et Piano. Comprend une biographie du master en anglais et en espagnol./ Recueil / Piano, Chant et Guitare

Par LEZCANO JOSE MANUEL. Jose Manuel Lezcano composed the Key West Suite composed during an artist residency at the Studios of Key West. It is in three movements: Seven-Mile Bridge, Bolero del Atardecer, and Duval Street Stomp. Includes separate parts for both flute and guitar, in addition to a full score. / Date parution : 2022-11-29/ Répertoire / Flûte et Guitare

Harmonie-Messe.. Par HAYDN FRANZ JOSEF. Missa B-flat Major Hob. XXII:14 'Harmony Mass' Urtext from: Joseph Haydn Werke It is well known that Joseph Haydn wrote his late masses to the commission of his last employer, Prince Nicolaus II Esterhazy. The 'Harmoniemesse' is the last of these high masses all of which probably received their first performances in celebration of the name-day of Princess Maria Josepha Hermenegild, the prince's wife. The present work was given for the first time on 8 September 1802 in the Bergkirche at Eisenstadt, Haydn himself conducting. Haydn entitled his work simply 'Missa'. The work has acquired the name 'Harmoniemesse' by reason ofthe prominent parts given to the wind instruments ('Harmonie' being a contemporary name for a wind band); the nickname did not become established until the late nineteenth century. Full score and parts (BA4659), vocal score (BA4659-90) and study score format 22. 5 x 16. 5cm (TP97) available for sale./ Répertoire / Partition de Poche

Mass in Time of War. Par HAYDN FRANZ JOSEF. Haydn was in England, in 1795, when he received word from his new Prince, Nicolaus II Esterházy, that the Esterházy orchestra was to be reformed, and Haydn was to serve again as active Capellmeister. Prince Nicolaus II demanded little from his Capellmeister, except the usual routine of administration; but Haydn was to compose, every year, a new Mass for the name day of the Princess Josepha Maria, which was celebrated the Sunday afterwards in the Bergkirche at Eisenstadt. It is known that a new Haydn mass was performed before a packed congregation in the Piaristenkirche in Vienna on St. Stephen’s Day (26 December) 1796. The writer of these notes examined – when preparingthis edition – the music archives of the church, and found contemporary parts on the Missa in tempore belli in the church; and it seems certain that this (and not the Heiligmesse) was the work performed on that occasion, and thus also the work which Haydn had just finished and performed in Eisenstadt. Urtext from Joseph Haydn Werke Full score, parts (BA4652), vocal score (BA4652-90) and study score format 22. 5 x 16. 5cm (TP94) available for sale/ Répertoire / Partition de Poche