[Konzert für Cembalo d-moll BWV 1052 (Nr. 1)] / Classique / Editeur : Werner Breig / Partition / Agrafé /

Par HINDEMITH PAUL. These canons now published for the first time document Hindemith's fondness of composing little parodistic works with a wink on certain occasions. More than 30 artistic postcard-sized works were written by the composer. In strict counterpoint, he used them to convey season's greetings, congratulations on birthdays and anniversaries, and thanks to friends, colleagues and cultural institutions. Some of these witty and entertaining pieces have been released on recordings several times, but they have not been available in printed editions yet. Our first edition now enables every choir and every small singing group to find a canon of the appropriate level of difficulty and perform it on many occasions with great success with the audience./ Répertoire / Choeur a Cappella

[Konzert für Klavier und Orchester B-Dur KV 238 (Nr. 6)] / Classique / Editeur: Marius Flothuis / Réduction piano : Dougl / Partition / Agrafé /

Of the violin concertos by Belgian composer and violinist Jean Baptiste Accolay the first in A minor has become a poular audition piece under the title 'Concertino I'. This single-movement work is appealing and effective but not too difficult. As a 'student concerto' it has established itself in secondary-school teaching as well as in international competitions such as 'Jugend Musiziert' in Germany.Als „Schülerkonzert“ hat es sich im Mittelstufenunterricht wie auch bei internationalen Wettbewerben etabliert so in Deutschland bei „Jugend musiziert“.Die Violinpädagogin Franziska Matz die bereits mehrere Schülerkonzertein der Edition Peters vorgelegt hat hat ihre langjährige Unterrichtserfahrung auch in diese Ausgabe einfließen lassen. Bei der Einrichtung der Violinstimme wurde besonderes Augenmerk auf praktikables Umblättern gelegt.

[Konzert für Klavier und Orchester Nr. 1 C-Dur Opus 15] / Classique / Editeur : Hans-Werner Küthen / Réduction piano : H / Partition / Broché /

[Die Klavierkonzerte] / Classique / Editeur : Hans-Werner Küthen / 5 partitions de poche en coffret / Broché / Edition Urtext

KV 447. Par MOZART WOLFGANG AMADEUS. / Niveau : Avancé / Répertoire / Cor et Piano

Für Violine und Orchester Op. 64-Mendelssohn’s Violin Concerto op. 64 is a key work of the 19th century adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David who worked closely with the composer during its composition and played it at the premi?re; the ‘child prodigy’ Joseph Joachim; and Hubert L?onard a young Belgian virtuoso about whom little is known.As proof sheets for the Violin Concerto in E minor were long considered lost it could be described as somewhat of a sensation when proofs for the soloviolin part resurfaced together with a letter from Mendelssohn to L?onard.The letter informs us that the composer invited L?onard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to L?onard.The recently discovered proofs reveal how L?onard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering they also show how L?onard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.It is safe to assume that all of this was done with Mendelssohn’s approval. That the young violinist made a positive impression on the composer is confirmed in the latter’s correspondence following their joint performance. Mendelssohn is full of praise for L?onard’s playing and offers to lend his support in finding employment in Germany.This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice.The editor Clive Brown is an acknowledged expert on Romantic performance practice.- New source situation owing to recently rediscovered proofs- Revised Urtext edition- With a separate booklet on performance practice (BA9060) (Eng/Ger)- Full score in the revised early and late (popular) versions (BA9099)

Strings and Basso continuo No.4 in G and No.6 in D.-1-4 Konzert Nr. 4 - Siciliana5-8 Nr. 4 - Allegro9-12 Konzert Nr. 6 - Allegro13-16 Nr. 6 - Siciliana

Für Klavier und Orchester-Johann Joseph Rösler (1771 1812) was a composer conductor and pianist who was active in Prague and Vienna. Later he was in the service of Prince Franz Joseph von Lobkowitz. His Piano Concerto No. 2 in E-flat major of 1803 is a fitting companion to the piano concertos of Beethoven; indeed his first Piano Concerto in D major was mistakenly attributed to Beethoven until 1925.Now Rösler?s second Piano Concerto is appearing in print for the first time. This is due to editor Alena Hönigová discovering and identifying an autograph score which is the only preserved source in the Prague Conservatory archive. In this Urtext edition Hönigová takes into account the distinctivefeatures of Rösler?s handwriting and the division of parts in the score as befits the performance practice of his day.

[Konzert für Klavier und Orchester Nr. 3 c-moll Opus 37] / Classique / Editeur : Hans-Werner Küthen / Réduction piano : H / Partition / Broché /

Le groupe réunit tous les cadences traditionnelles de concertos de Beethoven et contributions à: Concertos Nos propres à 1-4 pour la transmission de piano du Concerto pour violon op 61 et concerto en ré mineur de Mozart, K. 466 Ils provenaient certainement pas pour leur propre usage, car Beethoven improvisation était légendaire. Ont montré qu'ils sont susceptibles d'être laisser les étudiants et les partisans archiduc Rodolphe d'Autriche, à la bibliothèque pendant le compositeur restés autographes inédites ont été conservés pendant des décennies. Notre sortie prend le score de l'édition complète de Beethoven, dont le contenu a été mis à jour et réorganisé. / Piano