A chacun sa passion : pour le compositeur autrichien Joseph Haydn, c?est les perruques ! Il en a déjà une sacrée collection. Et celle qu?il vient de dénicher pourrait bien changer le cours de l?Histoire... / Enfance / Livre CD /

Violin 1-Based on the Henle Complete Edition of the Works of Joseph HaydnOrchestral parts in a large format (25.5 x 32.5 cm)Full score and orchestral parts available for saleHaydn's Symphonies no.90 91 and 92 were commissioned in 1788 by Prince Kraft Ernst von Oettingen-Wallerstein who was to be granted exclusive ownership. Haydn however first sold the works to the Parisian Masonic lodge Société Olympique and was thus unable to fulfil his obligation to send the autograph scores to the prince.Haydn's Symphony No.92 received its nickname ?Oxford? in the 19th century probably in connectionwith a performance that took place when the composer received an honorary doctorate from Oxford University in 1791.This edition continues the collaboration between Bärenreiter and the Henle publishing company regarding Haydn?s large-scale choral works operas and symphonies. It is based on the Henle Complete Edition of the Works of Joseph Haydn. Bärenreiter has published the complete performance material for several Sturm und Drang symphonies and all of the London and Paris symphonies.

Based on the Henle Complete Edition of the Works of Joseph HaydnOrchestral parts in a large format (25.5 x 32.5 cm)Full score and orchestral parts available for saleHaydn's Symphonies no.90 91 and 92 were commissioned in 1788 by Prince Kraft Ernst von Oettingen-Wallerstein who was to be granted exclusive ownership. Haydn however first sold the works to the Parisian Masonic lodge Société Olympique and was thus unable to fulfil his obligation to send the autograph scores to the prince.Haydn's Symphony No.92 received its nickname ?Oxford? in the 19th century probably in connectionwith a performance that took place when the composer received an honorary doctorate from Oxford University in 1791.This edition continues the collaboration between Bärenreiter and the Henle publishing company regarding Haydn?s large-scale choral works operas and symphonies. It is based on the Henle Complete Edition of the Works of Joseph Haydn. Bärenreiter has published the complete performance material for several Sturm und Drang symphonies and all of the London and Paris symphonies.

Violoncello-Based on the Henle Complete Edition of the Works of Joseph HaydnOrchestral parts in a large format (25.5 x 32.5 cm)Full score and orchestral parts available for saleHaydn's Symphonies no.90 91 and 92 were commissioned in 1788 by Prince Kraft Ernst von Oettingen-Wallerstein who was to be granted exclusive ownership. Haydn however first sold the works to the Parisian Masonic lodge Société Olympique and was thus unable to fulfil his obligation to send the autograph scores to the prince.Haydn's Symphony No.92 received its nickname ?Oxford? in the 19th century probably in connectionwith a performance that took place when the composer received an honorary doctorate from Oxford University in 1791.This edition continues the collaboration between Bärenreiter and the Henle publishing company regarding Haydn?s large-scale choral works operas and symphonies. It is based on the Henle Complete Edition of the Works of Joseph Haydn. Bärenreiter has published the complete performance material for several Sturm und Drang symphonies and all of the London and Paris symphonies.

Mass for Mariazell-Missa Cellensis Hob.XXII:8 'Mass for Mariazell'Urtext: J. Haydn Werke Henle Verlag Score containing alsoMissa brevis Sti Joannis de Deo (Little Organ Mass) (Hob.XXII:7)Missa in Tempore Belli (Pauken Mass) (Hob.XXII:9)Missa Sti Bernardi von Offida (Heilig Mass) (Hob.XXII:10)Appendix: Inter alia the version of the Gloria from (Hob.XXII:7) from Michael HaydnIn March 1781 one of Haydn’s friends Anton Liebe a member of an old and distinguished Austrian military family was raised to the nobility. He seems to have asked his friend Joseph Haydn to write a festive “thankoffering” in the form of a Mass for the famous pilgrimage church of Mariazell in Styria. Haydn began the work in 1782 and recently the original parts to the Missa Cellensis were found in the organ loft of the splendid baroque church at Mariazell.Haydn’s “Mariazellermesse” has always been one of his most popular works. The “Volkstümlichkeit” (which one might translate as “down to-earthiness”) the miraculous fusion of polyphonic forms with the language and form of the Vienna classical school – note that the Kyrie is in sonata form with shortened recapitulation and coda – the brilliant orchestration to which the trumpets and drums contribute so much festive joyousness: all these have won the hearts of audiences everywhere whenever the Mass was given.- Urtext from Joseph Haydn Werke- Full score parts and vocal score available for sale

Mass for Mariazell-Missa Cellensis Hob.XXII:8 'Mass for Mariazell'Urtext: J. Haydn Werke Henle Verlag Score containing alsoMissa brevis Sti Joannis de Deo (Little Organ Mass) (Hob.XXII:7)Missa in Tempore Belli (Pauken Mass) (Hob.XXII:9)Missa Sti Bernardi von Offida (Heilig Mass) (Hob.XXII:10)Appendix: Inter alia the version of the Gloria from (Hob.XXII:7) from Michael HaydnIn March 1781 one of Haydn’s friends Anton Liebe a member of an old and distinguished Austrian military family was raised to the nobility. He seems to have asked his friend Joseph Haydn to write a festive “thankoffering” in the form of a Mass for the famous pilgrimage church of Mariazell in Styria. Haydn began the work in 1782 and recently the original parts to the Missa Cellensis were found in the organ loft of the splendid baroque church at Mariazell.Haydn’s “Mariazellermesse” has always been one of his most popular works. The “Volkstümlichkeit” (which one might translate as “down to-earthiness”) the miraculous fusion of polyphonic forms with the language and form of the Vienna classical school – note that the Kyrie is in sonata form with shortened recapitulation and coda – the brilliant orchestration to which the trumpets and drums contribute so much festive joyousness: all these have won the hearts of audiences everywhere whenever the Mass was given.- Urtext from Joseph Haydn Werke- Full score parts and vocal score available for sale

Mass for Mariazell-Missa Cellensis Hob.XXII:8 'Mass for Mariazell'Urtext: J. Haydn Werke Henle Verlag Score containing alsoMissa brevis Sti Joannis de Deo (Little Organ Mass) (Hob.XXII:7)Missa in Tempore Belli (Pauken Mass) (Hob.XXII:9)Missa Sti Bernardi von Offida (Heilig Mass) (Hob.XXII:10)Appendix: Inter alia the version of the Gloria from (Hob.XXII:7) from Michael HaydnIn March 1781 one of Haydn’s friends Anton Liebe a member of an old and distinguished Austrian military family was raised to the nobility. He seems to have asked his friend Joseph Haydn to write a festive “thankoffering” in the form of a Mass for the famous pilgrimage church of Mariazell in Styria. Haydn began the work in 1782 and recently the original parts to the Missa Cellensis were found in the organ loft of the splendid baroque church at Mariazell.Haydn’s “Mariazellermesse” has always been one of his most popular works. The “Volkstümlichkeit” (which one might translate as “down to-earthiness”) the miraculous fusion of polyphonic forms with the language and form of the Vienna classical school – note that the Kyrie is in sonata form with shortened recapitulation and coda – the brilliant orchestration to which the trumpets and drums contribute so much festive joyousness: all these have won the hearts of audiences everywhere whenever the Mass was given.- Urtext from Joseph Haydn Werke- Full score parts and vocal score available for sale

Harmony Mass-Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph Haydn WerkeIt is well known that Joseph Haydn wrote his late masses to the commission of his last employer Prince Nicolaus II Esterhazy. The 'Harmoniemesse' is the last of these high masses all of which probably received their first performances in celebration of the name-day of Princess Maria Josepha Hermenegild the prince's wife. The present work was given for the first time on 8 September 1802 in the Bergkirche at Eisenstadt Haydn himself conducting.Haydn entitled his work simply 'Missa'. The work has acquired the name 'Harmoniemesse' by reasonof the prominent parts given to the wind instruments ('Harmonie' being a contemporary name for a wind band); the nickname did not become established until the late nineteenth century.Full score and parts (BA4659) vocal score (BA4659-90) and study score format 22.5 x 16.5cm (TP97) available for sale.

Harmony Mass-Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph Haydn WerkeIt is well known that Joseph Haydn wrote his late masses to the commission of his last employer Prince Nicolaus II Esterhazy. The 'Harmoniemesse' is the last of these high masses all of which probably received their first performances in celebration of the name-day of Princess Maria Josepha Hermenegild the prince's wife. The present work was given for the first time on 8 September 1802 in the Bergkirche at Eisenstadt Haydn himself conducting.Haydn entitled his work simply 'Missa'. The work has acquired the name 'Harmoniemesse' by reasonof the prominent parts given to the wind instruments ('Harmonie' being a contemporary name for a wind band); the nickname did not become established until the late nineteenth century.Full score and parts (BA4659) vocal score (BA4659-90) and study score format 22.5 x 16.5cm (TP97) available for sale.

Harmony Mass-Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph Haydn WerkeIt is well known that Joseph Haydn wrote his late masses to the commission of his last employer Prince Nicolaus II Esterhazy. The 'Harmoniemesse' is the last of these high masses all of which probably received their first performances in celebration of the name-day of Princess Maria Josepha Hermenegild the prince's wife. The present work was given for the first time on 8 September 1802 in the Bergkirche at Eisenstadt Haydn himself conducting.Haydn entitled his work simply 'Missa'. The work has acquired the name 'Harmoniemesse' by reasonof the prominent parts given to the wind instruments ('Harmonie' being a contemporary name for a wind band); the nickname did not become established until the late nineteenth century.Full score and parts (BA4659) vocal score (BA4659-90) and study score format 22.5 x 16.5cm (TP97) available for sale.

Haydn?s Symphony in C major Hob. I: 90 dated 1788 in the autograph belongs to a group of works that he composed between the Paris symphonies (Hob. I: 82 87) and the London symphonies (Hob. I: 93 104). It thus belongs to the last symphonies he wrote before his journeys to England in 1791 92 and 1794 95. Continuing the collaboration between Bärenreiter and the G. Henle publishing company regarding Haydn's large-scale choral works operas and symphonies this edition is based on the G. Henle Complete Edition of the Works of Joseph Haydn. With Symphony No. 90 Bärenreiter has now published the complete performance material for all the symphonies from Nos. 82 to 104 aswell as several Sturm und Drang symphonies.Based on the G. Henle Complete Edition of the Works of Joseph HaydnOrchestral parts in a large format (25.5 x 32.5 cm)Full score and parts (BA10981) available for sale

The Seven Last Words of Christ Hob. XX/1B-When Haydn stopped in Passau on his second journey to England he heard a vocal version of his own orchestral work The Seven Last Words. It had been made by the Kapellmeister at Passau cathedral Joseph Friebert and Haydnwas quite impressed except: 'I believe I could have done the voice parts better'. He acquired a copy and set about making his own vocal version taking over most of the text. Haydn particularly liked his own vocal work and itwas also enthusiastically received by his contemporaries. The study edition is based on the volume (HN 5822) published as part of the Complete Edition by the Joseph Haydn Institute in Cologne.

Haydn?s Symphony in C major Hob. I: 90 dated 1788 in the autograph belongs to a group of works that he composed between the Paris symphonies (Hob. I: 82 87) and the London symphonies (Hob. I: 93 104). It thus belongs to the last symphonies he wrote before his journeys to England in 1791 92 and 1794 95. Continuing the collaboration between Bärenreiter and the G. Henle publishing company regarding Haydn's large-scale choral works operas and symphonies this edition is based on the G. Henle Complete Edition of the Works of Joseph Haydn. With Symphony No. 90 Bärenreiter has now published the complete performance material for all the symphonies from Nos. 82 to 104 aswell as several Sturm und Drang symphonies.Based on the G. Henle Complete Edition of the Works of Joseph HaydnOrchestral parts in a large format (25.5 x 32.5 cm)Full score and parts (BA10981) available for sale

Haydn?s Symphony in C major Hob. I: 90 dated 1788 in the autograph belongs to a group of works that he composed between the Paris symphonies (Hob. I: 82 87) and the London symphonies (Hob. I: 93 104). It thus belongs to the last symphonies he wrote before his journeys to England in 1791 92 and 1794 95. Continuing the collaboration between Bärenreiter and the G. Henle publishing company regarding Haydn's large-scale choral works operas and symphonies this edition is based on the G. Henle Complete Edition of the Works of Joseph Haydn. With Symphony No. 90 Bärenreiter has now published the complete performance material for all the symphonies from Nos. 82 to 104 aswell as several Sturm und Drang symphonies.Based on the G. Henle Complete Edition of the Works of Joseph HaydnOrchestral parts in a large format (25.5 x 32.5 cm)Full score and parts (BA10981) available for sale